BB and S Lights Quarantine short: We Can Go On

Date: 01/10/2020
BB and amp;S Lights Quarantine short: We Can and rsquo;t Go On

Amanda Dreschler and Michael Livingston didn’t let a detour like the COVID-19 pandemic shunt their creativity. Just the opposite— they channeled their isolation experience into inspiration and pulled out the stops—writing a script, learning the majority of crew positions, and sharpened their directing, acting and editing skills. Plus they got by with a little help from their friends— all remote, all COVID safe.

Together they wrote the script mirroring the very personal emotional and physical experiences they were undergoing, measured with a healthy dose of creative expression that adds an undertow of mystery that really keeps the 19-minute story moving.

They made the most of their own “natural resources” using their Hollywood rooftop apartment as the location. A call to Michael Valinsky nabbed their long-time friend as Executive Producer and he in turn reached out to legendary Steadicam operator, turned DP, Dan Kneece, and they had their cinematographer. Michael Bravin at Canon added a new Canon C300 MKII and Sumire primes that they called a “godsend”.

The previous year, Kneece had used the new BB&S Area 48 Color on a soon to be released indie film, so he was happy when BB&S again made the lights available. “The BB&S Area 48 Color was definitely our main light,” says Livingston, “We used it in almost every scene. Even in those that were primarily natural daylight, we almost always had the Area 48 bouncing for some extra fill. We shot against bright windows in full daylight for the workout scene at the beginning of the film. The Area 48 gave enough power to bring up the exposure in the apartment close to the exterior so we didn’t blow out our windows.”

“The colors on the Area 48 were stunning and essential in getting the neon look of the film. We would never have been able to achieve the bright colored sequences with gels. In our lava lamp scene we were able to tune the colors to an almost exact match with our lava lamp and dim it down to look as if the lamp cast a glow on our faces. Without the Area 48 we wouldn’t have been able to fine-tune that scene the way we did.” Kneece concurred, “The power, versatility and flexibility of this light is incredible. It has the adjustability to match almost any other colored source.”

Matching was important to Livingston who was co-directing, working camera and editing. “The Rotolights can roll through daylight to tungsten, but they don’t have the color range of the Area 48. The BB&S lights had such precise controls we were always able to match the Rotolights. The green shift control for the daylight was also very helpful. Our apartment windows have a slight green tint to them, and we were able to match that light with the Area 48.

Although Dan was in Marina Del Rey while Amanda and Michael were across town, the team safely moved forward remotely without missing a beat. “The waveform was a saving grace as we bounced the signal over two laptops so we could collaborate”, says Kneece. “By pointing Michael’s laptop at the production monitor, working on this film didn’t seem much different that other films when you’re working from video village on a normal set. The process actually worked really well.”

Small team or not, the goal was to get a high-end look. Peering into the psychological states of the characters called for numerous close-ups especially on the co-director/lead character, played by Amanda Dreschler. Capturing her gossamer complexion has been a challenge on many of their films. “We’re always experimenting with different make up, different lighting,” explains Michael. “This time around we found it very easy to get good beauty shots with the Area 48. The quality of light that comes from it is so soft, especially with the soft box, it gave a very luminescent quality to our close ups. With Dan’s help we lit the scene the way it needed to look, and the light just bounced beautifully off her skin—it did all the work for us.

The lava lamp scene was critical. Kneece explains, “Lava lamps by nature are not the most precise light sources so thank goodness the Area 48 Color is. We were able to match the lava lamp perfectly and use the Rotolight to make up the difference with a bit of gel. The trickiest part was positioning the camera, lights and actors so they were attractively lit and photographed without shadowing them from the fixture or getting unwanted light on the lava lamp or their faces. It was a very precise shot to make work.”

“The color grade also helped bring everything out to its full potential”, adds Livingston, “but the ultra soft Canon Sumire lenses and the Area 48 is an A+ combination. If you’re looking for good beauty work it certainly gets Amanda’s seal of approval.

They also selectively used harder LED lights. Livingston says, “The Force-7 is a beast of a light but highly controllable so it was great for our shooting limitations. To create the spotlight in our singing set up we had it behind the camera pretty far back from the set (as far as we could manage in our apartment!) and were able to get a perfect circle on our backdrop. It also acted as a backlight in the sequence where Amanda is dressed up as the raven. We could spot it down to a pinpoint and get a perfect kick on the back of her hair and feathers. It was subtle, but it’s the details that make all the difference.”

“The Compact Beamlight was fantastic, especially under shooting conditions where we didn’t have any crew or a lot of space. It was perfect for hair lights and came in handy anywhere else we needed a kick. One set up in particular was for the finale which Livingston calls the “floating iPhone key shot,” explaining, “We used the CBL-1 as a rim to simulate the sunset glinting off of the phone on our white screen. Using the dimming control we were able to be very precise about the amount specular highlight we were getting.”

Dan Kneece has been on the set of literally hundreds of films, big and small. His response to the first one filmed in quarantine? “As beautiful as this movie is, it was all done in a practical apartment using house power and we didn’t blow a breaker once. Amazing really.”

We Can’t Go On, written, directed, and starring Amanda Dreschler and Michael A. Livingston was shot and completed during the 2020 Covid-19 quarantine. View it at: https://vimeo.com/447406368



Tags: BB&S Lighting | BB&S | Lighting | local 728 | lighting design | light | cinematography | digital cinematography | director of photography | cinema | commercial | music video | phosphor lighting | led | lightbridge | pipelines | area 48 | Lumix S1H | reflector | cine | produc
Submitted by Susan Lewis (Lewis Communications)
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    TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

  • TSL Products at IBC 2013

    TSL Products at IBC 2013

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • SIS LIVE and their products ManPak and DriveForce at IBC 2013

    SIS LIVE and their products ManPak and DriveForce at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Telestream with Post Producer at IBC 2013

    Telestream with Post Producer at IBC 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • TSL Products at BVE 2013

    TSL Products at BVE 2013

  • TSL Products at IBC 2012

    TSL Products at IBC 2012

  • Creating Broadcast Quality Live Streams for Social Media

    Creating Broadcast Quality Live Streams for Social Media

  • Equipping The Next Generation From University to the Media World

    Equipping The Next Generation From University to the Media World

  • K-tek Stingray range shown at NAB 2019

    K-tek Stingray range shown at NAB 2019

  • PAM-IP and ST-2110 support from TSL at NAB 2018

    PAM-IP and ST-2110 support from TSL at NAB 2018

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • Calrec at BVE 2017

    Calrec at BVE 2017

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • BBright at IBC 2015

    BBright at IBC 2015

  • NewTek at IBC 2015

    NewTek at IBC 2015

  • Tektronix at IBC 2015

    Tektronix at IBC 2015

  • Brainstorm Multimedia at BVE 2015

    Brainstorm Multimedia at BVE 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • PlayBox at BVE 2015

    PlayBox at BVE 2015

  • Thomson Broadcast at IBC 2014

    Thomson Broadcast at IBC 2014

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • NAB 2014

    NAB 2014

  • Atomos Samurai Blade at BVE 2014

    Atomos Samurai Blade at BVE 2014

  • Atomos Ronin at BVE 2014

    Atomos Ronin at BVE 2014

  • Atomos Ninja Blade at BVE 2014

    Atomos Ninja Blade at BVE 2014

  • Ross Video at BVE 2014

    Ross Video at BVE 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Grass Valley at BVE 2014

    Grass Valley at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

    Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

  • Guntermann and Drunck on BroadcastShow LIVE at IBC 2013

    Guntermann and Drunck on BroadcastShow LIVE at IBC 2013

  • Nexidia QC on BroadcastShow LIVE at IBC 2013

    Nexidia QC on BroadcastShow LIVE at IBC 2013

  • Atomos with the Ronin on BroadcastShow LIVE at IBC 2013

    Atomos with the Ronin on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Volicon on BroadcastShow LIVE at IBC 2013

    Volicon on BroadcastShow LIVE at IBC 2013

  • Sound Devices on BroadcastShow LIVE at IBC 2013

    Sound Devices on BroadcastShow LIVE at IBC 2013

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • Cobham on BroadcastShow LIVE at IBC 2013

    Cobham on BroadcastShow LIVE at IBC 2013

  • Sound Devices PIX260i Recorder at IBC 2013

    Sound Devices PIX260i Recorder at IBC 2013

  • Aframe Cloud Video at IBC 2013

    Aframe Cloud Video at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Telestream with Wirecast version five at IBC 2013

    Telestream with Wirecast version five at IBC 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Pixel Power at NAB 2013

    Pixel Power at NAB 2013

  • Guntermann and Drunck GmbH at NAB 2013

    Guntermann and Drunck GmbH at NAB 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • Autocue at BVE North 2012

    Autocue at BVE North 2012

  • Miranda at NAB 2012

    Miranda at NAB 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Autocue at NAB 2012

    Autocue at NAB 2012

  • Ross Video at BVE North 2011

    Ross Video at BVE North 2011

  • SGO at IBC2011

    SGO at IBC2011


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News
Triveni Digital Wins Prestigious Award From the NAB for StreamScope Combo Analyzer Posted: 21/10/2020
Triveni Digital Wins Prestigious Award From the NAB for StreamScope Combo Analyzer

Triveni Digital today announced that its StreamScope® Combo Analyzer has won the NAB Product of the Year Award, one of media industry's most prestigious achievements recognizing technology innovation. As the only solution on the market today that supports simultaneous analysis of ATSC 1.0 and ATSC 3.0 streams, the StreamScope Combo Analyzer enables broadcasters to understand and troubleshoot both ATSC 1.0 and ATSC 3.0 transmissions as they enter the next frontier of digital television.

Tags: Triveni Digital | Award | NAB | StreamScope | 2020 NAB Show
Submitted by 202 Communications
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SDVI Hires Andy Brinck as Vice President of Sales Operations and Alliances Posted: 21/10/2020
SDVI Hires Andy Brinck as Vice President of Sales Operations and Alliances

SUNNYVALE, Calif. — Oct. 20, 2020 — SDVI, the industry's leading supplier of cloud-native media supply chain solutions, today announced that Andy Brinck has joined the company as vice president of sales operations and alliances. In this new role at SDVI, Brinck will focus on optimizing the efficiency of the sales organization and on expanding and strengthening relationships with media supply chain and cloud partners for the

SDVI, the industry's leading supplier of cloud-native media supply chain solutions, today announced that Andy Brinck has joined the company as vice president of sales operations and alliances. In this new role at SDVI, Brinck will focus on optimizing the efficiency of the sales organization and on expanding and strengthening relationships with media supply chain and cloud partners for the SDVI Rally cloud-native media supply chain platform.

SDVI Rally cloud-native media supply chain platform.

Tags: SDVI | Hire | Andy Brinck | Vice | President | Sales | Operations
Submitted by Wall Street Communications
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Black Box Offers NEC UNIVERGE BLUE CLOUD SERVICES Posted: 21/10/2020
Black Box Offers NEC UNIVERGE BLUE CLOUD SERVICES

Black Box, a global solutions integrator, today announced that it is now offering the complete suite of UNIVERGE® BLUE CLOUD SERVICES from NEC Corporation of America. By adding these solutions, Black Box is addressing business' ever-increasing and evolving requirements to support remote, geographically dispersed workforces. The company, long known for its highly skilled, hands-on global team of technical experts, can help organizations plan, deploy and manage the new solutions whether they have one site, hundreds of sites or even thousands of remote workers.

Tags: Black Box | NEC | UNIVERGE | Blue | Cloud | Services | Integration
Submitted by Wall Street Communications
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During 50th Anniversary Celebration, FOR-A Invites Video Professionals to Find Your Next Innovation Posted: 21/10/2020
During 50th Anniversary Celebration, FOR-A Invites Video Professionals to and lsquo;Find Your Next Innovation and rsquo;

FOR-A Company Limited, the parent company of FOR-A Corporation of America, is celebrating its 50th year in business this month. Through its new slogan, FOR-A is inviting broadcast and video professionals to “Find Your Next Innovation” during its yearlong celebration. The company has also updated the for-a.com website to highlight the milestone and provide easier navigation for visitors.

Tags: FOR-A | live production | 4K | 8K | 12G-SDI | video switcher | signal processor | multi-viewer | CG
Submitted by Pipeline Communications
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Peter Wharton Joins TAG Video Systems as Director, Corporate Strategy Posted: 21/10/2020
Peter Wharton Joins TAG Video Systems as Director, Corporate Strategy

TAG Video Systems, the world leader in integrated software-based IP Probing, Monitoring and Multiviewer solutions, has announced that Peter Wharton has been named Director, Corporate Strategy for the Company’s global operations. Wharton, an industry veteran with deep roots in transformative cloud-based media operations joins TAG on a permanent basis following two years working with the Company as a consultant. Kevin Joyce, Chief Zer0 Friction Officer, revealed details of the appointment noting that Wharton’s technical capabilities combined with his market knowledge played a pivotal role in opening TAG’s platform to new applications and increasing the Company’s international market share.

Tags: TAG Video Systems | Multiviewers | Multiviewer technologies | Webinar | 100% SW | 100% IP | 100% COTS/Cloud | Probing | Monitoring | IP-Based Webinar | Zer0 Friction | TAG | TAG VS | Kevin Joyce | Paul Briscoe | Peter Wharton
Submitted by Desert Moon
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EditShare Cloud Editing Innovation Wins 2020 NAB Show Product of the Year Award Posted: 21/10/2020
EditShare Cloud Editing Innovation Wins 2020 NAB Show Product of the Year Award

EditShare®, a technology leader that specializes in collaboration, security, and intelligent storage solutions for media creation and management, has been selected as a winner in the 2020 NAB Show Product of the Year Award competition. EditShare’s EFSv cloud platform has been recognized in the Cloud Computing and Virtualization category for its seamless proxy editing. capabilities, which have transformed the economics and user experience of editing in the cloud.

Tags: EditShare | EFSv | NAB Product of the Year
Submitted by Zazil Media Group
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NUGEN Audio Releases Paragon Posted: 21/10/2020
NUGEN Audio Releases Paragon

NUGEN Audio announces the latest addition to its software lineup – Paragon. The world’s first 3D-compatible convolution reverb, Paragon offers full control of the decay, room size and brightness via state-of-the-art re-synthesis modelled on 3D recordings of real spaces. It also provides an unprecedented level of tweak-ability, with zero time-stretching – which means no artifacts. Additionally, Paragon features spectral analysis and precise EQ of the Impulse Responses (IR).

Tags: NUGEN Audio | NUGEN Paragon | Paragon Reverb
Submitted by NUGEN Audio
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VUALTO maintains growth amid challenging market conditions Posted: 21/10/2020
VUALTO maintains growth amid challenging market conditions

VUALTO, a leading live and on-demand video streaming and DRM provider, has announced positive YOY growth figures for the first half of the year, showing continued commitment to its expansion strategy during what has been a challenging period for the industry. This follows a successful consolidation of its portfolio to three key products, VCH (VUALTO CONTROL HUB), VUDRM and CLIP2VU, streamlining its offering and enhancing the value it can provide to customers.

Tags: VUALTO | Video | Streaming | Growth | DRM
Submitted by Whiteoaks
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CTERA Sets the Bar for the Multi-Cloud Global File System Posted: 21/10/2020
CTERA Sets the Bar for the Multi-Cloud Global File System

CTERA, the edge-to-cloud file services leader, today released version 7.0 of its Enterprise File Services Platform, delivering ultra-fast edge-to-cloud synchronisation, secure geo-segmentation, embedded antivirus, and built-in data discovery and migration from legacy file storage. The release sets a new bar for multi-cloud global file systems, offering the most feature-rich, fast, and secure platform in the industry.

Tags: CTERA | multi-cloud | global file system | remote work | work from home | distributed workforce
Submitted by A3 Communications
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Viaccess-Orca and Anevia Host Webinar on Building a Future-Proof OTT Service Posted: 20/10/2020
Viaccess-Orca and Anevia Host Webinar on Building a Future-Proof OTT Service

Viaccess-Orca (VO), a global leader providing OTT and TV platforms, content protection, and advanced data solutions, announced today a new webinar with Anevia, a leading OTT and IPTV software provider of innovative multiscreen solutions for the delivery of live TV, streaming video, time-shifted TV, and video-on-demand services.

Tags: Viaccess-Orca | Anevia | Webinar | OTT | IPTV
Submitted by Dundee Hills Group
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Actus Digital Addresses Rapid Growth in North America With New Sales Hire Posted: 20/10/2020
Actus Digital Addresses Rapid Growth in North America With New Sales Hire

Actus Digital, a leading provider of broadcast compliance and monitoring solutions, today announced that it has appointed Ken Dillard as vice president of sales and marketing for North America. Adding Dillard, an experienced sales leader, to the Actus Digital U.S. office strengthens the company's ability to meet the needs and challenges of its rapidly growing U.S. customer base. He will play a critical role in securing new strategic partnerships, maintaining customer relationships, and ultimately expanding the company's sales growth in North America.

Tags: Actus Digital | Hire | Ken Dillard | Sales | Marketing
Submitted by 202 Communications
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New Dalet Brio IP Capabilities Enable Media Companies to Adapt Faster to Modern Production Environments and Protocols Posted: 20/10/2020
New Dalet Brio IP Capabilities Enable Media Companies to Adapt Faster to Modern Production Environments and Protocols

Dalet, a leading provider of solutions and services for broadcasters and content professionals, is providing media companies a smooth transition path to full IP production workflows with the latest version of its SMPTE ST 2110 compliant Dalet Brio ingest and playout platform. Offering maximum flexibility for creating and delivering programs and content across transitioning infrastructures, Dalet Brio 3.21 supports greater density with more ingest and playout streams, making it even easier and faster for companies to migrate operations to IP without disrupting existing workflows that still rely on SDI. IT administrators who manage media infrastructure will appreciate the ease of configuration, expansive codec support and approach to managing dual standards without compromising features or migration to full IP. The feature-rich IP capabilities with simultaneous support for SDI bring business and operational stakeholders greater flexibility when producing, managing and distributing content on-premises or in the cloud.

Tags: Dalet
Submitted by Zazil Media Group
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AMC Networks International UK selects Globecast for 21-channel EMEA playout and distribution solution Posted: 20/10/2020
AMC Networks International UK selects Globecast for 21-channel EMEA playout and distribution solution

Globecast, the global solutions provider for media, has announced that AMC Networks International – UK (AMCNI UK), based in London, UK, has selected Globecast to provide comprehensive playout and distribution services for its EMEA roster of 21 channels. AMCNI UK is a new customer for Globecast.

Tags: Globecast | broadcast | payout | distribution | cloud | IP | AMC
Submitted by Jump PR
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Media Links Showcases 100G IP Eco-System at Virtual NAB NY 2020 Posted: 19/10/2020
Media Links Showcases 100G IP Eco-System at Virtual NAB NY 2020

Media Links, manufacturer, and pioneer in Media over IP transport technology, announces that it will be showcasing its 100G Eco-system at the upcoming virtual NAB NY show, held from October 19-29, 2020.

Tags: NAB NY | Media Links | Media over IP | 100G to the edge | 100G for bandwidth | 100G video transport
Submitted by Media LInks
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Grass Valley Appoints Del Parks as Chair of GVX Customer Council Posted: 19/10/2020
Grass Valley Appoints Del Parks as Chair of GVX Customer Council

Grass Valley today announces that Sinclair Broadcast’s Del Parks has been appointed as chair of GVX, its customer council made up of globally recognized media technology leaders from some of the largest and most innovative media brands in the industry. Parks, an award-winning and respected technology executive, has helped build Sinclair Broadcast Group into one of the largest content creators and distributors in the U.S. Parks will lead the customer group to drive Grass Valley’s efforts to move media technology innovation forward and deliver solutions that match the challenges facing today’s content producers and distributors. He is EVP and CTO at Sinclair Broadcast Group and a Fellow of The Society of Motion Picture and Television Engineers (SMPTE).

Tags: Grass Valley
Submitted by Platform Comms
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