BB and S Lights Quarantine short: We Can Go On

Date: 01/10/2020
BB and amp;S Lights Quarantine short: We Can and rsquo;t Go On

Amanda Dreschler and Michael Livingston didn’t let a detour like the COVID-19 pandemic shunt their creativity. Just the opposite— they channeled their isolation experience into inspiration and pulled out the stops—writing a script, learning the majority of crew positions, and sharpened their directing, acting and editing skills. Plus they got by with a little help from their friends— all remote, all COVID safe.

Together they wrote the script mirroring the very personal emotional and physical experiences they were undergoing, measured with a healthy dose of creative expression that adds an undertow of mystery that really keeps the 19-minute story moving.

They made the most of their own “natural resources” using their Hollywood rooftop apartment as the location. A call to Michael Valinsky nabbed their long-time friend as Executive Producer and he in turn reached out to legendary Steadicam operator, turned DP, Dan Kneece, and they had their cinematographer. Michael Bravin at Canon added a new Canon C300 MKII and Sumire primes that they called a “godsend”.

The previous year, Kneece had used the new BB&S Area 48 Color on a soon to be released indie film, so he was happy when BB&S again made the lights available. “The BB&S Area 48 Color was definitely our main light,” says Livingston, “We used it in almost every scene. Even in those that were primarily natural daylight, we almost always had the Area 48 bouncing for some extra fill. We shot against bright windows in full daylight for the workout scene at the beginning of the film. The Area 48 gave enough power to bring up the exposure in the apartment close to the exterior so we didn’t blow out our windows.”

“The colors on the Area 48 were stunning and essential in getting the neon look of the film. We would never have been able to achieve the bright colored sequences with gels. In our lava lamp scene we were able to tune the colors to an almost exact match with our lava lamp and dim it down to look as if the lamp cast a glow on our faces. Without the Area 48 we wouldn’t have been able to fine-tune that scene the way we did.” Kneece concurred, “The power, versatility and flexibility of this light is incredible. It has the adjustability to match almost any other colored source.”

Matching was important to Livingston who was co-directing, working camera and editing. “The Rotolights can roll through daylight to tungsten, but they don’t have the color range of the Area 48. The BB&S lights had such precise controls we were always able to match the Rotolights. The green shift control for the daylight was also very helpful. Our apartment windows have a slight green tint to them, and we were able to match that light with the Area 48.

Although Dan was in Marina Del Rey while Amanda and Michael were across town, the team safely moved forward remotely without missing a beat. “The waveform was a saving grace as we bounced the signal over two laptops so we could collaborate”, says Kneece. “By pointing Michael’s laptop at the production monitor, working on this film didn’t seem much different that other films when you’re working from video village on a normal set. The process actually worked really well.”

Small team or not, the goal was to get a high-end look. Peering into the psychological states of the characters called for numerous close-ups especially on the co-director/lead character, played by Amanda Dreschler. Capturing her gossamer complexion has been a challenge on many of their films. “We’re always experimenting with different make up, different lighting,” explains Michael. “This time around we found it very easy to get good beauty shots with the Area 48. The quality of light that comes from it is so soft, especially with the soft box, it gave a very luminescent quality to our close ups. With Dan’s help we lit the scene the way it needed to look, and the light just bounced beautifully off her skin—it did all the work for us.

The lava lamp scene was critical. Kneece explains, “Lava lamps by nature are not the most precise light sources so thank goodness the Area 48 Color is. We were able to match the lava lamp perfectly and use the Rotolight to make up the difference with a bit of gel. The trickiest part was positioning the camera, lights and actors so they were attractively lit and photographed without shadowing them from the fixture or getting unwanted light on the lava lamp or their faces. It was a very precise shot to make work.”

“The color grade also helped bring everything out to its full potential”, adds Livingston, “but the ultra soft Canon Sumire lenses and the Area 48 is an A+ combination. If you’re looking for good beauty work it certainly gets Amanda’s seal of approval.

They also selectively used harder LED lights. Livingston says, “The Force-7 is a beast of a light but highly controllable so it was great for our shooting limitations. To create the spotlight in our singing set up we had it behind the camera pretty far back from the set (as far as we could manage in our apartment!) and were able to get a perfect circle on our backdrop. It also acted as a backlight in the sequence where Amanda is dressed up as the raven. We could spot it down to a pinpoint and get a perfect kick on the back of her hair and feathers. It was subtle, but it’s the details that make all the difference.”

“The Compact Beamlight was fantastic, especially under shooting conditions where we didn’t have any crew or a lot of space. It was perfect for hair lights and came in handy anywhere else we needed a kick. One set up in particular was for the finale which Livingston calls the “floating iPhone key shot,” explaining, “We used the CBL-1 as a rim to simulate the sunset glinting off of the phone on our white screen. Using the dimming control we were able to be very precise about the amount specular highlight we were getting.”

Dan Kneece has been on the set of literally hundreds of films, big and small. His response to the first one filmed in quarantine? “As beautiful as this movie is, it was all done in a practical apartment using house power and we didn’t blow a breaker once. Amazing really.”

We Can’t Go On, written, directed, and starring Amanda Dreschler and Michael A. Livingston was shot and completed during the 2020 Covid-19 quarantine. View it at: https://vimeo.com/447406368



Tags: BB&S Lighting | BB&S | Lighting | local 728 | lighting design | light | cinematography | digital cinematography | director of photography | cinema | commercial | music video | phosphor lighting | led | lightbridge | pipelines | area 48 | Lumix S1H | reflector | cine | produc
Submitted by Susan Lewis (Lewis Communications)
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    TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

  • TSL Products at IBC 2013

    TSL Products at IBC 2013

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • SIS LIVE and their products ManPak and DriveForce at IBC 2013

    SIS LIVE and their products ManPak and DriveForce at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Telestream with Post Producer at IBC 2013

    Telestream with Post Producer at IBC 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • TSL Products at BVE 2013

    TSL Products at BVE 2013

  • TSL Products at IBC 2012

    TSL Products at IBC 2012

  • Creating Broadcast Quality Live Streams for Social Media

    Creating Broadcast Quality Live Streams for Social Media

  • Equipping The Next Generation From University to the Media World

    Equipping The Next Generation From University to the Media World

  • K-tek Stingray range shown at NAB 2019

    K-tek Stingray range shown at NAB 2019

  • PAM-IP and ST-2110 support from TSL at NAB 2018

    PAM-IP and ST-2110 support from TSL at NAB 2018

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • Calrec at BVE 2017

    Calrec at BVE 2017

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • BBright at IBC 2015

    BBright at IBC 2015

  • NewTek at IBC 2015

    NewTek at IBC 2015

  • Tektronix at IBC 2015

    Tektronix at IBC 2015

  • Brainstorm Multimedia at BVE 2015

    Brainstorm Multimedia at BVE 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • PlayBox at BVE 2015

    PlayBox at BVE 2015

  • Thomson Broadcast at IBC 2014

    Thomson Broadcast at IBC 2014

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • NAB 2014

    NAB 2014

  • Atomos Samurai Blade at BVE 2014

    Atomos Samurai Blade at BVE 2014

  • Atomos Ronin at BVE 2014

    Atomos Ronin at BVE 2014

  • Atomos Ninja Blade at BVE 2014

    Atomos Ninja Blade at BVE 2014

  • Ross Video at BVE 2014

    Ross Video at BVE 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Grass Valley at BVE 2014

    Grass Valley at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

    Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

  • Guntermann and Drunck on BroadcastShow LIVE at IBC 2013

    Guntermann and Drunck on BroadcastShow LIVE at IBC 2013

  • Nexidia QC on BroadcastShow LIVE at IBC 2013

    Nexidia QC on BroadcastShow LIVE at IBC 2013

  • Atomos with the Ronin on BroadcastShow LIVE at IBC 2013

    Atomos with the Ronin on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Volicon on BroadcastShow LIVE at IBC 2013

    Volicon on BroadcastShow LIVE at IBC 2013

  • Sound Devices on BroadcastShow LIVE at IBC 2013

    Sound Devices on BroadcastShow LIVE at IBC 2013

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • Cobham on BroadcastShow LIVE at IBC 2013

    Cobham on BroadcastShow LIVE at IBC 2013

  • Sound Devices PIX260i Recorder at IBC 2013

    Sound Devices PIX260i Recorder at IBC 2013

  • Aframe Cloud Video at IBC 2013

    Aframe Cloud Video at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Telestream with Wirecast version five at IBC 2013

    Telestream with Wirecast version five at IBC 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Pixel Power at NAB 2013

    Pixel Power at NAB 2013

  • Guntermann and Drunck GmbH at NAB 2013

    Guntermann and Drunck GmbH at NAB 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • Autocue at BVE North 2012

    Autocue at BVE North 2012

  • Miranda at NAB 2012

    Miranda at NAB 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Autocue at NAB 2012

    Autocue at NAB 2012

  • Ross Video at BVE North 2011

    Ross Video at BVE North 2011

  • SGO at IBC2011

    SGO at IBC2011


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News
Grupo Records TV Capital Makes Headlines with Dalet Posted: 21/01/2021
Grupo Records TV Capital Makes Headlines with Dalet

Dalet, a leading technology and service provider for media-rich organizations, today announced that Brazilian-based broadcaster, Grupo Record, will transform its news production and distribution at its TV Record Brasilia – TV Capital station with the deployment of Dalet Galaxy five. TV Capital, which covers local news and national Brazilian politics, is the seventh Grupo Record station to innovate its operation on the Dalet Galaxy five platform. A top-ranked broadcast group, Grupo Record has been collaborating with Dalet since 2015, elevating the viewer experience through the modernization of its TV Record stations located across the country. The latest Dalet Galaxy five installation at TV Capital will serve as the core platform for state-of-the-art news story production and distribution in a unified environment.

Tags: Dalet | Dalet Galaxy Five | TV Capital
Submitted by Zazil Media Group
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Drop Ship Audio expands its Calrec roster with an Artemis Beam for major TV network use Posted: 21/01/2021
Drop Ship Audio expands its Calrec roster with an Artemis Beam for major TV network use

Calrec’s Artemis Beam audio console is proving to be a success for Sean Prickett, owner of broadcast audio engineering company and rental service Drop Ship Audio in Los Angeles, CA. With 340 channel processing paths and powerful Bluefin2 and Hydra2 technologies, the new Artemis console is being used on a popular reality show in its fourth season, installed in a studio with a major US network. 



Tags: Calrec | broadcast | Artemis | audio | consoles | digital | IP | AoIP
Submitted by Jump PR
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CJP Broadcast Launches StreamSmart+, Club-Owned Online TV Service for Sports Posted: 21/01/2021
CJP Broadcast Launches StreamSmart+, Club-Owned Online TV Service for Sports

CJP Broadcast announces the launch of StreamSmart+, a flexibly defined service enabling sports clubs to launch their own television channel quickly, easily and affordably.

"StreamSmart+ is a complete glass-to-glass solution including latest-generation equipment, fully focused operational training and all relevant supporting services," says CJP Broadcast MD Chris Phillips. "Operating an online TV channel allows sports clubs to extend their visibility both locally and globally. It is also a potential revenue source both for clubs and their sponsors. Unlike free to air services such as YouTube, a properly managed online TV channel retains full control over all its content, independent of commercials that might otherwise compete with sponsors' brands."

"The service is based on nearly 10 years of experience we have gained as an SI. That includes partnering with various sports organisations from grassroots level up to major event finals across football, cricket and rugby."

"Initially adopted to offset the impact of coronavirus restrictions on audience attendance, online TV has now proved itself a logical expansion path for sports clubs of every size. Live streaming allows clubs to televise entire matches including supporting titles, subtitles, close-ups, action replays, slow-motion, ad-insertion, sponsor logos, visual effects plus live sound, commentary and supporting news."



Tags: CJP Broadcast Service Solutions Limited | ITIL based service desk solutions | broadcast tape digitisation | film digitisation | broadcast TV studio system integration | technical support services | live sports production system | Streamstar | Mo-Sys StarTracker S
Submitted by Stylus Media Communications
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KVM 4FUTURE - it starts right now Posted: 21/01/2021
KVM 4FUTURE - it starts right now

The KVM Technology of tomorrow with Real Remote

The extension of an already existing KVM system via a kvm-tec Full HD Extender allows not only remote workplaces and home offices with super performance but also the expansion of the KVM system up to 2000 endpoints and more and access to virtual machines.

Tags: kvm | kvmextender | kvm4future | kvmrealremote | kvmhighperformancesystem
Submitted by kvm-tec Electronic GmbH
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New Adder ZeroU High Performance IP KVM Brings Increased Customer Connectivity Choice Posted: 20/01/2021
New Adder ZeroU and trade; High Performance IP KVM Brings Increased Customer Connectivity Choice

Adder Technology, a global leader in connectivity solutions and high performance IP KVM, today announced a pair of new KVM transmitters that bring HDMI® and DisplayPort™ connectivity to its proven and trusted ZeroU™ portfolio. The revolutionary dongle design, combined with plug and play functionality, makes the series perfectly placed to support organizations looking to take advantage of the benefits of IP KVM while making efficient use of valuable rack space.

Tags: IP KVM | KVM Matrix | ZeroU KVM | HDMI | DisplayPort | Computer Access | Computer Control | Remote Access | Post-Production | Outside Broadcast | Broadcast | Transport Technology | Industrial Technology | Air Traffic Control | VFX
Submitted by Adder
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KRK Welcomes a New Generation of Subwoofers Posted: 20/01/2021
KRK Welcomes a New Generation of Subwoofers

KRK announces the latest addition to its range of studio gear with a new generation of powered subwoofers. Coming spring 2021, the new series of KRK Studio Subwoofers will be available in 8-, 10-, and 12-inch variations: S8.4, S10.4, and S12.4. Building on KRK’s legacy of sonic accuracy and performance, the new KRK subwoofers deliver tight, accurate, and defined bass, while the highly efficient Class D power amplifiers dramatically increase transient response, control, and punch. The redesigned cabinets feature a more compact profile compared to their predecessors, allowing for improved placement flexibility and a timeless design that provides a more professional aesthetic.

Tags: KRK Systems | subwoofer | sound engineer
Submitted by D. Pagan Communications
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All Typed Up Helps Audiences Engage with Media Posted: 20/01/2021
All Typed Up Helps Audiences Engage with Media

All Typed Up, a well-established provider of transcription services to clients across the full range of service sectors, now offers a range of media subtitling solutions. From popular television programmes, documentaries to one-off video projects, All Typed Up draws on its many years of experience and technological capability to help audiences engage with media.



Tags: media | subtitling solutions | video projects | technology | digital transcription | post-production
Submitted by Manor Marketing
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PMC Brings Extra Clarity to Eddie Serafica and rsquo;s Productions Posted: 20/01/2021
PMC Brings Extra Clarity to Eddie Serafica and rsquo;s Productions

Grammy Award-winning producer and writer Eddie Serafica is enjoying the sound of the PMC twotwo.6 monitors he recently installed in his London-based project studio.

As a recording and mix engineer, Eddie Serafica has worked on numerous high profile projects including James Bay's Electric Light, Michael Kiwanuka’s Love & Hate, and Buddy Guy’s The Blues is Alive and Well, which won Best Traditional Blues Album at the 2019 Grammy Awards. He works mainly ‘in the box’ and his production room in Hornsey is equipped with keyboards, synths, guitars and a 500 series rack incorporating Chandler TG2s and Camden Audio Pres, a Urei 1176 Blue Stripe clone and two UAD Apollos.


Tags: PMC Speakers | twotwo.6 | Eddie Serafica
Submitted by White Noise Public Relations Ltd
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TAG Video Systems Appoints Roy Folkman VP Sales North America and LATAM Posted: 19/01/2021
TAG Video Systems Appoints Roy Folkman VP Sales North America and LATAM

TAG Video Systems, the world leader in 100% SW, 100% IP, 100% COTS/Cloud, Probing, Monitoring and Multiviewing solutions, for all four of the major broadcast applications (Live Production, Playout, Delivery and OTT), has appointed industry veteran Roy Folkman as VP Sales North America and LATAM effective as of January 1, 2021. The announcement was made by Kevin Joyce, TAG Zer0 Friction Officer, from headquarters in Tel Aviv, Israel.

Tags: TAG Video Systems | Multiviewers | Multiviewer technologies | 100% SW | 100% IP | 100% COTS/Cloud | Probing | Monitoring | Zer0 Friction | TAG | TAG VS | TAG’s System Configurator | Roy Folkman
Submitted by Desert Moon
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Scality accelerates with record-breaking Q4 and 30% YoY annual growth in 2020 Posted: 19/01/2021
Scality accelerates with record-breaking Q4 and 30% YoY annual growth in 2020


Scality, the object storage pioneer, achieved worldwide annual growth of 30% year over year, successfully navigating an unprecedented 2020 with the largest quarterly revenue results in the company’s 10-year history. Results were fuelled by ever-increasing customer demand for large-scale data management solutions in hybrid and multi-cloud environments, the company announced today.




Tags: Scality | data storage | data management | object storage | hybrid cloud | multi-cloud
Submitted by A3 Communications
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Maxon Announces the Acquisition of Japanese Distributor Business Posted: 19/01/2021
Maxon Announces the Acquisition of Japanese Distributor Business

Today, Maxon announced it has completed the transaction to acquire the business segment of its Japanese distributor that services Maxon’s community and business concerns, and the formation of the first official office in Japan: Maxon Computer KK. For the last ten years, Maxon’s Japan Representative office in Tokyo, TMS Corp, has been well-known amongst the Maxon community. The establishment of Maxon Computer KK seeks to deepen this connection and show Maxon’s ongoing commitment to the Japanese market. Maxon have also announced that TMS Corp founder, Manfred Flick, has been appointed as the Regional Director of this new subsidiary. In addition, his entire motivated team will be part of the Maxon family.

Tags: Maxon | Japanese Distributer | TMS Corp | Maxon Computer KK | Acquisition
Submitted by Zazil Media Group
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DHD Audio RX2 XC2 Audio Mixing System Goes On Air at NRJ Norway Posted: 19/01/2021
DHD Audio RX2 XC2 Audio Mixing System Goes On Air at NRJ Norway


DHD Audio announces the completion of a new audio mixing system for Oslo/Lillehammer-based radio broadcaster NRJ Norway. Supplied and integrated by Soundware Norway, it comprises an RX2 mixer surface and an XC2 core router/processor plus an AES67 audio-over-IP interface.

Tags: DHD Audio GmbH | digital audio studio equipment | digital audio systems | digital audio mixers | broadcast control room systems | DJ-operated radio studio systems | OB truck audio systems | audio routing and talkback matrices | audio-over-IP interfaces
Submitted by Stylus Media Communications
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PHABRIX releases the latest Qx Series V4.2 software Posted: 19/01/2021
PHABRIX releases the latest Qx Series V4.2 software

PHABRIX is pleased to release the latest V4.2 software for its Qx Series of advanced hybrid IP/SDI test and measurement rasterizers.
· QxL V4.2 offers simultaneous generation and analysis of ST 2110/2022-7 video and audio flows
· Generation of two sets of video and audio ST 2022-7 flow pairs including; test pattern as a flow (1 x ST 2110-20 and 4 x ST 2110-30/31 with 2022-7), monitor output (GUI) as a flow (1 x ST 2110-20 and 1 x 2110-30/31 with 2022-7), offering a total of seven flow pairs (14 Flows) from generator and monitor output
· A new IP Transmit configuration tool providing an at-a-glance view of transmitted flow status and selected formats

Tags: phabrix | qx series | rasterizer | ip test | sdi test | st2110
Submitted by Phabrix Ltd
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Densitron adds two new products to acclaimed UReady control surface range Posted: 19/01/2021
Densitron adds two new products to acclaimed UReady control surface range

The 4RU 19” Rack Control and Monitoring Surface and 2RU Control Surface Powered with X86 Platform are rack-mountable and can provide capacitive touchscreen control

Tags: Densitron | Control Surfaces | UReady | X86 Platform | UReady 4RU 19” Rack Control | UReady 2RU Control Surface | HMI
Submitted by Page Melia PR
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Black Box Secure KVM Switch Line Enters Evaluation Phase for NIAP Protection Profile 4.0 Posted: 18/01/2021
Black Box Secure KVM Switch Line Enters Evaluation Phase for NIAP Protection Profile 4.0

Black Box, an industry-leading provider of IT connectivity solutions, today announced that new products in the Black Box Secure KVM Switch line have officially been listed as under evaluation for the latest U.S. Government Approved Protection Profile - Protection Profile for Peripheral Sharing Device Version 4.0. Designed to address the more stringent requirements of the National Information Assurance Partnership (NIAP) Protection Profile 4.0, these new Secure KVM Switches from Black Box will provide enhanced security against potential data leakage and hacking in applications including military and defence, transportation, education, healthcare, government, and banking and finance.

Tags: Black Box | KVM | Switch | NIAP | Protection | Profile
Submitted by Dundee Hills Group
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