News
FilmLight provides future-proof picture finishing for Sky Posted: 12/12/2016

Sky, Europes leading entertainment company, has extended the capabilities of its post-production department with a suite of high-performance colour tools and technology from FilmLight. The new systems will allow Sky to serve the increasing technological demands of external clients as well as in-house departments at the companys headquarters at Osterley, West London.

Tags: FilmLight | Sky | Baselight | 4K | colour grading
Submitted by MKM Marketing and Communications
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Gorilla goes large on FilmLight Posted: 06/12/2016

Gorilla is the largest post-production facility in Wales, with a brand new purpose-built flagship facility in the creative hub of Cardiff Bay. As part of a facility-wide upgrade, Gorilla has boosted its finishing facilities by expanding its Baselight installation, including upgrading to the latest version of the system software. 

Tags: FilmLight | Gorilla | Baselight | Grading | Colour Grading | 4K | HDR | Dolby | Avid | workflow
Submitted by MKM Marketing and Communications
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Azimuths investment in Baselight provides high-end colour finishing Posted: 23/11/2016

Boutique post house Azimuth has installed a Baselight ONE 24TB grading suite with Blackboard 2 control surface to bolster its newly revamped London Soho premises. The installation includes the Baselight CONFORM software to ensure the most efficient preparation pipeline. Recognising that advanced colour grading is an increasingly crucial part of post, Azimuth also took the initiative to upgrade its Symphony suites with Baselight for Avid plugins to provide clients with a high-end, proficient workflow. 

Tags: Azimuth | FilmLight | Baselight | Avid | Grading | Colour grading | post production
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The sky is the limit for 4K IMAX HDR and quot;Sully with Baselight Posted: 06/10/2016

Technicolor LA recently gave Clint Eastwoods biographical drama Sully the full Baselight HDR colour grade treatment to achieve its pristine look for IMAX. Produced by Malpaso Productions, the film tells the true story of pilot Chesley "Sully" Sullenberger, portrayed by Tom Hanks, and applauds him as a hero after he safely landed US Airways Flight 1549 in the Hudson River in New York back in 2009, saving 155 lives. 

Tags: FilmLight | Baselight | Sully | IMAX | HDR | 4K | Maxine Gervais | Technicolor
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Animal Logic chooses FilmLight Baselight as end-to-end finishing solution Posted: 26/09/2016

Award-winning digital animation and visual effects studio, Animal Logic, has installed two Baselight grading systems in its Sydney head office. The company whose credits range from The Great Gatsby and Moulin Rouge to Captain America: Civil War and the series of LEGO® movies also has operations in Los Angeles and Vancouver.

Tags: FilmLight | Baselight | BLG workflow | Animal Logic | Bram Tulloch | Alex Timbs | LEGO | colour grading | DI
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FilmLight brings end-to-end colour tools and talks to IBC2016 Posted: 07/09/2016

Underlining its position as the leader in colour science and creative collaborative finishing, FilmLight is presenting its full range of tools at IBC2016, not only as demonstrations on its booth (7.F31) but also in special sessions on productive colour workflows. 

Tags: FilmLight | Colour | Grading | IBC2016 | Baselight | IBC 2016 | IBC 2016
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FilmLight expands creative possibilities for professional post at BIRTV 2016 Posted: 19/08/2016

As China increases its professional post-production market sector, growing rapidly with content creation and adopting sophisticated workflows, FilmLight is planning a major presence at BIRTV 2016 (stand 8B21, 2427 August, China International Exhibition Centre, Beijing). As well as exhibiting on its own stand with comprehensive demonstrations of the latest version of its core Baselight software alongside the new Daylight software solution for dailies FilmLight also has a show presence with reseller Jebsen Industrial Cinematic & Broadcasting Solutions and partner soCam. 

Tags: FIlmLight | BIRTV 2016 | Baselight | Daylight | VFX | soCam
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Technicolor Postworks creates colour for Cafe Society Posted: 18/08/2016

Technicolor PostWorks New York completed the finishing on Cafe Society, Woody Allens first digital motion picture as a director, which was captured by legendary cinematographer Vittorio Storaro. The film opened the 2016 Cannes Film Festival and was released in the United States last month.

Tags: Technicolor | PostWorks | Caf© Society | Vittorio Storaro | Anthony Raffaele | Woody Allen | FilmLight | Baselight
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FilmLight and Avid launch Professional Colour bundle for editors at NAB 2016 Posted: 15/04/2016

FilmLight today announced a new collaboration with longstanding collaborator, Avid®, which will see both companies introduce a new Professional Colour bundle for editors at NAB2016 (1821 April, Las Vegas Convention Centre).

Tags: FilmLight | Avid | Colour | Grade | Baselight | Editions | Editor | Editing | Grading | NAB | NAB 2016 | NAB 2016
Submitted by MKMMarcomms
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FilmLights Baselight 5.0 extends HDR grading capabilities Posted: 07/04/2016

FilmLights new Baselight 5.0, to be unveiled at NAB2016, introduces a completely fresh look to colour control and is the most sophisticated yet intuitive grading tool ever presented to professional colourists and creative artists across the production process. The latest release introduces a new set of tools to optimise both HDR grading and extended colour gamut.

Tags: FilmLight | Baselight | HDR | Grading | Base Grade | NAB | Gamut Optimisation | 4k | NAB 2016 | NAB 2016
Submitted by MKMMarcomms
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Baselight Ka-booms in Belfast Posted: 04/04/2016

Belfast production and post-production facility Ka-boom has installed a Baselight ONE grading suite with Slate control panel to add to its existing Baselight for Avid plugins. Initial grading projects for movies and documentaries led to Ka-boom winning the finish on a major new BBC entertainment show, Cant Touch This, which called for all the efficiencies as well as the creative power of Baselight and its interaction with Baselight for Avid.

Tags: FilmLight | Baselight | BBC | Ka boom | Grading | Avid | Slate
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Baselight 5.0 takes grading to a new level Posted: 30/03/2016

FilmLight, the leading developer of colour management and grading technologies, today announced the introduction of Baselight 5.0, the new version of its high-performance flagship colour finishing system. Baselight 5.0 introduces a radical step change in the way that professional colourists and other creative artists across the production process can add value and quality to productions all boosted with over 50 new features. 

Tags: FilmLight | Baselight | Grading | HDR | Colour | NAB | NAB 2016 | NAB 2016
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Deadpool comes to life on Baselight Posted: 09/03/2016

Deadpool is already one of 2016s biggest box office hits. This darkly comic and graphic take on the superhero movie was finished by Tim Stipan on Baselight at Deluxes EFILM in Hollywood.

Tags: FilmLight | Baselight | Grading | Deadpool | VFX | EFILM | Deluxe
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Dolby chooses Baselight X for ultimate grading and finishing Posted: 09/02/2016

FilmLight announced today that Dolby, long-term client and technology partner, has taken delivery of one of the first Baselight X systems, the latest and most advanced implementation of the Baselight hardware range yet. Baselight X, designed with exceptional power and performance for the most demanding projects, will be used in the Dolby Vision mastering suite in the companys Burbank facility. 

Tags: FilmLight | Dolby | Baselight | Grading | Colour | NAB 2016 | NAB 2016
Submitted by MKMMarcomms
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Fifty Fifty invests in collaborative FilmLight workflows and delivers Gary Lineker documentary for BBC Posted: 08/07/2015

Fifty Fifty, a dynamic independent post house in London, has installed Baselight PLUS, FilmLights complete grading solution. The package, which includes the Baselight system, Slate compact control surface and Baselight for Avid Editions, allows the creative team to work seamlessly on fast, render-free workflows.

Tags: FilmLight | Baselight | Avid | Grading | Post | Workflow
Submitted by MKMMarcomms
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