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Directors Cut upgrades to Baselight for HDR and 4K Posted: 31/10/2019
Directors Cut upgrades to Baselight for HDR and 4K

Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries and feature films, with increasing interest in 4K and HDR.

“Being owned and run by ex-editors, we know what is required to meet and exceed expectations in post,” said Senior Colourist Andy Elliott. “We felt it was the right time to invest and embrace HDR and 4K workflows. HDR in particular produces much more of a positive visual impact, with real benefits in the immersive experience for the viewer.”

Leading broadcasters and production companies in the UK routinely turn to Directors Cut to finish major projects. While the work includes major dramas and some feature films, the company has a reputation for long form TV, especially documentaries. Recent projects graded by Elliott include biographies of Cher and Elton John, an investigation of the Bauhaus for BBC4, and Sir David Attenborough’s call to action Climate Change: The Facts.

Elliott pointed out that such programmes frequently bring together footage shot on multiple different cameras and formats, often in less than ideal circumstances. The task for the colourist is to integrate all of the footage as well as create a coherent look that reflects the story the director wishes to tell. That makes the speed and power of the upgraded Baselight suite an important asset.

Tags: FilmLight | Directors Cut Films | independent post house | Baselight TWO | colour grading | Blackboard control panel | Andy Elliott | HDR | 4K | grading suite | powerful system | asset | colourist | MKM Marcomms | MKM Marketing Communications
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Saudi Arabias first production facility incorporates Baselight Posted: 31/07/2019
Saudi Arabias first production facility incorporates Baselight
Following the lifting of a 35-year ban on cinema in the Kingdom of Saudi Arabia, Nebras Films has established the first full facility production and post service, based in Riyadh. As part of a complete offering, the post house includes a Baselight TWO grading suite with the latest v5 software, equipped with a Blackboard 2 control panel from FilmLight.
Tags: FilmLight | Saudi Arabia | Nebras Films | Baselight | Baselight TWO grading suite | Cian Patrick McLysaght | Vision 2030 plan | 4K | HDR | ARRI Alexa | Jigsaw 24 | local content | international collaboration | post house | MKM Marcomms | MKM Marketing Communications
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BBC Street unlocks creative and technical opportunities with new Baselight TWO Posted: 09/07/2019
BBC Street unlocks creative and technical opportunities with new Baselight TWO
BBC Street, the in-house post-production facility at BBC Scotland in Glasgow, has installed a new Baselight system to upgrade their grading and finishing suite with Baselight’s latest powerful 4K/HDR toolset and to improve their client experience.
Tags: FilmLight | Baselight TWO | BBC Street | BBC Scotland | grading suite | colourist | Tom Nichol | 4K/HDR grading | Mike Trevett | BLG format | Baselight for Avid | Baselight Lens | Colour Space Journey | MKM Marcomms | MKM Marketing Communications
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Nice Shoes Expands with New Colour Suite and Baselight TWO Systems Posted: 25/03/2013
Nice Shoes Expands with New Colour Suite and Baselight TWO Systems

As an independently owned creative studio, Nice Shoes is able to expand and evolve quickly to meet the ever changing needs of its clients. In 2012, the studio added several editorial suites, and built a custom suite and post-production workflow for a massive seven-screen film. To kick off 2013, it has added a pair of Baselight TWO systems, one of which will form their brand new colour suite.

Tags: FilmLight | Baselight | Colorist | Colour Grading | Baselight TWO | Nice Shoes
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