Blackmagic Design Announces Blackmagic Pocket Cinema Camera 4K

Date: 09/04/2018
Blackmagic Design Announces Blackmagic Pocket Cinema Camera 4K
Blackmagic Design today announced the all new Blackmagic Pocket Cinema Camera 4K, a handheld digital film camera with full 4/3 HDR sensor, dual native ISO with up to 25600 ISO for incredible low light performance as well as 13 stops of dynamic range. It also eliminates expensive external recorders, as it features a unique new USB-C Expansion Port, which allows customers to record using the internal SD/UHS-II and CFast recorders or directly to the same external disks they will use for editing and color correction. The Blackmagic Pocket Cinema Camera 4K will be available from Blackmagic Design resellers worldwide later this year for only US$1,295.
The Blackmagic Pocket Cinema Camera 4K will be demonstrated on the Blackmagic Design NAB 2018 booth at #SL216.
The revolutionary new Blackmagic Pocket Cinema Camera 4K is the handheld digital film camera that customers have been asking for. It packs incredibly high end imaging and professional features into a portable and affordable design that can be used anywhere. The compact body style is perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and much more.
The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 HDR sensor with native 4096 x 2160 resolution and 13 stops of dynamic range for true digital film quality. The full size of the 4/3 sensor is designed to perfectly match MFT lenses so the crop factor is greatly reduced, giving customers a wider field of view. It also features dual native ISO with up to 25600 ISO for incredible low light performance.
The Blackmagic Pocket Cinema Camera 4K is packed with features such as a MFT lens mount, large 5 inch touchscreen monitor, 10-bit ProRes and 12-bit RAW recording, 3D LUTs, 4 built in microphones, mini XLR audio input with phantom power, Bluetooth wireless camera control, HDMI on set monitoring output and more. The latest Blackmagic Design color science lets customers shoot images that are far better than DSLR cameras and even better than professional digital film cameras costing tens of thousands more.
Designed using a space age carbon fiber polycarbonate composite, the body of the Blackmagic Pocket Cinema Camera 4K is extremely strong and light. The carbon composite material consists of a high strength polymer that’s reinforced with carbon fibers. This gives the camera body incredible strength and rigidity to help protect it from accidental knocks and drops which can often result in damage. The handheld design features a multi function grip which has logically placed buttons and dials that allow super fast access to essential shooting functions such as recording start/stop, still photos, ISO, shutter, aperture, white balance, power and more.
Fourth generation Blackmagic Design color science lets customers shoot HDR images in film, video and new extended video modes. The new extended mode combines the latitude of digital film with an optimized video file. This gives customers working on fast turnaround projects an ideal solution for shooting great looking images that don’t need a lot of color correction or post production work.
Images can be recorded onto standard SD cards, faster UHS-II cards or CFast 2.0 cards in either ProRes or RAW formats. The Blackmagic Pocket Cinema Camera 4K can record 4K images at up to 60 frames per second and windowed HD at up to 120 frames per second. It’s also the first camera that lets customers record directly onto the same exact external USB-C media drives they use for editing and color correction. That means customers can turn projects around much more quickly because they don’t have to transfer files. All they need to do is unplug the USB-C drive and then connect it to their computer to start editing.
The Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so customers can use the investment in lenses they already own. The MFT mount is extremely flexible and allows for different lens adapters so customers can also use PL, C, EF and other types of lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.
The rear of the camera features a large bright 5 inch touchscreen that makes it easy to frame shots and accurately focus. It also uses the same Blackmagic OS as URSA Mini so customers can use simple tap and swipe gestures to adjust settings, add metadata and view recording status. On screen overlays make it easy to see recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, 3D LUTs can be applied for both monitoring and recording.
For audio, the Blackmagic Pocket Cinema Camera 4K features multiple built in microphones with an extremely low noise floor, a mini XLR input with 48 volts of phantom power to connect professional lapel and boom mics, and a 3.5mm stereo audio jack for connecting different types of video camera microphones. The high quality built in audio recording means customers don’t have to carry around a separate recorder.
The Blackmagic Pocket Cinema Camera 4K also includes a full size HDMI connector which can output HDR video as well as a clean 10-bit video feed with optional on screen overlays. There’s also an innovative high speed USB-C Expansion Port for adding external accessories such as flash drives and an SSD for external recording. The camera uses standard LP-E6 batteries and can be charged via USB-C or the locking DC power connector, which protects the camera from being accidentally unplugged during a shoot.
“Customers love the original Blackmagic Pocket Cinema Camera and have been asking us for a 4K version,” said Grant Petty, Blackmagic Design CEO. “We’ve listened and built a camera that combines all of our newest ideas and customer feedback from the previous model! The new Blackmagic Pocket Cinema Camera 4K is exciting because it packs so much technology into an incredibly small design. We feel it will go well beyond what customers expected. It’s perfect for anyone that needs a truly professional ultra compact digital film camera. This is not a consumer camera that's trying to do high end work, it’s a true high end camera designed for high end work.”
Blackmagic Pocket Cinema Camera 4K Features
  • Full size 4/3 sized sensor with native 4096 x 2160 resolution sized sensor.
  • Compatible with extremely high quality Micro Four Thirds lenses.
  • Super wide 13 stops of dynamic range allows capture for high end feature film look.
  • Up to 25600 ISO for incredible low light performance.
  • Carbon fiber polycarbonate composite body which makes it lightweight, portable and durable.
  • Multi function grip for quick access to recording start/stop, still photos, ISO, shutter, aperture, white balance, power and more.
  • Built in SD, UHS-II and CFast card recorders.
  • USB-C expansion port allows longer duration recording directly to an external SSD or flash disk.
  • Standard open file formats compatible with popular NLE software such as 10-bit ProRes and 12 bit RAW.
  • Features full size HDMI output for monitoring with camera status graphic overlay.
  • Professional mini XLR input with 48 volts of phantom power for connecting to pro microphones.
  • 3.5mm audio jack, headphone jack, and locking DC 12 volt power connection.
  • Built in 5” LCD touchscreen allows accurate focus when shooting 4K.
  • LCD supports on screen overlays including status, histogram, focus peaking, and transport controls.
  • Records 4K images at up to 60 frames per second and windowed HD at up to 120 frames per second.
  • 3D LUTs can be applied for both monitoring and recording.
  • Blackmagic OS as used in URSA Mini and URSA Broadcast cameras.
  • 4th generation Blackmagic color science.
  • Supports remote camera control via Bluetooth.
  • Includes full license for DaVinci Resolve Studio editing, color, visual effects and audio post production.


Tags: Blackmagic Design | Pocket Cinema Camera 4K | NAB | News | 4K | Camera | NAB 2018 | NAB 2018
Submitted by Patrick Hussey (Blackmagic design)
View author's directory page

Related Interviews
  • New 10g Ethernet to Thunderbolt adaptor from Sonnet at NAB2018

    New 10g Ethernet to Thunderbolt adaptor from Sonnet at NAB2018

  • Rabbit Ears and Magic Cloth from DoP Choice at NAB 2018

    Rabbit Ears and Magic Cloth from DoP Choice at NAB 2018

  • Mixer Bags and New Airo Range from K-Tek at NAB 2018

    Mixer Bags and New Airo Range from K-Tek at NAB 2018

  • KVM over IP from Guntermann and Drunck at NAB 2018

    KVM over IP from Guntermann and Drunck at NAB 2018

  • Control Centre Digital from Guntermann and Drunck at NAB 2018

    Control Centre Digital from Guntermann and Drunck at NAB 2018

  • CueiT Software from CueScript at NAB 2018

    CueiT Software from CueScript at NAB 2018

  • Intelligent solutions from Broadcast Bionics at NAB 2018

    Intelligent solutions from Broadcast Bionics at NAB 2018

  • PAM-IP and ST-2110 support from TSL at NAB 2018

    PAM-IP and ST-2110 support from TSL at NAB 2018

  • Rotolight Anova Pro 2 LED at NAB 2018

    Rotolight Anova Pro 2 LED at NAB 2018

  • Virgil OB headphone amplifier from Glensound at NAB 2018

    Virgil OB headphone amplifier from Glensound at NAB 2018

  • Boxx TV Company Overview at NAB 2018

    Boxx TV Company Overview at NAB 2018

  • Wireless Transmitters for Boxx TV at NAB 2018

    Wireless Transmitters for Boxx TV at NAB 2018

  • Clear-Com E-IPA Card for Eclipse HX Digital Matrix at NAB 2018

    Clear-Com E-IPA Card for Eclipse HX Digital Matrix at NAB 2018

  • Virtual Panel on Apple watch from Clear-Com at NAB 2018

    Virtual Panel on Apple watch from Clear-Com at NAB 2018

  • HEVC Compression for EnGo from Dejero at NAB 2018

    HEVC Compression for EnGo from Dejero at NAB 2018

  • Mobile Connectivity with Dejero GateWay at NAB 2018

    Mobile Connectivity with Dejero GateWay at NAB 2018

  • Marshall Electronics Miniature Cameras at NAB 2018

    Marshall Electronics Miniature Cameras at NAB 2018

  • Compass X Heads from Miller Tripods at NAB 2018

    Compass X Heads from Miller Tripods at NAB 2018

  • Blackmagic Pocket Cinema Camera 4K at NAB 2018

    Blackmagic Pocket Cinema Camera 4K at NAB 2018

  • Full Spectrum Remote Phosphor Lights from Photon Beard at NAB 2018

    Full Spectrum Remote Phosphor Lights from Photon Beard at NAB 2018

  • Screen Systems and automatic live subtitling at NAB 2018

    Screen Systems and automatic live subtitling at NAB 2018

  • All IP Workflow from Quantum with Xcellis Workflow Storage solutions at NAB 2018

    All IP Workflow from Quantum with Xcellis Workflow Storage solutions at NAB 2018

  • Soft step migration to IP with Media Links at NAB 2018

    Soft step migration to IP with Media Links at NAB 2018

  • Excelero Any-K at NAB 2018

    Excelero Any-K at NAB 2018

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • Zixi announce their user interface control ZEN Master at NAB 2018

    Zixi announce their user interface control ZEN Master at NAB 2018

  • 4K UHD Multi-viewer HDMI 2.0 from Apantac at NAB 2018

    4K UHD Multi-viewer HDMI 2.0 from Apantac at NAB 2018

  • ADDERLink INFINITY 100T from Adder at NAB 2018

    ADDERLink INFINITY 100T from Adder at NAB 2018

  • Blackmagic Davinci Resolve 15 at NAB 2018

    Blackmagic Davinci Resolve 15 at NAB 2018

  • MX1 at NAB 2018

    MX1 at NAB 2018

  • Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018

    Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018

  • Monarch LCS Radar from Matrox at NAB 2018

    Monarch LCS Radar from Matrox at NAB 2018

  • Marquis Broadcast show Backup Versioning at NAB 2018

    Marquis Broadcast show Backup Versioning at NAB 2018

  • Paint from ChyronHego at NAB 2018

    Paint from ChyronHego at NAB 2018

  • Interra Systems Broadcast at NAB 2018

    Interra Systems Broadcast at NAB 2018

  • Cinegy Desktop 12 at NAB 2018

    Cinegy Desktop 12 at NAB 2018

  • Live Production with ChyronHego at NAB 2018

    Live Production with ChyronHego at NAB 2018

  • 3D Storm discuss IP and NDI for Live Media Server and Live CG Broadcast at NAB 2018

    3D Storm discuss IP and NDI for Live Media Server and Live CG Broadcast at NAB 2018

  • Facilis ships version 10.1 at NAB 2018

    Facilis ships version 10.1 at NAB 2018

  • eGFX Breakaway Box and Puck from Sonnet at NAB 2018

    eGFX Breakaway Box and Puck from Sonnet at NAB 2018

  • ROSS Ultrix IP and more from NAB 2018

    ROSS Ultrix IP and more from NAB 2018

  • Prime Focus Technologies with CLEAR Digital Lab at NAB 2018

    Prime Focus Technologies with CLEAR Digital Lab at NAB 2018

  • Front Row Camera with VER at NAB 2018

    Front Row Camera with VER at NAB 2018

  • QX Updates from Phabrix at NAB 2018

    QX Updates from Phabrix at NAB 2018

  • SX, RX and QX range updates from Phabrix at NAB 2018

    SX, RX and QX range updates from Phabrix at NAB 2018

  • FS-HDR from AJA at NAB 2018

    FS-HDR from AJA at NAB 2018

  • Omnitek Updates for Ultra 4k Toolbox at NAB 2018

    Omnitek Updates for Ultra 4k Toolbox at NAB 2018

  • Object Matrix Hybrid Workflow and Artifical Intelligence at NAB 2018

    Object Matrix Hybrid Workflow and Artifical Intelligence at NAB 2018

  • The New JVC GYH-C900 - Connected Cam at NAB 2018

    The New JVC GYH-C900 - Connected Cam at NAB 2018

  • The new MGW Diamond HEVC Encoder from VITEC at NAB 2018

    The new MGW Diamond HEVC Encoder from VITEC at NAB 2018

  • The new Playout Server from VITEC at NAB 2018

    The new Playout Server from VITEC at NAB 2018

  • New 703 Bolt monitor from SmallHD at NAB 2018

    New 703 Bolt monitor from SmallHD at NAB 2018

  • New Phone and Tablet products from Padcaster at NAB 2018

    New Phone and Tablet products from Padcaster at NAB 2018

  • BBS Lighting Force 7 at NAB 2018

    BBS Lighting Force 7 at NAB 2018

  • New Filters from Schneider Optics at NAB 2018

    New Filters from Schneider Optics at NAB 2018

  • 4k and HEVC with Garland at BVE 2018

    4k and HEVC with Garland at BVE 2018

  • 6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

    6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

  • JVC 4K UHD Monitors at IBC 2017

    JVC 4K UHD Monitors at IBC 2017

  • The CFU5 4k Transmitter from Vislink at IBC 2017

    The CFU5 4k Transmitter from Vislink at IBC 2017

  • Wireless 4K Transmitter from DTC Domo Broadcast at IBC 2017

    Wireless 4K Transmitter from DTC Domo Broadcast at IBC 2017

  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • QNews Newsroom system from AQ Broadcast at IBC 2017

    QNews Newsroom system from AQ Broadcast at IBC 2017

  • AJA Thunderbolt 3 IO 4k Plus at IBC 2017

    AJA Thunderbolt 3 IO 4k Plus at IBC 2017

  • KitPlus filming rig used at NAB 2017

    KitPlus filming rig used at NAB 2017

  • All you need to know about the Sony FS5 Raw and HDR Upgrade and more from NAB 2017

    All you need to know about the Sony FS5 Raw and HDR Upgrade and more from NAB 2017

  • The all in one production system from Ross Video at NAB 2017

    The all in one production system from Ross Video at NAB 2017

  • GY-LS300 Camera from JVC at NAB 2017

    GY-LS300 Camera from JVC at NAB 2017

  • Fibre Optic Solutions from Multidyne at NAB 2017

    Fibre Optic Solutions from Multidyne at NAB 2017

  • Boxx TV updates at NAB 2017

    Boxx TV updates at NAB 2017

  • Atom Lite from Boxx at NAB 2017

    Atom Lite from Boxx at NAB 2017

  • Skype TX for Radio from Broadcast Bionics at NAB 2017

    Skype TX for Radio from Broadcast Bionics at NAB 2017

  • IP Gateway from Dejero at NAB 2017

    IP Gateway from Dejero at NAB 2017

  • HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

    HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

  • IP, 3G-SDI + HDR generation, analysis and monitoring from Phabrix NAB 2017

    IP, 3G-SDI + HDR generation, analysis and monitoring from Phabrix NAB 2017

  • Be More with Clear from Prime Focus Technologies at NAB 2017

    Be More with Clear from Prime Focus Technologies at NAB 2017

  • Metacast Weather Graphics from ChyronHego at NAB 2017

    Metacast Weather Graphics from ChyronHego at NAB 2017

  • NewsTicker 5 from ChyronHego at NAB 2017

    NewsTicker 5 from ChyronHego at NAB 2017

  • Virtual 1st from ChyronHego at NAB 2017

    Virtual 1st from ChyronHego at NAB 2017

  • Mission Critical IP Transport Solutions from MediaLinks at NAB 2017

    Mission Critical IP Transport Solutions from MediaLinks at NAB 2017

  • Video Transport over IP from MediaLinks at NAB 2017

    Video Transport over IP from MediaLinks at NAB 2017

  • Facebook and YouTube live integration with Monarch HD from Matrox at NAB 2017

    Facebook and YouTube live integration with Monarch HD from Matrox at NAB 2017

  • Uncompressed Video over IP from Matrox at NAB 2017

    Uncompressed Video over IP from Matrox at NAB 2017

  • Quad 4k Capture and Stream with Maevex from Matrox at NAB 2017

    Quad 4k Capture and Stream with Maevex from Matrox at NAB 2017

  • 7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

    7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • Facility Management Software from Xytech at NAB 2017

    Facility Management Software from Xytech at NAB 2017

  • 4k 60 Matrix from GDSYS at NAB 2017

    4k 60 Matrix from GDSYS at NAB 2017

  • House of Worship Multisite Streaming from VITEC at NAB 2017

    House of Worship Multisite Streaming from VITEC at NAB 2017

  • IPTV Digital Signage from VITEC at NAB 2017

    IPTV Digital Signage from VITEC at NAB 2017

  • Streaming Media with Interra Systems at NAB 2017

    Streaming Media with Interra Systems at NAB 2017

  • Hybrid Cloud Media Aggregation from Cantemo at NAB 2017

    Hybrid Cloud Media Aggregation from Cantemo at NAB 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Wor4X and EditBridge from Marquis at NAB 2017

    Wor4X and EditBridge from Marquis at NAB 2017

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • 8k Daniel from Cinegy at NAB 2017

    8k Daniel from Cinegy at NAB 2017

  • Workflow Solutions from Pronology at NAB 2017

    Workflow Solutions from Pronology at NAB 2017

  • Object Based Storage Solutions from Object Matrix at NAB 2017

    Object Based Storage Solutions from Object Matrix at NAB 2017

  • The Media Experience Studio from Verizon at NAB 2017

    The Media Experience Studio from Verizon at NAB 2017

  • Kit Financing with Medialease at NAB 2017

    Kit Financing with Medialease at NAB 2017


Related Shows
  • PTZ Cameras at BVE

    PTZ Cameras at BVE


Related Articles
  • NAB is all about people

    NAB is all about people

  • Meet the experts: Six steps for award winning sound design

    Meet the experts: Six steps for award winning sound design

  • Innovation in cameras moving to 4k

    Innovation in cameras moving to 4k

  • A new AEON in Wireless 4k

    A new AEON in Wireless 4k

  • State of the Nation

    State of the Nation

  • Taking the lead in the HEVC and 4k revolution

    Taking the lead in the HEVC and 4k revolution

  • Somewhere down the latency river

    Somewhere down the latency river

  • IP for everyone and 4k everywhere - that will be 2018

    IP for everyone and 4k everywhere - that will be 2018

  • How the Cloud can be enabled as traditional broadcast workflows evolve

    How the Cloud can be enabled as traditional broadcast workflows evolve

  • Growing a news agency from the inside out

    Growing a news agency from the inside out

  • Strays - Telling a dark tale

    Strays - Telling a dark tale

  • Multi-camera fly-away for live music production

    Multi-camera fly-away for live music production

  • Image processing with Ikegami

    Image processing with Ikegami

  • Media Production Show and other news

    Media Production Show and other news

  • Insiders View - A few Days in the Desert

    Insiders View - A few Days in the Desert

  • The UPs and Downs At NAB with Mr MXF

    The UPs and Downs At NAB with Mr MXF

  • Dick brings out his cutting room scales

    Dick brings out his cutting room scales

  • Mr MXF does Vegas

    Mr MXF does Vegas

  • Is now the time to compromise on investment

    Is now the time to compromise on investment

  • The Masters of Dirt - Extreme Production

    The Masters of Dirt - Extreme Production

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • More than just selling cable

    More than just selling cable

  • Dick finds the truth out there

    Dick finds the truth out there

  • The future of post production

    The future of post production

  • Radio cameras bring a live broadcast to life

    Radio cameras bring a live broadcast to life

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Selecting the right broadcast minicam lens

    Selecting the right broadcast minicam lens

  • Filming in 4k in not just about the camera

    Filming in 4k in not just about the camera

  • Intimate and Extreme

    Intimate and Extreme

  • News production with an IP workflow

    News production with an IP workflow

  • Smaller, Lighter, High-Capacity Batteries

    Smaller, Lighter, High-Capacity Batteries

  • A Marathon Filming Review

    A Marathon Filming Review

  • 5 Things I Saw At NAB

    5 Things I Saw At NAB

  • NAB Review

    NAB Review

  • Sin City

    Sin City

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Shooting the Extreme

    Shooting the Extreme

  • TV Futures

    TV Futures

  • Fact from Fiction - IP transport

    Fact from Fiction - IP transport

  • Wireless Keyboard Review

    Wireless Keyboard Review

  • Leaving Las Vegas

    Leaving Las Vegas

  • Camera Operations (part 2)

    Camera Operations (part 2)

  • Waveform Monitors in 4K Production

    Waveform Monitors in 4K Production

  • Resolute over Resolution

    Resolute over Resolution

  • The Search For The Coastal Wolf

    The Search For The Coastal Wolf

  • Must haves for wireless camera transmission

    Must haves for wireless camera transmission

  • 4k is a reality for live production

    4k is a reality for live production

  • Raising the bar at BVE

    Raising the bar at BVE

  • TV Futures - Streaming

    TV Futures - Streaming

  • Staying within a recognisable landscape

    Staying within a recognisable landscape


News
Prism Sound Boosts Its US Sales Force With Two Key Appointments Posted: 20/04/2018
Prism Sound Boosts Its US Sales Force With Two Key Appointments
Prism Sound has boosted its US sales force with the appointment of two new representatives - Eric Klein and Scott D Ray.
Tags: Prism Sound | Eric Klein | Scott D Ray | Sales Appointments | USA
Submitted by White Noise Public Relations Ltd
More from this author
Tape London Brings PMC Exceptional Sound Quality To Its Clients Posted: 19/04/2018
Tape London Brings PMC and rsquo;s Exceptional Sound Quality To Its Clients
Tape, London’s newest private members club, has installed the first pair of PMC QB1 XBD-A monitors in the UK in its Munro Acoustics re-designed recording studio and installed PMC BB6 monitors in its exclusive members lounge so that guests can enjoy the ultimate in high resolution audio playback.
Tags: PMC Speakers | Tape London | QB1 XBDA monitors | BB6 Monitors | Peter Thomas
Submitted by White Noise Public Relations Ltd
More from this author
Gravity Media expands into APAC with appointment of Masa Kato in key business development role Posted: 19/04/2018
Gravity Media expands into APAC with appointment of Masa Kato in key business development role
Gravity Media Group, the global provider of complex live broadcast facilities and production services, has appointed Masahiko (Masa) Kata as its director of business development for the APAC region. He will be based in Tokyo, Japan. This is a new role that has been created to help bring Gravity Media’s extensive range of services and innovative approach to live and as live production to the Asia-Pacific market. Masa joins from Hitachi Kokusai Electronic, where he has worked since 1981 and was most recently corporate officer and general manager of its Video and Communications Systems Business Unit, where responsibilities included overseeing its global sales strategy.
Tags: Gearhouse | Appointment | Gravity Media Group | GMG
Submitted by
More from this author
Oook Audio launches royalty-free music library: New portal will allow video editors to source directly from composers Posted: 19/04/2018
Oook Audio launchesroyalty-freemusic library: New portal will allow video editors to source directly from composers

Oook Audio has today announced the launch of their royalty-free music library, aimed at the professional videography market. It links video editors with high quality compositions, crafted and curated and available via Oook’s easy-to-use portal. Features includes exclusive tracks and a simple licensing mode with a user-centric approach which can be used in films, and across the full range of video sharing websites.

Tags: music | technology | Oook | audio | Oookaudio | portal | composers | filmmakers | videographers | royalty | free | tracks | launch
Submitted by Oook Audio
More from this author
Calrec partners with GSL Professional as official distributor in the Middle East Posted: 19/04/2018
Calrec partners with GSL Professional as official distributor in the Middle East

To continue increasing its reach in the Middle East, Calrec has partnered with Dubai-based GSL Professional to give extensive distribution across the region including the UAE, Qatar, Oman, Jordan, Kuwait, Bahrain and Saudi Arabia. GSL is representing Calrec across the company’s entire product range, including its newly announced IP-based radio system Type R.

Tags: Audio | audio consoles | audio routing | middle east | distributor
Submitted by Jump PR
More from this author
Award-Winning Visual Effects Studios Milk VFX and Electric Theatre Collective Join Sohonet and Virtual Workstation Panel at FMX Conference 2018 Posted: 18/04/2018
Award-Winning Visual Effects Studios Milk VFX and Electric Theatre Collective Join Sohonet and rsquo;s Virtual Workstation Panel at FMX Conference 2018

Sohonet, the global experts in connected cloud services for the media and entertainment industry, announced that leading industry figures from Electric Theatre Collective (ETC), Milk Visual Effects, Amazon Web Services, Pixit Media and Teradici will be joining Sohonet’s Virtual Workstations panel during FMX, Europe’s premier conference for the digital visual arts.

Tags: Sohonet | Milk VFX | Electric Theatre Collective | FMX | Amazon AWS
Submitted by ignite strategic communications
More from this author
Hive Lighting Introduces Bee 50-C and Hornet 200-C at NAB 2018 Posted: 18/04/2018
Hive Lighting Introduces Bee 50-C and Hornet 200-C at NAB 2018

Using only 150 Watts, the HORNET 200-C is brighter than a 1000W incandescent and 2.5X brighter than the original Wasp 100-C.

It has a 9” long body, weighing 2.6lbs. The HORNET 200-C features Hive’s Perfect S.H.O.T. system and Omni-color LED technology, runs off a battery or universal wall power, and is compatible with many of accessories.

Tags: Hive lighting | hive | LED | RGB | Hornet 200-C | Bee 50-C | Wasp 100-C | NAB 2018 | NAB 2018
Submitted by Hive Lighting
More from this author
What Went On in Vegas Posted: 18/04/2018
What Went On in Vegas
The sun shone, the dice rolled and in the Convention Centre the excitement centred around three of UK distributor Aspen Media’s suppliers; DirectOut Technologies, Stage Tec and JLCooper.
Tags: DirectOut Technologies | Stage Tec | JLCooper | globcon | Avatus | XFIP | RIF67 | AoIP | Nexus | Nexus star | Proton | ion | ATEM | QuikSwitch | Eclipse MXL | Eclipse MXL2 | QSC Q-SYS | NAB 2018 | NAB 2018
Submitted by Aspen Media Ltd
More from this author
AIMS Membership Swells to 96 Members Following MNA Merger Posted: 18/04/2018
AIMS Membership Swells to 96 Members Following MNA Merger

The Alliance for IP Media Solutions (AIMS) today announced that the organization has seen an uptick in membership and the number of members has increased to 96. Since the organization’s merger with the Media Networking Alliance (MNA) was announced late last year, more than 20 companies have joined AIMS.

Tags: AIMS | Alliance for IP Media Solutions | Media Networking Alliance | video over IP | media standards
Submitted by Dundee Hills Group
More from this author
Leading Spanish Newspaper El Pais Deploys Vinten Vantage VRC Controller Posted: 18/04/2018
Leading Spanish Newspaper El Pais Deploys Vinten Vantage and and mu;VRC Controller

Vinten®, a Vitec Group brand and a world leader in manual and robotic camera support systems, today announced that leading Spanish newspaper El Pais has deployed the Vantage robotic camera head and the μVRC (microVRC) controller to bolster its live-video production operation. Together, Vantage and μVRC provide a space-saving, labour-saving pan-tilt-zoom (PTZ) camera solution for capturing and posting more than 1,000 live videos per month to the El Pais Facebook channel — whether reporting from the studio or streaming live coverage from the field.

Tags: Vinten | camera support systems | microVRC | Vinten Vantage
Submitted by Dundee Hills Group
More from this author
Camera Corps Qx High Quality Robotic Camera Debuts at 2018 NAB Show Posted: 18/04/2018
Camera Corps Qx High Quality Robotic Camera Debuts at 2018 NAB Show
Camera Corps will debut a major addition to its range of miniature robotic camera systems at the April 9-12 NAB Show in Las Vegas. The new Qx is a compact weatherproof head with integral pan/tilt/zoom/focus drives. Delivering high video quality, it offers producers the freedom to cut and mix with video feeds from full-size studio and outside-broadcast cameras. Black-finished and just 125 mm in diameter, the Qx is unobtrusive enough to be operated within view of other cameras both for studio productions and in OB coverage of live events. It can also be used as part of a commentator camera setup.
Tags: Camera Corps Ltd | speciality remote cameras | remote tracks systems | bespoke camera systems | fixed and steerable robotic-heads | underwater cameras | cranes | camera platforms | dollies | Q-Ball | wearable cameras | wireless camera links | SIMPLY SMPTE | SMPTE MAX | NAB 2018 | NAB 2018
Submitted by Stylus Media Consultants
More from this author
Camera Corps to Launch SIMPLY SMPTE MAX at NAB 2018 Posted: 18/04/2018
Camera Corps to Launch SIMPLY SMPTE MAX at NAB 2018
Camera Corps has chosen the upcoming NAB Show in Las Vegas as the launch platform for SIMPLY SMPTE MAX, a powerful addition to its rental range of television production solutions.
Tags: Camera Corps Ltd | speciality remote cameras | remote tracks systems | bespoke camera systems | fixed and steerable robotic-heads | underwater cameras | cranes | camera platforms | dollies | Q-Ball | wearable cameras | wireless camera links | SIMPLY SMPTE | SMPTE MAX | NAB 2018 | NAB 2018
Submitted by Stylus Media Consultants
More from this author
Camera Corps to Demonstrate New DMR (Dual Mini Remote) Head at NAB Posted: 18/04/2018
Camera Corps to Demonstrate New DMR (Dual Mini Remote) Head at NAB
Camera Corps announces a highly innovative addition to its range of broadcast-quality video production equipment. Available for rental, the new DMR (Dual Mini Remote) Head is a fully remote controlled camera mount with a wide range of applications. Primarily devised to carry a high motion camera for behind-the-goal football replays, the DMR is equally suitable across other genres such entertainment, corporate or religious broadcast programming where more than one movement and flowing live camera shots might be required.
Tags: Camera Corps Ltd | speciality remote cameras | remote tracks systems | bespoke camera systems | fixed and steerable robotic-heads | underwater cameras | cranes | camera platforms | dollies | Q-Ball | wearable cameras | wireless camera links | SIMPLY SMPTE | SMPTE MAX | NAB 2018 | NAB 2018
Submitted by Stylus Media Consultants
More from this author
Camera Corps to Demonstrate Clarity Large-Sensor HD UHD HFR Camera at NAB Las Vegas Posted: 18/04/2018
Camera Corps to Demonstrate Clarity Large-Sensor HD UHD HFR Camera at NAB Las Vegas

A recent addition to the Camera Corps rental fleet, Clarity is a miniature camera delivering real-time live output and high-frame-rate SDI for use with slow motion replay servers. A UHD version operating at four times real-time is also available. The camera will be demonstrated on the Vitec Group exhibit (C6025) in the Central Hall at the April 9-12 NAB Show in Las Vegas.

Tags: Camera Corps Ltd | speciality remote cameras | remote tracks systems | bespoke camera systems | fixed and steerable robotic-heads | underwater cameras | cranes | camera platforms | dollies | Q-Ball | wearable cameras | wireless camera links | SIMPLY SMPTE | SMPTE MAX
Submitted by Stylus Media Consultants
More from this author
Mike Provancha Appointed Managing Director of PlayBox Technology UK Limited Posted: 18/04/2018
Mike Provancha Appointed Managing Director of PlayBox Technology UK Limited
Leading global channel-in-a-box manufacturer PlayBox Technology UK Limited is delighted to announce the appointment of Mike Provancha as managing director of PlayBox Technology UK Limited.
Tags: PlayBox Technology Limited | channel-in-a-box | channel in a box | CIAB | broadcast asset management | integrated media asset management | broadcast systems infrastructure | IT-based broadcast systems | disaster recovery centres | disaster recovery systems | digita
Submitted by Stylus Media Consultants
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>