Blackmagic Design Announces DaVinci Resolve 14 is Now Shipping

Date: 08/09/2017

Blackmagic Design Announces DaVinci Resolve 14 is Now Shipping
Blackmagic Design today announced that the final release of DaVinci Resolve 14, its professional editing, color correction and digital audio software, is now available for download from the Blackmagic Design website.
DaVinci Resolve 14 is the biggest release in the history of the product, and has been designed to be a complete revolution in post production. DaVinci Resolve 14 is the worlds only fully integrated professional editing, color correction and audio solution. It scales from a single user all the way up to the largest collaborative studio workflows.
New features include up to 10 times performance improvement, a whole new audio post production suite with Fairlight audio built in, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. In addition, DaVinci Resolve 14 includes hundreds of new features for editors and colorists, including over 20 new effects such as automatic facial recognition and tracking so customers can quickly refine and enhance faces in their shots.
DaVinci Resolve 14 is like 3 high end applications in one. Customers get professional editing, color correction and new Fairlight audio tools. All it takes is a single click to switch between editing, color and audio. For multi user studios, DaVinci Resolve 14 Studio features bin and timeline locking, secure chat, a graphical timeline comparison tool for accepting and merging changes, and more. These features dramatically change post production from a linear to a parallel workflow. Customers no longer have to import, export, translate or conform projects. Everyone can work on the same project at the same time.
DaVinci Resolve 14 is the first NLE that offers me all of the professional tools I need in one app, said Eric Wilson, Editor of the hit television show NCIS: LA. The combination of editing, color correction, effects and high end audio, along with 4K multi format support and all of the new collaboration tools, is exciting and innovative. Its going to be a game changer.
The public beta of DaVinci Resolve 14 has been downloaded more than any other version of the software in its history, said Grant Petty, CEO, Blackmagic Design. This new version is a major leap forward because it now gives every customer, from individual users to large studios, a way to seamlessly move between editing, grading, and audio. That means they can spend more time being creative and less time translating projects and switching between multiple applications!
The free version of DaVinci Resolve 14, which includes more features than most paid software applications, is available for download from the Blackmagic Design website.
For even more creative options, customers can purchase the full DaVinci Resolve 14 Studio for only $299, which is less than the cost of most annual cloud based subscription plans. The paid DaVinci Resolve 14 Studio adds the new collaborative multi user tools, over 20 new Resolve FX including the advanced face enhancement tools, 4K and 120fps project support, stereoscopic 3D, optical quality blur and mist effects, film grain, de-noise tools and much more. Best of all, DaVinci Resolve 14 Studio does not require a connection to the internet or a cloud subscription to work.
DaVinci Resolve 14 runs on all major platforms, including Mac, Windows and Linux, making it easy to integrate with existing systems and workflows. Customers running Red Hat or CentOS Linux can even build their own workstations using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs for incredible real time performance.
AVAILABILITY AND PRICE
DaVinci Resolve 14 is available today as a free download from the Blackmagic Design website for all current DaVinci Resolve and DaVinci Resolve Studio customers. DaVinci Resolve Studio is available for $299 from Blackmagic Design resellers worldwide.
DAVINCI RESOLVE 14 DETAILED OVERVIEW
DaVinci Resolve 14 features a new high performance playback engine thats up to 10 times faster than before.
In addition to extensive CPU and GPU optimizations, customers also get better threading and GPU pipelining, lower latency, much faster UI refresh rates, support for Apple Metal and much more. This makes DaVinci Resolve 14 faster and more responsive than ever so customers get incredibly fluid performance and more precise editing, even on long timelines with thousands of clips. Scrubbing and playback are instantaneous and there is powerful new acceleration for processor intensive formats like H.264, making it possible to edit 4K images on a laptop.
Legendary Fairlight audio is now fully built into the DaVinci Resolve 14 application itself. Fairlight is famous for being used at the worlds highest end studios for audio post on film and television. Fairlight is known for both its superior sound quality and its speed. Customers get a massive set of professional audio tools for recording, editing and sweetening, professional bussing, mixing and routing, and multi format mastering to 3D audio formats such as 5.1, 7.1, Dolby and even 22.2. The state of the art, super low latency audio engine is designed to work with 192kHz 24-bit audio with real time EQ, dynamics processing and plug-ins on every track when used with the Fairlight Audio Accelerator. Plus the new Fairlight audio can record up to 96 channels while simultaneously playing back up to 150 audio channels, while mixing it all in real time! There simply is no other software available with this level of dedicated audio power.
The new Fairlight audio in DaVinci Resolve 14 supports up to 1,000 tracks and features subframe editing of audio, down to the sample level. The mixer is designed to let customers create sophisticated sequences and has several main, sub and aux buses for mastering and delivering to multiple formats at the same time. Every channel on the mixer features real time 6 band parametric EQ, along with expander/gate, compressor and limiter dynamics. Clip time warping lets customers stretch or compress audio without shifting pitch. In addition, every single parameter can be automated, even VST plug ins, using a variety of automation modes.
In addition to audio editing, sweetening, and mixing, Fairlight audio in DaVinci Resolve 14 also includes multi channel recording tools that are far superior to those found in most editing systems. Customers can record voice overs or even an entire symphony orchestra while also monitoring video and multiple channels of dialog and sound effects. The advanced monitoring can handle buses up to 24 channels wide with customizable fold-up and fold-down for crossing between formats. Monitoring can be done on up to 16 different sets of speakers, including massive cinematic installations.
DaVinci Resolve 14 works with the Fairlight Audio Accelerator card, which gives customers 100s of zero latency tracks and real time effects processing for EQ, dynamics, and up to 6 VST plug ins per channel. Even without the accelerator, most modern computers can still process more than 60 tracks in real time. In addition, DaVinci Resolve 14 can also be used to drive the entire line of Fairlight hardware mixing consoles, which makes working on complex multi track projects faster than any other system available.
The advanced busing and mixing architecture also allows multi language and multi format delivery to be handled simultaneously from the same project, dramatically reducing the time required to deliver final masters.
All this editing, color correction and audio post production power also means multiple people need to work on the same job, at the same time. This is where the revolutionary new collaboration tools are vital to the dream of revolutionizing post production. The new collaboration tools completely redefine post production workflows by supporting simultaneous editing, color correction and audio post. Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, and sound editors mix and finish audio, all in the same project at the same time.
New bin, clip and timeline locking lets users safely work on a specific part of the project without overwriting each other. Theres also a built in secure chat client that lets team members talk to each other from within DaVinci Resolve without the need for an external internet connection. This secure chat is vital because most high end facilities are unable to use services such as Slack or Skype for messaging because they need to remain completely disconnected from the internet to ensure security against hacking.
The new timeline comparison tool makes it fast and easy to see differences and merge changes between two timelines by viewing a side by side comparison of every single change made between users. Best of all, DaVinci Resolve 14 works with the storage you already have. Theres no need to buy expensive or proprietary storage and servers to work collaboratively.
The new multi user features of DaVinci Resolve 14 eliminate the need for importing, exporting, translating and conforming projects. Customers no longer have to wait for a locked edit before starting color and audio work. Switching between editing, color and audio is just a single click away. That means picture editors, colorists, and sound editors can all work in parallel, making DaVinci Resolve 14 the fastest way to edit, grade, mix and deliver projects.
In addition to the incredible performance improvements, editors also get new slip and slide trim commands that make it easier to dynamically trim live on the fly during playback. They can now save interface layout presets, view multiple bins at once and open multiple bin windows. New marker overlays, audio only and video only edit tools, track colors, and subframe audio editing make it the worlds most powerful creative editor.
For colorists, there are over 20 new Resolve FX filters that make it easy to remove dust, fix dead pixels, warp images and more. The amazing new face enhancement tool automatically recognizes and tracks facial features so colorists can quickly smooth skin, adjust skin tone, brighten eyes, and even change lip color, all without having to manually select or rotoscope any part of the image. The face enhancement tool is an indispensable feature that colorists will use every single day. In addition, there are new stabilization, match move, and other image processing tools that give colorists more creative options than ever before.
Customers can add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Control panel for the ultimate high speed workflow. All controls are logically placed near natural hand positions and are made out of the highest quality materials. Smooth, high resolution weighted trackballs and precision engineered knobs and dials feature the perfect amount of resistance for accurately adjusting any setting. The DaVinci Resolve control panels give colorists and editors fluid, hands on control over multiple parameters at the same time, allowing them to create looks that are simply impossible with a standard mouse.


Tags: Blackmagic Design | DaVinci Resolve 14 | Shipping | Fairlight | Editing | Colour Correction
Submitted by Patrick Hussey (Blackmagic design)
View author's directory page

Related Interviews
  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • FORSCENE Cloud Editing at NAB 2015

    FORSCENE Cloud Editing at NAB 2015

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Forbidden Technologies on BroadcastShow LIVE at IBC 2013

    Forbidden Technologies on BroadcastShow LIVE at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Lightworks on BroadcastShow Tour May 2013

    Lightworks on BroadcastShow Tour May 2013

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Scott Hill uses EditShare: Lightworks at NAB 2013

    Scott Hill uses EditShare: Lightworks at NAB 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Dalet at NAB 2013

    Dalet at NAB 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Blackmagic Design at NAB 2012

    Blackmagic Design at NAB 2012

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Avid at BVE North 2011

    Avid at BVE North 2011

  • Holdan and DaVinci at BVE North 2011

    Holdan and DaVinci at BVE North 2011

  • Blackmagic at IBC2011

    Blackmagic at IBC2011

  • SGO at IBC2011

    SGO at IBC2011


Related Shows
  • Larry Jordan and Den Lennie talk editing at BVE

    Larry Jordan and Den Lennie talk editing at BVE


Related Articles
  • Strays - Telling a dark tale

    Strays - Telling a dark tale

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • The future of post production

    The future of post production

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Top 10 Tips for Saving Time in Post

    Top 10 Tips for Saving Time in Post

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Editing broadcast video in a mobile app a ridiculous notion or the next big thing

    Editing broadcast video in a mobile app a ridiculous notion or the next big thing

  • Making multi-camera shooting faster & more affordable

    Making multi-camera shooting faster & more affordable

  • Back in the day

    Back in the day

  • Cloud Editing at BVE

    Cloud Editing at BVE

  • Studio furniture at the cutting edge

    Studio furniture at the cutting edge

  • Dialog-based search accelerates content discovery for anyone with a media library

    Dialog-based search accelerates content discovery for anyone with a media library

  • Still unsure about cloud editing? Read this..

    Still unsure about cloud editing? Read this..

  • Fixing it in parallel

    Fixing it in parallel

  • Increase productivity while editing

    Increase productivity while editing

  • The fast-moving business of providing pop-up editing suites

    The fast-moving business of providing pop-up editing suites

  • Post Production gear guide - what new products to watch out for in 2015

    Post Production gear guide - what new products to watch out for in 2015

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • Trouble- Shooting Your Mac Editing System

    Trouble- Shooting Your Mac Editing System

  • Manipulate and Edit

    Manipulate and Edit

  • Capture and Produce

    Capture and Produce

  • The First Musketeer

    The First Musketeer

  • Will Strauss looks at post production in 2014

    Will Strauss looks at post production in 2014

  • How the cloud is changing the post production landscape

    How the cloud is changing the post production landscape

  • Tales from the teaching trenches: The offline, online battle

    Tales from the teaching trenches: The offline, online battle

  • Taking legacy content into the 4K world

    Taking legacy content into the 4K world

  • Sportsnet stays ahead of the game with Quantel

    Sportsnet stays ahead of the game with Quantel

  • The joys of the outside broadcast!

    The joys of the outside broadcast!

  • A runaway success at Graduate Fashion Week with Blackmagic

    A runaway success at Graduate Fashion Week with Blackmagic

  • A cinematic makeover with Blackmagic Design

    A cinematic makeover with Blackmagic Design

  • Is 4K the end of the line?

    Is 4K the end of the line?

  • Cameras, conversations and conversions at Camera Diner with Teranex

    Cameras, conversations and conversions at Camera Diner with Teranex

  • Lincolnshire Police Enhances Distance Learning Program

    Lincolnshire Police Enhances Distance Learning Program

  • Plan Bs Playing with Fire Gets the DaVinci Resolve Treatment

    Plan Bs Playing with Fire Gets the DaVinci Resolve Treatment

  • Bob Pank looks at Editing and the Cloud

    Bob Pank looks at Editing and the Cloud

  • Why does my project look different on every screen I watch it on?

    Why does my project look different on every screen I watch it on?

  • Professional Video Editing Just Got Better

    Professional Video Editing Just Got Better

  • The joy of field editing

    The joy of field editing

  • Call of Duty Black Ops II: World Exclusive First Look Streamed Live from Gamescom

    Call of Duty Black Ops II: World Exclusive First Look Streamed Live from Gamescom

  • Camera innovations from IBC

    Camera innovations from IBC

  • Taking the pain out of collaborative editing

    Taking the pain out of collaborative editing

  • How much RAM do I need to edit video?

    How much RAM do I need to edit video?

  • Grading across the Atlantic

    Grading across the Atlantic

  • Following the alien route of a freelancer

    Following the alien route of a freelancer

  • Back to Basics with Stereo 3D

    Back to Basics with Stereo 3D

  • Apple Final Cut Pro X  The Critic

    Apple Final Cut Pro X The Critic

  • AdVision TV: Editing... Live

    AdVision TV: Editing... Live

  • tv-bay Questions

    tv-bay Questions

  • NFTS, the future of digital visionaries

    NFTS, the future of digital visionaries

  • tv-bay questions

    tv-bay questions


News
Master of the Video Wall Martin Stanford, Sky News joins Celebro Media Advisory Board Posted: 20/02/2018

Veteran news anchor Martin Stanford has joined Celebro Media’s advisory board as a Technology Specialist.

Tags: Celebro Media | Martin Stanford | Sky News | Advisory Board | Studios
Submitted by Bubble Communications
More from this author
Simplestream partners with Little Dot Studios to take award-winning documentaries channel multiscreen and global Posted: 19/02/2018

Simplestream, leaders in live and on-demand OTT services, today announced that it was chosen by Little Dot Studios, a BAFTA and Emmy award-winning content producer and broadcaster, to build an international Video on Demand service for its Real Stories channel.

Tags: Simplestream | Little Dot Studios | Real Stories | OTT | VOD | SVOD | VOD-in-a-Box
Submitted by Platform Communications
More from this author
Tim Gennert Centres His Mixing Environment Around Prism Sound Posted: 19/02/2018
When it comes to a digital device’s ability to translate upper harmonics and low end frequencies, musician and producer Tim Gennert says he has never heard anything as accurate as the Prism Sound Lyra 2 audio interface.
Tags: Prism Sound | Lyra 2 Audio Interface | Tim Gennert
Submitted by White Noise Public Relations Ltd
More from this author
FUJIFILM Announces New Ultra-Compact Cinema Lenses, FUJINON MKX18-55MMT2.9 and FUJINON MKX50135MMT2.9 for X Mount Posted: 16/02/2018

FUJIFILM North America Corporation today announced the launch of FUJINON MKX18-55mmT2.9 and FUJINON MKX50-135mmT2.9 cinema lenses for X Mount, new additions to the X Series line of interchangeable lenses.

Tags: FUJIFILM | FUJINON | lenses | cinema | cinema lenses | cinematography | NAB 2018 | NAB 2018
Submitted by Pipeline Communications
More from this author
AVIWEST Booth C2139 Posted: 16/02/2018

At the 2018 NAB Show, AVIWEST will demonstrate the latest enhancements to its live video contribution and distribution systems. AVIWEST's advanced video contribution platform enables broadcasters to capture and deliver live 4K, HD, or SD video over multiple unmanaged IP networks, including bonded 4G/3G cellular, Wi-Fi, Ethernet, and satellite links.

Tags: AVIWEST | 2018 NAB | NAB 2018 | StreamHub Transceiver Platform | MOJOPRO Series | NAB 2018 | NAB 2018
Submitted by 202 Communications
More from this author
Derby County Football Club Implements a Blackmagic Design Broadcast Solution Posted: 16/02/2018
Blackmagic Design has today announced that Derby County Football Club (DCFC) has invested in a multi camera live production workflow featuring the Blackmagic Studio Camera 4K, Micro Studio Camera 4K and URSA Mini 4.6K.
Tags: Blackmagic Design | Derby County Football Club | Broadcast | Studio Camera | URSA Mini | Fiber Network
Submitted by Blackmagic design
More from this author
IPE to showcase IDS network-based display and control at BVE 2018 Posted: 15/02/2018

Together with its partner Global Distribution, IPE will feature its Intelligent Display System (IDS) a scalable, network-based display and control system designed specifically for the media technology industry on the Global Distribution stand at BVE 2018.

Tags: IPE | IDS | Display | Global Distribution | BVE 2018 | BVE 2018
Submitted by Manor Marketing
More from this author
Dalet Headlines IMF and Orchestrated Workflows at BVE 2018 Posted: 15/02/2018

Dalet, a leading provider of solutions and services for broadcasters and content professionals, will showcase its enterprise media asset management and orchestration solutions at the upcoming BVE 2018 event on stand H19. Experts will be available to discuss critical IMF and orchestration workflows trends within the content supply chain and specifically how Dalet solutions can manage and scale IMF package production and distribution, allowing facilities to lower costs and industrialize processes.

Tags: MAM | BVE | Media Asset Management | BVE 2018 | BVE 2018
Submitted by Zazil Media Group
More from this author
Calrec Audio and GTC clinch distributor deal for Portugal Posted: 15/02/2018
Calrec Audio has signed GTC - Sistemas Digitais de Video as its exclusive distributor in Portugal, representing Calrec's full line of digital audio consoles to Portuguese broadcast, media, and entertainment companies.
Tags: Calrec Audio | GTC | distributor deal | Portugal | Sistemas Digitais de Video
Submitted by Wall Street Communications
More from this author
MultiDyne Updates Bulk Fiber Transport System for Hot-Swappable Conversions at 2018 NAB Show Posted: 15/02/2018

MultiDyne Fiber Optic Solutions has added greater conversion capability to VF-9000 fiber transport platform for bulk transport in advance of the 2018 NAB Show, which marks the North American debut of the system. The VF-9000 addresses the growing need for higher signal density, format flexibility and operational versatility in a fiber transport frame, and is available in 18- and 36-channel versions. MultiDyne will exhibit the VF-9000 at Booth C6818 at the Las Vegas Convention Center from April 9-12.

Tags: MultiDyne | fiber | transport | NAB | NAB 2018 | NAB 2018
Submitted by Dimension PR
More from this author
Qligent Match Programmatic Error Detection Solution to Make North American Debut at 2018 NAB Show Posted: 15/02/2018

At a time when branded content is increasingly delivered across traditional, mobile and IPdistribution platforms, Qligent—a specialist in cloud-based, enterprise-level content monitoring and analysis—will bring its new Matchsolution for programmatic error detection to North America at the upcoming 2018 NAB Show. The latest software addition to the company’s flagship QligentTM Vision cloud-based delivery analytics platform, Match will be demonstrated in booth N5914 at the event, which takes place April 9-12 at the Las Vas Convention Center.

Tags: Qligent | NAB | playout | NAB 2018 | NAB 2018
Submitted by Dimension PR
More from this author
Bexel Orders PHABRIX Portable Analyser Generators for Busy Winter Sports Season Posted: 15/02/2018
PHABRIX today announced that Bexel, an NEP Broadcast Services Company, has ordered 31 Sx portable HD/SD analyser/generators, including six Sx TAG analyser/generators plus 25 SxE units with eye/jitter analysis, for use in the busy upcoming winter sports season. This test and measurement equipment will be used for quality control and troubleshooting by engineers in the field and studio this winter.
Tags: Bexel | PHABRIX | Portable Analyser/Generators | Winter Sports Season | Sx portable | Sx TAG analyser
Submitted by Wall Street Communications
More from this author
At BVE 2018, Square Box Systems to Showcase Powerful New Features for CatDV Customization, Expanded Deployments, and Sports Assets Posted: 15/02/2018
At BVE 2018, Square Box Systems will unveil the newest innovations for its flagship CatDV media asset management (MAM) system, reflecting the company's continuing momentum as the global leader in MAM technologies and solutions. In 2018, product development for CatDV will be centered around four key areas: customization and extensibility, expanded support for creative workflows, support for cloud and hybrid deployments, and new capabilities for managing sports assets.
Tags: BVE 2018 | Square Box Systems | CatDV | Expanded Deployments | Sports Assets | Adobe Creative Cloud | Avid Media Composer
Submitted by Wall Street Communications
More from this author
SMPTEs Magic and Miracles Book Now Shipping Posted: 15/02/2018
SMPTE®, the organization whose standards work has supported a century of advances in entertainment technology and whose membership spans the globe, today announced that "Magic and Miracles: 100 Years of Moving Imaging Science and Technology," a full-color, hardcover book documenting a century of innovation fueled by SMPTE's standards work, is now shipping. The book will remain available at its pre-order price — $59.94 for SMPTE Members and $75 for nonmembers — through March 15.
Tags: SMPTE | Magic and Miracles | Book Now Shipping | Moving Imaging | Science and Technology
Submitted by Wall Street Communications
More from this author
Patching Solutions Leader Bittree Bringing 40th Anniversary Celebrations to 2018 NAB Show Posted: 15/02/2018

Hot on the heels of the company's successful first NAMM (National Association of Music Merchants) exhibit, Bittree will bring its 40th anniversary festivities to the 2018 NAB Show in Las Vegas from April 9 to 12. Showcasing its high-qualityvideo, audio and data patching solutions in booth SU3417, the company will celebrate its four decades of leadership in the broadcast, professional audio/video and musical instrument markets with demonstrations of new and recent product innovations.

Tags: Bittree | NAB | video | audio | data | NAB 2018 | NAB 2018
Submitted by Dimension PR
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>