Blackmagic Design Announces New HyperDeck Extreme 8K HDR

Date: 09/04/2019
Blackmagic Design Announces New HyperDeck Extreme 8K HDR
Blackmagic Design today announced HyperDeck Extreme 8K HDR a new innovative broadcast deck with advanced H.265 8K recording combined with touch screen user interface and traditional broadcast deck controls. HyperDeck Extreme 8K HDR will be available in June 2019 from Blackmagic Design resellers worldwide for US$4995.
The HyperDeck Extreme 8K HDR will be demonstrated on the Blackmagic Design NAB 2019 booth #SL216.
The new HyperDeck Extreme 8K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. With the ability to record native 8K in H.265, customers get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of their recording as well as control over all deck settings. Customers can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage.
HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view their recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. Customers can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB-C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if their media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.
With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow customers to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage in 8K is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. Customers can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs. The scopes also help customers QA masters to ensure compliance with broadcast standards before streaming and broadcast.
HyperDeck Extreme Control lets customers connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme 8K and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. Customers can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.
The latest Quad Link 12G-SDI is included so it’s possible to record and playback in full resolution 8K for amazing quality. The SDI connections are multi-rate, so customers can use Quad Link 12G-SDI to get compatibility with other 8K products, or switch to SD, HD or Ultra HD using the single link 12G-SDI connection. To allow regular CFast cards to be recorded at high resolution 8K, HyperDeck Extreme uses modern H.265 files for 8K recording and playback. This means HyperDeck Extreme 8K is perfect for connecting to the latest 8K televisions and projectors.
The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. Customers can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus customers can load and save 3D LUTs. Customers also get direct buttons for transport control, enabling the 3D LUT and remote enable.
HyperDeck Extreme Control extends their HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. Customers can control up to 8 decks via industry standard RS-422 control. Customers can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS-422, customers can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus customers can even edit between frame rates if standards converting between formats.
CFast media support allows customers to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so customers can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. With H.265, customers can record 498 minutes at 8Kp60 on a 1 TB card, 1,059 minutes in 2160p60 Ultra HD and 2,354 minutes in 1080p59.94 on a 1 TB card. That’s over 8 hours in 8K and over 39 hours in HD.
If recording to other media types is required, then the USB-C Expansion port lets customers plug in an external flash disk for recording. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. Customers even get on screen menus for managing external disks using the touch screen.
Sometimes their media can fill before customers change to a blank card, or if the card is too slow, then customers can get dropped frames in their recording. To eliminate this problem, customers can install a PCIe flash disk into HyperDeck Extreme 8K to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets customers record formats that are too fast for the media card or external disk.
HyperDeck Extreme 8K features a wide range of video and audio connections such as multi-rate Quad Link 12G-SDI for SD, HD, Ultra HD and 8K SDI devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analog, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The latest 10G Ethernet is included for high speed upload using FTP protocols.
Customers will be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built in HyperDeck Extreme 8K HDR LCD color gamut can even handle 100% of the DCI-P3 format.
HyperDeck Extreme features full internal waveform monitoring so customers can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of their input or playback signal. The vectorscope display allows customers to see the intensity of color at 100% SDI reference levels. Customers also get RGB and YUV parade displays which are ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in their images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope.
The SDI and HDMI connections are multi-rate, so handle SD, HD, Ultra HD and 8K. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. Customers can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. 8K standards are included at 4320p23.98, 24, 25, 29.97, 50, 59.94 and 60p.
8K has 4 times as many pixels as Ultra HD so HyperDeck Extreme 8K uses H.265 files for 8K recording to reduce costs and make working with 8K files easy. H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Customers can use H.265 for all 8K, Ultra HD or progressive HD formats. HyperDeck Extreme 8K even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out.
HyperDeck Extreme 8K HDR includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, customers can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analog audio inputs that let customers record all 4 channels from Betacam SP decks. Customers can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme 8K HDR might be the latest in 8K technology, however the analog connections have also been designed to low noise and low distortion broadcast specifications.
Multiple languages are fully supported so customers don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish.
With 10G ethernet, HyperDeck Extreme 8K HDR is perfect for digital signage because remote uploads are extremely fast. All models use an easy text based protocol plus customers can use Telnet to test control commands. To upload media files remotely, customers can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and playout.
There's a wide range of Blackmagic Design products customers can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS-422 deck control protocol so it works with any broadcast deck. It's possible to add the new Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme 8K is also a perfect mastering recorder with the new ATEM Constellation 8K, or for clip playback and ISO reordering. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.
The files from HyperDeck Extreme 8K are common they are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so customers can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with HyperDeck because it features editing, color correction, audio post production and visual effects all in one software application.
"We think the new HyperDeck Extreme 8K HDR will offer customers a whole new generation of technology while enabling a new wave of 8K production," said Grant Petty, Blackmagic Design CEO. "Even if customers don't need 8K, we think this new HyperDeck has so many features, it will become the centerpiece of live production, digital signage and broadcast!"
HYPERDECK EXTREME 8K HDR FEATURES
* Supports live production, digital signage and archive use.
* Supports legacy program ingest for streaming.
* Record and playback in full resolution 8K.
* Large LCD screen for with touch user interface.
* Optional traditional broadcast deck controls.
* Dual CFast media cards for non stop recording.
* Records direct to external USB-C media disks.
* Optional media cache eliminates dropped frames.
* Quad Link 12G-SDI for 8K, HDMI and legacy analog connections!
* Advanced HDR support with bright wide gamut LCD.
* Built in scopes include waveform, vector, parade and histogram.
* Latest Multi-rate 12G-SDI for SD, HD, Ultra HD and native 8K.
* Standard H.265 and ProRes files for wide compatibility.
* Professional multi channel digital and analog audio.
* Localized for 11 popular languages.
* 10G Ethernet for extremely fast remote media upload.
* Traditional RS-422 broadcast deck control.
* Compatible with new ATEM Constellation 8K switcher.
* Works with popular NLE software such as DaVinci Resolve.


Tags: Blackmagic Design | Blackmagic | BMD | HyperDeck | 8K | HDR | H.265 | Recording | Playback | Live Production | Digital Signage | NAB 2019 | NAB 2019
Submitted by Patrick Hussey (Blackmagic design)
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Cinegy and SRT: Cinegy UK Open Day 29.5.2019 Posted: 23/05/2019
Cinegy and SRT: Cinegy UK Open Day 29.5.2019

Cinegy Ltd is holding an Open Day on 29th May in Bristol, UK, 10 am – 4 pm

· Introducing the latest Cinegy products now with SRT (Secure Reliable Transport), a protocol which allows broadcast video distribution encrypted across public networks.

Tags: Cinegy | Software defined television | SRT | Canis Media | playout | Cinegy Air PRO | IP | SDI | Cinegy Air | Cinegy Route | Cinegy Multiviewr | Cinegy Capture | Cinegy Live | Cinegize
Submitted by Manor Marketing
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TSL New SAM-Q Audio Monitoring Platform Makes Asia-Pacific Debut at BroadcastAsia 2019 Posted: 23/05/2019
TSL and rsquo;s New SAM-Q Audio Monitoring Platform Makes Asia-Pacific Debut at BroadcastAsia 2019

TSL Products, a leading designer and manufacturer of broadcast workflow solutions, presents its new SAM-Q audio monitoring platform to the Asia-Pacific region at this year’s BroadcastAsia Show (Level 6, Stand 6J3-01). In addition, TSL will be presenting its full-suite of product offerings since the recent announcement of its acquisition of DNF Controls, a U.S.-based company offering a wide range of human-to-machine and machine-to-machine solutions, this past April.

Tags: TSL Products | DNF Controls | BroadcastAsia 2019 | audio
Submitted by D. Pagan Communications
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Rise Announces This Years Pairings for Award-Winning Mentoring Scheme Posted: 23/05/2019
Rise Announces This Years Pairings for Award-Winning Mentoring Scheme

Rise, the advocate group for gender diversity within the broadcast manufacturing and services sector, today announced the pairing up of mentees and mentors for its annual mentoring scheme.

Tags: Rise | broadcast manufacturing and services | mentoring programme | award-winning | Avid | Bubble Agency | Clear-Com | DPP | Imagen | NEP | Deluxe | Pixelogic | Sky
Submitted by Bubble Agency
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Marquis Broadcast Medway chosen to update RTVE production system Posted: 22/05/2019
Marquis Broadcast Medway chosen to update RTVE production system

Spanish broadcaster, RTVE, has updated its ‘Historic Archive’ production system with Medway – a powerful and scalable media-centric middleware from Marquis Broadcast. Medway links RTVE’s edit platforms, asset management and video servers together with its historical archive systems. It helps connect multiple sites in different regions, to allow one site’s archive to be used from another site, all controlled via media asset management.

Tags: Marquis Broadcast | Medway | media | metadata | production | middleware | editing | edit | asset management | archive
Submitted by Brill Media Limited
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Academy Award-winning production company chooses Avid-certified Workspace Backup tool Posted: 22/05/2019
Academy Award-winning production company chooses Avid-certified Workspace Backup tool

Zentropa in Denmark is one of the leading post-production companies in Europe, winning the most prestigious awards on the international film scene and producing over 200 films to date. The company has recently invested in Workspace Backup from Marquis Broadcast, to take backups of Avid work-in-progress as part of its disaster recovery plan. Although feature film work for both the national and international markets are its main focus, Zentropa also produces TV documentaries and series, along with music videos, so needed a simple automated backup system that could provide a daily backup of all projects and media files.

Tags: Marquis Broadcast | Workspace Backup | Zentropa | post-production | Avid | storage | backup | film
Submitted by Brill Media Limited
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AIMS Members to Provide Educational Sessions on Open Standards for AV Over IP at InfoComm Posted: 22/05/2019
AIMS Members to Provide Educational Sessions on Open Standards for AV Over IP at InfoComm

The Alliance for IP Media Solutions (AIMS) today announced that at InfoComm 2019, representatives from AIMS member companies will be providing three days of educational presentations on the subject of adopting open standards for AV over IP. The presentations will take place in the AIMS Theatre at Booth 375. In addition to making individual presentations, AIMS members will also participate in the session "Audio and Video Streaming Using Established IP Standards," to be held on Tuesday, June 11, from 1 to 3 p.m. in Room W304E.

Tags: AIMS | InfoComm 2019 | Open Standards | AV Over IP | Alliance for IP Media Solutions
Submitted by Wall Street Communications
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Studio Technologies Introduces New Dante Intercom Beltpacks Posted: 22/05/2019
Studio Technologies Introduces New Dante and reg; Intercom Beltpacks

Studio Technologies, manufacturer of high-quality audio, video, and fiber-optic solutions, introduces two new Dante®-enabled intercom beltpacks, the Model 372A and Model 373A. Both units, which combine a single talk channel with two channels of listen, are capable of supporting professional and consumer-grade, single- and dual-channel headsets with audio quality that far exceeds typical party-line intercom equipment. The Model 372A is intended to connect with headsets that use a 5-pin male XLR connector, while the Model 373A interfaces with headsets that use a 4-pin female XLR connector. Both are also equipped with a 3.5 mm 4-conductor TRRS jack, allowing direct connection with earbuds and gaming headsets. Only a Power-over-Ethernet (PoE) connection is required for interconnection with a Dante network.

Tags: beltpacks | audio
Submitted by D. Pagan Communications
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Sonnet Announces Breakthrough-Priced 10 Gigabit Ethernet SFP+ PCIe Card and Thunderbolt Adapter Posted: 22/05/2019
Sonnet Announces Breakthrough-Priced 10 Gigabit Ethernet SFP+ PCIe and reg; Card and Thunderbolt and trade; 3 Adapter Sonnet Technologies today announced the Solo10G™ SFP+ PCIe Card and the Solo10G™ SFP+ Thunderbolt™ 3 Edition adapter, the latest products in the company's expanding line of 10 Gigabit Ethernet (10GbE) network adapters. Solo10G SFP+ adapters add lightning-fast 10GbE network connectivity to a wide range of computers, enabling users to easily connect to 10GbE-enabled network infrastructure and storage systems via LC fiber optic cables (sold separately). Both products include a 10GBASE-SR (short-range) SFP+ transceiver (the most commonly used optical transceiver), enabling 10Gb connectivity at distances up to 300 meters.

Tags: Sonnet | Solo10G | Ethernet | SFP+ | PCIe | Thunderbolt 3
Submitted by Wall Street Communications
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Middle Atlantics BGR Series Now the Top-Selected AV Enclosure Posted: 22/05/2019
Middle Atlantics BGR Series Now the Top-Selected AV Enclosure

Middle Atlantic Products, a brand of Legrand | AV, today announced that its popular BGR Series is the company's No. 1 selling AV rack enclosure, taking the lead over Middle Atlantic's MRK Series rack. Introduced in 2011, the BGR Series goes beyond the traditional rack enclosure with innovations that allow integrators to quickly mount, maintain, and service a variety of system components with ease and reliability. Last year, more than 187,000 BGR Series rack units were installed on a range of AV projects.

Tags: Middle Atlantic Products | InfoComm 2019 | Legrand | AV | BGR | Rackspace
Submitted by InGear
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Riedels MediorNet and Artist Form Unified Signal Transport Core of New Van for Denmark-Based Fjord Film Posted: 22/05/2019
Riedels MediorNet and Artist Form Unified Signal Transport Core of New Van for Denmark-Based Fjord Film

Danish production company Fjord Film has chosen Riedel Communications' MediorNet real-time signal transport, processing, and routing technology and Artist digital matrix intercom for its all-new OB van. Working in concert, MediorNet and Artist form the signal distribution and communications nerve center for the van.

Tags: Riedel Communications | MediorNet | Fjord Film | Artist digital matrix | signal distribution
Submitted by Wall Street Communications
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Must See Sigma Cine Lenses and Presentations at Cine Gear Expo LA Posted: 22/05/2019
Must See Sigma Cine Lenses and Presentations at Cine Gear Expo LA

Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, will exhibit its full Sigma Cine lens lineup, including the new 28mm T1.5, 40mm T1.5, and 105mm T1.5 prime lenses at the 2019 Cine Gear Expo in Los Angeles, CA in booth 71A. In addition to the hands-on Sigma Cine lens showcase, showgoers can attend special educational Sigma presentations offered throughout the exhibition.

Tags: sigma | sigma cine | sigma corporation of america | cine gear 2019
Submitted by Zazil Media Group
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CRYSTAL VISION RELEASES FLEXIBLE BUDGET-FRIENDLY PROFANITY DELAY SYSTEM FOR AUDIO AND VIDEO Posted: 22/05/2019
CRYSTAL VISION RELEASES FLEXIBLE BUDGET-FRIENDLY PROFANITY DELAY SYSTEM FOR AUDIO AND VIDEO

Cleanit is Crystal Vision's new profanity delay system. One of the few products available for protecting video as well as audio, Cleanit allows a live content stream to be delayed by up to 20 seconds in HD (ten seconds in 3Gb/s or 110 seconds in SD), giving the operator time to react and prevent the broadcast of unwanted or offensive video or audio material – such as expletives, obscene gestures, wardrobe malfunctions, bloopers, competitor mentions, coughing fits or technical problems. Features which make Cleanit the ideal profanity delay solution include its budget-friendly flexibility (multiple packages allow the broadcaster to just pay for the amount of protection needed), the ability to delay the programme by the exact amount required and the simple, intuitive control using a smart button box or computer GUI – with the choice of either manual or automatic operation of the cover/uncover functions.

Tags: Crystal Vision | Cleanit | profanity delay | obscenity delay
Submitted by Crystal Vision Ltd.
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Megahertz Wins Large-Scale IP infrastructure Project for Major US Broadcaster Posted: 22/05/2019
Megahertz Wins Large-Scale IP infrastructure Project for Major US Broadcaster
Megahertz Ltd, the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has been appointed by a large American news-based broadcaster to implement, build, test and deliver the IP workflows supporting its large-scale London offices and European HQ relocation to Old Street in Central London.
Tags: Megahertz | IP infrastructure | US Broadcaster | London | design and integration services | all-IP production facility | production | contribution | studio programmes | ENG support | film crews | editing | Jon Flay | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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Imagine Communications Appoints Ken Gould to Head up Playout and Networking Sales in Canada Posted: 22/05/2019
Imagine Communications Appoints Ken Gould to Head up Playout and Networking Sales in Canada

Imagine Communications has appointed Ken Gould as Account Executive in Canada for its playout and networking business. In his new capacity, Gould is responsible for expanding Imagine Communications’ presence across Canada and supporting broadcasters and media companies as they migrate to IP, cloud and virtualization.

Tags: Imagine Communications | Ken Gould | Canada | Glodina Connan-Lostanlen | transition to all-IP workflow | broadcasters | media companies | scalability | flexibility | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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MPS 2019 Charlotte Wheeler Q and A Posted: 22/05/2019
MPS 2019 and ndash; Charlotte Wheeler Q and amp;A

What is the Media Production Show?

 

We’ve spent the last four years building the Media Production Show into the UK’s leading media production event, taking place each summer, and bringing together the production and technology communities in TV, film and the creative sector.

Tags: MPS | Media production show | MPS2019 | MPS 2019 | MPS 2019
Submitted by Bubble Communications
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