Blackmagic Design Announces New HyperDeck Extreme 8K HDR

Date: 09/04/2019
Blackmagic Design Announces New HyperDeck Extreme 8K HDR
Blackmagic Design today announced HyperDeck Extreme 8K HDR a new innovative broadcast deck with advanced H.265 8K recording combined with touch screen user interface and traditional broadcast deck controls. HyperDeck Extreme 8K HDR will be available in June 2019 from Blackmagic Design resellers worldwide for US$4995.
The HyperDeck Extreme 8K HDR will be demonstrated on the Blackmagic Design NAB 2019 booth #SL216.
The new HyperDeck Extreme 8K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. With the ability to record native 8K in H.265, customers get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of their recording as well as control over all deck settings. Customers can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage.
HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view their recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. Customers can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB-C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if their media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.
With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow customers to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage in 8K is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. Customers can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs. The scopes also help customers QA masters to ensure compliance with broadcast standards before streaming and broadcast.
HyperDeck Extreme Control lets customers connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme 8K and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. Customers can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.
The latest Quad Link 12G-SDI is included so it’s possible to record and playback in full resolution 8K for amazing quality. The SDI connections are multi-rate, so customers can use Quad Link 12G-SDI to get compatibility with other 8K products, or switch to SD, HD or Ultra HD using the single link 12G-SDI connection. To allow regular CFast cards to be recorded at high resolution 8K, HyperDeck Extreme uses modern H.265 files for 8K recording and playback. This means HyperDeck Extreme 8K is perfect for connecting to the latest 8K televisions and projectors.
The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. Customers can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus customers can load and save 3D LUTs. Customers also get direct buttons for transport control, enabling the 3D LUT and remote enable.
HyperDeck Extreme Control extends their HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. Customers can control up to 8 decks via industry standard RS-422 control. Customers can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS-422, customers can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus customers can even edit between frame rates if standards converting between formats.
CFast media support allows customers to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so customers can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. With H.265, customers can record 498 minutes at 8Kp60 on a 1 TB card, 1,059 minutes in 2160p60 Ultra HD and 2,354 minutes in 1080p59.94 on a 1 TB card. That’s over 8 hours in 8K and over 39 hours in HD.
If recording to other media types is required, then the USB-C Expansion port lets customers plug in an external flash disk for recording. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. Customers even get on screen menus for managing external disks using the touch screen.
Sometimes their media can fill before customers change to a blank card, or if the card is too slow, then customers can get dropped frames in their recording. To eliminate this problem, customers can install a PCIe flash disk into HyperDeck Extreme 8K to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets customers record formats that are too fast for the media card or external disk.
HyperDeck Extreme 8K features a wide range of video and audio connections such as multi-rate Quad Link 12G-SDI for SD, HD, Ultra HD and 8K SDI devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analog, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The latest 10G Ethernet is included for high speed upload using FTP protocols.
Customers will be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built in HyperDeck Extreme 8K HDR LCD color gamut can even handle 100% of the DCI-P3 format.
HyperDeck Extreme features full internal waveform monitoring so customers can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of their input or playback signal. The vectorscope display allows customers to see the intensity of color at 100% SDI reference levels. Customers also get RGB and YUV parade displays which are ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in their images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope.
The SDI and HDMI connections are multi-rate, so handle SD, HD, Ultra HD and 8K. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. Customers can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. 8K standards are included at 4320p23.98, 24, 25, 29.97, 50, 59.94 and 60p.
8K has 4 times as many pixels as Ultra HD so HyperDeck Extreme 8K uses H.265 files for 8K recording to reduce costs and make working with 8K files easy. H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Customers can use H.265 for all 8K, Ultra HD or progressive HD formats. HyperDeck Extreme 8K even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out.
HyperDeck Extreme 8K HDR includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, customers can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analog audio inputs that let customers record all 4 channels from Betacam SP decks. Customers can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme 8K HDR might be the latest in 8K technology, however the analog connections have also been designed to low noise and low distortion broadcast specifications.
Multiple languages are fully supported so customers don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish.
With 10G ethernet, HyperDeck Extreme 8K HDR is perfect for digital signage because remote uploads are extremely fast. All models use an easy text based protocol plus customers can use Telnet to test control commands. To upload media files remotely, customers can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and playout.
There's a wide range of Blackmagic Design products customers can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS-422 deck control protocol so it works with any broadcast deck. It's possible to add the new Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme 8K is also a perfect mastering recorder with the new ATEM Constellation 8K, or for clip playback and ISO reordering. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.
The files from HyperDeck Extreme 8K are common they are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so customers can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with HyperDeck because it features editing, color correction, audio post production and visual effects all in one software application.
"We think the new HyperDeck Extreme 8K HDR will offer customers a whole new generation of technology while enabling a new wave of 8K production," said Grant Petty, Blackmagic Design CEO. "Even if customers don't need 8K, we think this new HyperDeck has so many features, it will become the centerpiece of live production, digital signage and broadcast!"
HYPERDECK EXTREME 8K HDR FEATURES
* Supports live production, digital signage and archive use.
* Supports legacy program ingest for streaming.
* Record and playback in full resolution 8K.
* Large LCD screen for with touch user interface.
* Optional traditional broadcast deck controls.
* Dual CFast media cards for non stop recording.
* Records direct to external USB-C media disks.
* Optional media cache eliminates dropped frames.
* Quad Link 12G-SDI for 8K, HDMI and legacy analog connections!
* Advanced HDR support with bright wide gamut LCD.
* Built in scopes include waveform, vector, parade and histogram.
* Latest Multi-rate 12G-SDI for SD, HD, Ultra HD and native 8K.
* Standard H.265 and ProRes files for wide compatibility.
* Professional multi channel digital and analog audio.
* Localized for 11 popular languages.
* 10G Ethernet for extremely fast remote media upload.
* Traditional RS-422 broadcast deck control.
* Compatible with new ATEM Constellation 8K switcher.
* Works with popular NLE software such as DaVinci Resolve.


Tags: Blackmagic Design | Blackmagic | BMD | HyperDeck | 8K | HDR | H.265 | Recording | Playback | Live Production | Digital Signage | NAB 2019 | NAB 2019
Submitted by Patrick Hussey (Blackmagic design)
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Nugen Halo Upmix Controls and Fine-Tunes Surround Mixes for Award-Winning Productions Posted: 21/08/2019
Nugen and rsquo;s Halo Upmix Controls and Fine-Tunes Surround Mixes for Award-Winning Productions
For the past 30 years, award-winning Re-recording Mixer Joe Barnett has worked on a wide variety of high-profile projects including American History X, Austin Powers: The Spy Who Shagged Me, Crazy Heart, When in Rome, Chronicle, 2 Guns, Luke Cage, Daredevil and The OA. Among Barnett’s most recent credits is the Netflix hit Iron Fist, for which he relied on NUGEN Audio’s Halo Upmix for his surround sound mix.
Tags: Nugen Audio | Halo Upmix | Sound | Audio
Submitted by D. Pagan Communications
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Argosy Announces IP Networking and Fibre Infrastructure Wins Posted: 21/08/2019
Argosy Announces IP Networking and Fibre Infrastructure Wins
Argosy, a leading international supplier of broadcast cables and infrastructure products, recently provided a selection of IP and fibre-based cabling, networking and rack technology to support dB Broadcast in the IP migration of some of the UK’s leading broadcasters and media services companies.
Tags: Argosy | IP networking | fibre infrastructure | 350km cabling | SMPTE-2022 fibre equipment | network connectors | rack technology | dB Broadcast | IP migration | Tom Swan | digital video coaxial cables | Chris Smeeton | MKM Marketing Communications
Submitted by MKM Marketing Communications
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National TeleConsultants Peter Adamiak Honored as SMPTE Fellow Posted: 21/08/2019
National TeleConsultants Peter Adamiak Honored as SMPTE Fellow

National TeleConsultants (NTC), one of the most respected media technology consulting, design, and systems integration companies in the world, is proud to announce that its co-founder and managing partner, Peter Adamiak, has been named by the Society of Motion Picture and Television Engineers® (SMPTE®) as a 2019 SMPTE Fellow. Adamiak will be recognized at the SMPTE Annual Awards Gala on Thursday, Oct. 24 in Los Angeles, California.

Tags: National TeleConsultants | Peter Adamiak | SMPTE | NTC | Society of Motion Picture and Television Engineers
Submitted by Wall Street Communications
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PMC Heads North To Oldham Street With MB2SE Monitors Posted: 21/08/2019
PMC Heads North To Oldham Street With MB2SE Monitors
PMC’s MB2SE speakers are taking centre stage at a stunningly designed multi-storey creative space in Manchester’s thriving entertainment area, the Northern Quarter.
Tags: PMC Speakers | MB2SE Monitors | Steve Levine | Oldham Street | Manchester | Andy Smith | Jason McGuire
Submitted by White Noise Public Relations Ltd
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VuWall and LG Partner to Deliver the Most Advanced Integrated Video Wall Control and Display Technology for Control Room Environments Posted: 20/08/2019
VuWall and LG Partner to Deliver the Most Advanced Integrated Video Wall Control and Display Technology for Control Room Environments

VuWall, leader of video wall and AV network management solutions, today announced a corporate partnership with LG Electronics, the leading global manufacturer of monitors, personal computers, digital signage, and commercial displays. This partnership allows VuWall and LG to offer customers a fully integrated control room solution that combines VuWall's advanced VuScape video wall processor with LG's latest 55SVH7F video wall display.

Tags: VuWall | Video Wall | Control Room | VuScape | AV network management | LG Electronics
Submitted by InGear
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SMPTEs Latest IMF Plugfest Makes Significant Progress Toward Interoperability Posted: 20/08/2019
SMPTEs Latest IMF Plugfest Makes Significant Progress Toward Interoperability

SMPTE®, the organization that is defining the future of storytelling, today announced that the SMPTE Interoperable Master Format (IMF) plugfest, held May 14-15 in London, marked another milestone in the development of the IMF family of international standards (SMPTE ST 2067), with more than 30 participants making progress toward interoperability.

Tags: SMPTE | IMF Plugfest | IBC2019 | Interoperable Master Format | SMPTE ST 2067 | IBC 2019 | IBC 2019
Submitted by Wall Street Communications
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Love Is in the Air for Riedels Artist Intercom at the Electric Love Festival in Austria Posted: 20/08/2019
Love Is in the Air for Riedels Artist Intercom at the Electric Love Festival in Austria

Riedel Communications supplied an extensive Artist-based communications backbone and provided on-site support for the Electric Love Festival, held in Austria July 4-6. Integrated with the Artist infrastructure, a Bolero wireless intercom system ensured clear communications for all mobile staff before, during, and after the four-day event. The festival, which has been held at the Salzburgring race course since 2013, is one of the largest electronic dance music events in Europe, this year hosting over 180,000 visitors and featuring nearly 160 artists.

Tags: Artist Intercom | Electric Love Festival | Riedel Communications | Bolero wireless | RSP-2318 SmartPanel | 2300-Series SmartPanel
Submitted by Wall Street Communications
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MovieLabs and Hollywood Studios Publish White Paper Envisioning the Future of Media Creation in 2030 Posted: 20/08/2019
MovieLabs and Hollywood Studios Publish White Paper Envisioning the Future of Media Creation in 2030

Motion Pictures Laboratories, Inc. (MovieLabs), together with member studios, has published a new white paper presenting an industry vision for the future of media creation technology by 2030. The paper, jointly authored by MovieLabs and technology leadership teams from Hollywood studios, paints a bold picture of future technology and discusses the need for the industry to work together now on innovative new software, hardware and production workflows to support and enable new ways to create content over the next ten years. The white paper is available today for free download on the MovieLabs website www.movielabs.com.

Tags: MovieLabs and Hollywood Studios Publish White Paper Envisioning the Future of Media Creation in 2030 | IBC 2019 | IBC 2019
Submitted by PRComs
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TSL Products Presents Latest Audio Monitoring and Broadcast Control System Solutions at SET Expo 2019 Posted: 20/08/2019
TSL Products Presents Latest Audio Monitoring and  Broadcast Control System Solutions at SET Expo 2019
TSL Products, a leading designer and manufacturer of broadcast workflow solutions, will feature its latest audio and control solutions at SET Expo 2019, alongside systems integration partner Line Up. TSL will highlight updates to its audio monitoring offerings, including its SAM-Q platform, PAM-IP and its MPA1 lines. In addition, it will showcase its new IP Control Buddy as well as the range of Anything Interface Boxes.
Tags: TSL Products | SET Expo 2019 | SAM-Q | audio | PAM-IP | MPA1 | broadcast | workflow | solutions
Submitted by D. Pagan Communications
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Summer 2019s Biggest Film Releases Used Blackmagic Design Posted: 20/08/2019
Summer 2019s Biggest Film Releases Used Blackmagic Design
Blackmagic Design announced today that a number of the 2019 summer season’s worldwide film releases used numerous Blackmagic Design products during production and post, including its digital film cameras, DaVinci Resolve Studio editing, color correction, visual effects (VFX) and audio post production application, and more. This included some of the biggest blockbusters and expected blockbusters of the summer, such as “John Wick: Chapter 3 - Parabellum,” “Men In Black: International” and “Rocketman.”
Tags: Blackmagic Design | Blackmagic | BMD | Summer Films | Blockbusters | Filmmaking | DaVinci Resolve
Submitted by Blackmagic design
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New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve Posted: 20/08/2019
New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve
Blackmagic Design today announced the new sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and will begin distribution in the United States and other countries in August.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | URSA Mini Pro | Sci-Fi | Filmmaking | Production | Post
Submitted by Blackmagic design
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wTVision Relies on Ultimatte for Augmented Reality Work During Panama Elections Posted: 20/08/2019
wTVision Relies on Ultimatte for Augmented Reality Work During Panama Elections
Blackmagic Design today announced that Ultimatte, its real time compositing processor, was used by wTVision for augmented reality (AR) production and complete graphics conception during the broadcasts for Panama’s 2019 primaries, parliamentary and presidential elections on TVN. Blackmagic Design’s ATEM Television Studio HD live production switcher and more were also used to create a reliable workflow that kept the country informed, showing real time results, projections and the final outcome of the elections in an interactive way.
Tags: Blackmagic Design | Blackmagic | BMD | Ultimatte | AR | Augmented Reality | DeckLink | ATEM | UltraStudio
Submitted by Blackmagic design
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Front and Center Live Performance Delivered in Ultra HD and HDR with Blackmagic Design Posted: 20/08/2019
Front and Center Live Performance Delivered in Ultra HD and HDR with Blackmagic Design
Blackmagic Design today announced that critically acclaimed television concert series “Front and Center” used a full Blackmagic Design Ultra HD live production workflow to produce several episodes of its ninth season, which were live streamed to Facebook Live and delivered in SDR for public television and HDR10 for DIRECTV. The episodes, which included virtuoso guitarist, vocalist and songwriter Gary Clark Jr., were shot using URSA Broadcasts, Pocket Cinema Camera 4Ks and Micro Studio Camera 4Ks, and switched using an ATEM Television Studio Pro 4K live production switcher.
Tags: Blackmagic Design | BMD | Blackmagic | Ultra HD | Facebook Live | URSA Broadcast | BMPCC4K | ATEM
Submitted by Blackmagic design
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SMPTE Announces Annual Award Recipients for 2019 Posted: 19/08/2019
SMPTE Announces Annual Award Recipients for 2019

SMPTE®, the organization that is defining the future of storytelling, today announced the group of industry leaders and innovators who will be honored at this year's SMPTE Awards Gala. Scheduled for Thursday, Oct. 24, the gala and afterparty will serve as the concluding events of the SMPTE 2019 Annual Conference (SMPTE 2019) at the Westin Bonaventure Hotel & Suites in downtown Los Angeles. SMPTE Fellow elevations will be conferred at the SMPTE 2019 Fellows Luncheon on Tuesday, Oct. 22.

Tags: SMPTE | Award Recipients | SMPTE Awards Gala | SMPTE 2019 Annual Conference | SMPTE 2019
Submitted by Wall Street Communications
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PMC Helps Tommy Vicari Showcase His Recording Skills Posted: 19/08/2019
PMC Helps Tommy Vicari Showcase His Recording Skills
Internationally acclaimed producer Tommy Vicari will use a PMC monitoring system to highlight the importance of clarity and accuracy when recording and mixing live music.
Tags: PMC Speakers | Tommy Vicari | Masterclass | IB2s-A monitors | result6 monitors | Sotto il Mare | Filippo Perbellini
Submitted by White Noise Public Relations Ltd
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