CINEDECK 4.2 SOFTWARE UPGRADE TAKES TAPE OUT OF THE LOOP

Date: 25/06/2013
CINEDECK 4.2 SOFTWARE UPGRADE TAKES TAPE OUT OF THE LOOP

Cinedeck LLC (www.cinedeck.com), pioneering developer of capture systems for motion picture and broadcast production, will ship a powerful new v4.2 software release on July 1st 2013 that enables its dual-channel RX and quad-channel MX file-based recorders to cost-effectively replace traditional tapedecks in everyday editorial and post production operations. Headline features include Playlisting, RS-422 deck control, LUT shaders, Segment Record, H.264 streaming, plus enhanced Audio options, Burn-ins and Closed Caption recording. This new release will also unleash an array of additional features, including ARRIRAW recording and 3D stereo modes, which  

Price points as low as $9,495 per play/record channel with the Cinedeck RX3G, and $13,499 with the Cinedeck MX, deliver enormous cost savings compared to the outlay on a single tapedeck, with further savings achieved against the extra shipping, power and auxiliary equipment costs associated with tape.
 
 
 
Playlisting:
Harnessing the non-linear editor built-in to the Cinedeck interface, editors or machine room operators can select multiple clips, and play them in a desired sequence with clean cuts. Cinedeck's playlist function allows the arrangement of clips in any order, from any folder and from any compatible format. Additionally, the playlist functions enable users to set in- and out-points on a clip to create sub-clips, which can be included in a playlist.
 
Enhanced RS-422 Deck Control:
The latest RS-422 enhancements allow Cinedeck RX and MX to directly control, or be controlled by, other devices in a "machine-to-machine" editing mode, where Cinedeck is the recorder or the player capable of creating instant, non-linear assemble-edits using file-based media. Uniquely, the interface of a remote tapedeck can be emulated on the Cinedeck screen, giving users complete control of a tapedeck via the RX or MX. Two channels of RS-422 control with the RX, and four channels of deck control with the MX, allow the recorders to be deployed in a range of master and slave configurations with nonlinear editing systems, outboard controllers and tapedecks.
 
LUT Shaders:
Users can import and apply LUTs (Look Up Tables) non-destructively in realtime, and view the results via the on-board display on the RX and MX devices, or on output monitors. Users also have the option of recording the master and/or proxy files with LUTs applied.
 
Also known as  
Enhanced Burn-in Options:
The new v4.2 release allows users to select from a range of burn-in options including timecode, file names and LUT names. The ability to burn-in additional data, such as GPS coordinates, will be released in subsequent software updates. New character overlay tools allow users to control the horizontal and vertical position of character overlays, as well as character size, foreground and background colors for each channel independently.
 
Version 4.2 software supports the recording and playback of standard CEA-608 and CEA-708 'DTV' Closed Caption data in MOV-wrapped recordings. Closed captions in Op1A MXF, AFD and V-chip will be supported in a 4.2 maintenance release.
 
Cinedeck has added extra H.264 encoding profiles, and MP4-wrapped H.264 is now streamable. Advances in audio recording include support for MOV-wrapped with interleaved audio, mono audio or separate WAV audio files, and input-to-file channel remapping. Other enhancements include 10bit to 8bit video input down-sampling for 8bit codecs (XDCAM, H.264), and gang-playback of multiple channels.
 
Cinedeck is also releasing ARRIRAW recording and enhanced 3D stereo modes in a v4.2 update, scheduled for July 2013:
 
 
 
About FotoKem:
FotoKem is an independently owned, full-service post-production facility that has become the go-to resource for the worldwide creative community. Since 1963, the company has serviced every corner of the entertainment market, providing unmatched expertise, high-end solutions and innovative technologies. The company's systems approach to the imaging chain assists filmmakers in successfully bridging production and post, and supports them in navigating the many formats and choices for telling stories. FotoKem offers a broad spectrum of services, including file-based workflows, 3D, digital intermediates, digital cinema packages, mobile dailies, global data delivery, film and video finishing, audio mixing and mastering, visual effects, full service film lab, restoration, and production rentals. FotoKem has expanded over the years with the acquisition of SPY, Keep Me Posted, Margarita Mix and L.A. Studios. Follow FotoKem on Facebook and Twitter (@FotoKem).
 
Founded by cinematographers, and headquartered in the heart of New York City, USA, Cinedeck manufactures innovative, touchscreen recording systems for use with all popular digital cinematography cameras. Along with on-set monitoring, playback and quality control capabilities, these recorders also unify camera-to-post workflows by offering the industrys most comprehensive range of edit-ready output formats. Cinedeck EX, the industrys first camera-mountable device, has proven essential to the workflow on hundreds of TV and cinema productions, and has won TV Technologys 2010 STAR Award, the 2010 Vidy Award, and DV Magazines Award of Excellence. Continuing this pioneering spirit, Cinedeck LLC has addressed the challenges of the mobile OB broadcaster with its Cinedeck RX rack-mounted, multi-format recorder, monitor and playback system. Cinedeck RX was awarded the prestigious 2011 Pick Hit Award at IBC 2011 from Broadcast Engineering Magazine. The new Cinedeck MX builds on the companys proven technology platform to offer fully-tapeless workflow for broadcast and cinema entertainment production and post. For more information, visit www.cinedeck.com.


Tags: Cinedeck | RX | RX3G | MX | tapedeck | RS422 | RS-422 | playlist | playlisting | ARRI | ARRIRAW
Submitted by Ron Prince (Prince PR)
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