AVer Europe has announced the launch of the M17-13M, its new mechanical arm visualiser, to the UK market. Boasting a 13-megapixel camera, 35.2X total zoom and full HD quality, the M17-13M offers one of the highest visualiser specifications available to education institutions to transform teaching and learning practices.

Operating as a document camera with impressive angle control, the M17-13M visualiser enables users to capture the best image clarity and detail. The onboard annotation capability provides users with the opportunity to add notes, highlight important information or add captions to presentation material easily, making explaining a tricky concept or a key point to a classroom simple.

Designed with a fully adjustable neck and head, the M17-13M visualiser can rotate, swivel, expand and collapse for the perfect angle to display presentation materials, including paper or 3D models. Its versatile compact design means it can be neatly folded away, making it ideal for quick storage or sharing between classrooms and practitioners. The product is bundled with AVER’s A+ Suite classroom software for visualisers and comes with a five-year warranty.

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions.

Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder technology facilitating UHD images. The system consists of one single 4K transmitter unit from DTC coupled with a built-in Videosys Camera Control system. The advantage of the AEON CC with Videosys’ camera control receiver built into the unit is a reduction in the equipment count and the complexities that come when managing 4K transmission and camera control simultaneously.

Cloudbass have been successfully using the systems on UHD, 3G and HD setups across a variety of live Outside Broadcasts, including both SKY Boxing and BT Speedway in UHD, on the British Touring Cars for ITV Sport, and The Lord Mayor’s Show for BBC Events.

Take a global leader in recorder-monitors and add to it the clout of a powerful wireless sync platform and you get boundless opportunities for multicamera content creation of every budget and genre. The announcement of the acquisition of Timecode Systems by Atomos a few weeks ago came with a bold promise of a new, more democratic era for multicamera video production. And at this week’s Inter BEE exhibition in Japan, the newly joined companies are showing they’re already making significant headway on delivering this vision.

For InterBEE 2019, Atomos is putting the AtomX SYNC accessory for the Ninja V centre stage. It’s the first product from the recorder-monitor leaders to include fully integrated Timecode Systems sync power. This adds advanced wireless sync and remote device control features to the Ninja V’s feature set. Attaching the module locks the connected camera into a robust, frame-accurate sync with other Ninja Vs, and also any other sound and video devices, and even compatible smartphone camera apps using Timecode Systems products.

Marshall Electronics, a leading provider of cameras, monitors, and accessories for professional broadcast video and A/V applications, introduces a new line of 8.5 Megapixel IP Cameras with smooth 30x Optical Zoom and triple-stream H.265/H.264/MJPEG capabilities.

The CV420-30X-IP model delivers up to UHD (3840x2160p) resolution at 60fps through simultaneous HDMI and IP streams, while the CV355-30X-IP delivers up to HD (1920x1080p) resolution at 60fps through 3G/HD-SDI (BNC), IP and HDMI. Both models start with a high performance Sony 8.5 Megapixel 1/2.5” sensor and 30x optical zoom block, providing flexible integration in networked HD and UHD workflows where image quality, reliability and versatility are of utmost concern. The 30X optical zoom range offers a flexible 4.6mm to 135mm focal length range, providing 68° horizontal angle-of-view (AOV) at its widest through 3° when fully extended, maintaining image crispness in both wide and tight shots from longer distances.

The IP ethernet I/O port supports triple stream H.265/H.264/MJPEG video with MPEG-TS support, common IP control protocols, and power (PoE) over a single Ethernet cable with stereo audio embedding through a 3.5mm input on the rear panel. The CV420-30X-IP and CV355-30X-IP utilize common control protocols including Visca over IP, Onvif and Pelco, and are compatible with the new Marshall VS-PTC-IP IP Camera Controller.

Sony has announced that its next-generation motion picture camera system, VENICE, was used for principal photography on the new ‘Downton Abbey’ movie, directed by Michael Engler, and produced by Gareth Neame and Liz Trubridge.   

With its forward-thinking full frame sensor, impressive colour science and user-friendly operation, VENICE was chosen by Director of Photography (DOP) Ben Smithard to scale the TV series’ drama onto the big screen through impressive picture quality and greater detail.    Real emotion in every frame “VENICE was the only camera system that could deliver a larger and more detailed image to match the movie’s enthralling storyline on the big screen,” explained Ben Smithard. “When it came to shoot challenging frames for the film, the VENICE never let me down. It performed well without any issues, wherever it was put – from being rigged on camera dollies, tower cams, cranes and even helicopters.” 

VENICE, the versatile next-generation full frame motion picture camera, has been created for and with modern cinematographers in mind. It allows creatives to capture stunning visuals in almost any format, including full frame 24x26mm, Super35 and Anamorphic, with a maximum resolution of 6048 x 4032. At the same time, its usability, reliability and flexibility allow it to seamlessly match any filmmakers’ shooting requirements and support them in bringing their creative vision to life. 

The Peli™ Air Case range has been expanded with the launch of the new 1745 case; designed for long equipment, such as tripods. Peli Air cases are waterproof and crushproof and offer additional sizes to the Peli Protector and Peli Storm case lines.

The 1745 case features press and pull latches to keep the lid firmly closed during transit but to open easily on arrival. Stainless steel bearing wheels are built in for easy transportation of heavier loads. The 1745 is 1118mm long x 426mm wide and 206mm deep (internal measurements) and is available with Pick n Pluck™ foam for protection against impact, vibration and shock.

The Peli Air range has been hugely popular and there are now twelve sizes available. They are all engineered to maintain the same level of durability as the classic Peli cases, but reduce the weight of each case by up to 40 percent. The Air case range is constructed of premium lightweight HPX2 resin, the next generation of Peli’s proprietary formula that rebounds from stress without breaking.

Peli Air cases carry the legendary “You break it, we replace it” …forever.™

Timecode Systems today announces an exciting new chapter for the company as part of Atomos. Together, the companies are building tightly integrated multicamera workflow solutions that unify all recording devices on set, allowing these devices to work together more cohesively. This allows production teams to experience, for the first time, the full impact of truly collaborative video and audio content creation across all types of program making.

With demand for video bigger than ever, content creators are using more separate devices to add angles and be creative. But they are limited by the time it takes to edit, align, and finish videos that combine multiple sources of video and audio, especially when using prosumer and consumer devices to film alongside professional cameras.

Jeromy Young, CEO and founder of Atomos said:
"Right now, this disconnect between recording devices is holding back multicamera content creation. To truly shoot collaboratively, everything needs to work in perfect, frame-accurate sync — there has to be a robust wireless connection. The Timecode Systems RF protocol is this bulletproof link. Working together, we now have the glue to create a truly connected multicamera solution."

Timecode Systems, a world leader in developing wireless sync technology, burst onto the market in 2012, receiving a prestigious IABM award for innovation before even shipping its first product. The company launched the first-ever Wi-Fi-enabled digislate, created the only timecode sync solution for GoPro® cameras, and pioneered and patented a timecode-over-Bluetooth® timing protocol. The acquisition positions Timecode Systems and Atomos to accelerate this appetite for innovation further and transform content-creation workflows.

The CAM340+ is a portable high-quality HD intelligent camera that allows a user to communicate from anywhere. Compatible with all common applications, it connects to a computer via a single USB cable and provides a superior video communication experience.

With a versatile monitor mount, which can accommodate displays up to 4cm thick, easy-to-carry size, and durable construction, the CAM340+ gives users the flexibility to make any room or space a huddle room. A performance-quality multi-glass lens with deep focus and impressive 120° FOV gives an ultra-wide field for view video conferencing, allowing everyone at the table into a meeting with minimal distortion. An optional wall mount and remote control is available.

Meetings can be in 4K, giving a picture technology that quadruples the pixel count of Full HD, creating sharper images. With a 4X zoom, the CAM340+ scans the room with no moving parts and no loss of quality. AVer uses SONY EXMOR sensor, features ePTZ (electronic pan tilt zoom) and built-in microphone ideal for the huddle room and small conference room.

bTV Media Group, Bulgaria's TV audience leader, has installed state-of-the-art teleprompter and camera support equipment from Autoscript and Vinten in its all-new innovative studio. Located in the Bulgarian capital of Sofia, the futuristic broadcast newsroom incorporates seven Vinten Quartz pedestals with Vector 750 pan-and-tilt heads, along with Autoscript EPIC-IP17 teleprompters.

In addition to bTV, Bulgaria's first private national TV station, the bTV Media Group's television unit consists of market-leading channels bTV Action, bTV Cinema, bTV Comedy, bTV Lady, and RING. The new studio is the largest-scale technological project in the history of bTV and is unique in Central and Eastern Europe, featuring three multifunctional sets, 11 video walls, and a total area of 450 square metres.

The Autoscript and Vinten equipment is part of an overall design based on maximum flexibility in camera choreography and functional efficiency. Each camera setup includes an Autoscript EPIC-IP17 teleprompter sporting a sleek carbon-fibre hood, together with an integrated talent monitor.

vinten.com.

Pocket Films Ltd. has launched a new 2019 edition of the dedicated guide to cameras suppliers for the film, video & broadcast industry - THE CAMERA MAP.