Cine Gear 2019 to Feature Panavision Camera-to-Finish Imaging Ecosystem

Date: 31/05/2019
Cine Gear 2019 to Feature Panavision and rsquo;s Camera-to-Finish Imaging Ecosystem
Panavision, the world-class provider of end-to-end solutions, will return to Cine Gear Expo (May 31-June 1) at The Studios at Paramount to showcase the latest innovations in the company’s ever-expanding production and post production ecosystem. Panavision, Light Iron and LEE Filters will display an array of integrated technologies and systems at booth S408 on Stage 3 – ranging from lenses, cameras and filters, to state-of-the-art production and post production workflows – that illustrate Panavision’s commitment to providing the most versatile and powerful storytelling tools.
“At Panavision, our vision is to support filmmakers with solutions that expand creativity and efficiency,” says Kim Snyder, president and CEO of Panavision. “We’re always focused on adapting the tremendous power of technology to the needs of the visual artist. We’re proud and excited to demonstrate our latest advancements.”
Among the breakthroughs on display are Panavision and Light Iron’s new LINK HDR system. Creatives are producing for HDR-capable distribution platforms more than ever before as consumers seek premium viewing experiences. LINK HDR was developed to address the challenge of viewing HDR (high dynamic range) images throughout the production and post production process. Offering HDR and SDR viewing options in tandem, LINK HDR provides cinematographers, directors, editors and creative talent throughout the imaging chain the ability to view their image at the same quality delivered to consumers.
The LINK HDR system consists of:
• Panavision LINK HDR On-Set Cart – a modular cart outfitted with various monitoring configurations that offers creatives the ability to view HDR and SDR live from the camera.
• Light Iron LINK HDR Dailies – an NLE process that creates HDR and SDR deliverables simultaneously, which allows editors to cut, toggle between, and export in either format.
• Light Iron LINK HDR Finish – a combination of creative talent, technical expertise, and leading technologies that link the creative decisions made on-set to the HDR mastering process for delivery to various HDR platforms.
“As adoption rates of the HDR format rapidly grow, it is more critical than ever for creatives to view a consistent image from on-set through the finishing suite,” notes Light Iron Supervising Colorist Ian Vertovec. “We want filmmakers to have all the tools they need for this new deliverable. The components of LINK HDR were designed with them in mind.”
Panavision’s Millennium DXL2 and DXL-M camera systems will also be showcased at the Panavision booth, demonstrating the value of this expanding ecosystem. With new industry developments, the DXL2’s 6G 4K SDI outputs, which allow direct connection to a Teradek Bolt 4K with a single SDI cable, can now be fully utilized. The latest enhancements to the DXL2 also include: an integrated C-Motion F.I.Z. module allowing the use of Arri WCU4 wireless lens control handsets with full lens mapping support; a proxy workflow that allows easy creation of traditional dailies while archiving 8K files for DI and VFX; a wireless audio module adding expanded audio capabilities; and DXL Control for iPhone and Android.
The DXL-M, which marries the modularity and connectivity of the DXL with the smaller size and weight of RED’s DSMC2 cameras, is now available to filmmakers. In addition to the Primo HDR viewfinder, DXL menu system and LiColor2, the DXL-M now offers 2x2 SDI outputs delivering two independent monitoring paths across 4x HD-SDI outputs. Along with added accessories, battery elevator and control upgrades, these advancements add to the efficiency and flexibility of the kit. The result is a fully-equipped camera that is conveniently adaptable to any shooting scenario, including drone, remote head shots and situations where space is at a premium.
Panavision’s LCND, a variable liquid crystal neutral density filtration system, will be presented with expanded new features. LCND is now wirelessly controllable via the Preston handset and offers functionality that translates to creativity on the set. The ability to maintain a given stop under changing lighting conditions by riding the ND filter instead of the iris adds powerful image control options at the moment of photography. LCND also has manual controls and a 24-hour internal battery built into the single filter tray.
Panavision’s longstanding emphasis on delivering superior lens quality and unmatched selection continues to be a priority as it serves the artistic needs of today’s creative community. At Cine Gear, filmmakers can examine the company’s proprietary portfolio of optics, including the Primo-X (weatherproof and compact drone and gimbal solution), Panaspeed (large format, high-speed T1.4 with the classic Primo look), H-Series (vintage portrait look for spherical large format), and UltraVista (1.65x large-format anamorphic) lines, as well as other lenses in Panavision’s large-format offerings.
In addition to exhibiting, Panavision, in partnership with RED Digital Cinema, will present a panel featuring Oscar®-nominated cinematographer John Schwartzman, ASC. Panavision’s SVP of Optics Dan Sasaki will join Schwartzman as he discusses his approach to visual storytelling and explores the fusion between visual concepts and tools. Schwartzman will reveal his decision-making process from pre-production to post on such projects as The Highwaymen and the upcoming Last Christmas, on June 1 at 11:45 a.m. in the Sherry Lansing Theater.
LEE Filters will highlight the LEE100, a newly updated 100mm filter mount system that boasts lighter weight and improved performance. The LEE100 Filter System incorporates a rotation lock as well as a newly designed clip-on polarizer filter for ease of use. Additionally, LEE’s full collection of lighting gels, including the expanded range of Zircon gels specifically designed for fine-tuning LED fixtures, will be touted, as well as the ProGlass CINE IRND range of neutral-density filters, precisely built to meet the exacting needs of cinematographers.
“The advancements on display at Cine Gear exemplify our commitment to providing end-to-end solutions that put creative flexibility in the hands of filmmakers,” says Snyder. “Each tool is conceived as an element of a unified ecosystem designed to deliver customizable solutions to meet any need or budget. We’re looking forward to the opportunity to present the results to our friends and colleagues in the filmmaking community, and we can’t wait to see how they’re used in the visual storytelling of tomorrow.”


Tags: Panavision | CineGear | Cameras | Cinematography | Post Production
Submitted by Mimi Rossi (ignite strategic communications)
View author's directory page

Related Interviews
  • Compact 4k Cameras CE420-CS, CV506 and CV503 from Marshall at NAB 2019

    Compact 4k Cameras CE420-CS, CV506 and CV503 from Marshall at NAB 2019

  • Marshall Electronics Miniature Cameras at NAB 2018

    Marshall Electronics Miniature Cameras at NAB 2018

  • Den Lennie considers what kit and cameras to buy for 2015

    Den Lennie considers what kit and cameras to buy for 2015

  • Sonys new cameras at IBC 2014 - including the FS7

    Sonys new cameras at IBC 2014 - including the FS7

  • JVC at BVE 2015

    JVC at BVE 2015

  • CameraCorps at BVE 2015

    CameraCorps at BVE 2015

  • Sony Camcorders at BVE 2014

    Sony Camcorders at BVE 2014

  • Thear Technology at BVE 2013

    Thear Technology at BVE 2013

  • Vision Research at BVE 2012

    Vision Research at BVE 2012

  • Bradley at IBC2011

    Bradley at IBC2011

  • SmallHD shows the Cine 7 monitor with camera control and integrated Teradek Bolt at NAB 2019

    SmallHD shows the Cine 7 monitor with camera control and integrated Teradek Bolt at NAB 2019

  • Bebob V-Mount Batteries at NAB 2019

    Bebob V-Mount Batteries at NAB 2019

  • DoP Choice show the latest lighting solutions at NAB 2019

    DoP Choice show the latest lighting solutions at NAB 2019

  • Area 48 Colour from BBandS Lighting plus more announcements at NAB 2019

    Area 48 Colour from BBandS Lighting plus more announcements at NAB 2019

  • Skyline 90 from Miller at NAB 2017

    Skyline 90 from Miller at NAB 2017

  • Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

    Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • SGO at IBC2011

    SGO at IBC2011


Related Shows
  • PTZ Cameras at BVE

    PTZ Cameras at BVE


Related Articles
  • Post Production - Keeping Track

    Post Production - Keeping Track

  • Centre Stage for Cameras with All About Eve

    Centre Stage for Cameras with All About Eve

  • Make Time for Remapping

    Make Time for Remapping

  • Post Production on Tour

    Post Production on Tour

  • BSC Expo 2019 Report

    BSC Expo 2019 Report

  • Future proofing post production storage

    Future proofing post production storage

  • New developments in remote broadcast cameras

    New developments in remote broadcast cameras

  • Accelerated Workflows with eGPU

    Accelerated Workflows with eGPU

  • Innovation in cameras moving to 4k

    Innovation in cameras moving to 4k

  • Designing the correct workflow

    Designing the correct workflow

  • The future of post production

    The future of post production

  • Radio cameras bring a live broadcast to life

    Radio cameras bring a live broadcast to life

  • Top 10 Tips for Saving Time in Post

    Top 10 Tips for Saving Time in Post

  • Shooting the Extreme

    Shooting the Extreme

  • Camera Operations (part 2)

    Camera Operations (part 2)

  • Smaller Cameras Result in Big Changes in Fluid Heads and Camera Support Solutions

    Smaller Cameras Result in Big Changes in Fluid Heads and Camera Support Solutions

  • Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

    Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

  • Post Production Companies Protection

    Post Production Companies Protection

  • McDonalds goes live multi-camera

    McDonalds goes live multi-camera

  • Dealing with clients

    Dealing with clients

  • The Lobster - achieving a textural grain

    The Lobster - achieving a textural grain

  • Advantages of SSD Hybrid Solutions in Post Production Environments

    Advantages of SSD Hybrid Solutions in Post Production Environments

  • An end-to-end solution

    An end-to-end solution

  • 6 rules for the mountains

    6 rules for the mountains

  • Still unsure about cloud editing? Read this..

    Still unsure about cloud editing? Read this..

  • Stability not short-term subscriptions

    Stability not short-term subscriptions

  • Four must-haves for modern media workflows: Enhancing your MAM solutions

    Four must-haves for modern media workflows: Enhancing your MAM solutions

  • 3sixtymedia implements Universal Videohub 288 with ITV

    3sixtymedia implements Universal Videohub 288 with ITV

  • Post Production gear guide - what new products to watch out for in 2015

    Post Production gear guide - what new products to watch out for in 2015

  • Fixing it in parallel

    Fixing it in parallel

  • Archiving as a service at BBC Studios and Post Production

    Archiving as a service at BBC Studios and Post Production

  • Increase productivity while editing

    Increase productivity while editing

  • Studio furniture at the cutting edge

    Studio furniture at the cutting edge

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • Miniature cameras on the move

    Miniature cameras on the move

  • Manipulate and Edit

    Manipulate and Edit

  • Capture and Produce

    Capture and Produce

  • Collaboration and flexibility in post production workflow

    Collaboration and flexibility in post production workflow

  • 23 Countries, 93 Load-ins, 106 shows

    23 Countries, 93 Load-ins, 106 shows

  • Ask the Experts: Wireless microphone systems for cameras

    Ask the Experts: Wireless microphone systems for cameras

  • How the cloud is changing the post production landscape

    How the cloud is changing the post production landscape

  • Will Strauss looks at post production in 2014

    Will Strauss looks at post production in 2014

  • Leading digital cinematography seminar with Matt Siegel

    Leading digital cinematography seminar with Matt Siegel

  • Den Lennie talks to Nigel Wilkes from Panasonic

    Den Lennie talks to Nigel Wilkes from Panasonic

  • Wireless cameras at live events

    Wireless cameras at live events

  • Quantum StorNext plays a starring role for Framestore

    Quantum StorNext plays a starring role for Framestore

  • Does size matter? with Polecam

    Does size matter? with Polecam

  • Loudness: What happens now if my work is not compliant?

    Loudness: What happens now if my work is not compliant?

  • Cameras, conversations and conversions at Camera Diner with Teranex

    Cameras, conversations and conversions at Camera Diner with Teranex

  • Premiere 4K aquisition - LIVE

    Premiere 4K aquisition - LIVE


News
BirdDog Release P4K - A 4K Full Bandwidth NDI PTZ Camera Posted: 15/09/2019
BirdDog Release P4K - A 4K Full Bandwidth NDI and reg; PTZ Camera Featuring a 1 and rdquo; Sony Sensor

IBC 2019, 13-17 September, Stand 6.C11- BirdDog, a leading manufacturer of NDI tools has today announced the launch of its BirdDog P4K, a 4K full bandwidth NDI PTZ Camera. The BirdDog P4K features a 1” Sony Exmor R CMOS backlit Sensor with 14.4 million pixels. With excellent light sensitivity it is the ideal camera for all broadcast applications, sports, remote studios, newsrooms, and houses of worship producing high quality shots.

Tags: BirdDog | NDI | NewTek | Sony | 4K | P4K | BirdDog Cloud | PTZ | Camera | IBC | IBC 2019 | IBC 2019
Submitted by Manor Marketing
More from this author
Hulu in Japan selects Bitmovin to deliver next-generation online experiences Posted: 14/09/2019
Hulu in Japan selects Bitmovin to deliver next-generation online experiences

Bitmovin, a world leader in online video technology, announces that Hulu in Japan, a leader of online video streaming service operated by HJ Holdings, Inc. Minato-ku, Tokyo, President: Hiroyuki Oho, hereinafter referred to as HJ, in collaboration with PLAY Inc., a leading company of Online Video Platform in Japan (Shibuya-ku, Tokyo, President: Kazumichi Kuroda, hereinafter referred to as PLAY) have selected Bitmovin Encoding to deliver high-quality video to any device at massively optimized bitrates. The solution was delivered by Bitmovin’s appointed Japanese integration partner Itochu Cable Systems, (Shinagawa-ku, Tokyo, President and CEO: Kenji Tsuchiya, hereinafter referred to as ICS), with further technical support provided by Bitmovin’s global solutions and engineering team.

Tags: Bitmovin | Hulu in Japan | IBC
Submitted by Platform Communications
More from this author
AUTOSCRIPT WINPLUS-IP DELIVERS NEW LEVELS OF PROMPTER CONTROL AND WORKFLOW EFFICIENCY Posted: 13/09/2019
AUTOSCRIPT WINPLUS-IP DELIVERS NEW LEVELS OF PROMPTER CONTROL AND WORKFLOW EFFICIENCY

Autoscript, the world's leading teleprompting company, today launched a new version of its WinPlus-IP software that delivers the ability to set up, configure, group, and control all aspects of a prompting system from within the application. WinPlus-IP is the engine for Autoscript's award-winning Intelligent Prompting product range, the broadcast industry's first completely IP-enabled teleprompting solution.

Tags: IBC2019 | Vitec Production Solutions | AUTOSCRIPT | WINPLUS-IP | teleprompter | Intelligent Prompting | IBC 2019 | IBC 2019
Submitted by Wall Street Communications
More from this author
TITON SL, LATEST BATTERY IN ANTON BAUERS TITON FAMILY, MAKES DEBUT AT IBC2019 Posted: 13/09/2019
TITON SL, LATEST BATTERY IN ANTON BAUERS TITON FAMILY, MAKES DEBUT AT IBC2019

Anton/Bauer today launched the Titon SL series of 14.4V Gold Mount and V-Mount batteries. Joining the first-generation Titon batteries launched earlier this year, the rugged Titon SLs pack the consistently reliable performance found in other Titon batteries into a smaller and lighter-weight form factor, making them ideal for independent content creators (ICCs) and freelance camera operators. The Titon SL is currently offered in 150Wh and 240Wh models.

Tags: IBC2019 | Vitec Production Solutions | TITON SL | ANTON/BAUER | 14.4V Gold Mount | V-Mount batteries | light-weight camera batteries | IBC 2019 | IBC 2019
Submitted by Wall Street Communications
More from this author
OCONNOR INTRODUCES CAMERA SUPPORT SYSTEM FEATURING ALL-NEW ULTIMATE 1040 FLUID HEAD AND FLOWTECH100 TRIPOD Posted: 13/09/2019
OCONNOR INTRODUCES CAMERA SUPPORT SYSTEM FEATURING ALL-NEW ULTIMATE 1040 FLUID HEAD AND FLOWTECH100 TRIPOD

OConnor today introduced a camera support system that pairs the all-new Ultimate 1040 fluid head with the multi-award-winning flowtech100 tripod. This exclusive system combines the world-renowned precision and versatility of OConnor's fluid heads with the unique speed of flowtech's carbon-fiber tripod technology, allowing professional camera operators to move from heavier to lighter payload camera setups quickly and without compromise.

Tags: IBC2019 | Vitec Production Solutions | OCONNOR | ULTIMATE 1040 FLUID HEAD | FLOWTECH100 TRIPOD | IBC 2019 | IBC 2019
Submitted by Wall Street Communications
More from this author
Harmonic and Aveco Streamline Hybrid Playout Workflows Posted: 13/09/2019
Harmonic and Aveco Streamline Hybrid Playout Workflows

Harmonic (NASDAQ: HLIT) today announced that it has partnered with Aveco to simplify the deployment of hybrid on-premises and cloud workflows for playout applications. Thanks to the partnership, operators can now use a single interface to control hybrid on-premises and cloud playout workflows for more efficient delivery of broadcast and OTT channels, including live streaming.

Tags: Harmonic | Aveco | Hybrid Playout Workflows | IBC2019 | OTT | Cloud Channel Origination | IBC 2019 | IBC 2019
Submitted by 202 Communications
More from this author
Harmonic Joins Forces with HPE to Deliver the Best of On-Premises IT and Cloud Media Processing as a Service Posted: 13/09/2019
Harmonic Joins Forces with HPE to Deliver the Best of On-Premises IT and Cloud Media Processing as a Service

Harmonic (NASDAQ: HLIT) today announced it has teamed up with Hewlett Packard Enterprise (HPE) to optimize deployments of its VOS® cloud-native platform. Together, Harmonic's VOS offerings and HPE GreenLake deliver customer success through a consumption-based service that enables operators to achieve increased simplicity, scalability and cost savings for IPTV and OTT video delivery.

Tags: Harmonic | Hewlett Packard Enterprise | IBC2019 | VOS cloud-native | GreenLake | OTT | IBC 2019 | IBC 2019
Submitted by 202 Communications
More from this author
Live Sports Get Personalized with Harmonic, Google and 3SS Posted: 13/09/2019
Live Sports Get Personalized with Harmonic, Google and 3SS

Harmonic (NASDAQ: HLIT), in collaboration with Google and 3SS, has created an integrated OTT and broadcast live sports workflow on Android TV™, delivering essential tailored features such as picture-in-picture, multi-view and personalized mosaic. At IBC2019, on Harmonic Stand 1.B20 and Google Stand 14.E02, the companies will demonstrate how pay-TV operators can now deliver personalized, low-latency live sports experiences on OTT and hybrid set-top boxes (STBs) using Harmonic's VOS® cloud-native live video platform, a powerful UHD STB and the 3READY custom launcher application from 3SS.

Tags: Harmonic | Google | 3SS | Android TV | IBC2019 | OTT | VOS cloud-native | IBC 2019 | IBC 2019
Submitted by 202 Communications
More from this author
Harmonics VOS Cloud-Native Platform Adds Live Video Delivery Optimization Posted: 13/09/2019
Harmonics VOS Cloud-Native Platform Adds Live Video Delivery Optimization

Harmonic (NASDAQ: HLIT) today announced a groundbreaking new delivery capability for its VOS® cloud-native offerings that provides telco, cable and mobile operators with real-time scalability for mission-critical, high-demand live video streaming services. This exciting new capability has successfully been deployed by a leading mobile network operator to deliver live sports content utilizing a multi-CDN approach with Harmonic's CDN partners.

Tags: Harmonic | VOS | Cloud-Native Platform | Live Video Delivery | IBC2019 | multi-CDN | IBC 2019 | IBC 2019
Submitted by 202 Communications
More from this author
AJA Upgrades IP Mini-Converter Receivers with New UltraHD Reference Input Support Posted: 13/09/2019
AJA Upgrades IP Mini-Converter Receivers with  New UltraHD and amp; Reference Input Support

Today at IBC 2019, AJA Video Systems announced a new v2.2 firmware update that introduces a host of performance improvements for its IP Mini-Converter receivers, including new UltraHD support up to 50p for IPR-10G2-HDMI and IPR-10G-HDMI, as well as Reference Input support for IPR-10G2-HDMI and IPR-10G2-SDI.

Tags: aja | aja video | aja video systems | ibc | ibc 2019 | ibc19 | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Announces Desktop Software v15.5 Posted: 13/09/2019
AJA Announces Desktop Software v15.5

AJA Video Systems introduced Desktop Software v15.5 for KONA, Io and T-TAP products today at IBC 2019. The free software update features key performance enhancements that provide video professionals with enhanced creative freedom and workflow flexibility across Windows®, Linux® and macOS®, with improvements including full 2SI SMPTE raster support for 8K, RGB support for 8K capture and playback and new HDR Test Patterns in AJA Control Room.

Tags: aja | aja video | aja video systems | ibc | ibc19 | ibc2019 | ibc 2019 | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Introduces New openGear and reg; Compatible Cards at IBC 2019 Posted: 13/09/2019
AJA Introduces New openGear and reg; Compatible Cards at IBC 2019

Building on its growing family of openGear® products, AJA Video Systems unveiled three new openGear cards at IBC 2019, including the OG-FS-Mini, OG-ROI-DVI and OG-ROI-HDMI. OG-FS-Mini fuses the functionality of AJA’s newly announced FS-Mini frame synchronizer Mini-Converter with the openGear architecture, while OG-ROI-DVI and OG-ROI-HDMI support DVI or HDMI to SDI region-of-interest scaling, scan conversion and image rotation in the openGear format. Each card is designed for use in openGear 2RU frames including AJA’s OG-X-FR 2RU frame, and can be remotely configured, monitored and controlled over a PC or local network using Ross DashBoard software.

Tags: aja | aja video | aja video systems | ibc | ibc 19 | ibc 2019 | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Launches the FS-Mini Frame Synchronizer at IBC 2019 Posted: 13/09/2019
AJA Launches the FS-Mini Frame Synchronizer at IBC 2019

Today at IBC 2019 AJA Video Systems introduced the FS-Mini, a new broadcast quality utility frame sync that packs the production-proven functionality and all of the reliability of AJA’s leading FS frame sync technology into a portable Mini-Converter. FS-Mini supports frame synchronization and up, down, cross-conversion of untimed 3G-SDI, HD and SD video signals.

Tags: aja | aja video | aja video systems | ibc | ibc 2019 | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Ships Corvid 44 12G with 12G-SDI I O at IBC 2019 Posted: 13/09/2019
AJA Ships Corvid 44 12G with 12G-SDI I O at IBC 2019

At IBC 2019, AJA Video Systems announced the release of Corvid 44 12G, an 8-lane PCIe 3.0 video and audio I/O platform supporting 12G-SDI I/O. Corvid 44 12G is available in ten different models, including passive or active cooling variants, for developer form factor flexibility. Corvid 44 12G models include high-density HD-BNC connectors and are available in low profile or full height form factors, while Corvid 44 12G BNC models include full-size BNC connectors. All Corvid 44 12G cards support 8K/UltraHD2/4K/UltraHD high frame rate, deep color, HDR workflows and can also provide multiple 4K streams of input or output.

Tags: aja | aja video systems | aja video | ibc | ibc 2019 | corvid | corvid-44-12g-sdi | i/o | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Debuts KUMO 6464-12G at IBC 2019 Posted: 13/09/2019
AJA Debuts KUMO 6464-12G at IBC 2019

Today at IBC 2019 in Amsterdam, AJA Video Systems unveiled KUMO 6464-12G, a new SDI router featuring 64x 12G-SDI inputs and 64x 12G-SDI outputs for high quality, cost-effective signal routing. KUMO 6464-12G suits a range of broadcast, production, post, and proAV environments and allows professionals to take advantage of the scalability, security, and increased bandwidth that 12G-SDI provides.

Tags: aja | aja video systems | aja video | ibc | ibc 2019 | kumo | kumo-6464 | kumo-6464-12g | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>