Color Grading The Courier with Louisianas Films In Motion and Colorist Omar Godinez

Date: 14/12/2011
Color Grading The Courier with Louisianas Films In Motion and Colorist Omar Godinez

The Courier, an upcoming thriller by Oscar nominee Hany Abu-Assad, staring Jeffrey Dean Morgan, Til Schweiger and Mickey Rourke, tells the tale of a courier hired to deliver a package to a crime boss, who is then pursued himself by criminals and corrupt police.

The Courier will take its audience on a journey to a number of locations around the world, each accompanied by a unique cinematic atmosphere. The film has to have a high quality look and feel that was planned for this film is typical of mostly associated with Hollywood blockbusters. But The Courier was finished on an independent film budget.

Shot and finished in Louisiana, The Courier joined massive features such as Battle LA and the Twilight movies, as well as the host of independent films and television series that have transformed the state into the fastest growing region in the US for feature and television work. So while faced with the need to create a blockbuster look on a tight budget, the producers of the film needed to join forces with local post professionals that had experience handling all levels of production. To finish the film, the filmmakers chose Baton Rouges Films In Motion.

Films In Motion is one of the largest television and film production and post production companies in Louisiana, working on a number of high profile features, commercials and broadcast shows. In taking on The Courier, the company was tasked with completing all post production, from editing to color grading and finally to finishing the film in the different formats required for distribution to movie theaters as well as film festival venues.

A huge part of the challenge faced by Films In Motion was color grading The Courier. Until recently, high level color grading for Louisiana post production facilities had been a task outsourced to freelancers or out of state post houses specializing in color. But for The Courier, Films In Motion decided to build the states first full DaVinci Resolve color grading suite and bring every step of the finishing process under one roof.

At first, we were planning on simply outsourcing all color correction and conforming for The Courier. But with the affordability the Resolve now brings, and the fact that we have worked with the system in the past and knew how powerful it was, we decided there was no reason we couldnt build our own color suite and handle it ourselves, said Jason Hewitt, owner and president, Films In Motion.

Jason installed a high performance Resolve Mac workstation along with a Resolve control surface into the companys Baton Rouge facility and brought in Dallas, TX colorist Omar Godinez for the film.

Omar has more than two decades experience with DaVinci color correction, having worked with different DaVinci systems on national commercials, features and television series since 1984.

With The Courier, color grading was a primary means of setting the tone and feel for the entire movie, said Omar. Color for the film included a full range of different tasks, from standard corrections to green screens, and specific looks required that I work on a system that was built for complex color grading. Resolve was perfect for this task.

System Management and Planning

Omar continued: I was really excited when Jason told me he purchased the Resolve Mac system with the control surface for the film. I looked beyond the capabilities that colorists already know and love, such as Power Windows, 3D Tracking and HSL Qualification. Those are a given. What really set Resolve apart and made it perfect for this film is what the system allowed me to do in terms of efficient color grading and organized session management.

The Courier was shot using RED cameras, with all RED media copied via eSATA from the editors RAID directly into Film In Motions RAID 5 system to ensure fast throughput and conforming. Omar was then given six reels of project footage that had been edited on Final Cut Pro and then exported to Resolve where he was able to easily access RED Codec settings on a clip to clip basis using the Resolve control surface.

From here, the first step Omar took to color correct was a Best Light first pass. Through this, basic color balancing that would be used throughout the film were developed and Omar was able to get a better sense of what scene content would be and how many scenes would need similar looks.

One of the two most useful features for Omar with the initial setup and first pass was Resolves PowerGrade and ColorTrace. With PowerGrades, Omar was able to develop specific requested looks that could be used throughout the film at a single click, greatly improving efficiency.

With ColorTrace, Omar could compare newly conformed EDLs with a database of source time codes to match original grades. From there, he had the ability to match and update EDLs, ensure that proper corrections were being made and get additional use out of already completed grades.

We imported all six EDLs to Resolve and conformed them all in a matter of minutes. The performance of this system was amazing, Omar said. And I had many scenes that repeated throughout the reels. Using ColorTrace allowed me to copy grades quickly and easily from the clips of one project to those within another.

He continued: The Courier had several looks and key characters with unique skin tones. I used PowerGrades for those looks and skin tones to be applied respectively throughout the reels in the movie. It helped me work quickly and consistently.

Once a first pass was completed, Omar went right into the deeper, more time consuming and intricate color grades requested by the director. For these shots, he relied on a number of Resolves powerful features. Features such as unlimited non destructive Nodes, Stills allowing a reference in Wipe or Mix mode to compare color looks for matching and for direct grade copy and pasting, Automatic Image Stabilization, Hue and Sat Curves for fixed vector corrections and real time playback with audio to hear and feel the moods of the scenes he was grading all played an essential part of in the films color style.

An additional Resolve feature that was used frequently was the Offline/Timeline Comparison. Through this, Omar was able to verify clip order and recreate effects and grades from the NLE per the client. This allowed him to examine the editor's version directly from his cut. The best part is that it's easily accessible on the T-Bar panel of the Resolve Control Surface.

Moving Forward with Resolve

Films In Motion is looking to quickly expand their color grading services with new films and productions coming to Louisiana.

Adding Resolve to our services is like adding a new Ferrari to a garage. We have the best tool in the business and we are expecting to to use Resolve on at least six to ten more features in the coming year, said Jason. 



Tags: DaVinci Resolve | Blackmagic Design | Mac | RED | Fina Cut Pro | EDL | ColorTrace | PowerGrades | color grading
Submitted by Kristen Gaines (Blackmagic Design)
View author's directory page

Related Interviews
  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Blackmagic DaVinci Resolve 16 at NAB 2019

    Blackmagic DaVinci Resolve 16 at NAB 2019

  • Blackmagic Davinci Resolve 15 at NAB 2018

    Blackmagic Davinci Resolve 15 at NAB 2018

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Blackmagic Design at NAB 2012

    Blackmagic Design at NAB 2012

  • Blackmagic at IBC2011

    Blackmagic at IBC2011

  • Blackmagic Design at IBC 2019: New Atem Mini

    Blackmagic Design at IBC 2019: New Atem Mini

  • Blackmagic Design 2500NIT HDR Video Assist 126 with BRAW Blackmagic Design at IBC 2019

    Blackmagic Design 2500NIT HDR Video Assist 126 with BRAW Blackmagic Design at IBC 2019

  • Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

    Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • ATEM Mini and more news from Blackmagic at ISE2020

    ATEM Mini and more news from Blackmagic at ISE2020

  • Creating Broadcast Quality Live Streams for Social Media

    Creating Broadcast Quality Live Streams for Social Media

  • YouTube and the myths, the business and the opportunities

    YouTube and the myths, the business and the opportunities

  • Blackmagic ATEM Constellation 8k at NAB 2019

    Blackmagic ATEM Constellation 8k at NAB 2019

  • Blackmagic introduces Blackmagic RAW (BRAW) at IBC 2018

    Blackmagic introduces Blackmagic RAW (BRAW) at IBC 2018

  • Blackmagic Pocket Cinema Camera 4K at NAB 2018

    Blackmagic Pocket Cinema Camera 4K at NAB 2018

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Holdan and DaVinci at BVE North 2011

    Holdan and DaVinci at BVE North 2011

  • Lynx Technik new 8k fiber transport and additions to series 5000 and green machine

    Lynx Technik new 8k fiber transport and additions to series 5000 and green machine

  • Mac Mini support from Sonnet Technologies at NAB 2019

    Mac Mini support from Sonnet Technologies at NAB 2019

  • Global Distribution with mLogic at IBC 2013

    Global Distribution with mLogic at IBC 2013

  • GPU acceleration from Sonnet Technologies with Adobe support at NAB 2019

    GPU acceleration from Sonnet Technologies with Adobe support at NAB 2019

  • Sonnet Technologies Thunderbolt Chassis at IBC 2014

    Sonnet Technologies Thunderbolt Chassis at IBC 2014

  • Softron MovieRecorder updates at NAB 2014

    Softron MovieRecorder updates at NAB 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Softron Media Services on BroadcastShow LIVE at IBC 2013

    Softron Media Services on BroadcastShow LIVE at IBC 2013

  • Softron Media at IBC 2013

    Softron Media at IBC 2013

  • Scott Hill uses EditShare: Lightworks at NAB 2013

    Scott Hill uses EditShare: Lightworks at NAB 2013

  • TSL Systems at NAB 2013

    TSL Systems at NAB 2013

  • Facilis Technology Shared Storage at IBC 2018

    Facilis Technology Shared Storage at IBC 2018

  • PhotonBeard - LED Redhead - at BVE 2015

    PhotonBeard - LED Redhead - at BVE 2015

  • Featured Clip: Geoff Boyle comments on NAB 2012

    Featured Clip: Geoff Boyle comments on NAB 2012

  • Altered Images at BVE North 2011

    Altered Images at BVE North 2011

  • Is your wireless still legal, Digital RF for Broadcast and location sound explored

    Is your wireless still legal, Digital RF for Broadcast and location sound explored

  • Digital Vision on BroadcastShow LIVE at IBC 2013

    Digital Vision on BroadcastShow LIVE at IBC 2013

  • Hypercore Mini from Core SWX at NAB 2017

    Hypercore Mini from Core SWX at NAB 2017

  • Photon Beard at IBC 2015

    Photon Beard at IBC 2015

  • Tiger Technology at BVE 2015

    Tiger Technology at BVE 2015

  • BeyondHD - Drones at BVE 2015

    BeyondHD - Drones at BVE 2015

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Photon Beard Photon Beam at IBC 2014

    Photon Beard Photon Beam at IBC 2014

  • ChyronHego Metacast at IBC 2014

    ChyronHego Metacast at IBC 2014

  • Facilis at NAB 2014

    Facilis at NAB 2014

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

  • Polecam Toshiba Minicams at BVE 2014

    Polecam Toshiba Minicams at BVE 2014

  • Polecam Slow Motion Minicams at BVE 2014

    Polecam Slow Motion Minicams at BVE 2014

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • Polecams range of accessories and minicams at IBC 2013

    Polecams range of accessories and minicams at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Facilis Technology at BVE 2013

    Facilis Technology at BVE 2013

  • Facilis at NAB 2012

    Facilis at NAB 2012

  • Facilis at BVE 2012

    Facilis at BVE 2012

  • Teradek at BVE 2012

    Teradek at BVE 2012

  • The Vision Charity at BVE North 2011

    The Vision Charity at BVE North 2011

  • Autocue at BVE North 2011

    Autocue at BVE North 2011

  • PAG at IBC2011

    PAG at IBC2011

  • Autodesk at IBC2011

    Autodesk at IBC2011

  • Sonnet Technology at IBC2011

    Sonnet Technology at IBC2011

  • Sachtler Tripods at BVE 2015

    Sachtler Tripods at BVE 2015

  • Flaghead Photographic at ProVideo2011

    Flaghead Photographic at ProVideo2011

  • AJA Video HDR Image Analyser 12G for the latest 4K/UltraHD HDR standards at ISE 2020

    AJA Video HDR Image Analyser 12G for the latest 4K/UltraHD HDR standards at ISE 2020


Related Shows
  • Africans in London - live and on demand TV channels.

    Africans in London - live and on demand TV channels.


Related Articles
  • A Focus on the Feels

    A Focus on the Feels

  • Creating Broadcast Quality Live Streams for Social

    Creating Broadcast Quality Live Streams for Social

  • CVP Helps Productions Choose the Right Lens for the Job

    CVP Helps Productions Choose the Right Lens for the Job

  • The University of the Third Age

    The University of the Third Age

  • Increasing Diversity in the UK Indie Market

    Increasing Diversity in the UK Indie Market

  • The Making of Zero

    The Making of Zero

  • The World of 12G 4K/UHD Processing

    The World of 12G 4K/UHD Processing

  • Centre Stage for Cameras with All About Eve

    Centre Stage for Cameras with All About Eve

  • Behind the Scenes of Wild rose

    Behind the Scenes of Wild rose

  • Capturing Haute Couture

    Capturing Haute Couture

  • Bringing creative ideas to life

    Bringing creative ideas to life

  • State of the Nation - November 2018

    State of the Nation - November 2018

  • Trade shows and their role in the wired world

    Trade shows and their role in the wired world

  • How machine learning might affect media

    How machine learning might affect media

  • League of Legends European Masters

    League of Legends European Masters

  • Tips and Tricks to Giving Sci-Fi a New Look

    Tips and Tricks to Giving Sci-Fi a New Look

  • Six steps for award winning sound design with Jungle Studios

    Six steps for award winning sound design with Jungle Studios

  • Capturing the spirit of Mexico

    Capturing the spirit of Mexico

  • Playing with Pink Floyd

    Playing with Pink Floyd

  • Canon C200: Tried and Tested

    Canon C200: Tried and Tested

  • Looking back at IBC 2017

    Looking back at IBC 2017

  • Class - Treat your virtual machines like cattle

    Class - Treat your virtual machines like cattle

  • Strays - Telling a dark tale

    Strays - Telling a dark tale

  • TV Futures

    TV Futures

  • You need wave power if you are going surfing

    You need wave power if you are going surfing

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • The future of post production

    The future of post production

  • Diversify or Die

    Diversify or Die

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • IBC - how was it you

    IBC - how was it you

  • Reducing the costof live production

    Reducing the costof live production

  • Tips on how to reduce your exposure to business crime

    Tips on how to reduce your exposure to business crime

  • Posting Rovers on DaVinci Resolve

    Posting Rovers on DaVinci Resolve

  • Bringing Realiability to the Unpredictability of Reality TV

    Bringing Realiability to the Unpredictability of Reality TV

  • Smaller, Lighter, High-Capacity Batteries

    Smaller, Lighter, High-Capacity Batteries

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • CLASS - LEAN Mean Versioning Machine

    CLASS - LEAN Mean Versioning Machine

  • 5 must haves for sound recordists

    5 must haves for sound recordists

  • REDucation - Real world RED camera training

    REDucation - Real world RED camera training

  • Back in the day

    Back in the day

  • Sky takes sports to the limit

    Sky takes sports to the limit

  • Walking into manufacturing with a Dedleg

    Walking into manufacturing with a Dedleg

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • An artist gets bored of the same colour palette

    An artist gets bored of the same colour palette

  • Media Management in Final Cut Pro X

    Media Management in Final Cut Pro X

  • Trouble- Shooting Your Mac Editing System

    Trouble- Shooting Your Mac Editing System

  • The evolution of Wired Intercom

    The evolution of Wired Intercom

  • The First Musketeer

    The First Musketeer

  • Skillset Accreditation

    Skillset Accreditation

  • When the going gets tough

    When the going gets tough


News
MO-SYS TECHNOLOGY PLAYED STARRING ROLE IN MOOVS VIRTUAL SET FOR BBC SPORTS TOKYO GAMES COVERAGE Posted: 13/10/2021
MO-SYS TECHNOLOGY PLAYED STARRING ROLE IN MOOVS VIRTUAL SET FOR BBC SPORTS TOKYO GAMES COVERAGE

Mo-Sys Engineering, a world leader in precision camera tracking solutions for virtual studios and augmented reality, today announces that its StarTracker technology was front and centre of the innovative virtual studio production for BBC Sport’s coverage of the Tokyo Games. The entire virtual graphics production was implemented by MOOV, the UK based sports and events graphics company, with the project being shortlist as a finalist at the 2021 Broadcast Sports Awards in November. 

Tags: Mo-Sys | MOOV. Virtual Production | Virtual Studio | StarTracker | Broadcast Sports Awards | Camera Tracking | Dock10. MediaCityUK | Broadcast | virtual reality | augmented reality | Tokyo Olympics | Brainstorm | Wimbledon | Match of the Day | Innovation
Submitted by Manor Marketing
More from this author
This Live Video Player Does a Lot Posted: 13/10/2021
This Live Video Player Does a Lot How does artifical intelligence (AI) support broadcasting and notifications in a live video player? I talk with Joe Ward, CEO of Edge Video, to find out more and see it in action. 
Tags: Live Video Players | AI | Broadcast | Live Streaming | IBC 2021
Submitted by Socail180Group
More from this author
SAFnet Powers Next-Gen Broadband Delivery with Harmonics Virtualized PON Solution Posted: 12/10/2021
SAFnet Powers Next-Gen Broadband Delivery with Harmonics Virtualized PON Solution

Harmonic (NASDAQ: HLIT) today announced that its industry-leading CableOS® Cloud-Native Core Platform has been deployed by SAFnet, a Danish broadband operator, for 10G-capable fiber-to-the-home (FTTH) XGS-PON service delivery. Multi-access, virtualized edge cloud and PON capabilities on the CableOS Platform will enable SAFnet to deliver next-gen broadband leveraging existing HFC DOCSIS network infrastructure, lowering operational costs and improving sustainability.

Tags: FTTH PON | CableOS Platform | 10G | SAFnet | HFC DOCSIS | Pebble Remote-PHY | Harmonic
Submitted by 202 Communications
More from this author
Artel Extends FiberLink Family Into the IP Realm With New SDI-to-SMPTE ST 2110 Gateway Posted: 12/10/2021
Artel Extends FiberLink Family Into the IP Realm With New SDI-to-SMPTE ST 2110 Gateway

Artel Video Systems, a world-class provider of innovative, real-time, multimedia delivery solutions, today introduced the FiberLink ST 2110 Gateway, which bridges SDI interfaces to JT-NM-tested SMPTE ST 2110 IP media streams. Providing a valuable gateway between legacy SDI environments and ST 2110 IP environments, this new addition to Artel's renowned FiberLink product family helps to extend the useful life of SDI implementations and equipment while opening the door to IP-based media transport and its benefits.

Tags: SMPTE ST 2110 | SDI | Video | SDI/IP Interface | IP Migration | Fiberlink ST2110 Gateway | Artel
Submitted by Wall Street Communications
More from this author
AJA Announces KONA 5, Io 4K Plus, and T-TAP Pro Support for Hardware Out in Microsoft Teams Posted: 12/10/2021
AJA Announces KONA 5, Io 4K Plus, and T-TAP Pro Support for Hardware Out in Microsoft Teams

AJA Video Systems today announced that it has collaborated with Microsoft to ensure that a range of its audio and video I/O solutions support the new Hardware Out feature in Microsoft Teams. Using the new feature with an AJA KONA 5, Io 4K Plus, or T-TAP Pro, live production and AV professionals can easily output SDI and HDMI high quality audio and video streams of on-the-ground reporters, interviewees, or events in remote locations and seamlessly weave the footage into live productions at broadcast-quality.

Tags: AJA Video Systems | AJA | Microsoft Teams | Microsoft | Live Production | Live Workflows
Submitted by AJA Video Systems
More from this author
LYNX Technik Announces Additional 48G Fiber Transmission System Posted: 12/10/2021
LYNX Technik Announces Additional 48G Fiber Transmission System

new 8k fiber signal transmission system for its yellobrik series. This solution is ideal for the transmission of multiple uncompressed 12G SDI streams.

Tags: LYNX Technik | 8K | yellobrik | SDI 8K | OTR 1A41 | 8K fiber transmissoin | 96 Gbits
Submitted by LYNX Technik
More from this author
Cobalt Digital Targets Need for Multiple Video Feeds with openGear 9905 MPx Multi-Channel Processor Posted: 12/10/2021
Cobalt and reg; Digital Targets Need for Multiple Video Feeds with openGear and reg; 9905 MPx Multi-Channel Processor

Cobalt® Digital, an industry-leading designer and manufacturer of award-winning edge devices for live video production and master control, and a founding partner in the openGear® initiative, has answered the need for handling and processing multiple video feeds with its 9905-MPx multi-channel processor. The 9905-MPx is a next-generation advanced scaler/frame openGear synchronizer developed in direct response to customer needs for a single module that supports four independent signal paths. The card was highlighted during a press briefing held virtually on October 6th and hosted by Suzana Brady, Cobalt’s SVP Worldwide Sales & Marketing, who noted that the 9905-MPx was developed in response to customer requests for increased density, unprecedented multi-input support, and enhanced flexibility. The event also featured presentations by Dr. Ciro Noronha, EVP of Engineering, and Ryan Wallenberg, VP of Engineering. The 9905-MPx, an audio/video processor for baseband digital signals, is capable of handling up to four independent 3G signals in a single, dense, cost-effective package that provides all common broadcast processing functions without any quality compromises. The card includes individual up/down/cross conversion scalers that are specifically designed for broadcast video formats, with full ARC control suitable for conversions to/from 4:3 and 16:9 aspect ratios. The multi-path design offers discrete AES and MADI audio embedding/routing/mixing/de-embedding to any of the four processing paths. Standard 3D LUT features and available color correction accommodate SDR and HDR processing for downstream HDR systems, on a per-channel basis. The card also supports per-channel logo insertion, as well as ancillary data insertion/extraction.

Tags: Cobalt Digital | Cobalt’s 9971 | Multiviewer | openGear | 9971-MV6-4K | 9904-UDX-4K HDR | Ultra-Low Latency Mode | Encoder | 9992-ENC | BBG-1300-FR Mini openGear | 9905-MPx | Cobalt Digital’s 12G | Chris Shaw | encoders | decoders | 3G-SDI Models | RIST technology | Dr. Ciro Noronha | 9926
Submitted by Desert Moon
More from this author
EditShare Continues Expanding Its Global Business Posted: 12/10/2021
EditShare Continues Expanding Its Global Business

EditShare®, a technology leader that delivers software solutions enabling storytellers to create and manage collaborative media workflows, is once again expanding its rapidly growing business, which has recorded back to back Q2/Q3 record quarters and year over year revenue increase, to better serve its customers and channel partners with key hires in sales, sales operations, and service assurance.

Tags: EditShare
Submitted by Zazil Media Group
More from this author
Hella Mega Tour Delivered by ATEM Live Production Workflow Posted: 12/10/2021
Hella Mega Tour Delivered by ATEM Live Production Workflow

The Hella Mega Tour, a joint tour by the bands Green Day, Fall Out Boy and Weezer, used several Blackmagic Design products to produce the images for the big screens and video backdrops. The concerts took place at Major League Baseball Association's stadiums, including Wrigley Field, Fenway Park and Dodger Stadium in Los Angeles.

Tags: Blackmagic Design | Hella Mega Tour | Green Day | Fall Out Boy | Weezer
Submitted by Blackmagic Design
More from this author
Leader Announces New Features for LVB440 IP Analyzer Posted: 12/10/2021
Leader Announces New Features for LVB440 IP Analyzer

Leader Electronics announces new additions to the capabilities of its LVB440 IP analyzer. Four new features are now available as standard: LVB440-SER22 - JPEG XS SMPTE ST.2110-22 compression analysis; Closed captioning measurement; Support for 7.1 surround sound, 5.1 surround sound and mix-down to stereo pair; Rolling packet capture measurement.

Tags: Leader Instruments | video test equipment | audio test equipment | video waveform monitors | 12G waveform monitors | 12G video analyzers | IP video analysers | video noise meters | HDR test equipment | true-hybrid test equipment | Hi-Vision test equipment
Submitted by Stylus Media Communications
More from this author
Overwhelming response to FilmLight Colour Awards Posted: 12/10/2021
Overwhelming response to FilmLight Colour Awards

The first-ever FilmLight Colour Awards has received an enthusiastic welcome from professionals across the imaging industry.

While the awards programme has been initiated by FilmLight, the awards are platform-agnostic and open to users of any grading system, from juniors to veterans, independents or those representing large global facilities.

Tags: FilmLight | Colour Awards | EnergaCAMERIMAGE | Jacqueline Loran | creative | imaging | colour grading | colourist | Eben Bolter | Jet Omoshebi | Beatriz Pineda | judging | winners | global | MKM Marcomms | MKM Marketing Communications | Bradford Young | Danny Cohen
Submitted by MKM Marketing Communications
More from this author
DHD.audio Mixing Consoles Go On Air at Radio Flamingo Posted: 12/10/2021
DHD.audio Mixing Consoles Go On Air at Radio Flamingo

DHD.audio mixing consoles have been chosen for the newly launched Radio Flamingo channel operating from studios at the headquarters of Antenne Steiermark Regionalradio in Graz, Austria. The project includes a 10-fader SX2 console, two TX compact multitouch consoles and an XC2 core processor with built-in Dante audio-over-IP connectivity.

Tags: DHD.audio GmbH | digital audio studio equipment | digital audio systems | digital audio mixers | broadcast control room systems | DJ-operated radio studio systems | OB truck audio systems | audio routing and talkback matrices | audio-over-IP interfaces
Submitted by Stylus Media Communications
More from this author
ATEME Joins Google Cloud Partner Advantage Program to Promote Cloud Solutions to its Joint Customer Base Posted: 12/10/2021
ATEME Joins Google Cloud Partner Advantage Program to Promote Cloud Solutions to its Joint Customer Base

ATEME, a leader in video delivery solutions for broadcast, cable TV, DTH, IPTV and OTT, has announced it has joined the Google Cloud Partner Advantage Program. By joining the Google Cloud Partner Advantage Program, ATEME will empower the tools and technology needed to accelerate cloud deployments designed to meet customer’s business goals faster.

Tags: ATEME | Broadcast | Google | Cloud
Submitted by Whiteoaks
More from this author
Clear-Com and Ampco Flashlight Sales Give Theater-Enthusiasts New View of Internationaal Theater Amsterdam Stage Productions Posted: 12/10/2021
Clear-Com and Ampco Flashlight Sales Give Theater-Enthusiasts New  View of Internationaal Theater Amsterdam Stage Productions

Live streaming a stage production is not a new approach, but Internationaal Theater Amsterdam (ITA) is adding its own unique twist, with help from Clear-Com’®s Eclipse® HX Digital Matrix, FreeSpeak II® Digital Wireless Intercom and HelixNet® Digital Network Partyline systems, designed and supported by Dutch Clear-Com partner Ampco Flashlight Sales.

Tags: Clear-Com | Eclipse® HX Digital Matrix | FreeSpeak II® Digital Wireless Intercom | HelixNet® Digital Network Partyline systems | Live Events | Broadcast
Submitted by Bubble Agency
More from this author
IHSE USAs Focus at InfoComm Features Real-Time KVM Workflow Solutions for Remote and Local Operations Posted: 11/10/2021
IHSE USAs Focus at InfoComm Features Real-Time KVM Workflow Solutions for Remote and Local Operations

IHSE USA today announced that it will be showcasing its latest KVM (keyboard, video, and mouse) solutions in booth 3955 at InfoComm 2021, taking place Oct. 27-29 in Orlando, Florida. To meet the demand for high-resolution video in large control rooms at government and commercial facilities, the company will highlight its Draco MultiView 4K60 processor, Draco tera flex series KVM matrix systems, Draco vario ultra DisplayPort 1.1 dual-head extender, and Draco vario ultra HDMI 2.0 extenders.

Tags: IHSE USA LLC | KVM Solutions | InfoComm 2021 | KVM | HDMI 2.0 | Multiviewer 4K
Submitted by InGear
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>