Colour Sound Makes New Lighting and Video Investment for 2CELLOS Tour

Date: 10/01/2018

Colour Sound Makes New Lighting and Video Investment for 2CELLOS Tour

Lighting and video rental specialist Colour Sound Experiment has invested in new Robe MegaPointe moving lights, Blackmagic video control technology and new pre-rigged trusses, all of which is out on the current 2CELLOS tour playing arenas in key capital cities around Europe .

West London based Colour Sound is providing lighting, video, rigging and crew, working closely with lighting designer Crt Birsa and production manager Chris Griffiths.

The UK performance was a roof-raising extravaganza staged at Londons Royal Albert Hall with the band accompanied by The Royal Philharmonic Concert Orchestra. They played out some of 2CELLOS hugely dynamic repertoire which went from the decorum and refinement of assorted film scores to the raucous rock-out mayhem of AC/DC and the Rolling Stones covers.

Crt, a big Robe fan, was delighted when Colour Sound was able to offer its brand new Robe MegaPointes! The fixture was launched in September and this is one of its first European tours.

It is the first time hes worked with Colour Sound and comments that its been a totally positive experience. The guys are extremely nice, highly knowledgeable and absolutely dedicated to doing a great job in getting the show onstage every day.

Colour Sounds crew of Simon Robertson, Frank Williams and David Cattermole are being chiefed by Kester McClure.

The lighting is all toured in the pre-rigged trussing for convenience and to speed up the get-ins / outs. The main touring rig features three 14 metre long overheads trusses - front mid and back, with one more added for the Albert Hall.

The moving lights - 26 x MegaPointes, 20 x Spiider LED wash beams and five BMFL Spots for key lights are distributed across all trusses with eight of the MegaPointes on the floor. They do most of the work, creating subtle and beautifully composed looks for the first section of the show, augmented with 2-lite and 4-lite blinders for audience illumination, together with strobes on the mid and upstage trusses which kick in later in the set.

Some of the lights were rigged on drop-bars to achieve more separation between the sources.

They played the RAH show with the organ revealed, an approach that worked highly effectively in conjunction with their 10 metre wide x 3 metre deep LED screen. Built from Colour Sounds BT7 product, this was rigged on a Litec QL52 truss and flown just below the bottom of the organ pipes, filling the space as if it had been specially tailored.

The extra truss at the RAH was rigged with another 6 x MegaPointes bringing the total for that gig to 32.

It still wasnt a massive amount of lights for an arena tour or a venue of the RAHs volume and stature ¦ but Crt is a master of less-is-more, and the 40 MegaPointes gave more than enough visual vibrancy at his fingertips to make each number look dramatically different as the set progressed.

The MegaPointes were utilized for numerous effects and eye-candy as well as for profile and beam looks looking excellent in both modes. The Spiiders took care of all the basic stage washes and had no problem in covering the expanded orchestra for the RAH show, while the colours showed their continuity with the MegaPointes.

As the set started off refined and almost understated, lighting working harmoniously with the playback video, matching colours and textures as they worked through the film scores and other popular 2CELLOS works.

This progressed to the pop / rock section which had audiences on their feet dancing and jumping every night ¦ and this is where Crt was really able to let rip with the lighting, creating numerous epic looks and sequences that reach out and pulled fans into the action.

He programmed and ran lighting on his own ChamSys MQ80 console with a Wing, and Colour Sound providing a complete replica system for backup.

The bands video director Zaor Kolar puts together the playback visuals in conjunction with 2CELLOS creative director Miro Vidovi.

Colour Sound supplied two Panasonic AW-HE60 robo cameras, - one for each of the two stars Luka uli and Stjepan Hauser which were operated by Kester and combined with an input from the bands own GoPro focussed on drummer Duan Kranjc who plays with them regularly. He has some absolutely killer rock-style solos on this tour!

All these inputs were fed into the new Blackmagic kit, first into the Smart Videohub CleanSwitch 12x12 matrix stationed at dimmers, with the signals sent to FOH where they were mixed and output to screen via the new Blackmagic ATEM Television Studio Pro HD switcher operated by Zaor, who also added in the playback footage input from 2CELLOS own Resolume system.

Crew chief Kester has been impressed with all the new kit they have had on the tour, Its always good to work with new technology, and the MegaPointes are really bright, small and impressive and utilising the pre-rigged truss greatly helped the speed and efficiency of the get ins and outs.

EXE-Rise 1000kg 8:1 double-braked chain hoists were used for all the rigging, and the touring lighting and visuals package was completed with two Robert Juliat Merlin followspots and three hazers.

Colour Sounds H (Haydn Cruickshank) commented, We are really pleased to be servicing and supporting this tour. It was an ideal opportunity for all of us to see the MegaPointes in action as Crt really uses them extensively and effectively and great to also get the new video kit on the road. Its been a great experience working with Crt we have loved his enthusiasm and imagination and indeed that of the whole 2CELLOs production team.

In return, Crt one of Slovenias best known lighting, set and visual designers commented, Its been a pleasure to work with Kester and the Colour Sound crew on the road, and H and Alex in the office. They have paid great attention to detail and given fantastic service, so I look forward to the next time.

Photo by Louise Stickland



Tags: Robe | Blackmagic | video | lighting | Panasonic | robo camera | ATEM Television Studio Pro HD
Submitted by Louise Stickland
View author's directory page

Related Interviews
  • DOP Choice Lighting Bracket and Snapbox at IBC 2017

    DOP Choice Lighting Bracket and Snapbox at IBC 2017

  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • KitPlus filming rig used at NAB 2017

    KitPlus filming rig used at NAB 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • KitPlus filming rig used at BVE 2017

    KitPlus filming rig used at BVE 2017

  • Panasonic Lumix GH5 at BVE 2017

    Panasonic Lumix GH5 at BVE 2017

  • Cirrolite and Kino Flo at BVE 2017

    Cirrolite and Kino Flo at BVE 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • Photon Beard at IBC 2016

    Photon Beard at IBC 2016

  • ChyronHego CAMIO at NAB 2016

    ChyronHego CAMIO at NAB 2016

  • Hive Lighting at IBC 2015

    Hive Lighting at IBC 2015

  • Cineo HS2 at IBC 2015

    Cineo HS2 at IBC 2015

  • FilmGear LED lighting at IBC 2015

    FilmGear LED lighting at IBC 2015

  • LiteGear at IBC 2015

    LiteGear at IBC 2015

  • LiteGear LED LiteMat at IBC 2015

    LiteGear LED LiteMat at IBC 2015

  • LSC Lighting at IBC 2015

    LSC Lighting at IBC 2015

  • Cineo Matchbox at IBC 2015

    Cineo Matchbox at IBC 2015

  • Litepanels at BVE 2015

    Litepanels at BVE 2015

  • LCA - LITEGEAR at BVE 2015

    LCA - LITEGEAR at BVE 2015

  • LCA - Snapgrid lighting control - BVE 2015

    LCA - Snapgrid lighting control - BVE 2015

  • Rosco at BVE 2015

    Rosco at BVE 2015

  • Den Lennie considers what kit and cameras to buy for 2015

    Den Lennie considers what kit and cameras to buy for 2015

  • KITPLUS rig setup at IBC 2014

    KITPLUS rig setup at IBC 2014

  • Panasonic show VariCam at IBC 2014

    Panasonic show VariCam at IBC 2014

  • Hive Lighting Wasp Plasma Par at IBC 2014

    Hive Lighting Wasp Plasma Par at IBC 2014

  • Photon Beard Platinum Blonde at IBC 2014

    Photon Beard Platinum Blonde at IBC 2014

  • Photon Beard Photon Beam at IBC 2014

    Photon Beard Photon Beam at IBC 2014

  • Zylight Fresnel updates at IBC 2014

    Zylight Fresnel updates at IBC 2014

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • BeSteady on the Production Gear stand at BVE 2014

    BeSteady on the Production Gear stand at BVE 2014

  • Hireacamera at BVE 2014

    Hireacamera at BVE 2014

  • The tv-bay Tour in Manchester June 2014

    The tv-bay Tour in Manchester June 2014

  • The tv-bay Tour in London June 2014

    The tv-bay Tour in London June 2014

  • Belfast TOUR

    Belfast TOUR

  • Projects Department on BroadcastShow LIVE at IBC

    Projects Department on BroadcastShow LIVE at IBC

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Photon Beard on BroadcastShow LIVE at IBC 2013

    Photon Beard on BroadcastShow LIVE at IBC 2013

  • Polecam talk accessories on BroadcastShow LIVE 2013

    Polecam talk accessories on BroadcastShow LIVE 2013

  • Behind the scenes of the Teradek booth on BroadcastShow LIVE at IBC 2013

    Behind the scenes of the Teradek booth on BroadcastShow LIVE at IBC 2013

  • Zylight LED Fresnel at IBC 2013

    Zylight LED Fresnel at IBC 2013

  • Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

    Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Holdan on BroadcastShow Tour May 2013

    Holdan on BroadcastShow Tour May 2013

  • Ianiro on BroadcastShow Tour May 2013

    Ianiro on BroadcastShow Tour May 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Photon Beard: Cyc Hood at NAB 2013

    Photon Beard: Cyc Hood at NAB 2013

  • Photon Beard: Space Light at NAB 2013

    Photon Beard: Space Light at NAB 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Bridge Technologies PocketProbe App at NAB 2013

    Bridge Technologies PocketProbe App at NAB 2013

  • Photon Beard: Square One Light at NAB 2013

    Photon Beard: Square One Light at NAB 2013

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • Jonathan Harrison at BVE North 2012

    Jonathan Harrison at BVE North 2012

  • Featured Clip: Geoff Boyle comments on NAB 2012

    Featured Clip: Geoff Boyle comments on NAB 2012

  • Rotolight at NAB 2012

    Rotolight at NAB 2012

  • Blackmagic Design at NAB 2012

    Blackmagic Design at NAB 2012

  • Litepanels at NAB 2012

    Litepanels at NAB 2012

  • Rotolight and TNP at BVE 2012

    Rotolight and TNP at BVE 2012

  • Datavision at BVE 2012

    Datavision at BVE 2012

  • Litepanels at BVE 2012

    Litepanels at BVE 2012

  • Panasonic at BVE 2012

    Panasonic at BVE 2012

  • Rotolight at ProVideo2011

    Rotolight at ProVideo2011

  • Flaghead Photographic at ProVideo2011

    Flaghead Photographic at ProVideo2011

  • Jonathan Harrison at BVE North 2011

    Jonathan Harrison at BVE North 2011

  • Cirrolite at BVE North 2011

    Cirrolite at BVE North 2011

  • Holdan and DaVinci at BVE North 2011

    Holdan and DaVinci at BVE North 2011

  • Holdan and Panasonic at BVE North 2011

    Holdan and Panasonic at BVE North 2011

  • Litepanels at IBC2011

    Litepanels at IBC2011

  • PAG at IBC2011

    PAG at IBC2011


Related Shows
  • Ross Video at BVE 2016

    Ross Video at BVE 2016


Related Articles
  • Looking back at IBC 2017

    Looking back at IBC 2017

  • Reunion on Kingsman ensures efficient workflow for sequel

    Reunion on Kingsman ensures efficient workflow for sequel

  • Marjan TelevisionNetwork - a case study

    Marjan TelevisionNetwork - a case study

  • 5 reasons to use a soft box with LED lighting

    5 reasons to use a soft box with LED lighting

  • Strays - Telling a dark tale

    Strays - Telling a dark tale

  • Supporting creativity and driving better workflows

    Supporting creativity and driving better workflows

  • Lighting - the stuff you do not see

    Lighting - the stuff you do not see

  • Advances in LED lighting innovation with Rotolight AEOS

    Advances in LED lighting innovation with Rotolight AEOS

  • The 7 Steps to Saving Film

    The 7 Steps to Saving Film

  • Audio at 750mph

    Audio at 750mph

  • Insiders View - A few Days in the Desert

    Insiders View - A few Days in the Desert

  • Swimrun World Championships - LiveU report

    Swimrun World Championships - LiveU report

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • How to illuminate a better shot

    How to illuminate a better shot

  • The now and how of LED Lighting

    The now and how of LED Lighting

  • The Benefits of LED Lighting in Broadcast

    The Benefits of LED Lighting in Broadcast

  • The future of post production

    The future of post production

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Behind the scences of Under the Shadow

    Behind the scences of Under the Shadow

  • Space lights and a man called Bill

    Space lights and a man called Bill

  • Highlighting YouTube Space

    Highlighting YouTube Space

  • IBC - how was it you

    IBC - how was it you

  • The Future of LED Lighting

    The Future of LED Lighting

  • Posting Rovers on DaVinci Resolve

    Posting Rovers on DaVinci Resolve

  • Dance hall days are over for professional lighting

    Dance hall days are over for professional lighting

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Raising the bar at BVE

    Raising the bar at BVE

  • Grading Temple - Making the future look vintage

    Grading Temple - Making the future look vintage

  • Camera Operation and Training Part 1

    Camera Operation and Training Part 1

  • Educating with Robots

    Educating with Robots

  • EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

    EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

  • Missing Parts Of The Spectrum

    Missing Parts Of The Spectrum

  • Ground breaking production tool

    Ground breaking production tool

  • 7 must sees at IBC 2015

    7 must sees at IBC 2015

  • Lighting fundamentals

    Lighting fundamentals

  • Bring up the bodies

    Bring up the bodies

  • Venice live productions tools go to the consumer

    Venice live productions tools go to the consumer

  • How full is your spectrum?

    How full is your spectrum?

  • Post Production gear guide - what new products to watch out for in 2015

    Post Production gear guide - what new products to watch out for in 2015

  • Panasonic Previews Field of Hope

    Panasonic Previews Field of Hope

  • Top Five most viewed interviews at IBC 2014

    Top Five most viewed interviews at IBC 2014

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • Africans in London TV

    Africans in London TV

  • An artist gets bored of the same colour palette

    An artist gets bored of the same colour palette

  • 6

    6

  • Manipulate and Edit

    Manipulate and Edit

  • Product Spotlighting

    Product Spotlighting

  • Capture and Produce

    Capture and Produce

  • Black magic studio camera

    Black magic studio camera

  • Lighting for virtual sets

    Lighting for virtual sets


News
Pixelogic to Offer Dolby Vision Ultra High Definition Blu-ray Disc Authoring in Europe Posted: 11/01/2018

Pixelogic, the innovative global provider of localization and distribution services, has announced that their London operation is the first facility in Europe to offer Dolby Vision UHD Blu-ray authoring with their proprietary Dolby Vision authoring toolsets.

Tags: Pixelogic | Dolby Vision | UHD | Blu-Ray | authoring
Submitted by ignite strategic communications
More from this author
Tedial Brings World-Class MAM Solutions to CABSAT 2018 Posted: 11/01/2018

Tedial, the leading independent MAM technology solutions specialist, is demonstrating its world-leading MAM solutions at CABSAT 2018, on stand ZB6-C42. The company will also introduce Jose Luis Montero as Regional Sales Director of the Middle East region. Montero, who has been with Tedial since April 2017, has vast experience over 25 years covering territories including Spain, Portugal and Latin America for companies such as Quantel (now SAM) and SGO and is also the company's Regional Sales Director LATAM.

Tags: Tedial | Evolution Dashboard | Augmented Storage | CABSAT 2018 | CABSAT 2018 | CABSAT 2018
Submitted by Desert Moon Communications
More from this author
Martin Berger Joins Riedel Communications in New Role as Chief Sales Officer Posted: 11/01/2018

With unprecedented growth in recent years, Riedel Communications has created the new role of Chief Sales Officer (CSO) and recruited Martin Berger for the position. Berger joins the company with more than 20 years of experience in various international sales and marketing positions and is tasked with aligning and managing the global sales organization while driving the company's expansion into new businesses.

Tags: Riedel Communications | Martin Berger
Submitted by Gretar Theodorsson
More from this author
Flame Distribution Scales Operations with QUALES QC Posted: 11/01/2018

EditShare, a technology leader in intelligent shared storage and media management solutions, announced today that Flame Distribution, a subsidiary of Flame Media, a television production and distribution house specializing in high-quality factual entertainment and documentary content, has implemented QUALES QC as part of its distribution workflow.

Tags: editing | media storage | EditShare | post production | production
Submitted by Zazil Media Group
More from this author
The B-Side Project Remix Awards Head To Strongroom Studios For 2018 Posted: 11/01/2018
The Prism Sound-sponsored B-Side Project is holding its 9th annual global Remix Awards on February 1st 2018 at Strongroom Studios Bar & Kitchen in London.
Tags: Prism Sound | B-Side Project | Remix Awards | Utah Saints | Cut La Roc | Nu:Tone
Submitted by White Noise Public Relations Ltd
More from this author
Quicklink announce the launch of their Studio-in-a-box solution at CABSAT 2018 Posted: 11/01/2018

Quicklink Video Distribution announces the launch of the Studio-in-a-box solution at CABSAT 18 for the Middle East region.

The Studio-in-a-box is designed for full remote controllable HD studio productions. It provides instant provision of broadcasting resources, from various locations, all fully remotely controlled and managed by the central studio.
Tags: Quicklink | CABSAT | Studio-in-a-box | Dubai | CABSAT 2018 | CABSAT 2018
Submitted by Quicklink
More from this author
DELTA selects Amino for end-to-end multiscreen cable to IP service transformation Posted: 11/01/2018

DELTA, the Netherlands-based provider of internet, TV, telephony and energy, is deploying Aminos MOVE TV delivery platform to provide a full end-to-end solution to deliver multiscreen entertainment services.

Tags: Delta | amino | VoD | OTT | OVR | Multiscreen
Submitted by Amino Communications
More from this author
Globecast demonstrates powerful cutting-edge cloud-based playout at CABSAT 2018 Posted: 11/01/2018

Globecast, the global solutions provider for media, is for the first time publicly demonstrating the development of its cloud-based playout services at CABSAT 2018.

Tags: cloud playout | cloud | virtualization | cloud | IP | media management | CABSAT 2018 | CABSAT 2018
Submitted by Jump PR
More from this author
Orange Moldova Launches New TV Offering With Viaccess-Orca Adaptive Sentinel CAS Posted: 10/01/2018
Viaccess-Orca, a global leader providing OTT and TV platforms, content protection, and advanced data solutions, announced today that Orange Moldova has launched a new convergent TV offering (TV + Internet + mobile) using Viaccess-Orca's Adaptive Sentinel Conditional Access System (CAS) along with set-top boxes (STBs) from Hi-Global Technology and CI+ modules from Neotion. Following the recent acquisition of Moldova's leading cable operator, Sun Communications, Orange needed a cost-effective and streamlined way to expand its service portfolio to include fixed internet and pay-TV subscriptions. Viaccess-Orca's Adaptive Sentinel CAS fulfills those requirements, ensuring secure distribution and a fast time-to-market for Orange Moldova's new unified TV offering.
Tags: Orange Moldova | Viaccess-Orca | Adaptive Sentinel CAS | Sun Communications
Submitted by 202 Communications
More from this author
Interra Systems at BVE 2018 Stand N29 Posted: 10/01/2018

End-to-End Quality Control and Monitoring Solutions for Media Everywhere

 
The media industry in Europe is undergoing rapid transformation, with OTT video services revenue expected to double by 2021, according to Frost & Sullivan research.
Tags: Interra Systems | BVE 2018 | Quality Control | Monitoring Solutions | BVE 2018 | BVE 2018
Submitted by 202 Communications
More from this author
RTW Shows Latest Monitoring and Metering Products at CABSAT 2018 Posted: 10/01/2018
RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, will be exhibiting products at the Jampro Antennas Inc. stand (Z4-105) at CABSAT 2018 at the Dubai World Trade Center. On display will be the company's TouchMonitor TM7 and TM9 series, PD-Dante and its Masterclass PlugIns Series.
Tags: RTW | CABSAT | CABSAT 2018 | CABSAT 2018
Submitted by D. Pagan Communications
More from this author
MSA Foams, Part of the Peli UK Group BVE Stand L43 Posted: 10/01/2018

More than 30 years of product development has ensured the Peli¢ range of cases is the market leader in vital protection for film and broadcast equipment. Offering watertight, dustproof and crushproof security, Peli cases are backed by the legendary You break it, we replace it lifetime guarantee.

Tags: BVE Expo | Peli | Peli case | Pelican case | camera case | protective case | camera protection | drone case | drone protection | foam | rack case | BVE 2018 | BVE 2018
Submitted by Peli Products (UK) Ltd
More from this author
F30 the Stand that Delivers at BVE 2018 Posted: 10/01/2018
Once again broadcast audio distributor Aspen Media is delivering a host of exciting new developments on stand F30 at this years BVE.
Tags: Junger Audio | DirectOut | Stage Tec | JLCooper | Aspen Media | Level Magic | Easy loudness | Netbridge | MMA | EXBOX.MD | SG.MADI | MADI.9648 | MONTONE.42 | AVATUS | ATEM | Proton | ion | Viz Mosart | Eclipse MXL | SloMo | BVE 2018 | BVE 2018
Submitted by Aspen Media Ltd
More from this author
OldTown White Coffee Documentary Shot with URSA Mini Pro 4.6K Posted: 10/01/2018
Blackmagic Design today announced that Beijing based Lingfang Media Co., Ltd. produced a documentary for OldTown, one of the worlds most popular white coffee brands, completely with the URSA Mini Pro 4.6K. The documentary was also graded with DaVinci Resolve Studio and the DaVinci Resolve Micro Panel.
 
Tags: Blackmagic Design | DaVinci Resolve 14 | Micro Panel | URSA Mini Pro | Documentary
Submitted by Blackmagic design
More from this author
New Panasonic GH5S and Atomos Ninja Inferno are a dream combination for low light shooting Posted: 10/01/2018

Panasonic today release their new GH5S mirrorless camera with amazing low light capabilities. Unleash its full capability by combining it with the Atomos Ninja Inferno 4K monitor / recorder - recording up to DCI 4Kp60 10-bit 4:2:2 over HDMI 2.0 directly into production-ready Apple ProRes or Avid DNxHR on SSD drives.

Tags: Atomos | Ninja Inferno | Panasonic | GH5S | low light | 4K monitor / recorder | dream combination
Submitted by Bubble Communications
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>