Colour Sound Makes New Lighting and Video Investment for 2CELLOS Tour

Date: 10/01/2018
Colour Sound Makes New Lighting and Video Investment for 2CELLOS Tour

Lighting and video rental specialist Colour Sound Experiment has invested in new Robe MegaPointe moving lights, Blackmagic video control technology and new pre-rigged trusses, all of which is out on the current 2CELLOS tour playing arenas in key capital cities around Europe .

West London based Colour Sound is providing lighting, video, rigging and crew, working closely with lighting designer Crt Birsa and production manager Chris Griffiths.

The UK performance was a roof-raising extravaganza staged at Londons Royal Albert Hall with the band accompanied by The Royal Philharmonic Concert Orchestra. They played out some of 2CELLOS hugely dynamic repertoire which went from the decorum and refinement of assorted film scores to the raucous rock-out mayhem of AC/DC and the Rolling Stones covers.

Crt, a big Robe fan, was delighted when Colour Sound was able to offer its brand new Robe MegaPointes! The fixture was launched in September and this is one of its first European tours.

It is the first time hes worked with Colour Sound and comments that its been a totally positive experience. The guys are extremely nice, highly knowledgeable and absolutely dedicated to doing a great job in getting the show onstage every day.

Colour Sounds crew of Simon Robertson, Frank Williams and David Cattermole are being chiefed by Kester McClure.

The lighting is all toured in the pre-rigged trussing for convenience and to speed up the get-ins / outs. The main touring rig features three 14 metre long overheads trusses - front mid and back, with one more added for the Albert Hall.

The moving lights - 26 x MegaPointes, 20 x Spiider LED wash beams and five BMFL Spots for key lights are distributed across all trusses with eight of the MegaPointes on the floor. They do most of the work, creating subtle and beautifully composed looks for the first section of the show, augmented with 2-lite and 4-lite blinders for audience illumination, together with strobes on the mid and upstage trusses which kick in later in the set.

Some of the lights were rigged on drop-bars to achieve more separation between the sources.

They played the RAH show with the organ revealed, an approach that worked highly effectively in conjunction with their 10 metre wide x 3 metre deep LED screen. Built from Colour Sounds BT7 product, this was rigged on a Litec QL52 truss and flown just below the bottom of the organ pipes, filling the space as if it had been specially tailored.

The extra truss at the RAH was rigged with another 6 x MegaPointes bringing the total for that gig to 32.

It still wasnt a massive amount of lights for an arena tour or a venue of the RAHs volume and stature ¦ but Crt is a master of less-is-more, and the 40 MegaPointes gave more than enough visual vibrancy at his fingertips to make each number look dramatically different as the set progressed.

The MegaPointes were utilized for numerous effects and eye-candy as well as for profile and beam looks looking excellent in both modes. The Spiiders took care of all the basic stage washes and had no problem in covering the expanded orchestra for the RAH show, while the colours showed their continuity with the MegaPointes.

As the set started off refined and almost understated, lighting working harmoniously with the playback video, matching colours and textures as they worked through the film scores and other popular 2CELLOS works.

This progressed to the pop / rock section which had audiences on their feet dancing and jumping every night ¦ and this is where Crt was really able to let rip with the lighting, creating numerous epic looks and sequences that reach out and pulled fans into the action.

He programmed and ran lighting on his own ChamSys MQ80 console with a Wing, and Colour Sound providing a complete replica system for backup.

The bands video director Zaor Kolar puts together the playback visuals in conjunction with 2CELLOS creative director Miro Vidovi.

Colour Sound supplied two Panasonic AW-HE60 robo cameras, - one for each of the two stars Luka uli and Stjepan Hauser which were operated by Kester and combined with an input from the bands own GoPro focussed on drummer Duan Kranjc who plays with them regularly. He has some absolutely killer rock-style solos on this tour!

All these inputs were fed into the new Blackmagic kit, first into the Smart Videohub CleanSwitch 12x12 matrix stationed at dimmers, with the signals sent to FOH where they were mixed and output to screen via the new Blackmagic ATEM Television Studio Pro HD switcher operated by Zaor, who also added in the playback footage input from 2CELLOS own Resolume system.

Crew chief Kester has been impressed with all the new kit they have had on the tour, Its always good to work with new technology, and the MegaPointes are really bright, small and impressive and utilising the pre-rigged truss greatly helped the speed and efficiency of the get ins and outs.

EXE-Rise 1000kg 8:1 double-braked chain hoists were used for all the rigging, and the touring lighting and visuals package was completed with two Robert Juliat Merlin followspots and three hazers.

Colour Sounds H (Haydn Cruickshank) commented, We are really pleased to be servicing and supporting this tour. It was an ideal opportunity for all of us to see the MegaPointes in action as Crt really uses them extensively and effectively and great to also get the new video kit on the road. Its been a great experience working with Crt we have loved his enthusiasm and imagination and indeed that of the whole 2CELLOs production team.

In return, Crt one of Slovenias best known lighting, set and visual designers commented, Its been a pleasure to work with Kester and the Colour Sound crew on the road, and H and Alex in the office. They have paid great attention to detail and given fantastic service, so I look forward to the next time.

Photo by Louise Stickland



Tags: Robe | Blackmagic | video | lighting | Panasonic | robo camera | ATEM Television Studio Pro HD
Submitted by Louise Stickland
View author's directory page

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    Supporting creativity and driving better workflows

  • 5 reasons to use a soft box with LED lighting

    5 reasons to use a soft box with LED lighting

  • Lighting - the stuff you do not see

    Lighting - the stuff you do not see

  • The 7 Steps to Saving Film

    The 7 Steps to Saving Film

  • Advances in LED lighting innovation with Rotolight AEOS

    Advances in LED lighting innovation with Rotolight AEOS

  • Audio at 750mph

    Audio at 750mph

  • Insiders View - A few Days in the Desert

    Insiders View - A few Days in the Desert

  • Swimrun World Championships - LiveU report

    Swimrun World Championships - LiveU report

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • The now and how of LED Lighting

    The now and how of LED Lighting

  • How to illuminate a better shot

    How to illuminate a better shot

  • The Benefits of LED Lighting in Broadcast

    The Benefits of LED Lighting in Broadcast

  • The future of post production

    The future of post production

  • Space lights and a man called Bill

    Space lights and a man called Bill

  • Behind the scences of Under the Shadow

    Behind the scences of Under the Shadow

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Highlighting YouTube Space

    Highlighting YouTube Space

  • IBC - how was it you

    IBC - how was it you

  • Posting Rovers on DaVinci Resolve

    Posting Rovers on DaVinci Resolve

  • The Future of LED Lighting

    The Future of LED Lighting

  • Dance hall days are over for professional lighting

    Dance hall days are over for professional lighting

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • Grading Temple - Making the future look vintage

    Grading Temple - Making the future look vintage

  • Raising the bar at BVE

    Raising the bar at BVE

  • Camera Operation and Training Part 1

    Camera Operation and Training Part 1

  • Educating with Robots

    Educating with Robots

  • EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

    EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

  • Missing Parts Of The Spectrum

    Missing Parts Of The Spectrum

  • Ground breaking production tool

    Ground breaking production tool

  • 7 must sees at IBC 2015

    7 must sees at IBC 2015

  • Lighting fundamentals

    Lighting fundamentals

  • Venice live productions tools go to the consumer

    Venice live productions tools go to the consumer

  • Bring up the bodies

    Bring up the bodies

  • How full is your spectrum?

    How full is your spectrum?


News
AVN-CU4 Commentator Unit, 4 Commentators Posted: 20/09/2018
AVN-CU4 Commentator Unit, 4 Commentators

Sonifex recently premiered at IBC 2018 its new AVN-CU4 which is a portable commentator unit using Dante® AoIP.

Tags: Sonifex | AVN-CU4 | Dante | Commentator
Submitted by Sonifex Ltd
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AVN-CU2 Commentator Unit, 2 Commentators Posted: 20/09/2018
AVN-CU2 Commentator Unit, 2 Commentators
Sonifex recently premiered at IBC 2018 its new AVN-CU2 which is a portable commentator unit using Dante® AoIP.
Tags: Sonifex | AVN-CU2 | Dante | Commentator
Submitted by Sonifex Ltd
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ACCESS NetFront Browser BE DTV Profile Selected for Panasonics New DIGA Blu-Ray Disc Recorder to Support New 4K Satellite Broadcasts Posted: 20/09/2018
ACCESS NetFront Browser BE DTV Profile Selected for Panasonics New DIGA Blu-Ray Disc Recorder to Support New 4K Satellite Broadcasts

ACCESS CO., LTD announced that its NetFrontTM Browser BE v2 DTV Profile, latest version of the high-performance browser for televisions, has been selected by Panasonic Corporation for its DIGA Blu-ray disc recorder with built-in 4K tuner (DMR-SUZ2060), to be released for the Japanese market.Panasonic plans to release DMR-SUZ2060 with NetFrontBrowser on November 16, 2018.

Tags: ACCESS | Panansonic | 4K
Submitted by platformcomms
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HHB Communications hosts launch of iZotope, Inc. new solutions at IBC2018 Posted: 19/09/2018
HHB Communications hosts launch of iZotope, Inc. new solutions at IBC2018

HHB Communications Ltd(HHB), a global leader in professional audio technology, today announced that iZotope, Inc., the experts in intelligent audio technology, will showcase an array of new solutions on the HHB Communications stand 8.D56 at IBC2018.

Tags: HHB | iZotope
Submitted by Bubble Communications
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HHB COMMUNICATIONS ANNOUNCES NUGEN AUDIO WILL SHOWCASE POST-PRODUCTION BUNDLES AT IBC2018 Posted: 19/09/2018
HHB COMMUNICATIONS ANNOUNCES NUGEN AUDIO WILL SHOWCASE POST-PRODUCTION BUNDLES AT IBC2018

HHB Communications Ltd (HHB), a global leader in professional audio technology, today announced NUGEN Audio will showcase its postproduction bundles, as well as updates to its Loudness Toolkit bundle, for the first time in Europe on HHB Communications stand 8.D56 at IBC2018.

Tags: HHB
Submitted by Bubble Communications
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HHB COMMUNICATIONS TO SHOWCASE WOHLER TECHNOLOGIES iAM RANGE OF IP MONITORING SOLUTIONS AT IBC2018 Posted: 19/09/2018
HHB COMMUNICATIONS TO SHOWCASE WOHLER TECHNOLOGIES iAM RANGE OF IP MONITORING SOLUTIONS AT IBC2018

HHB Communications Ltd (HHB), a global leader in professional audio technology, today announced that Wohler Technologies will showcase its iAM range of IP monitoring solutions, together with a selection of legacy products, on HHB Communications stand 8.D56 at IBC2018.

Tags: HHB | IBC 2018 | IBC 2018
Submitted by Bubble Communications
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HARMAN PROFESSIONAL SYSTEMS TO SHOWCASE STUDER VISTA 5 BLACK EDITION ON HHB STAND AT IBC2018 Posted: 19/09/2018
HARMAN PROFESSIONAL SYSTEMS TO SHOWCASE STUDER VISTA 5 BLACK EDITION ON HHB STAND AT IBC2018

HHB Communications Ltd (HHB), a global leader in professional audio technology, today announced HARMAN Professional Solutions, the global leader in audio, video, lighting and control systems, including networked AV, will showcase the Studer Vista 5 Black Edition (BE) on the HHB Communications stand 8.D56 at IBC2018.

Tags: HHB | Audio | HARMAN | IBC 2018 | IBC 2018
Submitted by Bubble Communications
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GOAAAAAL Media Leaders Score with Amazon Web Services in Comprehensive Coverage of Worlds Most Popular Sports Event Posted: 18/09/2018
GOAAAAAL   Media Leaders Score with Amazon Web Services in Comprehensive Coverage of World and rsquo;s Most Popular Sports Event

Amazon Web Services, Inc. (AWS), an Amazon.com company, announced that leading national broadcast rights holders, pay TV providers, and sports programmers used AWS, including AWS Elemental Media Services, to power live streamed experiences as an estimated 3.4 billion people watched the 2018 football tournament that concluded earlier this summer. AWS Elemental solutions were also used in the central equipment room by the tournament host broadcaster.

Tags: AWS | sports | streaming | broadcast | football | soccer | IBC 2018 | IBC 2018
Submitted by AWS Elemental
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DPA Microphones Chalks Up Impressive Sales Results In Germany Posted: 18/09/2018
DPA Microphones Chalks Up Impressive Sales Results In Germany
DPA Microphones’ philosophy of getting closer to dealers and customers has paid dividends in Germany where its new dedicated sales team and reorganized partner structure is achieving results that have exceeded the company’s initial expectations by far.
Tags: DPA Microphones | Germany | Martin Kaaber | New German Website
Submitted by White Noise Public Relations Ltd
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The Zhejiang Conservatory of Music Becomes The First Facility In China To Install PMC QB1-A Active Monitors Posted: 18/09/2018
The Zhejiang Conservatory of Music Becomes The First Facility In China To Install PMC QB1-A Active Monitors
The Zhejiang Conservatory of Music has installed a pair of PMC QB1-A Active ultra high-resolution monitors, making this the first facility in China to invest in PMC’s flagship studio monitoring range.
Tags: PMC Speakers | Zhejiang Conservatory of Music | QB1-A Main Monitors | China First Sale
Submitted by White Noise Public Relations Ltd
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Anevia Partners with Viaccess-Orca to Provide Ultra-Low Latency Live Streaming Solution Posted: 17/09/2018
Anevia Partners with Viaccess-Orca to Provide Ultra-Low Latency Live Streaming Solution

Anevia, a leading provider of OTT and IPTV software solutions, is partnering with Viaccess-Orca to provide audiences with an ultra-low latency live streaming solution which they are showcasing at this year’s IBC.

Tags: Anevia | Viaccess Orca | Broadcast | Streaming | OTT | IBC 2018 | IBC 2018
Submitted by Whiteoaks
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ANEVIA PARTNERS WITH RED BEE MEDIA TO DELIVER LOW LATENCY MANAGED OTT SERVICES Posted: 17/09/2018
ANEVIA PARTNERS WITH RED BEE MEDIA TO DELIVER LOW LATENCY MANAGED OTT SERVICES

Anevia, a leading provider of OTT and IPTV software solutions, has partnered with Red Bee Media to deliver low latency managed OTT services that enable any company, no matter their content or audience, to launch their own OTT channel within minutes. Anevia’s Genova Live software video encoder is a key part of Red Bee Media’s modular OTT platform, built on a microservices architecture that is operated in the Cloud to provide both flexibility and scalability. The solution was one of the first deployments of a Dockerized OTT video streaming services for live events and was used when Red Bee Media enabled McDonalds to show all FIFA 2018 World Cup matches in all their restaurants in Sweden.

Tags: Anevia | Broadcast | Red Bee | OTT | IBC 2018 | IBC 2018
Submitted by Whiteoaks
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Video Clarity at IBC2018 Posted: 17/09/2018
Video Clarity at IBC2018
Making its European debut at IBC2018 is ClearView 9.0, the latest software release for Video Clarity’s ClearView line of video quality analyzers. Driven by customer input, version 9.0 provides several new features that help day-to-day users save time and get more utility from their existing ClearView systems. One major update is NIQE, a new high-performance, no-reference metric that provides accurate quality measurement when a source reference is not available — as is often the case in today’s cloud-based delivery workflows. Other new features include 12-bit video image support for file import, record and play operations, and HDR signaling for HDMI on ClearView outputs.
Tags: Video Clarity | automated QoE | video monitoring solutions | IP video servers | video quality analyzers | IBC 2018 | IBC 2018
Submitted by Dundee Hills Group
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ATEME Partners with NexGuard Posted: 17/09/2018
ATEME Partners with NexGuard

ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, has partnered with NexGuard for integrating Network ID watermarking with BISS-CA (EBU Tech 3292-1) within ATEME’s product portfolio.

Tags: ATEME | Broadcast | Watermarking | BISS-CA
Submitted by Whiteoaks
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DPA Delivers Exquisite Sound With Its Tiniest Ever Microphone Capsules Posted: 17/09/2018
DPA Delivers Exquisite Sound With Its Tiniest Ever Microphone Capsules

In direct response to feedback from the theatre, film and television industries, DPA Microphones is adding to its d:screet™ and d:fine™ ranges by introducing its smallest ever high end pro audio microphone capsule.

Tags: DPA Microphones | Sub Miniature Microphones | d:screet 6060 | d:fine 6066 | IBC 2018 | IBC 2018
Submitted by White Noise Public Relations Ltd
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