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Riedel Bolero and MediorNet Provide Comprehensive and Wide-Ranging Comms Solution for World-Renowned Winterthurer Musikfestwochen Posted: 06/12/2019
Riedel Bolero and MediorNet Provide Comprehensive and Wide-Ranging Comms Solution for World-Renowned Winterthurer Musikfestwochen

For the seventh straight year, Riedel Communications Switzerland AG provided a comprehensive communications infrastructure for the Winterthurer Musikfestwochen, held last August in the historic town of Winterthur, Switzerland. In its biggest commitment to date for the world-famous music festival, Riedel supplied a communications and signal routing backbone based on its Bolero wireless intercom and MediorNet real-time signal transport, processing, and routing technology.

"The Musikfestwochen grows bigger every year, and this year's production was the largest and most complex ever," said Sandra Smolcic, Co-Director of the Winterthurer Musikfestwochen. "It is essential that we have an experienced and reliable partner at our side, and Riedel Switzerland is that partner. It's the perfect win-win situation: We get a first-class and tailor-made communications backbone, while Riedel Switzerland leverages our close partnership to implement new concepts and solutions at the festival. With its local Swiss presence, Riedel's close proximity to our operation and optimal service are also critical success factors."

Winterthurer Musikfestwochen showcases the best in Swiss music including international newcomers, promotion of young talent, and an exciting supporting program. The festival spanned 12 days and included five stages, featuring over 70 acts and supported by 1,000 volunteers.

 

 

Tags: Riedel Communications | Bolero wireless intercom | MediorNet | signal transport routing
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Videe SpA Equips New 4K HDR OB Van With Riedels Artist and Bolero Intercom Systems Posted: 03/12/2019
Videe SpA Equips New 4K HDR OB Van With Riedels Artist and Bolero Intercom Systems

Riedel's Artist-1024 digital matrix intercom system and Bolero wireless intercom system are supporting state-of-the-art communications capabilities within Videe SpA's innovative new 4K HDR OB van, OBX VIDEE. The Riedel systems provide the power, density, and flexibility critical for pioneering remote production operations.

"Videe SpA is well known for its ability to leverage cutting-edge technologies to achieve the performance and functionality essential to demanding remote productions," said Giuseppe Angilello, Italy Sales Manager, Riedel Communications. "With Artist and Bolero, we've delivered on both counts to bring clear, flexible, and reliable communications to Videe's new OB van. As a true, native 4K unit, OBX VIDEE has the power and sophistication to support the most challenging projects — and the ease of use, compact size, and straightforward configuration of our intercom systems make them an ideal fit."

OBX VIDEE is a triple-expanding mobile production unit that can support up to 30 cameras. Based on client requirements, the van can be configured with dual control rooms or as one large, 75-square-meter production area that can accommodate up to 36 onboard team members. The OB van was engineered for the future by Videe and systems integrator Chromaline, with a design that meets each and every production demand with the best, most intuitive, and most efficient technical solution. As a top-end OB production system, OBX is ideal to provide host broadcasting services for major live sporting, music, cultural, and entertainment events worldwide. Integrating smoothly into the van's IP infrastructure, the Artist and Bolero systems along with 36 RSP-2318 SmartPanels, on board OBX VIDEE play a critical role by enabling clear communications tailored to the requirements of each production.

 

 

 

 

Tags: Videe SpA | 4K HDR OB | Riedel Communications | Artist-1024 | digital matrix intercom | Bolero wireless intercom | OBX VIDEE
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Channel 5 Simplifies Workflows with Single-Point Infrastructure Posted: 25/11/2019
Channel 5 Simplifies Workflows with Single-Point Infrastructure

Channel 5, based in St. Petersburg, Russia, has dramatically rationalised its core technology by updating to a Platinum™IP3 router from Imagine Communications for its MCR and playout. The remarkable design of the Platinum IP3 incorporates much of the video and audio infrastructure, eliminating a large number of outboard devices from multiple vendors, simplifying cabling and reducing power consumption, as well as making workflows more coherent and transparent.

Channel 5 was already using an Imagine Platinum router, but continually increasing operational demands called for more inputs and outputs. Channel 5 took the opportunity to rationalise its infrastructure by bringing much more functionality into the new, expanded router, eliminating the need for external third-party devices.

“We knew that the newest models of Platinum router, like the IP3, can host a huge amount of functionality within the frame, making system architecture much more logical,” said Sergei Volhin, technical director of Channel 5. “It meant we could do away with a lot of other equipment, making the installation neater and easier to understand. The new Platinum IP3 reduces the cost and complexity, maximises on-air security, and gives us the capability to quickly set up workflows and expand the I/O as our needs develop.”

The new 28RU Platinum IP3 router was specified, configured and installed by Imagine’s channel partner, MediaProject. The IP3 is highly scalable, and in its initial implementation, it provides for 576 x 1024 video I/O in SD and HD, with fully redundant routing and both copper and fibre interfaces. The router also supports 64 TDM audio slots, each carrying up to 128 audio channels.

As well as the highly resilient switching, the Platinum IP3 also offers video and audio processing which in other systems would require large numbers of third-party devices — each consuming power, cooling and rack space. At Channel 5, all the multiviewer displays in the playout and master control area are driven by router-integrated Platinum SX Pro multiviewer cards — enabling a real saving in outboard processors and ensuring faster and more secure operation. The router also integrates audio embedding and de-embedding with full level control and channel shuffling and extensive video processing.

“Every broadcaster wants a core infrastructure that is going to be absolutely secure and resilient, but is also compact, convenient and clear,” said Mathias Eckert, SVP & GM EMEA/APAC, Playout & Networking, at Imagine Communications. “The fundamental design of the Platinum IP3 router allows us to configure very complex signal management, processing and monitoring in the same device, so a single command can fire multiple actions without the need to set each parameter. That makes for very secure operations, even in complex workflows.

“The result is that — as Channel 5 identified — the Platinum IP3 is a complete solution, and one which reduces cost while enhancing resilience,” Eckert added. “And, when the time comes, it can be expanded to encompass IP switching alongside SDI and digital audio, providing long-term security.”

The router project was installed and commissioned by MediaProject during summer 2019.

For more information about Imagine Communications’ products and solutions, please visit https://www.imaginecommunications.com.

 

 

 

Tags: Imagine Communications | Channel 5 Russia | Platinum IP3 router | MCR | Playout | Sergei Volhin | reduce costs | maximise on-air security | MediaProject | highly scalable | Mathias Eckert | enhance resilience | MKM Marcomms | MKM Marketing Communications
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Partner Communications Selects Broadpeaks Server-Side Ad Insertion Solution Posted: 13/11/2019
Partner Communications Selects Broadpeaks Server-Side Ad Insertion Solution

Broadpeak®, a leading provider of content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, today announced that Partner Communications Company (NASDAQ and TASE: PTNR), a leading provider of telecommunications services in Israel, will deploy its server-side ad insertion (SSAI) solution. Integrating Broadpeak's SSAI solution with other Broadpeak technologies already deployed, including origin server, CDN, and cloud PVR, will enable Partner Communications to deliver personalized ads within VOD content, helping it to better monetize its cutting-edge OTT television service.

"We chose Broadpeak's server-side ad insertion solution because it is flexible and simple to integrate with other ecosystem equipment, eliminating the need to perform complex ad insertion at the video level," said Ronen Gutmanovitz, head of TV technologies at Partner Communications.

The operator will use Google Ad Manager, iFeelSmart for the client application, and Broadpeak's solutions for manifest manipulation. Broadpeak's ad insertion solution allows Partner Communications to personalize ads. Broadpeak's SSAI solution avoids rebuffering during ads and defeats ad blockers, ensuring a superior television experience for end users. In addition, iFeelSmart has integrated Broadpeak SmartLib, which enables avoiding ad skipping and provides client-side analytics information. Broadpeak's BkA100 video delivery analytics system then displays this information, combining it with server feedback, in order to provide decision makers with a comprehensive view of the entire system.

Tags: Partner Communications | Broadpeak | Server-Side Ad Insertion | SSAI | OTT Ads | content delivery network | CDN
Submitted by 202 Communications
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Royal Opera House Prepares for 4K Live Broadcasts with Megahertz Posted: 13/11/2019
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz

Megahertz Ltd., the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has completed a UHD/HDR production facility upgrade at one of the most prestigious performance and arts venues in the world; The Royal Opera House (ROH) in London’s Covent Garden.

The ROH has been streaming live ballet and opera performances to cinema audiences around the world since 2008. By making a move to ultra-high definition (UHD), initially for recordings and ultimately for live relays, ROH remains at the forefront of high quality 'live to cinema' performance.

Equipped to meet current high-end production standards and emerging new broadcast standards, the newly fitted £800k Media Suite consists of a full UHD/HDR production gallery and engineering room, which now boasts a tapeless workflow, intelligent network control system, improved recording and playout facilities, 4K monitor wall, state-of-the-art vision mixer, bespoke production desks and enhanced camera talkback system.

Following a rigorous tender process, ROH selected Megahertz to supply the turn-key solution not only to future-proof the facility, but also simplify operations for the varying production crews that use it. Megahertz worked collaboratively with ROH, providing a range of services from consultancy to design, construction/interior design liaison, sourcing of equipment, integration, and installation. Steve Zissler, ROH Sound & Broadcast manager and Peter Byram, Broadcast Consultant canvassed opinions from the freelance broadcast staff, ensuring the design met the users’ requirements.

Tags: Megahertz | Royal Opera House | media suite | UHD/ HDR | 4K | systems integration | production facility | Covent Garden | turn-key solution | Steve Zissler | Jon Flay | MKM Marcomms | MKM Marketing Communications
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Riedels Bolero Wireless Intercom on Stage at Sadlers Wells Theatre Posted: 08/11/2019
Riedels Bolero Wireless Intercom on Stage at Sadlers Wells Theatre

Sadler's Wells Theatre in London has adopted Riedel's Bolero wireless intercom to ensure reliable and flexible communications across the 10,000-square-meter building and the adjacent Lilian Baylis Studio. Located on London's iconic Rosebery Avenue, the theatre is renowned as one of the world's leading dance venues, staging contemporary dance and ballet performances in its 1,560-seat main auditorium. The theatre also has a unique link to Riedel's home city of Wuppertal through an ongoing residency with the Tanztheater Wuppertal Pina Bausch, a partnership that spans more than 35 years.

As well providing a stage for visiting companies, the Sadler's Wells Theatre is a producing house with a number of associated artists and companies creating original works for the theatre, and many locally produced shows are also recorded for cinema. Visiting OB trucks that are also equipped with Riedel Artist systems can easily interface with the theatre's systems, creating smoothly integrated workflows and tremendous convenience.

Tags: Riedel Communications | Bolero Wireless Intercom | Sadler\'s Wells
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Imagine Communications Updates Core Truck Technology for NEP Belgium Posted: 06/11/2019
Imagine Communications Updates Core Truck Technology for NEP Belgium

Imagine Communications has delivered core technology for a major refresh of an outside broadcast truck for NEP Belgium. As well as providing state-of-the-art and future-proofed solutions, a key part of the challenge was the very tight timescale allocated to complete the refurbishment. Imagine Communications was able to deliver on the tough timetable with the support of its Belgian dealer and partner, VP Media Solutions.

“Our Unit 14 still had many kilometres in it, but with a technology platform that was life-expired,” said Geert Thoelen, transitions manager at NEP Belgium. “We wanted a solution that would fit into the existing space, would give us all the functionality we need today, and be ready for the future, including increasing use of IP connectivity. And we could really only take the truck off the road for little more than a month earlier this year, so our partner had to be capable of moving swiftly to install and commission.”

Imagine Communications was able to comfortably meet the requirements. The new infrastructure is built around the Platinum™ IP3 router. In a single 15RU chassis, this router provides very high-density switching of today’s SDI-HD signals. It is also capable of seamlessly integrating uncompressed video over IP, so is ready to form the basis of a migration to IP connectivity — for example, to introduce Ultra HD signals. In Unit 14, the Platinum IP3 router is also fitted with the Platinum SX Pro multiviewer cards, adding functionality while reducing rack occupancy and power consumption.

Imagine’s Magellan™ SDN Orchestrator provides overall system control in the truck. It is specifically designed to provide unified operational interfaces in a hybrid environment, easing the transition between traditional, SDI-connected technology and software-defined, IP-connected architectures.

Tags: Imagine Communications | NEP Belgium | OB truck | outside broadcast | truck refurbishment | core technology | state-of-the-art | future-proof | VP Media Solutions | Unit 14 | Geert Thoelen | IP connectivity | Mathias Eckert | MKM Marcomms | MKM Marketing Communications
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Riedel Provides Comprehensive Signal Transport and A V Infrastructure for 2019 Pan American and Parapan American Games Posted: 04/11/2019
Riedel Provides Comprehensive Signal Transport and A V Infrastructure for 2019 Pan American and Parapan American Games

Riedel Communications supplied a turnkey A/V solution for the 2019 Pan American and Parapan American Games, recently completed in Lima, Peru. Riedel's world-class technologies, coupled with comprehensive on-site service and support, ensured flexible, clear, and reliable signal transport and communications for both games.

As the world's third-largest international multisport events, the 2019 Pan American and Parapan American Games saw a combined total of 9,500 athletes from 41 nations participating in 419 events across 39 sports. Riedel was the official audio/video partner for this year's games, supplying all signal distribution systems and intercom communications for a record 42 competition venues and three noncompetition venues. This included the real-time transport of baseband HD production signals for events such as weightlifting, rhythmic gymnastics, archery, handball, marathon, 20-kilometer and 50-kilometer walk races, racquetball, and water polo.

"We shipped 22 40-foot sea freight containers full of our equipment to Peru — plus multiple airfreight shipments — which shows the immense scope of this project," said Marc Schneider, Director of Global Events for Riedel Communications. "Putting on an international sporting event of this scale is a massive undertaking, but our team lives for this type of complex challenge. Just as we have proven time and time again, Riedel's integrated solutions offer the power, flexibility, reliability, and simplicity needed to drive this world-class sporting event."

Riedel supplied all audio systems for the 2019 Pan American and Parapan American Games, including PA systems, microphone systems, and specialized solutions, such as underwater speakers. The comms solutions included 45 Artist digital matrix intercom systems with 50 panels, 110 commentator boxes, and 220 Bolero beltpacks and headsets.

Tags: Signal Transport | A/V Infrastructure | 2019 Pan American Games | Parapan American Games | Riedel Communications
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Jetblack Selects Yamaha CS-700 Video Sound Bar for Company and Customer-Facing Meetings Posted: 01/11/2019
Jetblack Selects Yamaha CS-700 Video Sound Bar for Company and Customer-Facing Meetings

Yamaha Unified Communications announced that its award-winning CS-700 Video Sound Bar was selected and successfully installed at Jetblack's headquarters in New York. The CS-700's integrated high-quality audio, video, and collaboration capabilities surpassed the requirements for the text-based personal shopping and concierge service company, allowing Jetblack to easily deploy, manage, and operate its 19 conference rooms that are used daily for internal and customer meetings.

"At Jetblack, we promise impeccable service and communication from the very first interaction with our customers," said Henry Yee, IT manager for Jetblack. "The CS-700 reflects that commitment to quality. We are not only able to keep pace with multiple rotating users on a daily basis but also provide an intuitive, natural, and exceptional quality experience without IT assistance or plugging and unplugging multiples cables and peripherals to make meetings happen."

Tags: Jetblack | Yamaha Unified Communications | CS-700 | Video Sound Bar
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Riedel Communications Appoints Chris Johnson as General Manager, Australia and New Zealand Posted: 01/11/2019
Riedel Communications Appoints Chris Johnson as General Manager, Australia and New Zealand

Riedel Communications today announced the appointment of Chris Johnson as General Manager of Riedel Australia. Johnson first joined Riedel Australia in 2016 to head up the company's rental operation. In the meantime, he has charted significant success in developing the business and delivering complex solutions to high-profile customers across Australia, including Vivid Sydney and the 2018 Commonwealth Games.

Before joining Riedel, Johnson was based in the U.K., where he operated his own business providing production engineering and design services to global clients such as the BBC and IAAF. In that role, he worked with Riedel on several events, including the 2012 Summer Games and the 2015 Rugby World Cup.

"Riedel Australia remains one of the key hubs for our company globally, and it has been a launching point for our growth into Asia," said Cameron O'Neill, Director, Asia-Pacific, Riedel Communications. "As the region grows, we've worked on building a strong leadership pipeline in Australia. Chris has not only been fundamental in that effort, but his technical expertise and keen understanding of our customers' requirements make him the ideal professional to step into this important position."

Johnson commented, "It's been an exciting few years at Riedel Australia as we've grown our rental operations, and I'm thrilled to continue that work across the rest of our business here in Australia and New Zealand. The broadcast and events industries are going through some really big changes at the moment, and we're fortunate to be able to help our clients navigate those changes with our solutions. We're in a unique position to be able to directly provide both the technology and the operational support that our customers need."

Tags: Riedel Communications | Chris Johnson
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Directors Cut upgrades to Baselight for HDR and 4K Posted: 31/10/2019
Directors Cut upgrades to Baselight for HDR and 4K

Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries and feature films, with increasing interest in 4K and HDR.

“Being owned and run by ex-editors, we know what is required to meet and exceed expectations in post,” said Senior Colourist Andy Elliott. “We felt it was the right time to invest and embrace HDR and 4K workflows. HDR in particular produces much more of a positive visual impact, with real benefits in the immersive experience for the viewer.”

Leading broadcasters and production companies in the UK routinely turn to Directors Cut to finish major projects. While the work includes major dramas and some feature films, the company has a reputation for long form TV, especially documentaries. Recent projects graded by Elliott include biographies of Cher and Elton John, an investigation of the Bauhaus for BBC4, and Sir David Attenborough’s call to action Climate Change: The Facts.

Elliott pointed out that such programmes frequently bring together footage shot on multiple different cameras and formats, often in less than ideal circumstances. The task for the colourist is to integrate all of the footage as well as create a coherent look that reflects the story the director wishes to tell. That makes the speed and power of the upgraded Baselight suite an important asset.

Tags: FilmLight | Directors Cut Films | independent post house | Baselight TWO | colour grading | Blackboard control panel | Andy Elliott | HDR | 4K | grading suite | powerful system | asset | colourist | MKM Marcomms | MKM Marketing Communications
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Power of Baselight X on display at the heart of Inter BEE Posted: 31/10/2019
Power of Baselight X on display at the heart of Inter BEE

At Inter BEE, the FilmLight presence will be led by Koichi Matsui, General Manager of FilmLight KK, along with Yoko Kimura, newly appointed sales and product specialist. “FilmLight is one of the world’s leading companies for production and post production technology,” said Koichi Matsui “Yoko’s recent appointment underlines this region’s importance to us, and is a clear indication of the support we are giving to our existing and future customers in Japan.”

Top end post-production is placing ever-more stringent technical demands on technology, in support of the creative ambitions of directors, cinematographers and colourists. 4K and HDR are now commonplace, and 8K is being broadcast today in Japan. Recently, Baselight workstations were chosen for grading and finishing Ang Lee’s new movie, Gemini Man, shot and delivered in 120 frames per second, 4K, high dynamic range 3D.

Only the power of the Baselight X system can handle such a data-intensive project, while still giving the colourist free rein with next-generation creative tools and realtime response. FilmLight will demonstrate these tools as part of its latest software version at Inter BEE 2019, on an 8K display powered by a Baselight X grading system. This includes new productivity features such as the enhanced timeline with collapsing stacks and multiple tracks.

Tags: FilmLight | Yoko Kimura | Inter BEE | Koichi Matsui | Japan | Asia Pacific | post-production | colourist | Baselight | grading | Ang Lee | Gemini Man | Baselight X | Baselight Editions | Daylight | Blackboard Classic | control panel | MKM Marketing Communications
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Hiltron Integrates Large-Scale High-Throughput Satellite Monitoring System Posted: 23/10/2019
Hiltron Integrates Large-Scale High-Throughput Satellite Monitoring System

Hiltron Communications announces the conclusion of a major systems integration project for a leading European satellite network operator. The new systems have been delivered to 50 sites around the world where they are being used for continuous quality of service monitoring of high-throughput satellites.

 
Hiltron has supplied each of the 50 sites with a compact 12U rack populated with the monitoring equipment. The systems delivered are located at monitoring sites across North America, South and Central America, Asia, Europe, and Africa.
 
Each system includes a Hiltron HCS-4 satellite communication controller which is designed to form the central control element for a wide range of satcom applications. These include switchover between devices such as downconverters, high power amplifiers, waveguides, MPEG digital video broadcast encoders and integrated receiver/decoders.
 
The HCS-4 can also be used to control and monitor optical-fibre transceivers and antenna heaters. Other features include an N-1 redundancy switch and BUC/HPA controller, an LNB supply, a 2-1 LNB redundancy switch controller, plus a GPS-synchronised fully redundant low-noise 10 MHz reference generator.
 
Hiltron's HCS-4 satellite communication controller is available as a 2U high 19 inch rack mount unit with main and backup power supplies plus 13 slots for active modules. Also available are two chassis mountable frames accommodating up to 6 or up to 14 active modules.
Tags: Hiltron GmbH | Hiltron Communications | turnkey satellite systems integrator | DVB MPEG DSNG systems | L Band and IF Band fibre-optic systems | DVB-T encoding and multiplexing headends | ATM/SDH/PDH/IP transport networks | DVB-S/S2 satellite uplinks | VSAT system
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Pliant Technologies CrewCom Heads to the Front of the Class for Samford University Theatre Posted: 22/10/2019
Pliant Technologies CrewCom Heads to the Front of the Class for Samford University Theatre

Through trial and error with other manufacturers, David Glenn, director of technology and design for the Samford University theatre, finally found the communications solution he was searching for with Pliant Technologies’ CrewCom wireless intercom system. For the 288-seat university theatre, it is crucial to deploy a reliable intercom system that never compromises on quality, and has a small learning curve – ideal for students working in live production for the first time.

 

“We had planned to upgrade our wireless system for a long time now,” explains Glenn. “We were previously working with a failing two-channel wireless system, and its poor quality left me frustrated and seeking other options. When it comes to live performances, it is a top priority for us to have a dependable coms solution – this way all directions and cues are heard, and we can put on a smooth show.”

 

Samford University upgraded to Pliant’s 900MHz CrewCom, which provides the theatre with a strong signal and a range large enough to cover the space. “The CrewCom integrates well with our two-channel hardwired system and gives us the flexibility that was lacking with other solutions we’ve tried,” adds Glenn. “Something that stood out to me about CrewCom is its ability to increase user counts down the road. Other manufacturers’ systems would cap out at four wireless coms, but with CrewCom, we can deploy up to six Radio Packs at a time, and we have the ability to add more, if needed.”

 

When Glenn took a first look at CrewCom, he was immediately impressed by the rigidity of the Radio Packs (RP) – especially after finding other manufacturers’ packs to be frustratingly fragile. “They are a great size – not too big or too small,” adds Glenn. “The ability for these packs to take a beating is especially important when working with students. If they drop a pack, I know it’s going to hold up, and I won’t have to tape them back together, like I used to. They are durable, lightweight, compact, and well-constructed.”

 

Tags: Pliant Technologies | Samford University | sound | communications | wireless intercom system | CrewCom
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Fifty Fifty adds second Baselight grading suite Posted: 21/10/2019
Fifty Fifty adds second Baselight grading suite

Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content for broadcast and streaming, both suites are equipped for 4K and HDR Ultra HD, and certified for Dolby Vision grading and delivery.

 
Originally a short-form house, Fifty Fifty is now best known for its broadcast work. As well as an ambitious expansion into a fourth building next to its original Soho base, to drive future creative and commercial growth, Fifty Fifty has recruited experienced long-form colourist Joe Stabb to run both the department and the new suite.
 
“Our boutique size enables us to offer agile, bespoke solutions,” said Cara Kotschy, managing director of Fifty Fifty. “The addition of beautifully styled and Dolby Vision accredited Baselight suites is a strategic move to put us at the forefront of technology and deliver our strategy within the high-end programming market. Baselight is a name that almost every single client will recognise and trust.”
 
Today, the majority of Fifty Fifty’s OTT deliverables are in HDR, so it is incredibly important that they have the confidence to deliver this new technology. The new suite matches the existing room technically, based on a Baselight TWO workstation with a Blackboard control surface. Fifty Fifty also use Baselight plug-ins in their editorial rooms and Flame VFX.
Tags: FilmLight | Fifty Fifty | Baselight | grading suite | colourist | Joe Stabb | 4K | HDR Ultra HD | Cara Kotschy | Dolby Vision | Blackboard control | Flame VFX | colour science | colour artist | interoperability | MKM Marcomms | MKM Marketing Communications
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