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PIgmento Switches to DaVinci Resolve Studio for HDR Delivery Posted: 20/11/2019
PIgmento Switches to DaVinci Resolve Studio for HDR Delivery

Blackmagic Design today announced that Madrid based post house, Pigmento Color Grading, has switched to DaVinci Resolve Studio as part of a facility upgrade for HDR color correction and IMF format delivery.

Founded by Fernando Martinez and Pepe Abellàn, colorists with more than 20 years of audiovisual finishing experience, Pigmento has rapidly formed a reputation for delivering a boutique, tailored service to both broadcasters and OTT clients throughout Europe.

The team’s credits include episodic features such as The Pier, Locked Up and Emmy Award winning Money Heist, which has gone on to be a global success.

Spurred by increasing client demand for Dolby Vision, HDR10+ and IMF ready workflows, DaVinci Resolve Studio has now been installed as the primary online, grading and mastering solution within Pigmento’s two state of the art grading suites and two additional support workstations for conform, VFX pulls and deliveries.

Featuring Intel’s Dual Xeon SuperMicro processors paired with NVIDIA Tesla K80 and RTX2080ti graphics cards respectively, the grading suites feature Sony BVM-HX310 and Dolby PRM 4220 reference monitors and DaVinci Resolve Mini Panels for control. Underpinning the setup is 180TB of shared storage, with a 600TB NAS for backup.

Tags: Blackmagic Design | Blackmagic | DaVinci Resolve | Resolve | HDR | Streaming | IMF Delivery | Post Production
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Chimney Uses DaVinci Resolve Studio for Real-Time Collaboration on The Dead Dont Die Posted: 07/11/2019
Chimney Uses DaVinci Resolve Studio for Real-Time Collaboration on The Dead Dont Die

Blackmagic Design today announced that Chimney relied on DaVinci Resolve Studio to collaborate in real time across its New York, NY, and Gothenburg, Sweden, locations while delivering visual effects (VFX) for the hit zombie movie “The Dead Don’t Die.” The international post production company also used Fusion Studio for select VFX work on the film.

“The Dead Don’t Die” follows the peaceful town of Centerville as it finds itself in a battle against the undead as zombies begin to rise from their graves. Directed by Jim Jarmusch, the zombie comedy stars Bill Murray, Adam Driver, Chloë Sevigny, Tilda Swinton and more.

The Chimney team produced more than 300 VFX shots for the film, with work happening simultaneously at its New York and Gothenburg locations. With Jarmusch and the film’s DP, Frederick Elmes, located in New York, Chimney needed to be able to collaborate in real time across locations so both teams could work closely with the filmmakers to discuss and implement changes during the VFX process.

“Since this film was Jim’s first VFX heavy project, we wanted to ensure that he felt comfortable and connected to the team throughout the entire process,” explained Chimney’s VFX Supervisor Sam O’Hare.

Chimney turned to DaVinci Resolve Studio’s collaboration capabilities for its ability to review EXR sequences in real time.

Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Resolve | Fusion | Post Production | Chimney | Filmmaking | Zombies
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The End of the F***ing World Season Two Graded In DaVinci Resolve Posted: 07/11/2019
The End of the F***ing World Season Two Graded In DaVinci Resolve

Blackmagic Design today announced that CHEAT has continued its expansion with DaVinci Resolve Studio, adding a new HDR ready grading suite as well as a research and development lab.

This adds to CHEAT’s three preexisting grading suites, which include Linux machines with dual Intel Xeon E5-2600 v4 processors supported by four Nvidia GTX 1080Ti GPUs and the DaVinci Resolve Advanced Panel.

The first project to be realized through the new workflow is The End of the F***ing World season 2. Returning following the critically acclaimed first season, which has been nominated for BAFTA and Primetime Emmy Awards, the grade on series two was led by CHEAT’s owner and colorist Toby Tomkins.

“Season two was a challenge because it introduced a new director, new DPs and a new production designer. It was also our first Dolby Vision grade as a facility,” says Toby. “There was a lot of pressure to ensure we delivered to the same high standards expected of us from our work on season one.”

Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | HDR | Netflix | Dolby Vision | CHEAT | Post Production
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Belgian National Broadcaster Installs DaVinci Resolve Studio for Post Production Posted: 10/10/2019
Belgian National Broadcaster Installs DaVinci Resolve Studio for Post Production
Belgian public broadcaster, VRT, has installed DaVinci Resolve Studio, DaVinci Resolve Advanced Panel and Resolve Mini Panels as its inhouse color correction and finishing system across all of its original content production.
Tags: Blackmagic Design | Blackmagic | BMD | VRT | Belgium | Broadcast | Television | Post Production | 4K | DaVinci Resolve | Resolve Panel
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Sneaky Pete Color Corrected in DaVinci Resolve Studio Posted: 30/09/2019
Sneaky Pete Color Corrected in DaVinci Resolve Studio
Blackmagic Design announced today that season 3 of Amazon Prime Videos’ critically acclaimed series “Sneaky Pete” was colored in DaVinci Resolve Studio by senior colorist Scott Ostrowsky of Deluxe’s Level 3.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Color Correction | Grading | Post Production | Filmmaking | Amazon | Series | Sneaky Pete
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Rob Legato Uses Blackmagic Design To Create Virtual Production For The Lion King Posted: 25/09/2019
Rob Legato Uses Blackmagic Design To Create Virtual Production For The Lion King
Blackmagic Design announced today that visual effects supervisor Rob Legato used a wide variety of Blackmagic Design products to create the virtual production environment for Disney’s “The Lion King.” The film, which was directed by Jon Favreau and features the voices of Donald Glover and Beyoncé Knowles-Carter, has earned nearly $1.5 billion worldwide since its July 19, 2019 opening.
Tags: Blackmagic Design | BMD | Blackmagic | The Lion King | Disney | Virtual Production | VFX | Filmmaking | DaVinci Resolve | Cameras
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Core Post Delivers Sky Ones Brassic in HDR with DaVinci Resolve Posted: 11/09/2019
Core Post Delivers Sky Ones Brassic in HDR with DaVinci Resolve
Blackmagic Design today announced that UK post facility, Core Post, has expanded its post production capabilities to offer HDR delivery for broadcast and production clients through its existing DaVinci Resolve Studio workflow.
Tags: Blackmagic Design | BMD | Blackmagic | Sky One | Brassic | Television | Broadcast | HDR | DaVinci Resolve
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Summer 2019s Biggest Film Releases Used Blackmagic Design Posted: 20/08/2019
Summer 2019s Biggest Film Releases Used Blackmagic Design
Blackmagic Design announced today that a number of the 2019 summer season’s worldwide film releases used numerous Blackmagic Design products during production and post, including its digital film cameras, DaVinci Resolve Studio editing, color correction, visual effects (VFX) and audio post production application, and more. This included some of the biggest blockbusters and expected blockbusters of the summer, such as “John Wick: Chapter 3 - Parabellum,” “Men In Black: International” and “Rocketman.”
Tags: Blackmagic Design | Blackmagic | BMD | Summer Films | Blockbusters | Filmmaking | DaVinci Resolve
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New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve Posted: 20/08/2019
New Australian Sci Fi Film Quanta Shot on URSA Mini Pro and Graded with DaVinci Resolve
Blackmagic Design today announced the new sci fi film “Quanta” was shot entirely on an URSA Mini Pro, while grading was done using DaVinci Resolve Studio. The film is one of the first globally distributed films by the new Melbourne based film production company and film collective Raygun, and will begin distribution in the United States and other countries in August.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | URSA Mini Pro | Sci-Fi | Filmmaking | Production | Post
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Blackmagic Design Announces DaVinci Resolve 16.1 Posted: 12/08/2019
Blackmagic Design Announces DaVinci Resolve 16.1
Blackmagic Design today announced DaVinci Resolve 16.1, a new update to the company’s popular edit, color, visual effects and audio post production software that includes major updates to the new cut page to help create the world’s fastest editor.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Resolve | Post Production | Grading | Editing | Fusion | VFX
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Picture Blocks Colorspace 4K HDR Vehicle Uses DaVinci Resolve and Blackmagic Design 12G Products Posted: 18/07/2019
Picture Blocks Colorspace 4K HDR Vehicle Uses DaVinci Resolve and Blackmagic Design 12G Products
Blackmagic Design announced today that Picture Block used DaVinci Resolve Studio and DaVinci Resolve Mini Panel to provide HDR color correction and editing as part of the new COLORSPACE 4K HDR screening room vehicle. COLORSPACE also includes a 12G and 4K workflow using a number of other Blackmagic Design products.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Mobile Studio | Editing | Grading | HDR
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Duplitech Relies on Cintel Scanner 2 for HDR Film Scanning Posted: 18/07/2019
Duplitech Relies on Cintel Scanner 2 for HDR Film Scanning
Blackmagic Design today announced that Duplitech, one of L.A.’s most respected independent media service labs, is using a host of Blackmagic Design gear, including Cintel Scanner 2 for high dynamic range (HDR) film scanning. Duplitech found that Cintel Scanner 2 performs exceptionally well on 16mm film, having recently worked with the element while onboarding the “Blondie” television series from the 1950s.
Tags: Blackmagic Design | Blackmagic | BMD | Cintel | Film Scanning | HDR | DaVinci Resolve | Resolve
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Elton Johns Rocketman Graded with DaVinci Resolve Studio Posted: 20/06/2019
Elton Johns Rocketman Graded with DaVinci Resolve Studio
Blackmagic Design has today announced that its DaVinci Resolve Studio was used throughout the color pipeline on Paramount’s new musical biopic about Elton John’s breakthrough years produced by Marv Films & Rocket Pictures and directed by Dexter Fletcher.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Resolve | Blackmagic eGPU | Filmmaking | Rocketman | Elton John | Goldcrest
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Chimney Group Continues Global Expansion with DaVinci Resolve Studio Posted: 07/05/2019
Chimney Group Continues Global Expansion with DaVinci Resolve Studio
Blackmagic Design has today announced that Chimney Group, one of Europe's largest post production facilities, has continued to invest in DaVinci Resolve Studio as part of its rapid expansion into regions including the US, South East Asia, and Australia.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Resolve | Post Production | NLE | Editing | Color Correction
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Tim Burtons Dumbo Delivered In Dolby Vision with Blackmagic Design Posted: 26/04/2019
Tim Burtons Dumbo Delivered In Dolby Vision with Blackmagic Design
Blackmagic Design has today announced that DaVinci Resolve Studio was used throughout the full color pipeline on Disney’s live action remake of Dumbo. Directed by Tim Burton with a screenplay by Ehren Kruger, the DI was delivered by Goldcrest Post’s Adam Glasman, who collaborated with Director of Photography Ben Davis, BSC.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Dumbo | Disney | Tim Burton | Ben Davis | Goldcrest | Cinema | Dolby Vision
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