Digital Scenery Solution for Helene Fourment Production

Date: 16/03/2016
Digital Scenery Solution for  Helene Fourment Production

Painting with Lights Luc Peumans energised a creative team to deliver video content for a striking 3D digital set and lighting design for the highly acclaimed Judas TheaterProducties staging of Helene Fourment a new musical centred around Baroque painter Peter Paul Rubens young muse, which played at the Fakkeltheater, Antwerp, proving a big hit with both critics and the public.

Luc had previously worked with director Martin Michel, and was delighted to collaborate with Judas TheaterProducties whose award-winning work is recognised for its innovation and original style. Painting with Lights Michael Al Far created the video content and Jeroen Opsteyn was associate lighting designer and also programmed the lighting with Luc. All worked very closely with set designer Arno Bremers.

The production had already decided they wanted digital scenery, so needed the expertise, imagination and right solution to realise the scenario.  Painting with Light also provided the control hardware, investing in a new d3 4x2 media server system to map all the images to the set which was built by Antwerp-based C19.

Luc also specified the Christie 18K Roadster projector which brought the blank canvass set to life.

Luc and Michael wanted to recreate the incredible detail that characterised Rubens painting in the video content the shows narrative unfolds the nuances of some of the works featuring Helene Fourment. It was an incredibly exciting brief said Luc that went far beyond just presenting locations we could hone in on elements like lighting and accentuate the way Rubens literally painted with light.

The set, built by C19 from Antwerp, comprised three wooden pieces, a central back-wall with columns and rectangular frames all at different depths. Rendered in a grey rough-cast plaster finish, it was a completely blank canvas for the projected material, framed at the top by a low apex triangular roof panel.

It also had some opening door sections allowing supporting actor Brent Pannier to pop his head through and interact with actress and singer Anne Mie Gils, who played Helene Fourment and was onstage through the entire performance. The set doors also gave glimpses through to the live orchestra playing behind.

Audiences walked in to Fourment sitting on a chaise-lounge with her back to the crowd. The  projection gave people a feel for what was about to happen, and then as the next video sequence glided into place, they become aware that what they were seeing was not actually static, but a morphing projection.

This WOW factor worked brilliantly as a scene-setting theatrical vehicle.

The objective was to give an insight into the life of one of the greatest painters and a snapshot of his personal life. Staged in the intimate theatre space increased the feeling of closeness and of being special that engaged the audiences.

The narrative is set in Antwerp and flips between an art museum in Vienna and Fourments life during the mid-17th century.

All the interior content had to be historically accurate to the period, so the Painting with Light team used reference images collected by Arno and Martin as their starting points, and from there created footage in Cinema 4D which was graded in PhotoShop and After Effects.

Central to the story is Het Pelsken which Rubens painted for Fourment who was also his second wife they married in 1630 when she was 16. The love story between the aging painter and his young bride was unfolded through this and some other key masterworks, the originals of which the Painting with Light team had access to via Rubenshuis in Antwerp, a centre dedicated to the study of Rubens and the conservation of his legacy.

Most challenging for Painting with Light was creating the depth and perspective required in the content to bring the set properly and authentically to life.  

Apart from that, staging a multi-set musical in a compact 150 seater black box space also presented its issues, with the front row virtually on top of the staging space, and with very limited backstage or wing / side-stage room. All of this galvanised the team to be resourceful and inventive a process that was rewarding and invigorating.

The d3 was programmed by Painting with Lights Katleen Selleslagh.

To support the projection and the highly talented Anne Mie Gils incredible performance, Luc lit the action simply and effectively using only six Clay Paky Alpha profile 800 SRs, eight Robe LEDWash 300s and 14 x ellipsoidals supplied by Phlippo Showlight and running on a grandMA2 onPC.

Accentuating the perspective and lighting that Rubens introduced to his art was something I tried to do in a completely different context for this performance, explained Luc. The projection brought the stage to life, so it was crucial for any lighting to be a perfect complement and also work with the geometry of the set.

The hard work and attention to detail didnt go unnoticed in the reviews!

The projection mapping and ingenious projection artwork raised the performance to a higher level taking the position of a third actor commented Nathalie Hellemens in BOA Magazine*

Luc Peumans has done an amazingly good job ¦. The technique (projection) was entirely at the service of the performance  and not vice versa, wrote Sascha Siereveld in Concertnews.be **

Photo by Luc Monsaert

         *https://translate.google.co.uk/translate?hl=en&sl=nl&u=http://broadwayofantwerp.be/judas-theaterproducties-wekt-helene-fourment-weer-even-tot-leven/&prev=search

         **https://translate.google.co.uk/translate?hl=en&sl=nl&u=http://www.concertnews.be/recensietonen.php%3Fid%3D3028%26kop%3DHelene%2520Fourment%2520musical%26waar%3DFakkeltheater%2520Zwarte%2520Zaal&prev=search



Tags: Painting with Light | 3D | Video | Digital | projection | Christie Roadster
Submitted by Louise Stickland
View author's directory page

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  • REVIEW - Hollyland MARS 400S PRO Digital Wireless Transmission System

    REVIEW - Hollyland MARS 400S PRO Digital Wireless Transmission System

  • AJA Video Systems - Ki Pro GO User Review with Spellbinder Films

    AJA Video Systems - Ki Pro GO User Review with Spellbinder Films

  • How Holokid broke barriers for Holographic Technology over 5G

    How Holokid broke barriers for Holographic Technology over 5G

  • Eye Contact in Documentaries

    Eye Contact in Documentaries

  • Live Streaming Workflows Examined

    Live Streaming Workflows Examined

  • Complex Live Streaming At Scale

    Complex Live Streaming At Scale

  • Solving Rigorous Digital Workflow Challenges

    Solving Rigorous Digital Workflow Challenges

  • How Broadcasts Can Simplify The Delivery Of Live Video Streams To Affiliates

    How Broadcasts Can Simplify The Delivery Of Live Video Streams To Affiliates

  • Digital Video Tech Innovation  - The Game Changer for Live Sports

    Digital Video Tech Innovation - The Game Changer for Live Sports

  • Living LIVE at BVE with Ross Video

    Living LIVE at BVE with Ross Video

  • State of the Nation - November 2018

    State of the Nation - November 2018

  • OB999 Accelerates Hill Climb Broadcast

    OB999 Accelerates Hill Climb Broadcast

  • Perimeter LED screens management

    Perimeter LED screens management

  • League of Legends European Masters

    League of Legends European Masters

  • G-Teching Storage to another level

    G-Teching Storage to another level

  • Betting Industry Transformed by Video Technology

    Betting Industry Transformed by Video Technology

  • Slow Motion Video Techniques

    Slow Motion Video Techniques

  • Grand slam IPTV and digital signage platform

    Grand slam IPTV and digital signage platform

  • The Transition to a full end to end IP video solution

    The Transition to a full end to end IP video solution

  • Video Tape recorders cannnot die.

    Video Tape recorders cannnot die.

  • The party is not over until the video is online

    The party is not over until the video is online

  • Immersive Audio

    Immersive Audio

  • Back to Basics with IP Video Production

    Back to Basics with IP Video Production

  • 360 degree video storage requirements

    360 degree video storage requirements

  • Understanding the process of video production

    Understanding the process of video production

  • Audience engagement with advertising in an OTT world

    Audience engagement with advertising in an OTT world

  • Audio at 750mph

    Audio at 750mph

  • Sennheiser Digital 6000 review

    Sennheiser Digital 6000 review

  • What is the future of video contribution?

    What is the future of video contribution?

  • A Software Based Approach to Video Monitoring

    A Software Based Approach to Video Monitoring

  • The world is not flat

    The world is not flat

  • Review: Transvideo Starlite RF

    Review: Transvideo Starlite RF

  • Cause and effect of jitter in an operational IP video network

    Cause and effect of jitter in an operational IP video network

  • Scopes, a creative trilogy

    Scopes, a creative trilogy

  • Soutions for Portable Storage

    Soutions for Portable Storage

  • 5 Things I Saw At NAB

    5 Things I Saw At NAB

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • VR and 3D Audio - Ask The Experts

    VR and 3D Audio - Ask The Experts

  • Recreating a Masterpiece

    Recreating a Masterpiece

  • The importance of maintaining digital audio paths

    The importance of maintaining digital audio paths

  • THE EVOLVING DRONE CAPTURE MARKET

    THE EVOLVING DRONE CAPTURE MARKET

  • Camera Operation and Training Part 1

    Camera Operation and Training Part 1

  • Editing broadcast video in a mobile app a ridiculous notion or the next big thing

    Editing broadcast video in a mobile app a ridiculous notion or the next big thing

  • Juggling with Broadcast Graphics

    Juggling with Broadcast Graphics

  • Law Enforcement - Live, Mobile Video Surveillance

    Law Enforcement - Live, Mobile Video Surveillance

  • Making remote production over IP a reality

    Making remote production over IP a reality

  • In media monitoring, as in medicine, a quick fix is not a cure

    In media monitoring, as in medicine, a quick fix is not a cure

  • Authoring and Monitoring for the emerging 3D immersive Broadcast Audio formats

    Authoring and Monitoring for the emerging 3D immersive Broadcast Audio formats

  • The beat goes on... 4k, 8k and the continual need for T&M

    The beat goes on... 4k, 8k and the continual need for T&M


News
ATEME Brings World-first HDR10+ Support in Live Transcoding Posted: 30/11/2021
ATEME Brings World-first HDR10+ Support in Live Transcoding

ATEME today announced that it has introduced support for the HDR10+ metadata in its TITAN Live transcoders, enabling broadcasters, service providers and content providers to significantly improve their viewers’ visual experiences with more accurate image renditions of live HDR10 content.

Tags: ATEME | HDR10+ | Broadcast | TITAN
Submitted by Whiteoaks
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FINCONS GROUP Wins 2021 NAB Show Product of the Year Award with Univision Posted: 30/11/2021
FINCONS GROUP Wins 2021 NAB Show Product of the Year Award with Univision

Group announced that its Univision ATSC3.0 Broadcast App is a Best New Streaming Technology winner in the 2021 NAB Show Product of the Year Awards. This official awards program recognizes the most significant and promising new products and technologies showcased by corporate partners of NAB Show.



Tags: Fincons Group | Univision ATSC 3.0 | NAB
Submitted by OutspokenPR
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BB and S Intros Compact Bicolor Fresnel (CFL) Light Posted: 29/11/2021
BB and amp;S Intros Compact Bicolor Fresnel (CFL) Light

BB&S Lighting of Denmark adds the Compact Bicolor Fresnel to its family of Compact Beamlight LED studio fixtures. The smallest footprint (5.5-in/14cm) Fresnel on the market, it draws just 38W and outputs over 2400 lumens at 96 TLCI (tunable from 2700 to 5600°K).  New CFL features a genuine curved glass 90mm Fresnel lens that ensures even field distribution in addition to excellent shadow rendering.

Tags: BB&S Lighting | BB&S | Lighting | local 728 | lighting design | light | cinematography | digital cinematography | director of photography | cinema | commercial | music video | phosphor lighting | led | lightbridge | pipelines | area 48 | Lumix S1H | reflector | cine | produc
Submitted by Lewis Communications
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New Dalet Flex Capabilities Help Customers Get High-Value Content to Audiences Faster Posted: 29/11/2021
New Dalet Flex Capabilities Help Customers Get High-Value Content to Audiences Faster

From architecture to editing, the latest Dalet Flex updates elevate performance and user experience, powering remote workflows and new business opportunities



Tags: Dalet | Dalet Flex | Adobe Premiere Pro | Avid Media Composer
Submitted by Zazil Media Group
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EditShare Q4 Release Optimizes Media Technology Stack and Enhances Creative Remote Workflow Experience Posted: 29/11/2021
EditShare Q4 Release Optimizes Media Technology Stack and Enhances Creative Remote Workflow Experience

EditShare®, the technology leader that enables storytellers to create and manage collaborative media workflows, announced significant updates to its FLOW media asset management (MAM) and EFS shared storage systems

Tags: Update | EditShare | FLOW | EFS
Submitted by EditShare
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TV2 Nord delivers dynamic election day coverage with nxtedition Posted: 29/11/2021
TV2 Nord delivers dynamic election day coverage with nxtedition

Broadcast microservices specialists nxtedition played a leading role in customer TV2 Nord’s coverage of the Danish local elections on November 16. The election covered 98 of the country’s municipal seats and five regional councils and the broadcaster relied on its nxtedition system to handle video wall and graphics automation throughout.

Tags: Broadcast | microservices | TV2 Nord | Denmark | Elections | coverage | news production | production | news | television
Submitted by Manor Marketing
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Origin Bolsters Management Team Posted: 29/11/2021
Origin Bolsters Management Team

Origin Film & Television, a broadcast and post-production equipment rental company specialising in workflow design and engineering, has appointed James Gander as managing director. Former managing director and company director of Hyperactive Broadcast, Gander’s appointment is a strategic move designed to accelerate the ambitious growth plans of the business. Liam Wife, the company’s founder, remains as operations director.

Tags: Origin Films | Origin Film & Television | Origin Films MD | James Gander | Liam Wife | MCR Broadcast | Film Production | TV | Production | Equipment Hire | Outside Broadcast | Professional Audio | Rental Equipment | RF
Submitted by Page Melia PR
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WhatCulture YouTube Channels and Podcasts Powered by Blackmagic Design Posted: 29/11/2021
WhatCulture YouTube Channels and Podcasts Powered by Blackmagic Design

Blackmagic Design today announced that international entertainment portal WhatCulture has equipped five new studios with a streaming and web broadcast workflow based on the Blackmagic Studio Camera 4K Pro and ATEM Mini Extreme ISO. 

Tags: Blackmagic Design | Announcement | WhatCulture | Blackmagic Studio Camera 4K Pro | ATEM Mini Extreme ISO | Blackmagic Pocket Cinema Camera 6K Pro
Submitted by Blackmagic Design
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Nuke 13.1 released to streamline artists workflows Posted: 26/11/2021
Nuke 13.1 released to streamline artists workflows

We are delighted to announce the release of Nuke 13.1, our latest release in the Nuke 13 series. This artist-focused update introduces a suite of user experience and workflow improvements designed to enhance artist productivity and accelerate the creative process for both artists and teams.

Tags: compositing | Nuke | Unreal
Submitted by Foundry
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Super Producer Chooses A Neve Genesys Black Console New Studio Posted: 25/11/2021
Super Producer Lil and rsquo; Ronnie Chooses A Neve Genesys Black Console For His New Studio

Multi-platinum music producer and songwriter Ronnie Jackson has made a Neve® Genesys Black G16 console the centrepiece of a new five studio facility he recently opened in Georgia, USA.

Tags: AMS Neve | Genesys Black Console | Lil Ronnie | Einnor Studios | Ronnie Jackson
Submitted by White Noise Public Relations Ltd
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Trickbox TV Launch New Studio in The Shard Posted: 25/11/2021
Trickbox TV Launch New Studio in The Shard

Trickbox TV have recently installed a brand new multi-camera studio facility on the 25th floor of The Shard, London.



Tags: broadcast | studio | theshard | corporate | television
Submitted by Trickbox TV Ltd.
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Fiilex P3 Color LED Now Available in UK Posted: 24/11/2021
Fiilex and rsquo;s P3 Color LED Now Available in UK

Fiilex, manufacturer of high-end LED lighting for the film and television industries, has officially launched its P3 Color into the UK market.

Tags: fiilex | LED | Lights | color | Dicon | firberoptics | fixtures
Submitted by Cirro Lite (Europe) Ltd
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SMPTE Awards Gala Will Bring Virtual Celebration to Time Zones and Participants Around the World Posted: 24/11/2021
SMPTE Awards Gala Will Bring Virtual Celebration to Time Zones and Participants Around the World

SMPTE®, the home of media professionals, technologists, and engineers, will honor industry luminaries and next-generation leaders at the SMPTE Awards Gala, a virtual event taking place across two ceremonies on Nov. 30 and Dec. 1. Registration is free for this year’s event, which will feature a unique social reception and a program schedule that makes it easy to engage and celebrate with friends and colleagues around the globe.

Tags: Awards Gala | SMPTE | Progress Medal
Submitted by Wall Street Communications
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Flowics Wins 2021 NAB Show Product of the Year Awards Posted: 24/11/2021
Flowics Wins 2021 NAB Show Product of the Year Awards

Flowics, creator of the most comprehensive platform for powering remote and in-studio production of live graphics and interactive content, announced today that its Flowics Graphics is a Best New Graphics Technology winner in the 2021 NAB Show Product of the Year Awards. This official awards program recognizes the most significant and promising new products and technologies showcased by corporate partners of NAB Show.

Tags: Flowics | NAB Show | Flowics Graphics | Cloud Based | Technology | NAB Winner
Submitted by Wall Street Communications
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FC Bayern Munich extends its partnership with Supponor for next generation virtual advertising Posted: 24/11/2021
FC Bayern Munich extends its partnership with Supponor for next generation virtual advertising

Supponor, the global leader in virtual advertising solutions, is delighted to announce that FC Bayern Munich has signed an exclusive partnership with Supponor. As an indication of the strength of the partnership, the extended deal will also see FC Bayern Munich transition to the next generation of Supponor’s virtual advertising solution, Supponor AIR™. 

Tags: Supponor | FC Bayern | virtual advertising | Supponor AIR
Submitted by Bubble Agency
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