Directors Cut upgrades to Baselight for HDR and 4K

Date: 31/10/2019
Directors Cut upgrades to Baselight for HDR and 4K

Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries and feature films, with increasing interest in 4K and HDR.

“Being owned and run by ex-editors, we know what is required to meet and exceed expectations in post,” said Senior Colourist Andy Elliott. “We felt it was the right time to invest and embrace HDR and 4K workflows. HDR in particular produces much more of a positive visual impact, with real benefits in the immersive experience for the viewer.”

Leading broadcasters and production companies in the UK routinely turn to Directors Cut to finish major projects. While the work includes major dramas and some feature films, the company has a reputation for long form TV, especially documentaries. Recent projects graded by Elliott include biographies of Cher and Elton John, an investigation of the Bauhaus for BBC4, and Sir David Attenborough’s call to action Climate Change: The Facts.

Elliott pointed out that such programmes frequently bring together footage shot on multiple different cameras and formats, often in less than ideal circumstances. The task for the colourist is to integrate all of the footage as well as create a coherent look that reflects the story the director wishes to tell. That makes the speed and power of the upgraded Baselight suite an important asset.

“The pace at which I can get through a film has improved, so I have more time to refine the look,” stated Elliott. “And with the AAF workflow, the grade is not ‘baked in’, so it is infinitely tweakable if needed. If there is, say, an additional interview, the grade can be lifted from another shot and dropped onto the new one, straight on the editor’s timeline. This is really useful in current affairs, where we can be right up against tight transmission deadlines.”

Directors Cut, based just outside Soho, the traditional home of the London post industry, is built around the experience and creativity of its staff. More than 30 suites in the facility are all connected through central networks with over 256 terabytes of shared storage. The company continues to invest in new technology, today focusing on the growing importance of editing and delivering in 4K – a focus that led to the investment in Baselight.

“This is just about the most powerful grading system money can buy,” concluded Elliott, “in what is one of the most comfortable grading suites in London.”

www.filmlight.ltd.uk



Tags: FilmLight | Directors Cut Films | independent post house | Baselight TWO | colour grading | Blackboard control panel | Andy Elliott | HDR | 4K | grading suite | powerful system | asset | colourist | MKM Marcomms | MKM Marketing Communications
Submitted by MKM (MKM Marketing Communications)
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Calrec: Craft Interview, John Hunter, A1 Mixer Posted: 30/06/2020
Calrec: Craft Interview, John Hunter, A1 Mixer

A freelance audio engineer (A1) for Dome Productions in Canada, John Hunterfirst discovered his passion for audio with live music. Eventually, his path led him to sports and he (in normal times) mixes every Toronto Raptors home game on TSN and Sportsnet and has travelled with the production team to work every playoff game, including the 2019 NBA Finals. He worked as an A1 for the famous 2018 NBA Raptors/Pelicans game in 4K HDR and Dolby Atmos surround sound, which was the first to be produced in these formats and distributed live to North American households.

Tags: Calrec | audio | broadcasting | consoles | digital | mixing | A1
Submitted by Jump PR
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Video Europe Goes Back to its Roots Posted: 30/06/2020
Video Europe Goes Back to its Roots

Video Europe, leading digital cinema, broadcast and edit hire company has announced an operational restructure to streamline their business proposition.

In a strategic move decided in January and prior to the Covid-19 pandemic lockdown, the company is to return to their original and core business offering of equipment rental to the film and television industry. As part of the process, Video Europe is officially exiting the outside broadcast and flypack services market and is selling their OB trucks. The restructure will enable the company to refocus on three business channels: digital cinema, edit equipment rental and broadcast hire. No staff will be lost.

Tags: Video Europe | Broadcast | Hire Company | Broadcast Hire | Camera Hire | Cinematography | Video Production | Videography | Film Production | OutsideBroadcast | OB | OBTrucks | MCR | MCR Broadcast Hire
Submitted by Page Melia PR
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7 Production to Roll Out First 4K OB Truck in the Middle East with Grass Valley Solutions Posted: 30/06/2020
7 Production to Roll Out Middle East and rsquo;s First 4K OB Truck with Grass Valley Solutions

UAE-based 7 Production, one of the Middle East’s leading video production service providers, has chosen an end-to-end Grass Valley workflow for its latest 4K UHD outside broadcast (OB) truck – the first of its kind in the region. Grass Valley’s market-leading solutions give 7 Production the flexible, future-ready capability it needs to meet the growing demand for 4K UHD production. The sale was managed in conjunction with Grass Valley’s regional channel partner BSS.

Tags: Grass Valley
Submitted by Platform Communications
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The Switch delivers live international horse racing to Jockey Club ofTurkey Posted: 30/06/2020
The Switch delivers live international horse racing to Jockey Club ofTurkey

The Switch, the platform for the production and global delivery of live video, has been chosen by Jockey Club of Turkey (TJK) to deliver live horse racing streams from the UK to its growing audience of racing fans. Capitalizing on The Switch’s highly reliable video distribution network, TJK is able to ensure uninterrupted live feeds from races at venues such as Newmarket and Ascot reach its 600,000 customers in Turkey.

TJK receives feeds, picked up from London’s BT Tower via The Switch Access™ service, which are then live streamed over the club’s dedicated online channel to its 2,800 betting shops around the country. The agreement with The Switch allows TJK customers to watch and place bets on live UK race broadcasts across the flat racing season, including the 1000 Guineas and 2000 Guineas.

Tags: Live sports | sports betting | delivery | horse racing | satellite
Submitted by Staff
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The perfect gaming experience - with KVM from G and D Posted: 30/06/2020
The perfect gaming experience - with KVM from G and amp;D

For a perfect gaming experience, Esports professionals need the highest possible frame rates and lowest latency to be able to play smoothly in order to stay ahead of the game. As a leading manufacturer of KVM systems for extending and switching keyboard, video and mouse signals, Guntermann & Drunck GmbH (G&D) offers professional gamers the perfect Esports experience including crystal-clear full HD resolutions with 240 Hz frame rates and without any noticeable latency. With G&D DP1.2 devices, gamers can run full HD resolutions with high frame rates up to 240 Hz. Crystal clear 1080p resolutions with virtually no delay will support them in their gaming exploits. . An entire range of KVM systems such as the extenders DP1.2-Vision, DP1.2-VisionXG, DP1.2-Vision-IP, or the KVM switches DP1.2-MUX, DP1.2-MUX-NT, DP1.2-MUX3-ATC as well as the DP1.2-Splitter are the first line of defence against lagging displays and suboptimal resolution. Thanks to G&D's pixel-perfect technology, gamers will benefit from brilliant and clear images. Since the products support transparent USB 2.0, it is possible to even extend the latest gaming keyboards and mice that are not HID-compliant – because of the additional keys and mini-displays – via KVM matrix.

Tags: KVM | switches | extender | matrix switches
Submitted by Guntermann & Drunck
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ASG Hosts Remote Control Webinar Interview Series for Silicon Valley Video Posted: 29/06/2020
ASG Hosts and lsquo;Remote Control and rsquo; Webinar Interview Series for Silicon Valley Video

Advanced Systems Group (ASG), a leading media technology and engineering firm, today announced the launch of “Remote Control,” a webinar interview series for the new Silicon Valley Video (SV.V) association. The first episodes, featuring interviews with company representatives from iconik, Primestream, Qumulo, and other companies, are available on Silicon Valley Video’s YouTube channel.

Tags: remote production | video production | webinar | broadcast
Submitted by Pipeline Communications
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