EDITSHARE ADDS NEW FEATURES TO SHARED STORAGE, ARCHIVING, VIDEO SERVER AND MAM SOLUTIONS

Date: 21/12/2012
EDITSHARE ADDS NEW FEATURES TO SHARED STORAGE, ARCHIVING, VIDEO SERVER AND MAM SOLUTIONS

EditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, today announced the release of EditShare Shared Storage 6.3, Ark 2.3, Flow 2.3 and Geevs 5.3. The new versions include many enhancements and features that simplify workflows and improve the overall user experience.

We continually look for ways to improve our products, and many of the new features in this release have evolved directly from ongoing dialogue with customers, says Andy Liebman, founder and CEO of EditShare. Whether they involve enhancements to user permissions, additional codec support, or new backup and archive features, they are all designed to increase productivity by making the workflow more efficient and seamless.

New Enhancements for EditShare Shared Storage Version 6.3:

Per-Media-Space Selection of OS X Network Protocols  By specifying the use of either the SMB or AFP protocol for mounting each Media Space on a space-by-space basis, administrators can pick the best network protocol for each application without the risk of mixing protocols on the same space. This allows EditShare Shared Storage users to safely leverage the increased power and performance of AFP for high data rate codecs and applications on OS X.

Project Browser Compatibility for Adobe Premiere Pro in Windows  This matches the existing functionality for OS X-based Premiere projects. By using the Project Browser, multiple editors can safely open the same Premiere Pro project with the assurance that only one editor at a time will get read/write access to the project. Premiere editors can open a locked project in read-only mode in order to review it or copy project elements into their own project.

Read-Only Access for Avid Style Spaces  You can now limit users on Avid Style spaces to read-only access, extending the same fine-grained user permissions available in other EditShare space types to this Avid workflow.

New Enhancements for Flow Version 2.3:

Enhanced Frame Rate, Raster, Codec, and Wrapper Support  Flow 2.3 has vastly improved the range of codec support for SDI Ingest, File-based Ingest, and Scanning functions. Full support has now been extended for progressive frame rates/rasters, including 1080p (23.98, 25, 29.97) and 720p (23.98, 29.97, 60) in many codecs and wrappers. Also included are support for QuickTime-wrapped DNxHD and AVC-Intra, as well as support for EditShares patented Universal Media Files now using the DNxHD codec. Flow has also extended its File-based Ingest support to recognize many additional cameras and devices.

Asset Groups  The new Flow Asset Groups tab gives administrators an additional way to grant users permission to browse and search for clips in Flow Browse. It allows specified users to browse clips from Media Spaces that have been deleted, so that they can bring material back to online storage from the archive. It also allows a specified user to browse clips in Flow without granting them permission to mount the Media Space and access the high-resolution files.

New Enhancements for Ark Version 2.3:

Deletion From Ark Disk Via Flow Browse  Customers who have both Ark Disk and Flow can now delete individual clips from their Ark Disk nearline storage. Using the Flow Browse interface, authorized users can search for clips based on any criteria, including how long a clip has resided on Ark Disk, or whether there is also a copy on Ark Tape, and then delete all matching clips with one click thereby freeing up nearline storage space.

Storage to Ark Disk to Ark Tape Migration Workflow  Leveraging the new ability to delete individual clips from Ark Disk, it is now possible to institute migration workflows where clips move down through different tiers of storage. A clip might start out on EditShare storage, then be backed up to Ark Disk, and only deleted from Ark Disk or EditShare Storage after being successfully backed up on Ark Tape.

Ark Tape Backup Verification  This new option provides additional checks to ensure that Ark Backup/Archive jobs have been successfully written to LTO tapes.

New Enhancements for Geevs 5.3:

Capture and Playout of QuickTime (.mov) Wrapped XDCAM-EX and XDCAM-HD Are Now Supported  At either 35 or 50 megabits, this provides a space-effective HD codec alternative for immediate exchange between QuickTime-based NLEs and ingest/playout.

Updates to Studio Multicam and Geevs Live User Interfaces  Based on user feedback, additional sorting, metadata and display features have been added to the Geevs Client applications. These features enhance productivity, accuracy, and speed.



Tags: Shared Storage | Archiving | MAM | Workflow | Production | Editing
Submitted by Zazil Media Group (Zazil Media Group)
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Cobalt Digital Opens Doors to Representative Office in China

Cobalt® Digital, designer and manufacturer of award-winning edge devices for live video production and master control, and a founding partner in the openGear® initiative, has welcomed 2022 with the launch of a Representative Office in China. Based in Beijing, the Office is staffed by local sales and support professionals with deep regional knowledge and extensive experience supporting Cobalt’s product portfolio. The office, which represents Cobalt’s expanded reach into the growing China market, opened its doors in late December 2021.

Tags: Cobalt Digital | Cobalt’s 9971 | Multiviewer | openGear | 9971-MV6-4K | 9904-UDX-4K HDR | Ultra-Low Latency Mode | Encoder | 9992-ENC | BBG-1300-FR Mini openGear | 9905-MPx | Cobalt Digital’s 12G | Chris Shaw | encoders | decoders | 3G-SDI Models | RIST technology | Dr. Ciro Noronha | 9926
Submitted by Desert Moon
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Gigcasters Achieves Broadcast Quality Live Streaming with the Zixi OnAir Mobile App Posted: 20/01/2022
Gigcasters Achieves Broadcast Quality Live Streaming with the Zixi OnAir Mobile App

Gigcasters, a live streaming engineering company, has seen mobile production increase during the pandemic and witnessed first-hand the benefits of higher frequency, lower cost productions using Zixi’s OnAir app infrastructure. The company first tried live video delivery remotely using laptops and WebRTC, but found the reliability of the feed was not good, and packet loss and image quality were insufficient. Once the Zixi OnAir app was quickly enabled on local production teams’ mobile phones, getting a broadcast-quality feed was easy. 






Tags: Gigcasters | Zixi | Zixi OnAir
Submitted by Bubble Agency
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SMPTE Inks Partnership With the Entertainment Technology Center at USC to Study On-Set Virtual Production Solution Posted: 20/01/2022
SMPTE Inks Partnership With the Entertainment Technology Center at USC to Study On-Set Virtual Production Solution

SMPTE®, the home of media professionals, technologists, and engineers, has signed a memorandum of understanding with the Entertainment Technology Center, a department within the School of Cinematic Arts at the University of Southern California (ETC), an entertainment technology think tank and research center. The memo supports a partnership between the two organizations to collaborate on a SMPTE solution for on-set virtual production (OSVP) — the first in the Society's planned series of Rapid Industry Solutions (RIS) intended to address quickly evolving technologies and their application across the media and entertainment industry.

Tags: On-set virtual production | Rapid Industry Solutions | OSVP | Entertainment Technology Center | SMPTE | USC
Submitted by Wall Street Communications
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New Dalet AmberFin Update Enables Customers to Expand Streaming Workflows Posted: 20/01/2022
New Dalet AmberFin Update Enables Customers to Expand Streaming Workflows

Enhanced media processing capabilities and seamless integration with Dalet Flex and Dalet Pyramid solutions elevate user experience, support mobility, and expand workflow options; Successful AWS Foundation Technical Review ensures cloud excellence

Tags: Dalet | Dalet AmberFin | Dalet Flex | Dalet Pyramid
Submitted by Zazil Media Group
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Broadcast Solutions Partners with Video Automation Software Developer Seervision Posted: 20/01/2022
Broadcast Solutions Partners with Video Automation Software Developer Seervision

Broadcast Solutions and its branch Broadcast Solutions Nordic partners with Seervision, developerof video automation software solutions.

Tags: Seervision | Broadcast Solutions
Submitted by Broadcast Solutions
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Cromorama Chooses Leader LV5600 Reference Instrumentation Posted: 20/01/2022
Cromorama Chooses Leader LV5600 Reference Instrumentation

Cromorama, one of Europe's most experienced specialists in film and television color management, has chosen Leader LV5600 reference instrumentation for use at its Warsaw headquarters and on location. Cromorama's founder, Pablo Garcia Soriano, pioneered the implementation of multi-delivery HDR and SDR for large sports events. In recent years he has become a worldwide reference on color control technology for broadcast and digital cinematography productions.


Tags: Leader Instruments | video test equipment | audio test equipment | video waveform monitors | 12G waveform monitors | 12G video analyzers | IP video analysers | video noise meters | HDR test equipment | true-hybrid test equipment | Hi-Vision test equipment
Submitted by Stylus Media Communications
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Ateliere Creative Technologies Launches Cloud-Based Connect Supply Chain Platform on AWS Marketplace Posted: 20/01/2022
Ateliere Creative Technologies Launches Cloud-Based Connect Supply Chain Platform on AWS Marketplace

Ateliere Creative Technologies Launches Cloud-Based Connect Supply Chain Platform on AWS Marketplace

Ateliere enables easy purchasing of their digital supply chain platform in AWS Marketplace, allowing customers to take advantage of existing AWS relationships and incentives.

Tags: Ateliere Creative Technologies | Ateliere Connect | Ateliere Discover | Cloud-native media supply chain | SaaS | IMF | broadcasters | content creators
Submitted by Bubble Agency
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Autodesk Acquires Moxion Cloud Solution for Digital Dailies Posted: 20/01/2022
Autodesk Acquires Moxion Cloud Solution for Digital Dailies

Today Autodesk announced the acquisition of Moxion, the New Zealand-based developer of a powerful, cloud-based platform for digital dailies used by leading filmmakers on some of the world's most complex and challenging productions, including “The Midnight Sky,” “The Marvelous Mrs. Maisel,” and “The Matrix Resurrections.” The acquisition of Moxion’s talent and technology will expand Autodesk's own cloud platform for Media and Entertainment upstream, moving beyond post-production into production, bringing new users to Autodesk while helping better integrate processes across the entire content production chain. 

Tags: Autodesk | Moxion | Dailies | Digital Dailies | Production
Submitted by Autodesk
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