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Dejero Wins Second Prestigious Technology and Engineering Emmy Award Posted: 21/01/2020
Dejero Wins Second Prestigious Technology and Engineering Emmy Award

Globally recognized award underlines how Dejero exponentially improves flexibility in location coverage for newsgathering and live events crews

Dejero, an innovator in cloud-managed solutions that provide award-winning video transport and Internet connectivity while mobile or in remote locations, has been awarded a second prestigious Technology and Engineering Emmy® Award. The award, in the category of Video over Bonded Cellular Internet (VoCIP) technology, recognizes Dejero’s innovation in the industry, thanks to its Smart Blending Technology and unique hybrid encoding approach.

Headquartered in Waterloo, Ontario, Canada, Dejero has perfected its patented and patent-pending Smart Blending and hybrid encoding technologies over the course of the last decade. The technologies work in concert to form a tightly integrated system which responds in real time to changes in network quality and video content. This has helped transform how broadcasters contribute live content from the field using cellular networks, providing newsgathering crews with greater flexibility in terms of the location from where they can transmit a live shot, at a fraction of the cost of conventional uplink technology.

“We are thrilled to win not just one Emmy® – the most recognized broadcast award in the world – but two,” said Bogdan Frusina, founder of Dejero. "Last year the committee rewarded our decade of innovation for pioneering reliable transmission methods that enable live contribution and distribution of TV signals over the public Internet. This year they have gone on to further recognize our industry-leading technologies, showing that our continuous development is raising the quality and reliability standards of mobile video and data transmission.”

 

Tags: Dejero | Emmy Awards | Technology and Engineering Emmy Award | globally recognised | location coverage | newsgathering | live events | cloud-managed solutions | Video over Bonded Cellular Internet | MKM Marketing Communications | Bogdan Frusina | winners
Submitted by MKM Marketing Communications
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Camera Hire Heavily Investing in CiNX from Miller Tripods Posted: 14/01/2020
Camera Hire Heavily Investing in CiNX from Miller Tripods

Camera Hire, a well-established Australian rental company and a leader in industry camera support solutions, recently purchased 10 CiNX 3 Fluid Heads and 10 Sprinter II 2 Stage Carbon Fibre Tripods from Miller Tripods. For over a decade, Camera Hire has provided professional cameras and supporting equipment for a large range of productions including commercials, documentaries and feature films.

As a long-time customer of Miller Tripods, Bevan Dally, managing director of Camera Hire, knows he can always turn to Miller to provide top-of-the-line solutions for his customer base. “We’ve been using Miller’s ArrowX series for some time now and the fluid heads are excellent,” he says. “The payload range and versatility are very beneficial considering the various types of jobs we support. With the CiNX line, our customers are able to mount a variety of cameras, including Sony’s FS7, Canon’s C300’s, and ARRI’S Alexa Mini and Amira, with ease.”

Thanks to Miller’s CiNX 3 Fluid Heads, Camera Hire can provide its customers with a solution that significantly improves cinematographer’s workflows. “Upgrading to the brand new CiNX series was a no brainer for us, especially because of its ability to mount ARRI dovetail plates directly on the head,” Dally says. “We can now easily provide our clients with a Sony VCT or ARRI dovetail system using the same fluid head, without the need to swap back and forth between multiple plates. With CiNX fluid heads, cinematographer’s can easily and quickly change from one camera to another with a seamless transition.”

 

Tags: Miller Tripods | Camera | Photography
Submitted by D. Pagan Communications
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Snow Cats and Me: high-end TV wildlife series innovates with Sony BRC remote cameras Posted: 23/12/2019
Snow Cats and Me: high-end TV wildlife series innovates with Sony BRC remote cameras

Sony has announced that the Sony BRC Series PTZ remote cameras have been chosen to capture unique close-up footage of the heart-warming story of beautiful lynx cats in the high-end TV wildlife series, Snow Cats & Me.


Produced by Oak Island Films and Hello Halo TV, the two-part series pushes creative and technical boundaries to present an intimate portrait of animals in the wild. With the producer Ted Oakes, Managing Director of Oak Island Films commenting: “This was a tricky challenge: the Sony BRC cameras helped us capture amazing footage that expresses the unique character of these beautiful animals in their natural environment.”

Tags: Sony | BBC2 | Sony BRC Series PTZ remote cameras
Submitted by Sony Professional Europe
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2019 Concerts and Music Festivals Delivered with Blackmagic Design Posted: 20/12/2019
2019 Concerts and Music Festivals Delivered with Blackmagic Design

Blackmagic Design today announced that live production workflows, featuring its products for acquisition, control and delivery, have been used on some of this year's biggest music festivals and concert tours.

 

Artists and events included Little Mix, Billie Eilish, Elton John, Fall Out Boy and Andrea Bocelli, as well as Festival Beauregard, Rocking the Daisies, Aftershock Festival and Sweden Rock.

 

As broadcast and AV workflows continue to converge, more and more rental and staging companies are now standardizing their video offerings to festivals and touring artists based on hardware solutions from Blackmagic Design. Not only has the amount of video demanded by the entertainment market increased in 2019, so too has the amount of 4K production for IMAG.

 

Tags: Blackmagic Design | Live Production | Concerts | Festivals | Live Switching | Cameras | Acquisition | IMAG
Submitted by Blackmagic design
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Authors and Literary Celebrities Find Their Festival Voice With DPA Posted: 18/12/2019
Authors and Literary Celebrities Find Their Festival Voice With DPA

Clarity, ease of use and the ability to match the colour of the microphone to different skin tones were all good reasons why Toby Chevis, Director of UK live events company Patch Productions, chose DPA’s 6066 Subminiature Headset Microphones to amplify speakers at the prestigious Cheltenham Literature Festival.

During the 10 day event, the company used a total of 40 6066 Headsets across eight venues, including Cheltenham’s Montpelier Gardens and Town Hall sites. Among the famous participants who happily wore DPA were Andrew Lloyd Webber, Louis Theroux, Rob Drydon and Graham Norton.

“The festival was keen to be as inclusive as possible this year, so being able to offer a microphone with varying colours option, but the same audio quality, was fantastic,” Toby Chevis explains. “I’ve been a big fan of DPA Headset Microphones for eight years now and Patch Productions owns a number of 4000 Series Headsets, but for this event we bought additional microphones.”

The Cheltenham Literature Festival was broadcast on Sky Arts, which took a mixed feed straight from Patch Productions’ desk. Audio quality was very important as it was imperative that the audience could hear every word spoken by the authors on stage.

Tags: DPA Microphones | Cheltenham Literature Festival | 6066 Subminiature Headset Microphone | Patch Productions
Submitted by White Noise Public Relations Ltd
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Broadpeak at CES 2020 Posted: 16/12/2019
Broadpeak at CES 2020

 

 

Today, quality is a critical success factor for video streaming services. Consumers want to watch video in the highest resolutions, with the lowest latency, on every screen. To deliver an amazing quality of experience (QoE) anywhere on any device, content providers and pay-TV operators need innovative content delivery solutions.

At CES 2020, Broadpeak® will showcase its groundbreaking solutions that provide the best video QoE through improved delivery within the operator's network, as well as inside the home network.  Demos will include:

• Gaining control over streaming quality: Broadpeak will give a sneak peak of its new solution that improves the quality of video streaming on any ABR screen — independently from the player. The solution can be used to reduce latency on live streams, deliver higher bit-rates for on-demand content and reduce video quality changes when networking conditions vary.

• Optimizing Wi-Fi: At CES 2020, Broadpeak will launch its new Wi-Fi Optimizer, which prioritizes video delivery over the other traffic in the home (e.g., video streaming vs. downloading a file), assuring optimum quality for consumers.

 

 

Tags: Broadpeak | CES 2020 | video streaming services | content providers | pay-TV operators | content delivery solutions
Submitted by 202 Communications
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Digital Nirvanas New MonitorIQ 6.1 Enhances Ad Insertion, Monitoring, and Troubleshooting Posted: 05/12/2019
Digital Nirvanas New MonitorIQ 6.1 Enhances Ad Insertion, Monitoring, and Troubleshooting

Digital Nirvana, a provider of leading-edge media-monitoring and metadata generation services, today announced new enhancements within MonitorIQ 6.1, the company's next-generation broadcast monitoring and compliance logging platform. A new Digital Program Monitoring application in MonitorIQ 6.1 gives users unprecedented visibility into SCTE 35/104 messages for more effective resolution of digital program insertion (DPI) issues and better control over advertising insertions in a variety of streaming environments.

"MonitorIQ 6.1 incorporates powerful new features and capabilities that take compliance monitoring and advertising optimization to a new level," said Russell Wise, senior vice president of sales and marketing for Digital Nirvana. "The platform's new Digital Program Monitoring application simplifies the monitoring of content and SCTE 104/35-based metadata to ensure DPI messages were inserted correctly. We monitor the presence of markers that allow the ad to be inserted, which provides our users better control in existing and new streaming environments. Thanks to these and other enhancements in MonitorIQ 6.1, broadcasters are better prepared than ever to identify, resolve, and document critical issues and, in turn, meet their regulatory, compliance, licensing, and advertising requirements."

Tags: Digital Nirvana | MonitorIQ 6.1 | Ad Insertion | metadata generation | Digital Program Monitoring | SCTE 35/104 | digital program insertion
Submitted by Wall Street Communications
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AVer Europe Launches New High Spec Visualiser for Educators Posted: 28/11/2019
AVer Europe Launches New High Spec Visualiser for Educators

AVer Europe has announced the launch of the M17-13M, its new mechanical arm visualiser, to the UK market. Boasting a 13-megapixel camera, 35.2X total zoom and full HD quality, the M17-13M offers one of the highest visualiser specifications available to education institutions to transform teaching and learning practices.

Operating as a document camera with impressive angle control, the M17-13M visualiser enables users to capture the best image clarity and detail. The onboard annotation capability provides users with the opportunity to add notes, highlight important information or add captions to presentation material easily, making explaining a tricky concept or a key point to a classroom simple.

Designed with a fully adjustable neck and head, the M17-13M visualiser can rotate, swivel, expand and collapse for the perfect angle to display presentation materials, including paper or 3D models. Its versatile compact design means it can be neatly folded away, making it ideal for quick storage or sharing between classrooms and practitioners. The product is bundled with AVER’s A+ Suite classroom software for visualisers and comes with a five-year warranty.

Tags: visualiser | teaching | education | technology | camera | HD
Submitted by brookscomm
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Cooke Optics opens LA service operation for increased customer support in key market Posted: 26/11/2019
Cooke Optics opens LA service operation for increased customer support  in key market

Cooke Optics announced today that it has opened a service operation in Los Angeles, CA to provide full lens servicing and testing. This new operation further strengthens Cooke Optics’ dedication to worldwide service and support.

Les Zellan, Chairman, Cooke Optics, said, “With hundreds of movies and TV shows shot in and around LA each year, and many local rental houses stocking Cooke lenses, we’re proud to offer full lens servicing at a convenient location. The LA operation joins the Cooke service operations around the world, so customers can now reach us directly on both US coasts, the UK, São Paulo in Brazil and Shanghai in China.”

Michael Nadas has joined Cooke Americas as the company’s Optical Engineer in LA. He comes to the team with 28-plus years of technical experience in the film and television production industry, specializing in evaluating, testing and repairing both cinematic and broadcast lenses from multiple manufacturers to factory specifications. Michael established the quality control standards for lens testing and evaluating procedures company-wide at Sim, a leading supplier of studios, production equipment, workflow/dailies and post-production solutions. Over the course of his career, he has acquired an in-depth technical knowledge of specific types of lenses that are unique to our industry and most recently led Sim’s Motion Picture Optics department out of Los Angeles.

Tags: Cooke Optics | Service operation
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Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems Posted: 25/11/2019
Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions.

Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder technology facilitating UHD images. The system consists of one single 4K transmitter unit from DTC coupled with a built-in Videosys Camera Control system. The advantage of the AEON CC with Videosys’ camera control receiver built into the unit is a reduction in the equipment count and the complexities that come when managing 4K transmission and camera control simultaneously.

Cloudbass have been successfully using the systems on UHD, 3G and HD setups across a variety of live Outside Broadcasts, including both SKY Boxing and BT Speedway in UHD, on the British Touring Cars for ITV Sport, and The Lord Mayor’s Show for BBC Events.

Tags: camera control systems | RF links | camera backs | outside broadcast | OB | studios | production | 4K | UHD | HD | decoder | receiver | sports | concerts | live events | video | audio | data | distribution
Submitted by Jump PR Ltd
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Broadpeak Joins ETSI, Strengthens the Companys Involvement in 3GPP Standards Development Posted: 21/11/2019
Broadpeak Joins ETSI, Strengthens the Companys Involvement in 3GPP Standards Development

Broadpeak®, a leading provider of content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, today announced that it is now a member of ETSI, a leading standardization organization for Information and Communication Technology (ICT) standards fulfilling European and global market needs. By joining ETSI, Broadpeak will play an important role in helping to create mobile standards, including 3rd Generation Partnership Project (3GPP) for the next generations of mobile telecommunications, starting with the evolutions of 5G.

"ETSI and 3GPP are shaping the 5G mobile network future, and we're excited to be a part of the tremendous work that they do," said Jacques Le Mancq, CEO at Broadpeak. "Technology is evolving, and the team at Broadpeak looks forward to sharing its experience and vision about how technologies such as Multi-Access Edge Computing and Network Function Virtualization, along with other 3GPP contributions, can enhance video streaming over mobile networks."

Tags: Broadpeak | ETSI | 3GPP Standards | content delivery network | CDN | pay-TV operators | ICT
Submitted by 202 Communications
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Perfectly in sync: Atomos and Timecode Systems reveal first generation of a new, integrated product range at Inter BEE 2019 Posted: 14/11/2019
Perfectly in sync: Atomos and Timecode Systems reveal first generation of a new, integrated product range at Inter BEE 2019

Take a global leader in recorder-monitors and add to it the clout of a powerful wireless sync platform and you get boundless opportunities for multicamera content creation of every budget and genre. The announcement of the acquisition of Timecode Systems by Atomos a few weeks ago came with a bold promise of a new, more democratic era for multicamera video production. And at this week’s Inter BEE exhibition in Japan, the newly joined companies are showing they’re already making significant headway on delivering this vision.

For InterBEE 2019, Atomos is putting the AtomX SYNC accessory for the Ninja V centre stage. It’s the first product from the recorder-monitor leaders to include fully integrated Timecode Systems sync power. This adds advanced wireless sync and remote device control features to the Ninja V’s feature set. Attaching the module locks the connected camera into a robust, frame-accurate sync with other Ninja Vs, and also any other sound and video devices, and even compatible smartphone camera apps using Timecode Systems products.

Tags: Atomos | Timecode Systems | Multicamera Video Production | Inter BEE Japan | AtomX SYNC | Ninja V
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Royal Opera House Prepares for 4K Live Broadcasts with Megahertz Posted: 13/11/2019
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz

Megahertz Ltd., the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has completed a UHD/HDR production facility upgrade at one of the most prestigious performance and arts venues in the world; The Royal Opera House (ROH) in London’s Covent Garden.

The ROH has been streaming live ballet and opera performances to cinema audiences around the world since 2008. By making a move to ultra-high definition (UHD), initially for recordings and ultimately for live relays, ROH remains at the forefront of high quality 'live to cinema' performance.

Equipped to meet current high-end production standards and emerging new broadcast standards, the newly fitted £800k Media Suite consists of a full UHD/HDR production gallery and engineering room, which now boasts a tapeless workflow, intelligent network control system, improved recording and playout facilities, 4K monitor wall, state-of-the-art vision mixer, bespoke production desks and enhanced camera talkback system.

Following a rigorous tender process, ROH selected Megahertz to supply the turn-key solution not only to future-proof the facility, but also simplify operations for the varying production crews that use it. Megahertz worked collaboratively with ROH, providing a range of services from consultancy to design, construction/interior design liaison, sourcing of equipment, integration, and installation. Steve Zissler, ROH Sound & Broadcast manager and Peter Byram, Broadcast Consultant canvassed opinions from the freelance broadcast staff, ensuring the design met the users’ requirements.

Tags: Megahertz | Royal Opera House | media suite | UHD/ HDR | 4K | systems integration | production facility | Covent Garden | turn-key solution | Steve Zissler | Jon Flay | MKM Marcomms | MKM Marketing Communications
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AVer EP65, the ultimate Zoom Rooms conferencing system Posted: 13/11/2019
AVer EP65, the ultimate Zoom Rooms conferencing system

The AVer EP65 is an interactive flat panel featuring Zoom Rooms integration to go along with the latest AVer camera and audio technology, this 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

There’s no need to connect external devices to make a video call, as it comes equipped with a 4K camera with Sony Exmor™ 4K CMOS sensor, 13-element microphone array, and PC module powered by a Windows 10 IoT Intel i7-7700 Processor for true all-in-one capability. The EP65 is a cinch to set up; simply plug in one power cord and enjoy an extremely intuitive user experience in seconds.

Features 4K P-CAP touchscreen with 20 touch points, made of level 7 MoHS toughened glass that is resistant to glare and fingerprints. Users can mount the EP65 on the wall or affix it to a mobile rolling stand to take its powerful features all over the office and create a truly agile workplace.

Tags: AVer | business | conferencing | Nuvola | interactive panel | Zoom Rooms | Zoom | Sony | Windows | meeting room
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Boston Limited launches Stream+, an optimised solution for large-scale ultra-high-density live video encoding Posted: 12/11/2019
Boston Limited launches Stream+, an optimised solution for large-scale ultra-high-density live video encoding

Boston Limited, today announced the launch of Stream+ during a keynote address from Manoj Nayee, managing director Boston Limited, during the Xilinx Developer Forum (XDF) Europe, 12 – 13 November, The Hague, Netherlands.

Stream+ is an optimised solution enabling large scale ultra-high-density live video encoding. The new appliance is configured using Supermicro® building blocks and powered by Xilinx Alveo accelerator cards and V-Nova’s P+ software.

Hyperscale video services like social and e-sports networks need to encode and serve vast numbers of live streams to their users. The server infrastructure required to satisfy this demand is often the highest cost for network operators. The Boston Stream+ is an ultra-dense encoding solution offering significant quality and cost benefits to video delivery customers.

Tags: V-Nova | Boston Limited | Xilinx | Stream + | P+ | Xilinx Alveo Accelerators | Xilinx Developer Forum | Xilinx XDF | MPEG-5 Part 2 LCEVC | AV1 | VVC | AVC/H.264 | HEVC | VP9 | compression | live video encoding
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