Facilis Shows Next Gen HUB Shared Storage System at NAB NY

Date: 10/10/2019
Facilis Shows Next Gen HUB Shared Storage System at NAB NY

At NAB Show NY (Booth N136), Facilis, a leading international supplier of cost-effective, high performance shared storage solutions for collaborative media production networks today announced that it will be showcasing its newly shipping HUB Shared Storage System, along with previews of version 8.0 of the Facilis Shared File system. Shown at NAB NY for the first time, Facilis HUB Built is an entirely new platform that represents the evolution of the Facilis Shared File System with the block-level virtualization and multi-connectivity performance required for demanding media production workflows.

“Facilis has been a huge part of our success. It’s the backbone of both our offline and online environments and it provides us with the ability to project-share across multiple edit rooms during the offline stage,” says Troy Thompson, executive producer and supervising colorist at NYC-based Running Man. “As a project moves to finishing, we've connected those suites with 32Gb Fibre Channel for maximum performance.”

Facilis Object Cloud and FastTracker

Attendees will also learn about the Facilis Object Cloud which virtualizes Cloud and LTO storage into a cache volume on the server. This presents available assets, regardless of location, on client desktops through the Facilis Shared File System.

“We’ve been honored to receive three separate awards in 2019, all for our new HUB Shared Storage solution with integrated Cloud and LTO archive,” said Jim McKenna, VP Sales and Marketing at Facilis. “With integration of infinite storage capacity behind a familiar directory structure on the desktop, we’re solving real problems that content creators face in this market.”

Additionally, version 7.2 of the Facilis system software and FastTracker 3.0 is now available and included in all HUB systems.

Facilis version 7.2 new features:

  • Facilis Object Cloud - Brings Object Storage to the server and client desktop
  • Added Kernel Support for Linux - New support for Linux Kernel 5.0.x
  • Improved Web Console UI - Dark mode, more bulk actions, storage tab and much more.
  • Simplified Server Upgrade - New “one click, one reboot” server installer.

Facilis HUB Version 8 Preview
Version 8 will include new methods of data protection including software defined multi-disk parity, hybrid performance management, advanced volume spanning capabilities and portable drive groups. Version 8 is targeted to ship in late 2019.

HUB Version 8 is available for any HUB or TerraBlock system under a valid support contract at the time of release. Version 8 will be supported on TerraBlock systems shipped after August 2013.

FastTracker 3.0 New Features:

  • New Web technology-based FastTracker Desktop Browse interface
  • Improved proxy quality options, per-catalog proxy presets, and proxy on demand
  • Unlimited Connected Users Included at No Charge
  • Add and edit metadata and catalog entry in the Adobe Panel interface
  • Quick and intuitive keyword/notes tagging
  • Launch of full resolution source material from the Adobe Panel and Desktop Browse
  • FastTracker can be configured to alert CatDV when new assets are indexed. Volume Search Filter - Records can now be browsed by specific indexed volume.

Facilis FastTracker 3.5 Preview
FastTracker 3.5 will have new automated data movement, deeper integration with Object Cloud archive, filesystem browse capabilities and improved result layouts in Adobe Panel and Desktop Browse, as well as duplicate file reporting and tracking and standalone FastTracker Server licensing.

Facilis FastTracker is available for any Facilis customer with a current support contract, and now offers unlimited seat count. Version 3.5 is targeted to ship in late 2019.



Tags: NAB NY | Facilis | Storage Solutions | HUB Storage | Running Man | Object Cloud | FastTracker
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News
Visual Data Media Services invests and pound;250k in State-of-the-Art Cinema and Mastering facilities Posted: 14/11/2019
Visual Data Media Services invests and pound;250k in State-of-the-Art Cinema and Mastering facilities

 

Visual Data Media Services, the leading provider of digital supply chain services to global content owners and distributors, has announced the opening of a cutting-edge digital cinema at its leading facility in West London, UK.

The new cinema is fully 4K and Dolby Atmos capable and comprises a 10-seat theatre built around a NEC 4 projector and fed by a Doremi digital cinema server. A Dolby Atmos CP950 sound processor is linked to 28x JBL speakers and 14x 1KW Crown amplifiers.

Of particular interest is the 4-meter-wide acoustically transparent woven fabric screen. This is designed to Dolby and THX standards, and allows users to hear the cinema audio without the distraction of the perforations that are typically required to allow the sound from speakers mounted behind the screen to travel into the auditorium.

“This is the final time that many of our clients will see their film before it is distributed to the cinema network and it’s important that they have no visual distractions and are also assured that they’re reviewing their content in a high-end and fully calibrated environment,” explains David Margolis, Director of Digital Cinema at Visual Data Media Services.

Tags: Visual Data Media Services | digital supply chain | global | digital cinema | 28x JBL speakers | 14x 1KW Crown amplifiers | 4K QC
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Partner Communications Selects Broadpeaks Server-Side Ad Insertion Solution Posted: 13/11/2019
Partner Communications Selects Broadpeaks Server-Side Ad Insertion Solution

Broadpeak®, a leading provider of content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, today announced that Partner Communications Company (NASDAQ and TASE: PTNR), a leading provider of telecommunications services in Israel, will deploy its server-side ad insertion (SSAI) solution. Integrating Broadpeak's SSAI solution with other Broadpeak technologies already deployed, including origin server, CDN, and cloud PVR, will enable Partner Communications to deliver personalized ads within VOD content, helping it to better monetize its cutting-edge OTT television service.

"We chose Broadpeak's server-side ad insertion solution because it is flexible and simple to integrate with other ecosystem equipment, eliminating the need to perform complex ad insertion at the video level," said Ronen Gutmanovitz, head of TV technologies at Partner Communications.

The operator will use Google Ad Manager, iFeelSmart for the client application, and Broadpeak's solutions for manifest manipulation. Broadpeak's ad insertion solution allows Partner Communications to personalize ads. Broadpeak's SSAI solution avoids rebuffering during ads and defeats ad blockers, ensuring a superior television experience for end users. In addition, iFeelSmart has integrated Broadpeak SmartLib, which enables avoiding ad skipping and provides client-side analytics information. Broadpeak's BkA100 video delivery analytics system then displays this information, combining it with server feedback, in order to provide decision makers with a comprehensive view of the entire system.

Tags: Partner Communications | Broadpeak | Server-Side Ad Insertion | SSAI | OTT Ads | content delivery network | CDN
Submitted by 202 Communications
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DVB Approves DVB-I Specification, an Internet-Centric Solution for Linear Television Services Posted: 13/11/2019
DVB Approves DVB-I Specification, an Internet-Centric Solution for Linear Television Services

DVB, an industry consortium that develops open, interoperable technical specifications for the delivery of digital media and broadcast services, today announced the approval of its DVB-I specification by the DVB Steering Board in Geneva. It has been published as DVB BlueBook A177.

The DVB-I specification aims to ensure that linear television delivered over the internet is as user-friendly and robust as a traditional broadcast television experience. It offers the possibility for linear television services to be delivered to any device with a suitable internet connection and media player, including TV sets, smartphones, tablets and media streaming devices.

"In developing an internet-centric solution for linear television services, we are providing the industry with a crucial missing piece that raises internet-based delivery to the same level in the DVB ecosystem as RF-based content delivery," said DVB Chair Peter MacAvock. "With these building blocks, addressing the discovery of DVB-I services and the delivery of programme metadata, DVB offers broadcasters and operators an exciting new deployment option."

The DVB-I specification defines DVB-I Service Lists, a means for internet-connected devices to find curated sets of linear television services that may be delivered through broadband or broadcast mechanisms. It also defines the methods to retrieve electronic programme data for those services, which can be integrated into a single coherent offering that is accessed through a consistent user interface.

Tags: DVB | Linear Television Services | BlueBook A177 | open technical specifications | digital media | broadcast services
Submitted by 202 Communications
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PixStor Storage Ensures Jellyfish Pictures Meets A-List Security Requirements For Blockbuster Projects Posted: 13/11/2019
PixStor Storage Ensures Jellyfish Pictures Meets A-List Security Requirements For Blockbuster Projects

New PixStor secure multi-tenancy capabilities allow leading VFX and animation house to meet exacting security standards whilst delivering collaborative workflows.

Pixit Media, pioneer of software-defined storage and data-management solutions for Media and Entertainment, is delighted to announce that BAFTA and Emmy award-winning VFX and animation house Jellyfish Pictures is leveraging the power of PixStor’s new secure container services to meet the highest security accreditation standards, whilst supporting collaborative workflows across its multiple sites.

Established in 2001, Jellyfish’s combination of creativity, technological prowess, and reputation for security has established it as a major player in the international VFX and animation industry. Attracting A List clients and with recent blockbuster titles across film and TV including Star Wars, The Innocents, Black Mirror and many more on its slate, it has already worked extensively with the Trusted Partner Network (TPN) to ensure that all its sites are security compliant and certified to protect its clients high-value assets.

A long-term Pixit Media client, Jellyfish relies on PixStor software-defined scalable infrastructure as its central storage platform to unify users, applications and data into a single environment and enable collaboration with guaranteed sustained high-performance - on-premise, across multiple sites and into the Cloud. With content security an increasingly pressing concern and non-negotiable requirement amongst clients such as Netflix and HBO, Jellyfish is now benefiting from PixStor’s new secure multi-tenancy capabilities to isolate client materials in a TPN-compliant manner within the PixStor environment.

Tags: Pixit Media | PixStor | Jellyfish Pictures
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Royal Opera House Prepares for 4K Live Broadcasts with Megahertz Posted: 13/11/2019
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz

Megahertz Ltd., the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has completed a UHD/HDR production facility upgrade at one of the most prestigious performance and arts venues in the world; The Royal Opera House (ROH) in London’s Covent Garden.

The ROH has been streaming live ballet and opera performances to cinema audiences around the world since 2008. By making a move to ultra-high definition (UHD), initially for recordings and ultimately for live relays, ROH remains at the forefront of high quality 'live to cinema' performance.

Equipped to meet current high-end production standards and emerging new broadcast standards, the newly fitted £800k Media Suite consists of a full UHD/HDR production gallery and engineering room, which now boasts a tapeless workflow, intelligent network control system, improved recording and playout facilities, 4K monitor wall, state-of-the-art vision mixer, bespoke production desks and enhanced camera talkback system.

Following a rigorous tender process, ROH selected Megahertz to supply the turn-key solution not only to future-proof the facility, but also simplify operations for the varying production crews that use it. Megahertz worked collaboratively with ROH, providing a range of services from consultancy to design, construction/interior design liaison, sourcing of equipment, integration, and installation. Steve Zissler, ROH Sound & Broadcast manager and Peter Byram, Broadcast Consultant canvassed opinions from the freelance broadcast staff, ensuring the design met the users’ requirements.

Tags: Megahertz | Royal Opera House | media suite | UHD/ HDR | 4K | systems integration | production facility | Covent Garden | turn-key solution | Steve Zissler | Jon Flay | MKM Marcomms | MKM Marketing Communications
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AVer EP65, the ultimate Zoom Rooms conferencing system Posted: 13/11/2019
AVer EP65, the ultimate Zoom Rooms conferencing system

The AVer EP65 is an interactive flat panel featuring Zoom Rooms integration to go along with the latest AVer camera and audio technology, this 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

There’s no need to connect external devices to make a video call, as it comes equipped with a 4K camera with Sony Exmor™ 4K CMOS sensor, 13-element microphone array, and PC module powered by a Windows 10 IoT Intel i7-7700 Processor for true all-in-one capability. The EP65 is a cinch to set up; simply plug in one power cord and enjoy an extremely intuitive user experience in seconds.

Features 4K P-CAP touchscreen with 20 touch points, made of level 7 MoHS toughened glass that is resistant to glare and fingerprints. Users can mount the EP65 on the wall or affix it to a mobile rolling stand to take its powerful features all over the office and create a truly agile workplace.

Tags: AVer | business | conferencing | Nuvola | interactive panel | Zoom Rooms | Zoom | Sony | Windows | meeting room
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AJA Introduces 8K Support for HDR Image Analyzer 12G Posted: 13/11/2019
AJA Introduces 8K Support for HDR Image Analyzer 12G
AJA Video Systems has announced new 8K support for HDR Image Analyzer 12G, its powerful real-time HDR and WCG monitoring and analysis platform developed in partnership with Colorfront. The upcoming free software release will feature up to 8K/UHD2 HDR monitoring and analysis for high raster content with 12G-SDI for higher bandwidth workflows with the simplicity of single-cable connectivity.
 
HDR Image Analyzer 12G fuses AJA’s production-proven video I/O technology with powerful HDR and WCG image analysis tools from Colorfront, including waveform, histogram and vectorscope monitoring and analysis of up to 8K content over 12G-SDI for broadcast and OTT production, post, QC and mastering. Within a compact 1RU chassis, HDR Image Analyzer 12G provides users with a comprehensive toolset to monitor and analyze SDR and HDR formats, including PQ (Perceptual Quantizer) and Hybrid Log Gamma (HLG). 

 

 

 

Tags: AJA | AJA Video Systems | Video Production | HDR Image Analyzer 12G
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AJA Upgrades Ki Pro GO and Ki Pro Ultra Plus Posted: 13/11/2019
AJA Upgrades Ki Pro GO and amp; Ki Pro Ultra Plus

 AJA Video Systems has introduced new upgrades for its Ki Pro Family of production-proven file-based recorders. A new v1.5 firmware update for Ki Pro GO adds timecode recording and playback, expanded primary and backup recording to all USB ports and new clip naming and segment recording. Ki Pro Ultra Plus v5.0 introduces a new Infinite Recording feature that allows the unit to act as an always running backup recorder. Both firmware updates will be available soon to customers as free downloads.

Ki Pro GO is AJA’s new portable, multi-channel H.264 recorder and player, featuring up to 4-channels of simultaneous HD and SD capture to affordable, off-the-shelf USB media. With the v1.5 firmware update, Ki Pro GO now records and plays video with timecode. The timecode can originate from an incoming SDI video’s RP188 data, be recorded as the time of date or be specified to start at a specific hour. For playback, timecode values are automatically embedded as RP188 data on Ki Pro GO’s SDI outputs. The v1.5 update also expands backup and primary recording to all five USB ports, providing users with increased flexibility to choose their desired recording destination. Additionally, the update adds new clip naming and segment recording, automatically creating a unique file name for each clip and identifying each segment of a continuous recording for extended event time needs.

 

Tags: AJA | AJA Video Systems | Video Production | Infinite Recording | Video Recording
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AJA Announces OG-12GDA-2x4 openGear 12G-SDI Distribution Amplifier Posted: 13/11/2019
AJA Announces OG-12GDA-2x4 openGear and reg; 12G-SDI Distribution Amplifier

AJA Video Systems has announced the OG-12GDA-2x4, an openGear 12G-SDI distribution amplifier, featuring support for High Dynamic Range video and Ross® DashBoard software for remote monitoring.

Designed for critical broadcast, OB truck and live event production environments, OG-12GDA-2x4 features dual-channel inputs for incoming 12G-SDI signals, with reclocking of the distributed signals to dual 4x 12G-SDI outputs. In an AJA OG-X-FR openGear frame, this allows for incredibly high density with up to 20x 12G-SDI inputs distributed to a total of 80x 12G-SDI outputs when fully loaded with ten cards.

OG-12GDA-2x4 features compatibility with OGX, OG3 and DFR-8321 openGear frames, and DashBoard software support on Windows®, macOS® and Linux® for flexible device control and monitoring over a local network or remotely.

 

Tags: AJA | AJA Video Systems | Video | Video Production | Distribution Amplifier | Remote Monitoring
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Cobalt Iron Extends Compass Platform With Advanced Support for Service Providers Delivering BaaS Posted: 12/11/2019
Cobalt Iron Extends Compass Platform With Advanced Support for Service Providers Delivering BaaS

Cobalt Iron Inc., a leading provider of SaaS-based enterprise data protection, today announced that it has extended its mature Compass™ enterprise software-as-a-service backup platform with advanced features that bring tremendous value to service providers who sell Compass as their backup-as-a-service (BaaS) offering. Those advanced features, which are unique to Compass, allow service providers to manage complex environments with multiple tenants in a secure manner and provide those different users with appropriate access while reducing the service provider's operational costs and improving the quality of service.

Compass was built from the ground up with multitenancy and extensive automation in mind. That means BaaS service providers can easily:
• Set up multiple users with different access privileges.
• Assign different pricing methodologies to different systems.
• Customize reporting and management with company logos.
• Integrate with existing accounting and service ticketing systems for automated billing.

Compass' comprehensive multitenancy capabilities support complex organizational dynamics across an ecosystem of service providers, partners, customers and their internal organizations, and distributors. Support includes management, monitoring, visibility, chargeback, reporting, and resource utilization by organization.

Tags: Cobalt Iron | Compass enterprise backup | BaaS | Multitenancy | SaaS data protection
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Thomson Broadcast, Supported by Viaccess-Orca, to Secure Malian Public Broadcaster DTT Deployment Posted: 12/11/2019
Thomson Broadcast, Supported by Viaccess-Orca, to Secure Malian Public Broadcaster DTT Deployment

Viaccess-Orca (VO), an Orange Group company and a global leader providing OTT and TV platforms, content protection, and advanced data solutions, announced today that the Malian Transmission and Broadcasting Corporation (SMTD) in West Africa has chosen VO's cardless Conditional Access System (CAS) to secure its free-to-view and pay-TV platforms as part of a nationwide government initiative to roll out digital terrestrial television (DTT). Thomson Broadcast has been tasked with handling the deployment for SMTD's new infrastructure, while also supplying the video headend, contribution and distribution network, and TV transmitters.

"We are excited about offering digital terrestrial television in Mali, as it will significantly improve our viewers' quality of experience while offering a broader range of content choices," said Ismaila Togola, CEO of SMTD. "Working with Thomson Broadcast and Viaccess-Orca, both leaders in their respective industries, will help us get this new DTT service securely deployed to market."

Tags: Viaccess-Orca | AfricaCom 2019 | Thomson Broadcast | DTT | CAS | Orange Group | SMTD | Conditional Access System
Submitted by 202 Communications
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Testronic achieves Dolby Vision Certification Posted: 12/11/2019
Testronic achieves Dolby Vision and reg; Certification

Testronic, a leader in quality assurance (QA), localization services, and compliance for the film, television and games industries, has achieved Dolby Vision® Certification following an intensive period of training and investment in their Burbank facility. In order to achieve this certified status, the facility was subjected to rigorous review and is now configured and set up to meet the standards of a Dolby Vision certified facility.

Dolby Vision® certification ensures that all of Testronic’s Master QC personnel have been trained by Dolby and that the facility has been commissioned by Dolby engineers. Dolby Vision post production tools and workflows give content creators what they need to efficiently create both Dolby Vision, HDR, and legacy SDR content. Dolby Vision ensures that the look they create in the color suite stays true when experienced across TV’s PC’s, tablets and mobile devices.  Testronic can now test that this stays true across all OTT Platforms.

 

Tags: Testronic | Dolby Vision Certification
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Nevion sales grow by more than a third in the Americas Posted: 12/11/2019
Nevion sales grow by more than a third in the Americas

 

Nevion, award-winning provider of virtualized media production solutions, has experienced a growth in bookings in its Americas region of 34% so far in 2019, compared to the same period in 2018. Sales of software and services in the region have also more than quadrupled in the period, reflecting the increased demand for IP solutions, based on Nevion’s flagship software-defined products.

In 2019, Nevion has signed several significant deals with new and existing customers in in the Americas, most notably with a US national broadcast network and a leading international satellite services provider. These high-profile projects are currently in the process of being delivered.

To build on that growth, and to meet the surge in interest in workflow-transforming IP solutions, two seasoned and highly-regarded sales executives, Edward McGivern and Ron Rosenthal, have recently joined Nevion’s Americas team.

With 20 years’ experience selling high-value technology solutions in the broadcast market, McGivern has held senior sales positions at Snell Advanced Media, Imagine Communications and Grass Valley. Most recently, he was the director of Tektronix’s video sales division for the Americas.

Tags: Nevion | Broadcast | US | Growth | Appointment | Americas
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Broadcasters look to virtual programming to exploit their content libraries Posted: 12/11/2019
Broadcasters look to virtual programming to exploit their content libraries

More than a third (36%) of broadcasters are failing to utilize their content library despite facing increasing competition from streaming services, according to research by ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT.

Although almost all (98%) of the broadcasters surveyed use their content library to create new channels for particular events or occasions, the majority (82%) are impeded in the ability to do it quickly, unlike their streaming counterparts. 44% of broadcasters revealed it takes them up to three days to create a new channel, while over a third (38%) say it takes them up to a week, which not only hinders their ability to capitalize on events but could result in potential revenue loss.

“With a continuous influx of competition from all angles, broadcasters must begin to do more with their content libraries. Creating new, virtual channels would allow broadcasters to take advantage of topical and cultural events, such as award season, during which they could use their back catalogue to quickly develop one-off channels to celebrate winners as they are announced,” commented Remi Beaudouin, Chief Strategy Officer, ATEME.

As broadcasters explore ways to use technology to maximize their content, almost two-thirds (60%) of broadcasters are utilizing virtual broadcasting to create one-off channels, while of the broadcasters not currently doing virtual broadcasting 70% said they will do so within a year.

Tags: ATEME | Broadcast | Research | Content
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A Choir Performance in Kuala Lumpur Achieved Crystal Clear Sound Thanks to DPA Microphones Posted: 12/11/2019
A Choir Performance in Kuala Lumpur Achieved Crystal Clear Sound Thanks to DPA Microphones

DPA Microphones’ recently launched 4097 CORE Supercardioid Choir Microphone was used to great effect in Kuala Lumpur when a choir of 12 men and women gathered in Independence Square to mark the 50th anniversary of the Department of Enforcement, Kuala Lumpur City Hall. The event, entitled Hari Penguatkuasa DBKL, featured a parade in conjunction with the Golden Jubilee Celebration of Enforcement Day. It culminated in a live performance by the DBKL City Hall Choir who performed in front of an audience of approximately 2,000 people.

 

Mr Ajun Mubari, head of Malaysian audio rental company Mubari, says DPA’s 4097 CORE Supercardioid Choir Microphones were chosen to amplify the choir because their integrated shock mount and wind screen made them ideally suited to outdoor use. “The 4097 microphone is awesome and very easy to work with,” he says. “We used one pair to cover the choir group and positioned them on either side of the choir who were standing in a semi-circle. The concert generated very high sound pressure levels – in excess of 90dB – but, thanks to the 4097’s high isolation, the sound coming from the stage monitors (which were placed in front of the choir and behind the microphones) did not affect the available gain during the performance. This was a huge advantage as it meant we could capture the true sound of the choir without picking up any other sound.”

 

Tags: DPA Microphones | 4097 CORE | Supercardioid Choir Microphone
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