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Transcontinental colour collaboration on VFX-heavy spot for Nissan Posted: 12/06/2017

When you book a commercial into the Super Bowl coverage, you know that the creative and technical quality is going to be under real scrutiny. So for Nissans Return of the Snowman spot, VFX specialists The Embassy in Vancouver banded together with post house Alter Ego 3400km away in Toronto by harnessing FilmLights BLG (Baselight Linked Grade) workflow. 

Tags: FilmLight | Baselight | Nissan | The Embassy | Alter Ego | BLG workflow
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Technicolor invests in Baselight X to meet increasing demands for HDR finishing Posted: 08/06/2017

Technicolor, the world leader in production and post-production services, has extended its colour grading capabilities in Hollywood with FilmLights Baselight X system. Baselight X is the latest and most powerful implementation of the Baselight colour grading and finishing system.

Tags: FilmLight | Technicolor | Baselight X | HDR
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FilmLight announces free Baselight STUDENT Posted: 08/06/2017

At NAB2017, FilmLight will preview their latest product, Baselight STUDENT, a software-only macOS application that answers the call from a growing number of facilities for trained Baselight colourists and assistants. 

Tags: FilmLight | Baselight | Student
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Prelight 5.0 provides on-set look creation at NAB2017 Posted: 08/06/2017

After a promising start to the Prelight beta programme - with over 700 users joining since it was announced - FilmLight will demonstrated Prelight 5.0 at NAB2017.

Tags: FilmLight | Prelight | 5.0 | DoP | DIT | colour grading | beta | NAB 2017
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FilmLight rolls out 5.0 across its entire product range Posted: 08/06/2017

At NAB2017 FilmLight will demonstrated its version 5.0 advanced colour tools. Users will benefit from the same powerful toolkit, and a consistent and familiar user experience, from the flagship Baselight colour grading and finishing system, through Baselight Editions, to Daylight and the new on-set application, Prelight.

Tags: FilmLight | 5.0 | colour grading | HDR | 360 VR | Baselight
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Baselight delivers client confidence for FutureWorks Posted: 28/03/2017

FutureWorks Media, the leading Indian post production company, has installed two Baselight grading suites in its finishing facility in Mumbai. The company, which has three locations in the countrys movie capital as well as a fourth in Chennai, is a leading provider of visual effects for movies and television as well as a popular finishing house.

Tags: FilmLight | Baselight | FutureWorks | Post Production | Grading
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Umedia launches integrated Vancouver studio with Baselight Posted: 09/03/2017

International production and post group Umedia has opened its fifth location based in the popular Canadian centre, Vancouver, incorporating high-quality visual effects services with finishing services. The Vancouver office has installed a powerful Baselight TWO grading and finishing suite.

Tags: Umedia | FilmLight | Baselight | Vancouver | colour grading | finishing | post production
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FilmLight provides future-proof picture finishing for Sky Posted: 12/12/2016

Sky, Europes leading entertainment company, has extended the capabilities of its post-production department with a suite of high-performance colour tools and technology from FilmLight. The new systems will allow Sky to serve the increasing technological demands of external clients as well as in-house departments at the companys headquarters at Osterley, West London.

Tags: FilmLight | Sky | Baselight | 4K | colour grading
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Gorilla goes large on FilmLight Posted: 06/12/2016

Gorilla is the largest post-production facility in Wales, with a brand new purpose-built flagship facility in the creative hub of Cardiff Bay. As part of a facility-wide upgrade, Gorilla has boosted its finishing facilities by expanding its Baselight installation, including upgrading to the latest version of the system software. 

Tags: FilmLight | Gorilla | Baselight | Grading | Colour Grading | 4K | HDR | Dolby | Avid | workflow
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Azimuths investment in Baselight provides high-end colour finishing Posted: 23/11/2016

Boutique post house Azimuth has installed a Baselight ONE 24TB grading suite with Blackboard 2 control surface to bolster its newly revamped London Soho premises. The installation includes the Baselight CONFORM software to ensure the most efficient preparation pipeline. Recognising that advanced colour grading is an increasingly crucial part of post, Azimuth also took the initiative to upgrade its Symphony suites with Baselight for Avid plugins to provide clients with a high-end, proficient workflow. 

Tags: Azimuth | FilmLight | Baselight | Avid | Grading | Colour grading | post production
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The sky is the limit for 4K IMAX HDR and quot;Sully with Baselight Posted: 06/10/2016

Technicolor LA recently gave Clint Eastwoods biographical drama Sully the full Baselight HDR colour grade treatment to achieve its pristine look for IMAX. Produced by Malpaso Productions, the film tells the true story of pilot Chesley "Sully" Sullenberger, portrayed by Tom Hanks, and applauds him as a hero after he safely landed US Airways Flight 1549 in the Hudson River in New York back in 2009, saving 155 lives. 

Tags: FilmLight | Baselight | Sully | IMAX | HDR | 4K | Maxine Gervais | Technicolor
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Animal Logic chooses FilmLight Baselight as end-to-end finishing solution Posted: 26/09/2016

Award-winning digital animation and visual effects studio, Animal Logic, has installed two Baselight grading systems in its Sydney head office. The company whose credits range from The Great Gatsby and Moulin Rouge to Captain America: Civil War and the series of LEGO® movies also has operations in Los Angeles and Vancouver.

Tags: FilmLight | Baselight | BLG workflow | Animal Logic | Bram Tulloch | Alex Timbs | LEGO | colour grading | DI
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FilmLight brings end-to-end colour tools and talks to IBC2016 Posted: 07/09/2016

Underlining its position as the leader in colour science and creative collaborative finishing, FilmLight is presenting its full range of tools at IBC2016, not only as demonstrations on its booth (7.F31) but also in special sessions on productive colour workflows. 

Tags: FilmLight | Colour | Grading | IBC2016 | Baselight | IBC 2016 | IBC 2016
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FilmLight expands creative possibilities for professional post at BIRTV 2016 Posted: 19/08/2016

As China increases its professional post-production market sector, growing rapidly with content creation and adopting sophisticated workflows, FilmLight is planning a major presence at BIRTV 2016 (stand 8B21, 2427 August, China International Exhibition Centre, Beijing). As well as exhibiting on its own stand with comprehensive demonstrations of the latest version of its core Baselight software alongside the new Daylight software solution for dailies FilmLight also has a show presence with reseller Jebsen Industrial Cinematic & Broadcasting Solutions and partner soCam. 

Tags: FIlmLight | BIRTV 2016 | Baselight | Daylight | VFX | soCam
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Technicolor Postworks creates colour for Cafe Society Posted: 18/08/2016

Technicolor PostWorks New York completed the finishing on Cafe Society, Woody Allens first digital motion picture as a director, which was captured by legendary cinematographer Vittorio Storaro. The film opened the 2016 Cannes Film Festival and was released in the United States last month.

Tags: Technicolor | PostWorks | Caf© Society | Vittorio Storaro | Anthony Raffaele | Woody Allen | FilmLight | Baselight
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