Fineline Supply Duran Duran Special Show in Eden

Date: 30/08/2016
Fineline Supply Duran Duran Special Show in Eden

Bristol, UK based lighting and visuals rental company Fineline supplied lighting, video and rigging equipment plus crew to Duran Duran Live at Eden with BBC Music Day, staged at the Eden Project in Cornwall. The special concert was the finale of the BBCs 2016 Music Day a nationwide celebration designed to unite different generations and communities through music.

Fineline was working with TAO Productions ¦ with whom they also regularly collaborate as a technical solutions provider for the annual Eden Sessions concerts. The concert was broadcast live on BBC Radio 2, aired a few nights later on the BBC 2 TV channel and available via The Red Button interactive channel.

Lighting for the band ascendant in the 1980s when they created their own highly stylish identity with a cool fusion of fashion, synthpop, risqu© high quality music videos and some catchy innovative sounds - was designed by Vince Foster, one of the UKs top LDs. He submitted a plot and a spec to Fineline who built the Eden production lighting rig based on this, with some fixture swaps related to their stock on consultation with Vince ¦ explains Finelines Stu England, who project managed the event for them.

Eden has a permanent 18 metre wide stage and roof structure that is a hybrid flown / ground supported design and familiar to Fineline through their Sessions work at the popular visitor attraction.

Four flown over-stage lighting trusses were added for the show plus another on the deck.

The fourth flown truss was right upstage and low slung under the video screen, utilised for eye candy fixtures.

Fineline provided an 8 by 4.5 metre surface of 6mm pitch LED at the back and the band were touring a custom curved floor-mounted video screen which sat in front of their risers.

Twenty-nine Ayrton Magic Blades were the principal fixtures on the low flown truss, joined by 16  Solaris Flare LED strobes.

Above these, on LX 3 the full height upstage truss, were 12 x Clay Paky K20s fitted with B-EYE lenses rigged on drop arms adding depth and height variation, joined by another 12 Magic Blades also on drop arms.

All these pixel-mappable fixtures combined and contrasted with the video to great effect.

Ten Robe Pointe multi-purpose moving lights were also on LX3 adding to the dynamics.

Moving further downstage, on LX2 were six Robe LEDWash 600s, another 12 x Pointes and 6 x linear 4-lite Moles. On LX1 were an additional four LEDWash 600s, 6 x Robe ROBIN 600E Spots and four 6-lamp PAR bars for providing comprehensive base stage washes.

For key lighting on LX1 were six ETC Source Four profiles with 26 degree lenses and six 8-lite blinders on the front rail of the truss were perfect for blasting out into the audience.

On the floor truss upstage, eight more Pointes and seven more Solaris Flare strobes were deployed.

The production lighting console was a Hog 4 with a live backup unit supplied by Fineline running via DP8000 DMX processors.

Multiple networking was involved in the control set up, as there was also another Compulite console and a backup supplied by TV lighting operator David Bishop and overseen by BBC lighting designer Nigel Catmur, running a number of additional TV key lighting fixtures also supplied by Fineline, all amounting to a total of 23 x DMX universes. Duran Durans production also carried their Catalyst media server which ran playback video to the screens, triggered via their Hog 4 console.

Stu designed the data network, which is one of his specialist areas, together with co-ordinating the production lighting design and ensuring that the other acts playing also had good looking lighting.

The additional broadcast lights were 16 x Chauvet LED Slip PARs and 16 x 2-lites rigged off the front arch of the stage, alternating ¦ which looked great over the audience.

Another 8 x 6-lamp PAR bars included four rigged vertically on the roof ground support legs and focussed directly acrossstage and out into the audience ¦ which looked dramatic on camera.

They also added in two 12 metre upstage / downstage trusses each side of stage at the BBCs request, each containing six LEDWash 600s for secondary washes.

The four FOH desks - controlling the production rig and all the TV extras - had to be merged. During the Duran Duran set, the BBC needed to control their TV lights and have access to the production lighting intensity control, so the four FOH consoles were merged over the network to allow this to happen. This was the biggest technical challenge of the gig elucidated Stu.

Four xenon Super Trouper follow spots positioned at FOH completed the lighting picture.

The Fineline team started the LX get in on the Tuesday for a Friday show. The BBC arrived on site the next day to start their programming, the band came on Thursday for a rehearsal and Vince Foster was on site to do his programming Thursday night, with it all ready-to-roll for the show which was hugely well received - on Friday.

Finelines very efficient crew of four including Stu - was chiefed by Tim Williams and joined by Will Dale looking after assorted FOH elements and technician Sam Kenyon.



Tags: Fineline | BBC | Eden Project | Duran Duran | lighting | video | rigging | TAO Productions
Submitted by Louise Stickland
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    Hold up the weather

  • Lighting fundamentals

    Lighting fundamentals

  • Chasing ratings

    Chasing ratings

  • An end-to-end solution

    An end-to-end solution

  • Cautionary notes from GTC Member number 001

    Cautionary notes from GTC Member number 001

  • Is it my eyes, is it in focus?

    Is it my eyes, is it in focus?

  • Education meets industry...

    Education meets industry...

  • Bring up the bodies

    Bring up the bodies

  • Sealife - Shooting 4k

    Sealife - Shooting 4k

  • How full is your spectrum?

    How full is your spectrum?

  • Archiving as a service at BBC Studios and Post Production

    Archiving as a service at BBC Studios and Post Production

  • Wild about Hovercam

    Wild about Hovercam

  • Product Spotlighting

    Product Spotlighting

  • Capture and Produce

    Capture and Produce

  • Keeping it real

    Keeping it real

  • Lighting for virtual sets

    Lighting for virtual sets

  • Vision for the future of TV

    Vision for the future of TV


News
DoPchoice Intro Light Directing Tools for Aputure Nova P600c New Snapbags Snapgrid Rabbit Ear Mount Adapter Posted: 20/10/2021
DoPchoice Intro and rsquo;s Light Directing Tools for Aputure Nova P600c New Snapbags and reg;, Snapgrid and reg; and amp; Rabbit Ear Mount Adapter

DoPchoice now offers light directing Snapbag® soft boxes and Snapgrids® to make the most of Aputure’s new P600c LED fixture. To complement this panel light, DoPchoice has designed a dedicated new Snapbag® soft box and Rabbit Ears Mount Adapter, plus a host of other choice tools.

Tags: DoPchoice GmbH | Light Modifiers | ARRI Orbiter | Obiter | Lightbank | Snapbag | lighting | cinematography | Local 728 | Local 80 | gaffer | light control | cinema tools | LED | Rabbit Rounder | Snapgrid | TRP Worldwide | Snapbag | reflective fabric | internal 3D Baffle | IBC 2021
Submitted by Lewis Communications
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HPA Young Entertainment Professionals Program Opens Call for Applications Posted: 20/10/2021
HPA Young Entertainment Professionals Program Opens Call for Applications

HPA (Hollywood Professional Association) has opened the call for applications for the 2022 Young Entertainment Professionals (YEP) program. Since its inception in 2015, the growing YEP program has supported the careers of talented creative, technical, project management and administrative professionals between the ages of 21 and 32 through mentorship, community building and educational offerings. Applications are due Monday, November 8 and applicants will be notified of their status in early December. The 2022 YEP class will begin in January 2022.

Tags: HPA | HPA YEP | professional development
Submitted by ignite strategic communications
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Lead Singer Billy Lunn Puts Neve Firmly At The Heart Of His Latest Recordings Posted: 20/10/2021
The Subways and rsquo; Lead Singer Billy Lunn Puts Neve Firmly At The Heart Of His Latest Recordings

Billy Lunn, lead singer, guitarist, songwriter and producer of the rock band The Subways, has made Neve outboard units the centrepiece of his new studio after recognising the positive impact Neve equipment had on the sound of the band’s second album, All or Nothing.

Released in 2008, All or Nothing was produced by Butch Vig and recorded on a Neve® 88R desk at Conway Studios in Los Angeles.

Tags: Billy Lunn | The Subways | AMS Neve | Neve 1073SPX | Neve Pre Amps | Butch Vig
Submitted by White Noise Public Relations Ltd
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TSL Products Hosts Virtual and Interactive Showcase to Spotlight New Products and Latest Advancements Posted: 20/10/2021
TSL Products Hosts Virtual and Interactive Showcase to Spotlight New Products and Latest R and amp;D Advancements

TSL Products will spotlight its latest product developments in audio monitoring, control systems and power solutions with a virtual and interactive showcase. The new digitalplatform will allow customers to visit a virtual representation of TSL’s tradeshow booth, with access to product demos and exclusive interviews, as well as the opportunity to speak live with product specialists via a custom-built set up based out of TSL’s Marlow office.

Tags: TSL Products | NAB 2021 | virtual tradeshow
Submitted by D. Pagan Communications
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Pebble continues 2021 expansion with new hires Posted: 20/10/2021
Pebble continues 2021 expansion with new hires

Pebble, the leading automation, content management, and integrated channel specialist, is pleased to announce a range of new hires across its business as it continues to build on its successes over the last year. The company announced an impressive set of figures for H1 2021 last month, buoyed by an up-tick in all key financial metrics over the Covid-impacted 2020, including revenue, pre-tax profits, and net cash.

Tags: Pebble | automation | content | channel | hires
Submitted by Bubble Agency
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dock10 launches real-time motion-capture solution Posted: 20/10/2021
dock10 launches real-time motion-capture solution

dock10, the UK’s leading television facility, has announced the launch of a new innovative technology solution for broadcasters that enables Augmented Reality (AR) characters to be rendered in real-time in both traditional and virtual sets. 

Tags: dock10 | BBC | Bitesize Daily | AR | Motion Capture
Submitted by Bubble Agency
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Scality delivers comprehensive, rock-solid portfolio for Splunk SmartStore deployments Posted: 19/10/2021
Scality delivers comprehensive, rock-solid portfolio for Splunk SmartStore deployments

Scality announced today that it delivers the most comprehensive and rock-solid portfolio of Disaster Recovery-enabled SmartStore ready deployment options as validated by Splunk. To provide enterprise customers with maximum data protection and deployment flexibility, Scality offers three SmartStore-ready architectures spanning single-site to multi-site models capable of ensuring zero recovery point objectives (RPO) and recovery time objectives for superior delivery of Splunk's mission critical data analytics.




Tags: Scality | Splunk | SmartStore | disaster recovery
Submitted by A3 Communications
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Marketron to Share Keys to Effective Yield Management and Dynamic Pricing in Nov. 3 Webinar for Broadcast Sales Professionals Posted: 19/10/2021
Marketron to Share Keys to Effective Yield Management and Dynamic Pricing in Nov. 3 Webinar for Broadcast Sales Professionals

Marketron, the broadcast industry's leading technology provider for more scalable, predictable, and reliable revenue, will host a Nov. 3 webinar that explains to broadcast sales professionals how they can leverage the power of yield management and dynamic pricing to increase revenues. Beginning at 2 p.m. EDT, "Yield Management in Broadcast Sales: Why It's a Powerful Tool" will offer an overview of yield management and delve into how integrating dynamic pricing into the sales process can drive greater success and profitability.

Tags: Marketron | Yield Management | Webinar | Broadcast | Broadcast Sales
Submitted by Wall Street Communications
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53% of companies are left exposed to supply chain attacks Acronis Cyber Readiness Report 2021 reveals critical security gaps Posted: 19/10/2021
53% of companies are left exposed to supply chain attacks Acronis Cyber Readiness Report 2021 reveals critical security gaps

Acronis, the global leader in cyber protection,has released its annual Cyber Readiness Report, providing a comprehensive overview of the modern cybersecurity landscape and the key pain points faced by businesses and remote employees worldwide amid the global pandemic. Acronis’ research from last year revealed more than 80% of global companies admitted they were not prepared to transition to remote work – exposing key vulnerabilities businesses must quickly plan and implement solutions for.

Tags: Acronis | cyber security | ransomware | malware | phishing
Submitted by A3 Communications
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SDVI and TMT Insights Partner to Accelerate Customer Deployment of Rally Media Supply Chain Platform Posted: 19/10/2021
SDVI and TMT Insights Partner to Accelerate Customer Deployment of Rally Media Supply Chain Platform

SDVI, the leading platform provider for cloud-native media supply chains, today announced a new Rally platform deployment partnership with TMT Insights, a professional services and software development company with strong expertise in digital supply chain implementation for Fortune 500 companies. The partnership leverages the implementation and professional services expertise of TMT Insights to accelerate integration and deployment of the SDVI Rally media supply chain platform and to assist customers in optimizing their implementation and management of the platform.

Tags: SDVI | TMT Insights | Rally | Media Supply Chain | Funamation | Anuvu
Submitted by Wall Street Communications
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Triveni Digital LIVE Forum Unites the Broadcast Industry Around NextGen TV Posted: 19/10/2021
Triveni Digital LIVE Forum Unites the Broadcast Industry Around NextGen TV

Triveni Digital today announced that it will host Triveni Digital LIVE Forum, an interactive, virtual event to unite broadcast engineers, station management, cable operators, and anyone interested in NextGen TV on Wednesday, Nov. 3. During the online event, attendees will learn directly from ATSC experts, interact with broadcast industry colleagues, and enhance their knowledge on solutions related to the ATSC 3.0 ecosystem.

Tags: ATSC | NextGen TV | E.W Scripps | ARK Multicasting | Harmonic | Hitachi Comark | Synamedia | Heartland Video Systems | Triveni Digital
Submitted by 202 Communications
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Darcy Antonellis to Receive Lifetime Achievement Award From HPA Posted: 19/10/2021
Darcy Antonellis to Receive Lifetime Achievement Award From HPA

Veteran media technology executive Darcy Antonellis will receive the organization’s prestigious Lifetime Achievement Award during a gala celebration at the Hollywood Legion on November 18, 2021. The Lifetime Achievement Award, given only at the discretion of the HPA Board and Awards Committee, honors the recipient’s dedication to the advancement of the industry.


Tags: HPA | HPA Awards | Darcy Antonellis | Vubiquity
Submitted by ignite strategic communications
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Marshall High Resolution Encoder decoder Upgrade Goes the Distance for Victorville, Californias, KVVB-TV Posted: 19/10/2021
Marshall High Resolution Encoder decoder Upgrade Goes the Distance for Victorville, Californias, KVVB-TV

When Tim Harris, general manager and CEO of KVVB-TV in Victorville, CA was looking for an efficient way to expand his station’s ability to transmit data, he found the solution he was looking for with the VS-102-HDSI encoder from Marshall Electronics.

Tags: Marshall Electronics | encoders | independent television
Submitted by D. Pagan Communications
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Emmy-nominated Re-recording Mixer Gets Creative With NUGEN Audio Plug-ins Posted: 19/10/2021
Emmy-nominated Re-recording Mixer Gets Creative With NUGEN Audio Plug-ins

A 15-year veteran of the film and TV business, freelance re-recording mixer Alexandra Fehrman loves to get creative with her projects. Nominated for a 2021 Sound Mixing Emmy for her work on Amazon’s drama The Boys, Fehrman works with Formosa Group, a post-production facility in Los Angeles, as well as from her home studio. Fehrman, like many audio pros, started her career in music as a teenager and has been pursuing sound mixing ever since. Her specialties include streaming and TV series, as well as feature and independent films. As she ramps up her work on streaming projects, Fehrman continually turns to NUGEN Audio’s VisLM loudness meter, Paragon reverb and Halo Upmix/Halo Downmix plug-ins for reliability, accuracy and creativity.

Tags: NUGEN Audio | women in audio | post production
Submitted by D. Pagan Communications
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Grass Valley Appoints Jan Lange as Chief Revenue Officer Posted: 19/10/2021
Grass Valley Appoints Jan Lange as Chief Revenue Officer

Grass Valley today announces the appointment of Jan Lange as Chief Revenue Officer. In this new role, Lange will report to Tim Shoulders, Grass Valley CEO and president and will oversee Grass Valley’s go-to-market strategy to empower customers to deliver the live moments that matter to people across the globe. Harnessing his commercial experience, Lange will lead the global sales team and help drive the company’s recently launched new strategic focus on live production. He will be responsible for expanding the GV Media Universe (GVMU) cloud-centered customer base and growing revenue through new partnerships and large enterprise pricing agreements.

Tags: jan lange | grass valley | appointment
Submitted by Staff
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