Graham Sheldon DPs Remote Cinematography for New Docu-series

Date: 04/01/2021
Graham Sheldon DPs Remote Cinematography for New Docu-series

Embracing safe shooting workflow for a professional look

When Graham Sheldon got the call from showrunner Johnny Fountain to be his DP for Remote Production on the newBehind Every Manseries, he was up to the challenge. Sheldon’s technical background, and his willingness to try new and potentially un-proven shooting methods made him uniquely capable of professionally capturing the interview-heavy docu-series amid COVID-19 restrictions.

Behind Every Manshines the spotlight on the strong black women behind famous men, focusing on the passions, struggles and sacrifices they have endured to support the men they love. Hosted by Melody Holt, featured couples include: Tammy and Kirk Franklin; singer-songwriter Ne-Yo and his wife Crystal Smith; Wyclef Jean and Marie Claudinette, Usher and his mother Jonnetta Patton, and many more.

Each of the ten episodes includes 5-7 interviews of the various personalities from their own homes, sometimes across the city, state, or country. Under normal conditions it would be a challenge, but in 2020 it also had to be safely COVID-19 compliant. And it had to look fully professional—computer-style interviews would not cut it.

That’s where Graham Sheldon came in. “There could be no crew members on the scene. All equipment had to be set up by the talent and their COVID-19 pod in their house,” says Sheldon, “We had to make sure it was easy for non-camera pros to set up, right out of the box.”

Keeping it simple was the mandate. For camera, Sheldon chose the Canon C300 MK II thanks to its quality of facial auto focus. Along with it he selected the Sigma 24-70mm lens because he knew he could rely on its autofocus. “We shot in UHD so post could have autonomy over composition.” To avoid memory card swaps Sheldon went with the large SanDisk Cfast 256 GB. Their simple audio kit would be set to “auto”.

For the critical real-time streaming and monitoring he called his friends at Teradek. “I needed a level of confidence that it would work in real production scenarios with people who were particular. I knew that the Teradek team would have it figured out,” Sheldon reasoned.

“At the time Graham’s production was unique because there wouldn’t be a professional film crew operating the equipment with the talent,” explains Andrew Ng, Creative Solutions’ Director of Marketing. “We turned to Cube 755 as our most versatile solution to provide solid reliability, premium quality HEVC encoding, and encrypted security. The biggest challenge wasn’t the technology requirement but ensuring the level of confidence expected by producers familiar with Teradek’s zero-delay on-set solutions. After reviewing the production workflow variables, we were able to deploy a virtual workflow that could be scaled as needed.” A Cube would be pre-configured to each camera before arriving at the locations. At its destination it would just need to be plugged into power.

The remote video was accessed via iPads, Apple TVs, and web browsers using Teradek Core, the cloud-based streaming management platform. Sheldon was able to direct photography and also provide the rest of the production with a real-time virtual video village experience.

The 12 episodes were scheduled to shoot in April and May 2020. They prepped 5 identical equipment packages destined to travel throughout the US, to shoot multiple episodes simultaneously. The camera team was small. Melissa Kirchhoff, the AC prepped the packages and did the turnarounds. “There was a lot of turn-around work in a rental house that was otherwise empty due to the shutdown,” says Sheldon. They met in person only once during prep.

“We color-coded all the buttons and came up with a laminated card so if they were visual it would make sense. If they were audial, they would listen to us,” he continued. To test their system they sent a kit to production manager, Nicki Marshall and walked her through it.

To prep the interviewees Sheldon connected with each individually prior to gear arrival. To scout, he had them send photos or video of their living space so he could plan the best location and lighting setup. “We looked for controllable light and depth in the room. They couldn’t be against the sun and we needed good depth of field—no flat-looking announcer shots. We also walked them through Internet speed checks to determine if we needed to pre-prep Teradek Node modems to assure reliable cellular connectivity, or if we could get set for Wi-Fi.”

Fortunately Sheldon is an exceptional communicator. He says a key point was to manage expectations. Even the stars had to get in the right headspace for the level of work they would have when the 6 Pelican cases arrived on their doorstep. That’s when Graham and the AC, Melissa would pop on Zoom and run them through setting up the camera packages.

Sheldon was relieved at the enthusiasm, “Sometimes family members in their pod would help—a daughter, sister, uncle, assistant. For the most part no one had production experience. Everyone from an 80-year-old to a 15-year-old was able to do it.” Set up took from 30 minutes to an hour and half.

Sheldon’s main workload was during interview setups—especially when there were multiple interviews in the same location requiring different lighting plans. “Once everything was lit we were mostly on autopilot from the DP perspective. My AC Melissa Kirchhoff would cover for me when I bounced between different interviews,” he adds.

When the interviews started, Sheldon viewed from his office in Southern California using his computer monitor, iPad, and phone: one on Zoom, one over SLACK, one on CORE TV which he calls “user friendly.” He invited the production team stakeholders to view the camera stream on their own devices from their various locations.

How did Graham Sheldon react to using this new workflow? “The talent really got into participating in the production so it all worked out. Its amazing what you can do if you are willing to embrace the craziness of 2020.”

Behind Every Manis currently airing and streaming on OWN.

Graham Sheldon will be discussing emerging technology and tactics that make virtual production a reality in a live session, CS PresentsVirtual Production: The New Wave of Digital Collaborationon January 7, 2021 at 10am PST. To sign up for the free live chat visithttp://link.cs.inc/gsheldonown

##

ABOUT VITEC CREATIVE SOLUTIONS

Headquartered in Southern California, USA, Creative Solutions (CS) designs and manufactures premium cinema and broadcasting technologies used by production professionals in film, television, news, sports, live events, online streaming, and other media enterprises. A subdivision of The Vitec Group, CS is composed of Teradek, SmallHD, and Wooden Camera, whose products are available via branded websites and retail partners around the globe. 



Tags: SmallHD | Focus | Monitor | On-Camera Monitoring | Focus Pro | LCD | OLED | touchscreen | camera control | lightweight design | recording format | resolution | frame rate | shutter speed | aperture adjustment | autofocus | output tone map | highlight roll-off | 3D LUTs | Ni
Submitted by Susan Lewis (Lewis Communications)
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  • Manchester TOUR!

    Manchester TOUR!

  • Glensound: RECCE HD at NAB 2013

    Glensound: RECCE HD at NAB 2013

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    Phabrix RX2000 at NAB 2013

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    Polecam: Z10 zoom lens at NAB 2013

  • Quantel Pablo Rio at NAB 2013

    Quantel Pablo Rio at NAB 2013

  • Atomos Samurai Blade demonstration at NAB 2013

    Atomos Samurai Blade demonstration at NAB 2013

  • Autocue at NAB 2013

    Autocue at NAB 2013

  • Facilis Technology at BVE 2013

    Facilis Technology at BVE 2013

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    Atomos at BVE 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Trilogy at IBC 2012

    Trilogy at IBC 2012

  • Emotion Systems at NAB 2012

    Emotion Systems at NAB 2012

  • Clear-Com HelixNet Partyline at NAB 2012

    Clear-Com HelixNet Partyline at NAB 2012

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    Adder at NAB 2012

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    Cintel at NAB 2012

  • Broadcast Pix at NAB 2012

    Broadcast Pix at NAB 2012

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    Wowza at NAB 2012

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    Guntermann and Drunck at BVE 2012

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    Trilogy at BVE 2012

  • Global Distribution at BVE 2012

    Global Distribution at BVE 2012

  • Atomos at ProVideo2011

    Atomos at ProVideo2011

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    Thear Technology Limited at ProVideo2011

  • Ross Video at BVE North 2011

    Ross Video at BVE North 2011

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    HHB and Soundfield at BVE North 2011

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    Hireacamera at BVE North 2011

  • Bridge Technologies at IBC2011

    Bridge Technologies at IBC2011

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News
Ferrari Owned Italian Mugello F1 Circuit Supplied by Marcam Europe Posted: 21/01/2021
Ferrari Owned Italian Mugello F1 Circuit Supplied by Marcam Europe

Ferrari’s very own Mugello Circuit made its debut in last year’s Formula 1 championships. Set in the Tuscan countryside, this was the perfect setting for Ferrari’s 1000th F1 championship race & the Italian track didn’t disappoint. Although opening in 1974, Mugello had never hosted a Formula 1 grand prix and therefore needed to have the proper measures installed regarding track safety, security and control.


Tags: PTZ | Mugello | Ferrari | Mugello Circuit | Marshall Cameras | Formula 1 | Camera | Grand Prix | CV630-IP | CV420-18X | Broadcast | F1 | Cameras | Marcam Europe | Marshall Electronics
Submitted by Marcam Europe
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Grupo Records TV Capital Makes Headlines with Dalet Posted: 21/01/2021
Grupo Records TV Capital Makes Headlines with Dalet

Dalet, a leading technology and service provider for media-rich organizations, today announced that Brazilian-based broadcaster, Grupo Record, will transform its news production and distribution at its TV Record Brasilia – TV Capital station with the deployment of Dalet Galaxy five. TV Capital, which covers local news and national Brazilian politics, is the seventh Grupo Record station to innovate its operation on the Dalet Galaxy five platform. A top-ranked broadcast group, Grupo Record has been collaborating with Dalet since 2015, elevating the viewer experience through the modernization of its TV Record stations located across the country. The latest Dalet Galaxy five installation at TV Capital will serve as the core platform for state-of-the-art news story production and distribution in a unified environment.

Tags: Dalet | Dalet Galaxy Five | TV Capital
Submitted by Zazil Media Group
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Drop Ship Audio expands its Calrec roster with an Artemis Beam for major TV network use Posted: 21/01/2021
Drop Ship Audio expands its Calrec roster with an Artemis Beam for major TV network use

Calrec’s Artemis Beam audio console is proving to be a success for Sean Prickett, owner of broadcast audio engineering company and rental service Drop Ship Audio in Los Angeles, CA. With 340 channel processing paths and powerful Bluefin2 and Hydra2 technologies, the new Artemis console is being used on a popular reality show in its fourth season, installed in a studio with a major US network. 



Tags: Calrec | broadcast | Artemis | audio | consoles | digital | IP | AoIP
Submitted by Jump PR
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CJP Broadcast Launches StreamSmart+, Club-Owned Online TV Service for Sports Posted: 21/01/2021
CJP Broadcast Launches StreamSmart+, Club-Owned Online TV Service for Sports

CJP Broadcast announces the launch of StreamSmart+, a flexibly defined service enabling sports clubs to launch their own television channel quickly, easily and affordably.

"StreamSmart+ is a complete glass-to-glass solution including latest-generation equipment, fully focused operational training and all relevant supporting services," says CJP Broadcast MD Chris Phillips. "Operating an online TV channel allows sports clubs to extend their visibility both locally and globally. It is also a potential revenue source both for clubs and their sponsors. Unlike free to air services such as YouTube, a properly managed online TV channel retains full control over all its content, independent of commercials that might otherwise compete with sponsors' brands."

"The service is based on nearly 10 years of experience we have gained as an SI. That includes partnering with various sports organisations from grassroots level up to major event finals across football, cricket and rugby."

"Initially adopted to offset the impact of coronavirus restrictions on audience attendance, online TV has now proved itself a logical expansion path for sports clubs of every size. Live streaming allows clubs to televise entire matches including supporting titles, subtitles, close-ups, action replays, slow-motion, ad-insertion, sponsor logos, visual effects plus live sound, commentary and supporting news."



Tags: CJP Broadcast Service Solutions Limited | ITIL based service desk solutions | broadcast tape digitisation | film digitisation | broadcast TV studio system integration | technical support services | live sports production system | Streamstar | Mo-Sys StarTracker S
Submitted by Stylus Media Communications
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KVM 4FUTURE - it starts right now Posted: 21/01/2021
KVM 4FUTURE - it starts right now

The KVM Technology of tomorrow with Real Remote

The extension of an already existing KVM system via a kvm-tec Full HD Extender allows not only remote workplaces and home offices with super performance but also the expansion of the KVM system up to 2000 endpoints and more and access to virtual machines.

Tags: kvm | kvmextender | kvm4future | kvmrealremote | kvmhighperformancesystem
Submitted by kvm-tec Electronic GmbH
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New Adder ZeroU High Performance IP KVM Brings Increased Customer Connectivity Choice Posted: 20/01/2021
New Adder ZeroU and trade; High Performance IP KVM Brings Increased Customer Connectivity Choice

Adder Technology, a global leader in connectivity solutions and high performance IP KVM, today announced a pair of new KVM transmitters that bring HDMI® and DisplayPort™ connectivity to its proven and trusted ZeroU™ portfolio. The revolutionary dongle design, combined with plug and play functionality, makes the series perfectly placed to support organizations looking to take advantage of the benefits of IP KVM while making efficient use of valuable rack space.

Tags: IP KVM | KVM Matrix | ZeroU KVM | HDMI | DisplayPort | Computer Access | Computer Control | Remote Access | Post-Production | Outside Broadcast | Broadcast | Transport Technology | Industrial Technology | Air Traffic Control | VFX
Submitted by Adder
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KRK Welcomes a New Generation of Subwoofers Posted: 20/01/2021
KRK Welcomes a New Generation of Subwoofers

KRK announces the latest addition to its range of studio gear with a new generation of powered subwoofers. Coming spring 2021, the new series of KRK Studio Subwoofers will be available in 8-, 10-, and 12-inch variations: S8.4, S10.4, and S12.4. Building on KRK’s legacy of sonic accuracy and performance, the new KRK subwoofers deliver tight, accurate, and defined bass, while the highly efficient Class D power amplifiers dramatically increase transient response, control, and punch. The redesigned cabinets feature a more compact profile compared to their predecessors, allowing for improved placement flexibility and a timeless design that provides a more professional aesthetic.

Tags: KRK Systems | subwoofer | sound engineer
Submitted by D. Pagan Communications
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All Typed Up Helps Audiences Engage with Media Posted: 20/01/2021
All Typed Up Helps Audiences Engage with Media

All Typed Up, a well-established provider of transcription services to clients across the full range of service sectors, now offers a range of media subtitling solutions. From popular television programmes, documentaries to one-off video projects, All Typed Up draws on its many years of experience and technological capability to help audiences engage with media.



Tags: media | subtitling solutions | video projects | technology | digital transcription | post-production
Submitted by Manor Marketing
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PMC Brings Extra Clarity to Eddie Serafica and rsquo;s Productions Posted: 20/01/2021
PMC Brings Extra Clarity to Eddie Serafica and rsquo;s Productions

Grammy Award-winning producer and writer Eddie Serafica is enjoying the sound of the PMC twotwo.6 monitors he recently installed in his London-based project studio.

As a recording and mix engineer, Eddie Serafica has worked on numerous high profile projects including James Bay's Electric Light, Michael Kiwanuka’s Love & Hate, and Buddy Guy’s The Blues is Alive and Well, which won Best Traditional Blues Album at the 2019 Grammy Awards. He works mainly ‘in the box’ and his production room in Hornsey is equipped with keyboards, synths, guitars and a 500 series rack incorporating Chandler TG2s and Camden Audio Pres, a Urei 1176 Blue Stripe clone and two UAD Apollos.


Tags: PMC Speakers | twotwo.6 | Eddie Serafica
Submitted by White Noise Public Relations Ltd
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TAG Video Systems Appoints Roy Folkman VP Sales North America and LATAM Posted: 19/01/2021
TAG Video Systems Appoints Roy Folkman VP Sales North America and LATAM

TAG Video Systems, the world leader in 100% SW, 100% IP, 100% COTS/Cloud, Probing, Monitoring and Multiviewing solutions, for all four of the major broadcast applications (Live Production, Playout, Delivery and OTT), has appointed industry veteran Roy Folkman as VP Sales North America and LATAM effective as of January 1, 2021. The announcement was made by Kevin Joyce, TAG Zer0 Friction Officer, from headquarters in Tel Aviv, Israel.

Tags: TAG Video Systems | Multiviewers | Multiviewer technologies | 100% SW | 100% IP | 100% COTS/Cloud | Probing | Monitoring | Zer0 Friction | TAG | TAG VS | TAG’s System Configurator | Roy Folkman
Submitted by Desert Moon
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Scality accelerates with record-breaking Q4 and 30% YoY annual growth in 2020 Posted: 19/01/2021
Scality accelerates with record-breaking Q4 and 30% YoY annual growth in 2020


Scality, the object storage pioneer, achieved worldwide annual growth of 30% year over year, successfully navigating an unprecedented 2020 with the largest quarterly revenue results in the company’s 10-year history. Results were fuelled by ever-increasing customer demand for large-scale data management solutions in hybrid and multi-cloud environments, the company announced today.




Tags: Scality | data storage | data management | object storage | hybrid cloud | multi-cloud
Submitted by A3 Communications
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Maxon Announces the Acquisition of Japanese Distributor Business Posted: 19/01/2021
Maxon Announces the Acquisition of Japanese Distributor Business

Today, Maxon announced it has completed the transaction to acquire the business segment of its Japanese distributor that services Maxon’s community and business concerns, and the formation of the first official office in Japan: Maxon Computer KK. For the last ten years, Maxon’s Japan Representative office in Tokyo, TMS Corp, has been well-known amongst the Maxon community. The establishment of Maxon Computer KK seeks to deepen this connection and show Maxon’s ongoing commitment to the Japanese market. Maxon have also announced that TMS Corp founder, Manfred Flick, has been appointed as the Regional Director of this new subsidiary. In addition, his entire motivated team will be part of the Maxon family.

Tags: Maxon | Japanese Distributer | TMS Corp | Maxon Computer KK | Acquisition
Submitted by Zazil Media Group
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DHD Audio RX2 XC2 Audio Mixing System Goes On Air at NRJ Norway Posted: 19/01/2021
DHD Audio RX2 XC2 Audio Mixing System Goes On Air at NRJ Norway


DHD Audio announces the completion of a new audio mixing system for Oslo/Lillehammer-based radio broadcaster NRJ Norway. Supplied and integrated by Soundware Norway, it comprises an RX2 mixer surface and an XC2 core router/processor plus an AES67 audio-over-IP interface.

Tags: DHD Audio GmbH | digital audio studio equipment | digital audio systems | digital audio mixers | broadcast control room systems | DJ-operated radio studio systems | OB truck audio systems | audio routing and talkback matrices | audio-over-IP interfaces
Submitted by Stylus Media Communications
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PHABRIX releases the latest Qx Series V4.2 software Posted: 19/01/2021
PHABRIX releases the latest Qx Series V4.2 software

PHABRIX is pleased to release the latest V4.2 software for its Qx Series of advanced hybrid IP/SDI test and measurement rasterizers.
· QxL V4.2 offers simultaneous generation and analysis of ST 2110/2022-7 video and audio flows
· Generation of two sets of video and audio ST 2022-7 flow pairs including; test pattern as a flow (1 x ST 2110-20 and 4 x ST 2110-30/31 with 2022-7), monitor output (GUI) as a flow (1 x ST 2110-20 and 1 x 2110-30/31 with 2022-7), offering a total of seven flow pairs (14 Flows) from generator and monitor output
· A new IP Transmit configuration tool providing an at-a-glance view of transmitted flow status and selected formats

Tags: phabrix | qx series | rasterizer | ip test | sdi test | st2110
Submitted by Phabrix Ltd
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Densitron adds two new products to acclaimed UReady control surface range Posted: 19/01/2021
Densitron adds two new products to acclaimed UReady control surface range

The 4RU 19” Rack Control and Monitoring Surface and 2RU Control Surface Powered with X86 Platform are rack-mountable and can provide capacitive touchscreen control

Tags: Densitron | Control Surfaces | UReady | X86 Platform | UReady 4RU 19” Rack Control | UReady 2RU Control Surface | HMI
Submitted by Page Melia PR
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