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Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License Posted: 11/12/2019
Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License

Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – today announced a new, annual rental model for Colorfront Express Dailies that dramatically reduces the cost of operating the software.

Launching in Q1 2020, Colorfront’s subscription service enables users to rent Express Dailies 2020 for an annual fee of $5,000 USD, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, designed for use with the new Mac Pro, makes on-set HDR monitoring, enabled by Colorfront systems, a more financially viable proposition than ever before.

Tags: Colorfront | Express Dailies | HDR | UHD | HFR | 6K | dailies | Mac Pro | Pro Display XDR
Submitted by Prince PR
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Videe SpA Equips New 4K HDR OB Van With Riedels Artist and Bolero Intercom Systems Posted: 03/12/2019
Videe SpA Equips New 4K HDR OB Van With Riedels Artist and Bolero Intercom Systems

Riedel's Artist-1024 digital matrix intercom system and Bolero wireless intercom system are supporting state-of-the-art communications capabilities within Videe SpA's innovative new 4K HDR OB van, OBX VIDEE. The Riedel systems provide the power, density, and flexibility critical for pioneering remote production operations.

"Videe SpA is well known for its ability to leverage cutting-edge technologies to achieve the performance and functionality essential to demanding remote productions," said Giuseppe Angilello, Italy Sales Manager, Riedel Communications. "With Artist and Bolero, we've delivered on both counts to bring clear, flexible, and reliable communications to Videe's new OB van. As a true, native 4K unit, OBX VIDEE has the power and sophistication to support the most challenging projects — and the ease of use, compact size, and straightforward configuration of our intercom systems make them an ideal fit."

OBX VIDEE is a triple-expanding mobile production unit that can support up to 30 cameras. Based on client requirements, the van can be configured with dual control rooms or as one large, 75-square-meter production area that can accommodate up to 36 onboard team members. The OB van was engineered for the future by Videe and systems integrator Chromaline, with a design that meets each and every production demand with the best, most intuitive, and most efficient technical solution. As a top-end OB production system, OBX is ideal to provide host broadcasting services for major live sporting, music, cultural, and entertainment events worldwide. Integrating smoothly into the van's IP infrastructure, the Artist and Bolero systems along with 36 RSP-2318 SmartPanels, on board OBX VIDEE play a critical role by enabling clear communications tailored to the requirements of each production.

 

 

 

 

Tags: Videe SpA | 4K HDR OB | Riedel Communications | Artist-1024 | digital matrix intercom | Bolero wireless intercom | OBX VIDEE
Submitted by Wall Street Communications
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PIgmento Switches to DaVinci Resolve Studio for HDR Delivery Posted: 20/11/2019
PIgmento Switches to DaVinci Resolve Studio for HDR Delivery

Blackmagic Design today announced that Madrid based post house, Pigmento Color Grading, has switched to DaVinci Resolve Studio as part of a facility upgrade for HDR color correction and IMF format delivery.

Founded by Fernando Martinez and Pepe Abellàn, colorists with more than 20 years of audiovisual finishing experience, Pigmento has rapidly formed a reputation for delivering a boutique, tailored service to both broadcasters and OTT clients throughout Europe.

The team’s credits include episodic features such as The Pier, Locked Up and Emmy Award winning Money Heist, which has gone on to be a global success.

Spurred by increasing client demand for Dolby Vision, HDR10+ and IMF ready workflows, DaVinci Resolve Studio has now been installed as the primary online, grading and mastering solution within Pigmento’s two state of the art grading suites and two additional support workstations for conform, VFX pulls and deliveries.

Featuring Intel’s Dual Xeon SuperMicro processors paired with NVIDIA Tesla K80 and RTX2080ti graphics cards respectively, the grading suites feature Sony BVM-HX310 and Dolby PRM 4220 reference monitors and DaVinci Resolve Mini Panels for control. Underpinning the setup is 180TB of shared storage, with a 600TB NAS for backup.

Tags: Blackmagic Design | Blackmagic | DaVinci Resolve | Resolve | HDR | Streaming | IMF Delivery | Post Production
Submitted by Blackmagic design
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Atomos releases Sumo 19 switching upgrade at Inter BEE 2019 show Posted: 14/11/2019
Atomos releases Sumo 19 switching upgrade at Inter BEE 2019 show

At the Inter BEE show in Tokyo this week Atomos will make multi-camera switching and recording even easier with the release of a live asynchronous switching and quad ISO recording update for the Sumo 19 HDR monitor/recorder/switcher. AtomOS 9.2 for Sumo 19 turns it into the simplest way to record and switch multi-camera events, being intuitive, extremely portable and highly cost-effective.

 

Up to five 1080p60 streams can be recorded simultaneously - four separate ISOs and the program out to the same SSD drive in Apple ProRes® or Avid DNx formats. This can now be done without the need to synchronize the cameras together using genlock. The channels can be switched in real-time at the touch of the screen and the resulting switched output recorded to the separate fifth channel, as well as output on either HDMI or HD-SDI. Each switch also signals a metadata cut/edit point that the Sumo 19 writes to the disk as an XML file. The ISOs can subsequently brought directly into your NLE’s timeline* with the edits already in place, all ready for fine tuning or re-editing. You can even configure the touchscreen to respond differently to single and double taps, giving the choice between a hard cut or a dissolve being written into the XML file. This will in turn tell the NLE which transition type it should use.

 

Tags: Inter BEE | Tokyo | Atomos | Sumo 19 HDR | AtomOS 9.2
Submitted by Bubble Agency
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Royal Opera House Prepares for 4K Live Broadcasts with Megahertz Posted: 13/11/2019
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz

Megahertz Ltd., the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has completed a UHD/HDR production facility upgrade at one of the most prestigious performance and arts venues in the world; The Royal Opera House (ROH) in London’s Covent Garden.

The ROH has been streaming live ballet and opera performances to cinema audiences around the world since 2008. By making a move to ultra-high definition (UHD), initially for recordings and ultimately for live relays, ROH remains at the forefront of high quality 'live to cinema' performance.

Equipped to meet current high-end production standards and emerging new broadcast standards, the newly fitted £800k Media Suite consists of a full UHD/HDR production gallery and engineering room, which now boasts a tapeless workflow, intelligent network control system, improved recording and playout facilities, 4K monitor wall, state-of-the-art vision mixer, bespoke production desks and enhanced camera talkback system.

Following a rigorous tender process, ROH selected Megahertz to supply the turn-key solution not only to future-proof the facility, but also simplify operations for the varying production crews that use it. Megahertz worked collaboratively with ROH, providing a range of services from consultancy to design, construction/interior design liaison, sourcing of equipment, integration, and installation. Steve Zissler, ROH Sound & Broadcast manager and Peter Byram, Broadcast Consultant canvassed opinions from the freelance broadcast staff, ensuring the design met the users’ requirements.

Tags: Megahertz | Royal Opera House | media suite | UHD/ HDR | 4K | systems integration | production facility | Covent Garden | turn-key solution | Steve Zissler | Jon Flay | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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AJA Introduces 8K Support for HDR Image Analyzer 12G Posted: 13/11/2019
AJA Introduces 8K Support for HDR Image Analyzer 12G
AJA Video Systems has announced new 8K support for HDR Image Analyzer 12G, its powerful real-time HDR and WCG monitoring and analysis platform developed in partnership with Colorfront. The upcoming free software release will feature up to 8K/UHD2 HDR monitoring and analysis for high raster content with 12G-SDI for higher bandwidth workflows with the simplicity of single-cable connectivity.
 
HDR Image Analyzer 12G fuses AJA’s production-proven video I/O technology with powerful HDR and WCG image analysis tools from Colorfront, including waveform, histogram and vectorscope monitoring and analysis of up to 8K content over 12G-SDI for broadcast and OTT production, post, QC and mastering. Within a compact 1RU chassis, HDR Image Analyzer 12G provides users with a comprehensive toolset to monitor and analyze SDR and HDR formats, including PQ (Perceptual Quantizer) and Hybrid Log Gamma (HLG). 

 

 

 

Tags: AJA | AJA Video Systems | Video Production | HDR Image Analyzer 12G
Submitted by Newsfeed
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The End of the F***ing World Season Two Graded In DaVinci Resolve Posted: 07/11/2019
The End of the F***ing World Season Two Graded In DaVinci Resolve

Blackmagic Design today announced that CHEAT has continued its expansion with DaVinci Resolve Studio, adding a new HDR ready grading suite as well as a research and development lab.

This adds to CHEAT’s three preexisting grading suites, which include Linux machines with dual Intel Xeon E5-2600 v4 processors supported by four Nvidia GTX 1080Ti GPUs and the DaVinci Resolve Advanced Panel.

The first project to be realized through the new workflow is The End of the F***ing World season 2. Returning following the critically acclaimed first season, which has been nominated for BAFTA and Primetime Emmy Awards, the grade on series two was led by CHEAT’s owner and colorist Toby Tomkins.

“Season two was a challenge because it introduced a new director, new DPs and a new production designer. It was also our first Dolby Vision grade as a facility,” says Toby. “There was a lot of pressure to ensure we delivered to the same high standards expected of us from our work on season one.”

Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | HDR | Netflix | Dolby Vision | CHEAT | Post Production
Submitted by Blackmagic design
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Directors Cut upgrades to Baselight for HDR and 4K Posted: 31/10/2019
Directors Cut upgrades to Baselight for HDR and 4K

Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries and feature films, with increasing interest in 4K and HDR.

“Being owned and run by ex-editors, we know what is required to meet and exceed expectations in post,” said Senior Colourist Andy Elliott. “We felt it was the right time to invest and embrace HDR and 4K workflows. HDR in particular produces much more of a positive visual impact, with real benefits in the immersive experience for the viewer.”

Leading broadcasters and production companies in the UK routinely turn to Directors Cut to finish major projects. While the work includes major dramas and some feature films, the company has a reputation for long form TV, especially documentaries. Recent projects graded by Elliott include biographies of Cher and Elton John, an investigation of the Bauhaus for BBC4, and Sir David Attenborough’s call to action Climate Change: The Facts.

Elliott pointed out that such programmes frequently bring together footage shot on multiple different cameras and formats, often in less than ideal circumstances. The task for the colourist is to integrate all of the footage as well as create a coherent look that reflects the story the director wishes to tell. That makes the speed and power of the upgraded Baselight suite an important asset.

Tags: FilmLight | Directors Cut Films | independent post house | Baselight TWO | colour grading | Blackboard control panel | Andy Elliott | HDR | 4K | grading suite | powerful system | asset | colourist | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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Ikegami Appoints Video Signal as Broadcast Channel Partner Posted: 22/10/2019
Ikegami Appoints Video Signal as Broadcast Channel Partner Ikegami announces a new addition to its team of broadcast channel partners with the appointment of Video Signal s.r.l. Operating from headquarters in Milan and offices in Rome, Video Signal will handle the entire Ikegami broadcast product range including studio, EFP and POV cameras, viewfinders, interfaces, control units and picture monitors.
Tags: Ikegami Electronics | broadcast cameras | 4K HDR video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | IP camera links | fibre came
Submitted by Stylus Media Communications
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Fifty Fifty adds second Baselight grading suite Posted: 21/10/2019
Fifty Fifty adds second Baselight grading suite

Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content for broadcast and streaming, both suites are equipped for 4K and HDR Ultra HD, and certified for Dolby Vision grading and delivery.

 
Originally a short-form house, Fifty Fifty is now best known for its broadcast work. As well as an ambitious expansion into a fourth building next to its original Soho base, to drive future creative and commercial growth, Fifty Fifty has recruited experienced long-form colourist Joe Stabb to run both the department and the new suite.
 
“Our boutique size enables us to offer agile, bespoke solutions,” said Cara Kotschy, managing director of Fifty Fifty. “The addition of beautifully styled and Dolby Vision accredited Baselight suites is a strategic move to put us at the forefront of technology and deliver our strategy within the high-end programming market. Baselight is a name that almost every single client will recognise and trust.”
 
Today, the majority of Fifty Fifty’s OTT deliverables are in HDR, so it is incredibly important that they have the confidence to deliver this new technology. The new suite matches the existing room technically, based on a Baselight TWO workstation with a Blackboard control surface. Fifty Fifty also use Baselight plug-ins in their editorial rooms and Flame VFX.
Tags: FilmLight | Fifty Fifty | Baselight | grading suite | colourist | Joe Stabb | 4K | HDR Ultra HD | Cara Kotschy | Dolby Vision | Blackboard control | Flame VFX | colour science | colour artist | interoperability | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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Leader Electronics ZEN Series Supports Sonys SR Live Metadata Decode and Display as a Standard Function Posted: 11/10/2019
Leader Electronics ZEN Series Supports Sonys SR Live Metadata Decode and Display as a Standard Function

Leader Electronics Corporation, a global producer of high-performance test and measurement solutions, has enhanced its ZEN series waveform monitors and rasterizers with the ability to decode and display the SR Live Metadata packet proposed by Sony Imaging Products & Solutions. The packet structure supports Sony's SR Live for HDR production workflow, which allows 4K HDR and HD HDR video to be produced simultaneously within an HD SDR live-production environment.

Tags: Leader Electronics Corporation | ZEN Series | Sony SR Live | Metadata Decode | waveform rasterizer | HDR | SDR
Submitted by Kokoro Marketing
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Ikegami Introduces UHL-43 Compact HDR Camera to EAME Markets Posted: 09/10/2019
Ikegami Introduces UHL-43 Compact HDR Camera to EAME Markets
Ikegami announces the EAME introduction of its UHL-43 compact box-style multi-purpose digital camera. Debuted at the April 2019 NAB Show in Las Vegas and now available in Europe, Africa and the Middle East, the UHL-43 is designed for applications such as robotic studios, outside broadcasting of live events such as sports, parliamentary television, point-of-view image capture, weather coverage, traffic surveillance and public security monitoring.
Tags: Ikegami Electronics | broadcast cameras | 4K HDR video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | IP camera links | fibre came
Submitted by Stylus Media Communications
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BT Chooses Ikegami as Technology Partner for Pioneering Live 8K Broadcast Posted: 09/10/2019
BT Chooses Ikegami as Technology Partner for Pioneering Live 8K Broadcast
SHK-810 camera technology from Ikegami, developed in cooperation with NHK, was chosen by BT Sport for a pioneering live 8K demonstration at the 2019 International Broadcasting Convention. Viewers on the BT stand at IBC were able to watch live coverage of the Premiership Rugby 7s tournament taking place in Northampton, England. With four times the resolution of 4K, 8K captures an unsurpassed level of image detail.
Tags: Ikegami Electronics | broadcast cameras | 4K HDR video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | IP camera links | fibre came
Submitted by Stylus Media Communications
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Broadpeak at Broadband World Forum 2019 Posted: 07/10/2019
Broadpeak at Broadband World Forum 2019

Demand for video streaming has never been greater. Consumers expect to see flawless video in their homes and on their mobile devices, making video an important part of data flowing into the home, and a crucial consideration for operators. To improve customer satisfaction, reduce churn, and attract new subscribers, network operators need scalable, cost-effective video services that ensure a flawless quality of service and (QoS) and quality of experience (QoE) across all screens. Broadpeak® provides solutions that optimize video delivery to home networks.

Tags: Broadpeak | Broadband World Forum 2019 | 4K UHD HDR | IPTV DASH | Wi-Fi Optimizer | nanoCDN | Multicast ABR
Submitted by 202 Communications
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New London Screen Academy (LSA) and Sony join forces to support the next generation of film and television creatives Posted: 26/09/2019
New London Screen Academy (LSA) and Sony join forces to support the next generation of film and television creatives
Sony has joined forces with a new sixth form academy, the London Screen Academy (LSA), to arm the next generation of aspiring filmmakers with the hands-on experience and skills needed to thrive in the media industry.
Tags: Sony | London Screen Academy | DMPCE | HDR | Film making
Submitted by Sony Professional Solutions Europe
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