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COLORFRONT UPDATES TRANSKODER FOR IBC 2016 Posted: 08/09/2016

Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will showcase how its Transkoder 2016 continues its phenomenal technological advances by streamlining delivery of the diverse formats in Ultra High Definition (UHD) and High Dynamic Range (HDR) production, during showcase sessions at IBC 2016, Amsterdam, 9-13 Sept (Okura Hotel), and at the partner booth of Panasonic (Hall 11, Stand C45).

Tags: Colorfront | On-Set Dailies | HDR | UHD | HFR | 8K | dailies | Transkoder | IMF | IBC 2016 | IBC 2016
Submitted by Prince PR
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COLORFRONT APPOINTS NMF TO DRIVE BUSINESS DEVELOPMENT IN LATIN AMERICA and amp; BEYOND and brvbar; Posted: 07/09/2016

Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, has appointed Nacho Mazzini Family (NMF) (www.nachomf.com) as the exclusive distributor and reseller channels driver for Colorfront products across Latin America, along with selected territories in Asia Pacific (APAC), plus Europe Middle East & Africa (EMEA).

Tags: Colorfront | On-Set Dailies | HDR | UHD | HFR | 8K | dailies | Nacho Mazzini | NMF | IBC 2016 | IBC 2016
Submitted by Prince PR
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Colorfront Express Dailies 2016 Unleashes More Raw On-Set Power at Cine Gear Expo Posted: 03/06/2016
Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will showcase the groundbreaking capabilities of its new Express Dailies 2016 system for Ultra High Definition (UHD) and High Dynamic Range (HDR) image-processing in on-set dailies workflows, during Cine Gear Expo 2016, c/o ALT Systems and Sony.
Tags: Colorfront | Express Dailies | HDR | UHD | HFR | 8K | dailies
Submitted by Prince PR
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SMPTE New England Section Offers Free Boot Camp on Working With New Video Formats and Delivery Mechanisms Posted: 16/05/2016
The New England Section of the Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, will offer a free day-long "New Technologies Boot Camp" dedicated to fostering a better understanding of working with high resolution (UHD, 4K, and beyond), high-dynamic-range (HDR) imaging, and higher frame rates (HFR); maintaining resolution independence on screens of every size; and leveraging internet protocol (IP) and ATSC 3.0 for more efficient movement of this media content. The boot camp will run from 9 a.m. to 9 p.m. on May 19 in the Terrace Room of the Holiday Inn in Dedham, Massachusetts.
Tags: SMPTE New England | Boot Camp | HDR | UHD | HFR | Society of Motion Picture and Television Engineers
Submitted by Wall Street Communications
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COLORFRONT PUSHES THE LIMITS OF CINEMA AT NAB 2016 Posted: 19/04/2016

Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, continues to break new ground as it ships the 2016 version of On-Set Dailies at NAB 2016, demonstrated c/o ALT Systems (Renaissance Hotel) and at partner booths on the NAB show floor ARRI (C6537), Panasonic (C3607) and Sony (C11001).

Tags: Colorfront | On-Set Dailies | dailies | UHD | HDR | 8k | HFR | NAB 2016 | NAB 2016
Submitted by Prince PR
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The Barber of Seville becomes the first opera to be filmed with Sonys 4K High Dynamic Range technology Posted: 29/10/2015

After shooting the first real 4K HDR test at the 2015 TIM Cup final between Juventus and Lazio, Sony and DBW Communication have achieved another important technological first, this time in the context of opera music. Gioacchino Rossini's masterpiece, the comic opera "The Barber of Seville", has become the first opera in the world to be filmed in the 4K High Dynamic Range (HDR) format. The production was staged last July at the Teatro Regio in Turin, among the world's most important opera houses and one of the largest and most historic in Italy. For the shoot, Sony's PMW-F55 cameras were used in live mode, positioned at eight filming points and all equipped with 4K Prime Lenses the same as the ones used by director Jacques Audiard for his most recent film "Dheepan", which won the Palme d'Or at the last Cannes Film Festival.

Tags: Sony | HDR | 4K | Barber of Seville | opera | DBW | Stefano Rebechi | Benito Manlio Mari | HDC-4300 | PWS-4400 | HFR | F55 | Rossini
Submitted by Sony
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Sony PCL Inc. purchases Pablo Rio 8K Posted: 22/06/2015

Sony PCL Inc., the pioneering Tokyo, Japan-based event and video production solutions provider, has placed an order with Quantel for a Pablo Rio 8K editing, color correction and finishing system. The Pablo Rio 8K will be the backbone of Sony PCL's 8K post pipeline when the company launches the world's first commercial 8K production service from its Creation Center in August 2015. Sony PCL Inc. will also move its existing Pablo Rio 4K HFR system into a new suite alongside the Pablo Rio 8K, further increasing customer choice and convenience.

Tags: Quantel | Snell | Sony PCL | post production | finishing | editing | 8K | Pablo Rio | color correction | edit | 4K | HFR | 6K
Submitted by Snell Advanced Media
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Colorfront Showcases Cutting-Edge Creative UHDTV Capabilities At HPA 2015 Posted: 10/02/2015

Colorfront the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, is yet again setting new performance benchmarks as it demonstrates cutting-edge creative features for High Frame Rate (HFR) Ultra High Definition Television (UHDTV) production and post production, along with workflow support for the latest digital cinema cameras, color and editorial formats, during HPAs 2015 Tech Retreat, 9-13 Feb, in Palm Springs, CA.

Tags: Colorfront | ACES | HFR | On-Set Dailies | Transkoder
Submitted by Prince PR
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AJA CION 4K UltraHD 2K HD Production Camera Now Shipping Posted: 22/12/2014

AJA Video Systems CION 4K/UltraHD/2K/HD production camera is now shipping globally. Ergonomic and lightweight in design with unparalleled connectivity, CION is capable of shooting at 4K/UltraHD and 2K/HD resolutions. In-camera recording directly to the Apple ProRes family of codecs, including 12-bit ProRes 444, enables incredible image quality capture to cost-effective AJA Pak SSD media at up to 4K/60p, and offers compatibility with a wide range of post production applications. CION also outputs AJA Raw HFR at up to 4K/120p. CION is the only 4K/UltraHD camera available that captures internally to 12-bit ProRes 444.

Tags: AJA | CION | Production | Cameras | 4K | UHD | 2K | HD | RAW | ProRes | HFR
Submitted by AJA
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BLUEFISH444 ANNOUNCES 4K HFR SDI SUPPORT FOR ASSIMILATE SCRATCH v8 Posted: 14/08/2014
Bluefish444, manufacturer of the industrys highest-quality uncompressed 4K/2K/HD/SD SDI video cards, announced the release of a new Windows installer, 5.12.0 adding support for ASSIMILATE SCRATCH V8. 
Tags: bluefish444 | assimilate scratch v8 | 4K | HFR
Submitted by Polar Graphics Ltd
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AJA Announces KONA 4 Supporting High Frame Rate 4K up to 60fps Posted: 07/04/2014

Development Partners Autodesk, Cisco, Codex and Colorfront Integrate KONA 4 to Drive 4K HFR Workflows

Las Vegas, NV, NAB Conference, Booth SL2505 -- AJA Video Systems today announced KONA 4, the latest generation in its award-winning line of professional desktop video and audio I/O cards. KONA 4 offers unparalleled features for handling everything from SD to HD, 2K and 4K with full 10-bit 4:2:2 and 4:4:4 color spaces for fantastic image clarity. New with KONA 4 is support for high frame rate (HFR) 4K/UltraHD up to 60p and HFR UltraHD HDMI output.

Tags: AJA | AJA Video Systems | KONA 4 | NAB 2014 | NAB | New Product | Tradeshow News | Desktop Video I/O | I/O Cards | Broadcast | Production | Post Production | SD | HD | 2K | 4K | HFR | High Frame Rate | UltraHD | Colorfront | Codex | Cisco | Autodesk | NAB 2014 | NAB 2014
Submitted by AJA
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Pablo Rio proves that quality matters for post Posted: 24/01/2014
Quantel announced today that sales of its Pablo Rio high quality color and finishing system in its first year of release have grown the company's sales into the post production market by 50%.
Tags: Quantel | Pablo Rio | color correction | 4K HFR | 6K | post production | finishing | NVIDIA
Submitted by Snell Advanced Media
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Top Japanese post house IMAGICA invests in Pablo Rio for 4K and HFR Posted: 13/01/2014
Japan's largest post-production company, IMAGICA, has purchased a Quantel Pablo Rio and Neo Nano color panel for 4K and HFR editing, color correction and finishing. Established in 1935 and headquartered in Shinagawa, Tokyo, IMAGICA is home to Japan's most extensive production and post-production facilities, providing services for the film, advertising and motion picture industries.
Tags: Quantel | Pablo Rio | IMAGICA | post production | color correction | 4K | HFR | finishing
Submitted by Snell Advanced Media
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Vancouvers Emily Carr University of Art + Design invests in Pablo Rio Posted: 14/11/2013

Leading art, media and design University chooses Quantel for HFR, UHD and S3D research

Vancouver-based Emily Carr University of Art + Design has purchased a Quantel Pablo Rio color correction and finishing system and two Pablo PA workflow assist stations to further research into advanced media techniques and workflows. The systems will be used for the production of S3D content, and research into high frame rate 4K-8K S3D production pipelines. Quantel's Canadian post-production reseller, Annex Pro, designed the system which includes the first Pablo Rio 4K in Vancouver.
Tags: Quantel | Pablo Rio | Annex Pro | Pablo PA | color correction | finishing | 2K | 4K | 8K | S3D | HFR
Submitted by Snell Advanced Media
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Short film Earth, Air, Fire, Water shows off stunning high frame rate capability of Sonys PMW-F55 camera Posted: 26/09/2013

Steve Lawes, the first person in Europe to use Sonys F55 when it launched, commented: Having put the F55 through its paces before, I was delighted to find that the firmware upgrade hasnt affected the cameras usability at all. The most pleasing thing to see was that the camera still shoots full sensor, so the image isnt cropped in any way and the shot we were getting didnt change at all when we switched the frame rate up. This is incredibly useful for filmmakers, as it means theres no need to change the lens or perspective, and you can continue shooting as normal.

Tags: Sony | F55 | IBC | Steve Lawes | Martin Scanlan | HFR | MyTherapy | IBC 2013 | IBC 2013
Submitted by Sony
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