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The future is video: IPV secures and pound;4m investment to accelerate global growth Posted: 06/12/2019
The future is video: IPV secures and pound;4m investment to accelerate global growth

Media asset management software provider IPV has confirmed details of new growth capital that will enable it to further expand the global reach of its acclaimed MAM product, Curator. The £4m Series A round was led by SME-focused venture capital firm Mobeus Equity Partners, with additional ongoing finance secured from Calculus Capital.

Mark Fagan, IPV CEO said, “Multiple industries are rapidly expanding their use of video but are facing significant challenges during the content creation process. Curator makes it easy to remotely edit, collaborate and publish high quality video content – enabling customers to ensure consistency of messaging and sustained audience growth via digital, online and mobile platforms.”

This capital will enable IPV to deliver the benefits of Curator to an even wider audience, expanding into areas of digital marketing, customer experience and enterprise video management.

Tags: IPV | Media Asset Management | MAM | VAM | PAM | Curator | Video Content | Video Production | Metadata Video Asset Management | Venture Capital | Investment | Mobeus Equity Partners | Calculus Capital
Submitted by Page Melia PR
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Digital Nirvanas New MonitorIQ 6.1 Enhances Ad Insertion, Monitoring, and Troubleshooting Posted: 05/12/2019
Digital Nirvanas New MonitorIQ 6.1 Enhances Ad Insertion, Monitoring, and Troubleshooting

Digital Nirvana, a provider of leading-edge media-monitoring and metadata generation services, today announced new enhancements within MonitorIQ 6.1, the company's next-generation broadcast monitoring and compliance logging platform. A new Digital Program Monitoring application in MonitorIQ 6.1 gives users unprecedented visibility into SCTE 35/104 messages for more effective resolution of digital program insertion (DPI) issues and better control over advertising insertions in a variety of streaming environments.

"MonitorIQ 6.1 incorporates powerful new features and capabilities that take compliance monitoring and advertising optimization to a new level," said Russell Wise, senior vice president of sales and marketing for Digital Nirvana. "The platform's new Digital Program Monitoring application simplifies the monitoring of content and SCTE 104/35-based metadata to ensure DPI messages were inserted correctly. We monitor the presence of markers that allow the ad to be inserted, which provides our users better control in existing and new streaming environments. Thanks to these and other enhancements in MonitorIQ 6.1, broadcasters are better prepared than ever to identify, resolve, and document critical issues and, in turn, meet their regulatory, compliance, licensing, and advertising requirements."

Tags: Digital Nirvana | MonitorIQ 6.1 | Ad Insertion | metadata generation | Digital Program Monitoring | SCTE 35/104 | digital program insertion
Submitted by Wall Street Communications
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PMC Highlights Its Burgeoning Role In The Immersive Audio Market At NAMM 2020 Posted: 05/12/2019
PMC Highlights Its Burgeoning Role In The Immersive Audio Market At NAMM 2020

UK-based reference monitor manufacturer PMC will be highlighting the importance of its products in the burgeoning immersive sound market by making a PMC-equipped Dolby Atmos® demo suite the centerpiece of its booth (16112) at NAMM 2020.

Artists, composers, sound designers, producers and recording engineers will have an opportunity to experience a 7.1.4 Dolby Atmos enabled system, consisting of the company’s award-winning large, active three-way MB3-XBD-A monitors (left, right and center channels), four PMC twotwoSub2 monitors and a total of 16 Wafer 1 compact slimline monitors for the surround, rear and height channels. Content will be played back using Dolby Atmos renderer software, Pro Tools and Focusrite RedNet I/O.

At NAMM, PMC will also showing other products from its extensive range of professional monitors, including its ever popular twotwo series, its powerful IB2 and BB6 monitors and the result6 compact nearfield reference monitor that combines all the attributes for which the company’s pro reference monitors are internationally renowned and distils them into an affordable monitor with the emphasis on elegant simplicity.

www.pmc-speakers.com. NAMM 2020 Booth 16112.

 

 

Tags: PMC Speakers | NAMM 2020 | Immersive Audio | Dolby Atmos | result6 monitors | twotwo monitors | MB3 XBD-A monitors
Submitted by White Noise Public Relations Ltd
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Globecast strengthens Asian management team with appointment of Tan See Chai as Head Sales - Distribution Posted: 04/12/2019
Globecast strengthens Asian management team with appointment of Tan See Chai as Head Sales - Distribution

Globecast, the global solutions provider for media, has further strengthened its management team in Asia with the appointment of Tan See Chai as Head of Sales – Distribution.

Beginning at the start of January 2020 and based in Singapore, See Chai will report to Shakunt Malhotra, Globecast Asia MD. See Chai is responsible for sales of Globecast’s permanent distribution services to broadcasters, cable operators, news agencies, corporations as well as other relevant organisations across Asia and Asia-Pacific. This will include identifying and pursuing new business as well as maintaining and growing relationships with existing customers.

Malhotra said, “We are pleased to welcome Tan to this important role. He has huge experience across the satellite industry, in particular, and this will come to the fore in this multifaceted position. As well as liaising with new and existing customers, he will also work closely with our Singapore-based operations and engineering group – where one of our three global Media Centers is located – as well as liaising with key personnel in other Global Business Units located around the world.”

See Chai has over 25 years’ experience in the industry and was most recently Director of Sales with Telesat, a position he held for the past 30 months. In that role he was responsible for major satellite capacity sales across the Asia-Pacific region. Prior to that, he held a range of positions with Globecast, the last as Senior Director of Sales – Head of Occasional Services for Asia, a job he held for five years. He has also worked for Verestar and Echostar International, among others.

See Chai said, “I’m genuinely excited to be appointed to this important position with my extensive experience across the industry being recognised as being invaluable to the role. I already have extensive experience with the company and I look forward to helping Globecast attain further growth across its distribution business.”

Tags: Distribution | playout | media management | satellite | cable | pay-TV | DTH
Submitted by Jump PR
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Videe SpA Equips New 4K HDR OB Van With Riedels Artist and Bolero Intercom Systems Posted: 03/12/2019
Videe SpA Equips New 4K HDR OB Van With Riedels Artist and Bolero Intercom Systems

Riedel's Artist-1024 digital matrix intercom system and Bolero wireless intercom system are supporting state-of-the-art communications capabilities within Videe SpA's innovative new 4K HDR OB van, OBX VIDEE. The Riedel systems provide the power, density, and flexibility critical for pioneering remote production operations.

"Videe SpA is well known for its ability to leverage cutting-edge technologies to achieve the performance and functionality essential to demanding remote productions," said Giuseppe Angilello, Italy Sales Manager, Riedel Communications. "With Artist and Bolero, we've delivered on both counts to bring clear, flexible, and reliable communications to Videe's new OB van. As a true, native 4K unit, OBX VIDEE has the power and sophistication to support the most challenging projects — and the ease of use, compact size, and straightforward configuration of our intercom systems make them an ideal fit."

OBX VIDEE is a triple-expanding mobile production unit that can support up to 30 cameras. Based on client requirements, the van can be configured with dual control rooms or as one large, 75-square-meter production area that can accommodate up to 36 onboard team members. The OB van was engineered for the future by Videe and systems integrator Chromaline, with a design that meets each and every production demand with the best, most intuitive, and most efficient technical solution. As a top-end OB production system, OBX is ideal to provide host broadcasting services for major live sporting, music, cultural, and entertainment events worldwide. Integrating smoothly into the van's IP infrastructure, the Artist and Bolero systems along with 36 RSP-2318 SmartPanels, on board OBX VIDEE play a critical role by enabling clear communications tailored to the requirements of each production.

 

 

 

 

Tags: Videe SpA | 4K HDR OB | Riedel Communications | Artist-1024 | digital matrix intercom | Bolero wireless intercom | OBX VIDEE
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KRK Limited Edition ROKIT G4 White Noise Monitors Now Available Posted: 02/12/2019
KRK Limited Edition ROKIT G4 and ldquo;White Noise and rdquo; Monitors Now Available

KRK Systems, part of the Gibson family of brands, is adding a new family of studio monitors to its latest ROKIT Generation 4 (G4) range, the limited edition ROKIT G4 White Noise. Available in 5-, 7-, and 8-inch bi-amp models, these stylish limited-edition monitors offer the same impressive features as the newly released ROKIT G4s, but with an enticingly different aesthetic. Art and science come together with the new White Noise editions of these professional monitors, taking music and sound creativity to a whole new industry-level.

Providing wide, deep and dynamic listening, along with incredible imaging, KRK’s ROKIT G4 studio monitors have been scientifically re-engineered and re-designed from the ground up. They are ideally suited to the way modern artists work—in all genres and environments. The entire ROKIT G4 range features on-board DSP-driven Graphic EQ with 25 settings to help condition any acoustic environment while offering new levels of versatility in a studio monitor—making them the only monitors in their class with an LCD screen to display DSP-driven EQ settings. The flat setting is great for most environments, but low-, mid- and high-frequency presets can be adjusted to help compensate for common trouble spots in different sound environments. This on-board system works in conjunction with the KRK Audio Tools App, available for free on the Android and iOS stores.

Additionally, all system elements of the ROKIT G4 monitors are cohesively designed and engineered to work perfectly with their advanced drivers made with Kevlar®, efficient Class D power amplifiers and front-firing port, which offers exceptional low-end extension, punch and flexible room-positioning. These features collectively extend accurate and tight bass reproduction and improve audio integrity while minimizing listening fatigue—offering an overall balanced listening experience.

 

Tags: KRK Systems | ROKIT G4 White Noise | Studio Monitors | speakers | Gibson Pro Audio
Submitted by D. Pagan Communications
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Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors Posted: 26/11/2019
Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors

No matter how old you are, it is always lovely when something excites you enough to feel like a child again – and that is exactly how renowned musician, composer and orchestrator Youki Yamamoto felt the first time he heard PMC monitors in his own studio.

Yamamoto has had a 15 year residence at Pinewood Studios where he creates his own music as well as other compositions for films and computer games. He is also equally at home in Katara Studios, Doha, which is where he first had the idea of investing in a pair of PMC monitors for his own facility.

After doing some research, he chose PMC MB2 monitors with a separate Class A Bryston amp because he felt this was the most versatile system for any kind of music. “I get all the lovely clarity and detail that PMC delivers, but I don’t get tired listening all day and the sound is so beautiful that I find it hard to leave the studio,” he says. “I just want to stay in there and keep working. It is almost like being with your first ever girlfriend!”

Tags: PMC Speakers | Youki Yamamoto | MB2 monitors | Composer | Orchestrator | Final Fantasy | Paddington 2 | Pinewood Studios
Submitted by White Noise Public Relations Ltd
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Introducing: Red Giant Complete for Individuals, Students and Teachers, the All-Access Annual Subscription to Editing, Motion Graphics and VFX Tools Posted: 25/11/2019
Introducing: Red Giant Complete for Individuals, Students and Teachers, the All-Access Annual Subscription to Editing, Motion Graphics and VFX Tools

Red Giant today announced the availability of Red Giant Complete for individuals, students and teachers. Expanding its software licensing options, Red Giant Complete is a subscription service that gives editors, motion designers and VFX artists all Red Giant tools at one low price – Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite. With Red Giant Complete, annual subscribers will have the most up-to-date versions of all tools, saving thousands of dollars over traditional perpetual licenses.

Watch now: Red Giant Complete - https://www.youtube.com/watch?v=v1nnDIlmEo8&feature=youtu.be

“Red Giant Complete has been available to our volume customers for years, with thousands of licenses in use at broadcast networks, film studios and universities. And now, due to popular demand, we're really excited to offer subscription licensing to all of our customers,” says Chad Bechert, CEO of Red Giant. “At the same time, nothing has changed. While we think Red Giant Complete is an incredible deal, we know some customers are more comfortable buying software the traditional way. We want to make sure our community of talented artists has what it needs, so we’re continuing to offer perpetual licenses at their usual prices.”

Red Giant Complete is $599 a year for individuals or $299 for students and teachers. Check out the Red Giant blog to learn more about how to switch over to Red Giant Complete and why now is the best time to make the switch, with a special, limited-time-only introductory offer for established Suite customers

Tags: Red Giant | Red Giant Complete | Annual Subscription | All-Access | Editing | VFX
Submitted by Zazil Media Group
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Channel 5 Simplifies Workflows with Single-Point Infrastructure Posted: 25/11/2019
Channel 5 Simplifies Workflows with Single-Point Infrastructure

Channel 5, based in St. Petersburg, Russia, has dramatically rationalised its core technology by updating to a Platinum™IP3 router from Imagine Communications for its MCR and playout. The remarkable design of the Platinum IP3 incorporates much of the video and audio infrastructure, eliminating a large number of outboard devices from multiple vendors, simplifying cabling and reducing power consumption, as well as making workflows more coherent and transparent.

Channel 5 was already using an Imagine Platinum router, but continually increasing operational demands called for more inputs and outputs. Channel 5 took the opportunity to rationalise its infrastructure by bringing much more functionality into the new, expanded router, eliminating the need for external third-party devices.

“We knew that the newest models of Platinum router, like the IP3, can host a huge amount of functionality within the frame, making system architecture much more logical,” said Sergei Volhin, technical director of Channel 5. “It meant we could do away with a lot of other equipment, making the installation neater and easier to understand. The new Platinum IP3 reduces the cost and complexity, maximises on-air security, and gives us the capability to quickly set up workflows and expand the I/O as our needs develop.”

The new 28RU Platinum IP3 router was specified, configured and installed by Imagine’s channel partner, MediaProject. The IP3 is highly scalable, and in its initial implementation, it provides for 576 x 1024 video I/O in SD and HD, with fully redundant routing and both copper and fibre interfaces. The router also supports 64 TDM audio slots, each carrying up to 128 audio channels.

As well as the highly resilient switching, the Platinum IP3 also offers video and audio processing which in other systems would require large numbers of third-party devices — each consuming power, cooling and rack space. At Channel 5, all the multiviewer displays in the playout and master control area are driven by router-integrated Platinum SX Pro multiviewer cards — enabling a real saving in outboard processors and ensuring faster and more secure operation. The router also integrates audio embedding and de-embedding with full level control and channel shuffling and extensive video processing.

“Every broadcaster wants a core infrastructure that is going to be absolutely secure and resilient, but is also compact, convenient and clear,” said Mathias Eckert, SVP & GM EMEA/APAC, Playout & Networking, at Imagine Communications. “The fundamental design of the Platinum IP3 router allows us to configure very complex signal management, processing and monitoring in the same device, so a single command can fire multiple actions without the need to set each parameter. That makes for very secure operations, even in complex workflows.

“The result is that — as Channel 5 identified — the Platinum IP3 is a complete solution, and one which reduces cost while enhancing resilience,” Eckert added. “And, when the time comes, it can be expanded to encompass IP switching alongside SDI and digital audio, providing long-term security.”

The router project was installed and commissioned by MediaProject during summer 2019.

For more information about Imagine Communications’ products and solutions, please visit https://www.imaginecommunications.com.

 

 

 

Tags: Imagine Communications | Channel 5 Russia | Platinum IP3 router | MCR | Playout | Sergei Volhin | reduce costs | maximise on-air security | MediaProject | highly scalable | Mathias Eckert | enhance resilience | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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WEIGL and Avolites Collaborate on Dollywood Wildwood Grove Installation Posted: 22/11/2019
WEIGL and Avolites Collaborate on Dollywood and rsquo;s Wildwood Grove Installation

Avolites and Weigl were proud to recently partner on The Wildwood Tree, a unique installation located within Wildwood Grove at Dollywood. The centrepiece of this new land is majestic and unlike any other tree in the world. It was designed & built by LifeFormations with creative from The Imagination House. All involved were able to bring this to life using pioneering lighting and video technologies.

Weigl designs and manufactures a range of fascinating software and hardware products for permanent theme park and interactive experience installations. The story of their collaboration with Avolites starts back in the mid 2000’s where Weigl used Avolites’ DMX Pearl and Azure consoles to create single universe ‘single pass’ moving light profiles for their animatronics shows. This shifted at the NAMM show in 2018 when things got a bit more interesting.

Mike Blasko, President of Weigl, met Stephen Baird-Smith, sales manager of Avolites, who was demonstrating Synergy on the stand – the groundbreaking feature set of Avolites’ Titan and Ai V12 software that integrates lighting and video control together. As the two began discussing the ins and outs of the software in more depth, Blasko was intrigued to see how it could work for the unique applications Weigl was being challenged with from their customers and partners. Weigl’s installations recently have relied more and more on lighting and video at their core and the team had been searching to find the most efficient way to generate DMX streams built partially from traditional lighting cues and partially from video. Their workflow also often relied heavily on traditional ‘busking’ approaches, which was what brought them to Avolites in the first place.

Although Synergy was still at its beta stage when it was introduced to Blasko, he decided to give it a shot in his upcoming projects and as product developers themselves, Weigl knew what they were getting into. From there, a strong partnership began. Weigl worked directly with engineers at Avolites and the team at Group One in US (the exclusive distributor of Avolites in the US) to start integrating Synergy into their Wildwood Grove project at Dollywood.

Using beta software on projects can be risky and requires a huge amount of support; however, it is the perfect opportunity to accelerate development. Weigl worked closely with Avolites, providing clear and concise feedback without the pressure of a live performance setting.

Tags: Avolites | Weigl | Dollywood | Wildwood Tree
Submitted by Bubble Agency
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Man Made Music Upgrades Its Surround Monitoring With PMC Posted: 21/11/2019
Man Made Music Upgrades Its Surround Monitoring With PMC

Man Made Music, a Manhattan-based company specialising in sound design, sonic branding and music creation, has been working closely with loudspeaker manufacturer PMC to upgrade the stereo and surround monitoring in one of its two control rooms.

The company has installed a PMC IB2S XBD-A active system for both stereo and 5.1 monitoring and is using PMC Wafer2 passive speakers for Left and Right Rear Surround positions. These provide excellent dispersion and frequency response in a small, rectangular footprint, and because they can easily be mounted to any wall they allow for maximum flexibility in all types of custom-install situations.

Established by award-winning composer and producer Joel Beckerman, Man Made Music creates iconic music and sounds for companies such as Nissan, Disney, Citi, Alzheimer’s Association and HBO. Beckerman’s belief that sound matters was a key reason why the company chose PMC when it decided to upgrade its main Studio A control room.

“The PMCs are hands-down the most true and transparent monitors I've mixed with,” says Beckerman. “They're also so incredibly inspiring to track with, which just makes the music better all-around."

Chief Technician Darren Moore adds: “We do IMAX, immersive and other advanced audio formats, so we were looking for an upgrade to add to the speaker allotment in our main studio. PMC are leading the way for the new Dolby Atmos format and were already outfitting major facilities and schools with Dolby Atmos systems.”

The addition of PMC monitors is providing better full-room coverage and additional reference monitors for mixing in-studio. This, in turn, is allowing clients, guests and larger groups ato enjoy the full surround experience.

Tags: PMC Speakers | Man Made Music | Joel Beckerman | IB2S XBD-A Monitors | Atmos | Surround Sound | Post Production | Music for Picture
Submitted by White Noise Public Relations Ltd
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TV8 Television Expands and Upgrades its PlayBox Neo Channel-in-a-Box System Posted: 20/11/2019
TV8 Television Expands and Upgrades its PlayBox Neo Channel-in-a-Box System


Mongolian broadcaster TV8 Television has expanded the PlayBox Neo playout system at its headquarters in the national capital, Ulaanbaatar. This latest project includes upgrading the existing system to latest-generation Neo-19 software.

"PlayBox Neo provides highly reliable solutions which our staff have used for many years and find very easy to work with," comments TV8 Technical Consultant, Buriad Ganbat. "Especially important is the ability to insert live content or newly-created interstitials between prescheduled programs when an important news story breaks while we are on air. The user interface provides the information needed for each step of the creative process and alerts the operator ahead of transmission if a significant element still requires attention. PlayBox Neo also gives us the ability to advance into UHD transmission if required at any time in the future."

"Our Neo-19 series software includes all the refinements needed to allow full integration with the operating procedure at TV8 Television," details Iulian Ionescu, Regional Sales Director, PlayBox Neo Asia Pacific. "Every step of the workflow from ingest, playlist preparation and graphics creation right through to transmission can be handled quickly and easily with any desired level of automation."


www.playboxneo.com


Tags: PlayBox Neo | Cloud2TV | Channel-in-a-Box | CIAB | broadcast asset management | integrated media asset management | broadcast systems infrastructure | IT-based broadcast systems | disaster recovery centres | disaster recovery systems | digital media archiving | IP g
Submitted by Stylus Media Communications
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Eastern Kentucky purchases GB Labs FastNAS F-16 Nitro Posted: 19/11/2019
Eastern Kentucky purchases GB Labs FastNAS F-16 Nitro

GB Labs, innovators of powerful and intelligent storage solutions for media and entertainment workflows, today announced that the Office of Communications and Brand Management at Eastern Kentucky University, Richmond, KY, has purchased GB Labs’ FastNAS F-16 Nitro media storage system.

The office provides a wide range of services for the university, including communication strategies for projects that track with the university’s strategic direction and institutional priorities. Among those services are brand identity; public relations; web services; video production; social media; advertising; graphic design; news and promotions.

 

Tags: GB Labs | Storage | FastNAS F-16 Nitro media storage system | NAS | FastNAS | Nitro | CORE.4 | Mosaic automatic asset organiser | AI tagging
Submitted by Manor Marketing
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Viacom International Media Networks deploys Hitomi MatchBox for 2019 MTV Europe Music Awards Posted: 19/11/2019
Viacom International Media Networks deploys Hitomi MatchBox for 2019 MTV Europe Music Awards

Hitomi Broadcast, manufacturer of MatchBox, the industry’s leading audio video alignment technologies, today announced that Viacom International Media Networks Media and Technology Services (MTS) used MatchBox for the 2019 MTV Europe Music Awards in Seville, Spain, on 3 November.

Viacom International MTS deployed MatchBox’s sync toolbox for the red carpet, main award show, backstage, and after-show party feeds, televised on 100+ channels worldwide from the FIBES Conference and Exhibition Centre in Seville. Hosted by American singer, songwriter, and actress, Becky G, the show included a special headline performance, filmed by Viacom International the previous night at the MTV World Stage at Plaza de España in Seville, by ‘Best Rock’ nominee, Green Day.

Viacom International MTS Global Lead Systems Engineer for Studio and Production Technology, Matt Okotie, said, “Using MatchBox, I can sync signals in under a millisecond to ensure that before we go to air, lip sync is correct. This is crucial for any production, but particularly for a live, globally distributed event, so you have to be absolutely sure you get it right. That’s why I leave it to MatchBox. Basically, if MatchBox reads ‘zero’, you know that lip sync is perfect.”

Viacom International MTS used MatchBox to sync its 4K/UHD feed from Seville to London, and then on for a global sync to all the other MatchBox readers around the world.

Tags: Hitomi | Viacom | MatchBox | MTV Europe Awards | audio video alignment technologies | lip-sync | 4K | UHD | synchronisation
Submitted by Manor Marketing
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PlayBox Neo Demonstrates Advanced Media Playout at Broadcast Technology Event in Lagos, Nigeria Posted: 15/11/2019
PlayBox Neo Demonstrates Advanced Media Playout at Broadcast Technology Event in Lagos, Nigeria

PlayBox Neo reports a well-supported and highly successful Broadcast Technology Event, held in Lagos, Nigeria, November 4th-6th. Organised by UK-based Medialogy, it attracted representatives from many of Nigeria's broadcast channels.

Tags: PlayBox Neo | Cloud2TV | Channel-in-a-Box | CIAB | broadcast asset management | integrated media asset management | broadcast systems infrastructure | IT-based broadcast systems | disaster recovery centres | disaster recovery systems | digital media archiving | IP g
Submitted by Stylus Media Communications
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