Introducing: Red Giant Complete for Individuals, Students and Teachers, the All-Access Annual Subscription to Editing, Motion Graphics and VFX Tools

Date: 25/11/2019
Introducing: Red Giant Complete for Individuals, Students and Teachers, the All-Access Annual Subscription to Editing, Motion Graphics and VFX Tools

Red Giant today announced the availability of Red Giant Complete for individuals, students and teachers. Expanding its software licensing options, Red Giant Complete is a subscription service that gives editors, motion designers and VFX artists all Red Giant tools at one low price – Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite. With Red Giant Complete, annual subscribers will have the most up-to-date versions of all tools, saving thousands of dollars over traditional perpetual licenses.

Watch now: Red Giant Complete - https://www.youtube.com/watch?v=v1nnDIlmEo8&feature=youtu.be

“Red Giant Complete has been available to our volume customers for years, with thousands of licenses in use at broadcast networks, film studios and universities. And now, due to popular demand, we're really excited to offer subscription licensing to all of our customers,” says Chad Bechert, CEO of Red Giant. “At the same time, nothing has changed. While we think Red Giant Complete is an incredible deal, we know some customers are more comfortable buying software the traditional way. We want to make sure our community of talented artists has what it needs, so we’re continuing to offer perpetual licenses at their usual prices.”

Red Giant Complete is $599 a year for individuals or $299 for students and teachers. Check out the Red Giant blog to learn more about how to switch over to Red Giant Complete and why now is the best time to make the switch, with a special, limited-time-only introductory offer for established Suite customers (see more details below).

The Benefits of Red Giant Complete

All Access – Red Giant Complete gives artists full access to the complete set of Red Giant tools – including all four product suites and Universe.

Up-to-Date – Red Giant Complete includes free upgrades, so users will always have the latest editing, motion graphics and VFX tools, the moment they are updated.

Big Savings – With Red Giant Complete, individuals, students and teachers will save thousands of dollars. Buying all Red Giant tools would normally cost $3,495. With subscription pricing it would take over 5 years to pay the same amount for perpetual licenses – and that wouldn’t include upgrade costs.

Red Giant Complete includes:

• Trapcode Suite (reg. $999): The industry’s most essential tools for creating 3D motion graphics and visual effects in Adobe® After Effects®, now with the Dynamic Fluids™ physics engine.

• Magic Bullet Suite (reg. $899): Widely used for color correction, finishing and film looks, Magic Bullet Suite 13 gives editors and filmmakers everything needed to make footage look great, right on editing timelines.

• Universe (reg. $199/year): Red Giant’s collection of over 80 GPU-accelerated plugins for editors and motion graphics artists.

• VFX Suite (reg. $999): The all-new suite of keying, tracking, cleanup and visual effects compositing tools, all right inside Adobe After Effects.

• Shooter Suite (reg. $399): Shooter Suite 13.0 is a set of purpose-built applications, including the industry-leading PluralEyes, that give directors of photography, videographers, shooters and filmmakers the ability to bring footage from set to post.

Total if purchased separately: $3,495

Red Giant Complete: $599/YEAR

Upgrade Now for 50% Off Red Giant Complete

For those with current Red Giant licenses for any product suite, or an active subscription to Universe, Red Giant is offering a special upgrade to Red Giant Complete for just $299 - that’s 50% off the first year of Red Giant Complete*.

• Use Coupon Code: RGC50

• Upgrade Offer Ends: 2/25/20

Students and teachers who own any Red Giant Suite or have an active subscription to Universe, Red Giant is offering a special upgrade to Red Giant Complete for just $149.

• Use Coupon Code: RGC50A

• Upgrade Offer Ends: 2/25/20

* The offer of 50% off Red Giant Complete for individuals, students and teachers is valid for only the first year of an annual subscription.

Red Giant Complete for Volume Customers

If you are a business buying five or more licenses, check out Red Giant’s Volume Program (www.redgiant.com/volume/), which includes additional business-focused features such as floating licenses, remote deployment, advanced support, training and more.

Compatibility

Red Giant Complete is made up of several different suites, each with its own set of tools and relative compatibility info. Every tool runs on Mac and Windows and is compatible with Adobe After Effects, while some of the tools also work in additional host-applications. Visit the Red Giant compatibility page (https://www.redgiant.com/support/compatibility/host-applications/) to learn more about each product.

The Red Pledge

Red Pledge is Red Giant’s commitment to customer happiness, with no purchasing hassles. Learn about the Red Pledge guarantee at www.redgiant.com/company/red-pledge/.

Request a Red Giant Complete Media Review Kit

Members of the media are invited to review Red Giant Complete as well as any individual tools or product suites from Red Giant. For more information or to request a product review kit, please contact Megan Linebarger at megan@zazilmediagroup.com.

About Red Giant

Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line” – this philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet, Trapcode, Universe and PluralEyes) have become the standard in film and broadcast post-production. With over 250,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at www.redgiant.com/.

Press Contact

Megan Linebarger

Zazil Media Group

(e) megan@zazilmediagroup.com

(p) +1 (617) 480-3674



Tags: Red Giant | Red Giant Complete | Annual Subscription | All-Access | Editing | VFX
Submitted by Anya Oskolkova (Zazil Media Group)
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Scale Logic announces official partnership with UK-based Polar Graphics to manage European sales operations

Scale Logic, the global leader in advanced media workflow solutions, announced today that it is embarking on a new agreement and relationship with industry veteran Polar Graphics, a leading UK-based manufacturer’s representative for the broadcast, post-production, and professional audiovisual industries.

Under the newly forged partnership, Polar Graphics will begin managing Scale Logic's entire European sales operations, making it responsible for penetrating European markets and providing comprehensive sales management of Scale Logic’s products and services. With this new partnership, Scale Logic, which currently boasts many of the world’s top brands as clients, will be able to mirror its already tremendous global success.

Furthermore, the Polar Graphics partnership will also see a highly scaled expansion of the Scale Logic European team, enabling Scale Logic to make significant and further inroads into the European market.

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Steadicam Workshops coming up in 2020.

The latest Tiffen Filters will be available to see and try including NATural ND and NATural

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Come and talk to the experts on the stand, including Robin Thwaites, Danny Hallett, and Eren

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As a long-time customer of Miller Tripods, Bevan Dally, managing director of Camera Hire, knows he can always turn to Miller to provide top-of-the-line solutions for his customer base. “We’ve been using Miller’s ArrowX series for some time now and the fluid heads are excellent,” he says. “The payload range and versatility are very beneficial considering the various types of jobs we support. With the CiNX line, our customers are able to mount a variety of cameras, including Sony’s FS7, Canon’s C300’s, and ARRI’S Alexa Mini and Amira, with ease.”

Thanks to Miller’s CiNX 3 Fluid Heads, Camera Hire can provide its customers with a solution that significantly improves cinematographer’s workflows. “Upgrading to the brand new CiNX series was a no brainer for us, especially because of its ability to mount ARRI dovetail plates directly on the head,” Dally says. “We can now easily provide our clients with a Sony VCT or ARRI dovetail system using the same fluid head, without the need to swap back and forth between multiple plates. With CiNX fluid heads, cinematographer’s can easily and quickly change from one camera to another with a seamless transition.”

 

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Quantum announced a new, lower-priced addition to the award-winning Quantum® F-Series family of NVMe storage appliances, the F1000. Leveraging software defined architecture introduced with the F2000, the F1000 exemplifies Quantum’s commitment to an accelerated pace of product innovation, offering ultra-fast streaming performance and response times at a lower entry price. The F-Series is used by major studios, corporations, and government agencies to accelerate the capture, edit, and finishing of high-definition content, and speeds VFX and CGI render performance by 10x-100x, to develop cutting edge augmented and virtual reality.

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Baselight helps to polish Uncut Gems Posted: 14/01/2020
Baselight helps to polish Uncut Gems

Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it is appropriate that the colour palette was created at The Mill NY by colourist and director of DI, Damien Van Der Cruyssen.

Van Der Cruyssen collaborated closely with cinematographer Darius Khondji, as well as the Safdie Brothers, all of whom he had worked with previously on the Jay-Z video for Mercy Me. “At that point I got a good understanding of their relationships and how I could fit into the equation.”

Visually, Uncut Gems has a classic New York City look, but with a modern twist. “The Diamond District hasn’t changed much over the last forty years, so it automatically had that 70’s ‘noir’ feel,” commented Van Der Cruyssen. “But we wanted to break away from the steely, gritty New York to a more real-life aesthetic – less forced and contrived.”

Around half of the movie was shot on 35mm film to give it a more natural look, which meant Van Der Cruyssen had to treat the digital footage to match. “Marrying the film footage with the digital scenes was quite challenging,” he explained. “So I asked the crew to shoot some grain elements that could be overlaid in Baselight and adjusted per scene.”

 

Tags: FilmLight | Baselight | Uncut Gems | Safdie Brothers | Adam Sandler | The Mill NY | colourist | Damien van der Cruyssen | Darius Khondji | Diamond District | New York City | BLG metadata workflow | colour grading | Netflix | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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 and lsquo;Dear Evan Hansen and rsquo; Opens in London with disguise vx 4 Powering Scenic Video Projections

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LiveU Solo Helps Isha Foundation Connect with Millions of People in India and Around the World Posted: 14/01/2020
LiveU Solo Helps Isha Foundation Connect with Millions of People in India and Around the World

LiveU’s wireless video encoder, Solo, is being used by Isha Foundation – a non-profit, public service organization founded by Sadhguru – to connect with millions of well-wishers and volunteers in India and around the world. The Foundation uses Solo to stream live events, notably the night-long Mahashivaratri festival at Isha Yoga Center – which is watched by around 50 million viewers – and the Cauvery Calling and Rally for Rivers projects to revitalize India’s depleting rivers.

Rally for Rivers was launched by Sadhguru in September 2017 when he personally drove over 9300 kms in 30 days to raise awareness about the dire situation of Indian rivers. Today it is the world’s largest ecological movement, supported by over 162 million people, and is a major force in shaping river revitalization policy in national governments and world bodies such as the United Nations. Cauvery Calling is an on-ground implementation of Rally for Rivers, to revitalize river Cauvery, the lifeline for 84 million people in southern India.

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NUGEN Audio Unveils SEQ-S Software Update at NAMM 2020 Posted: 13/01/2020
NUGEN Audio Unveils SEQ-S Software Update at NAMM 2020

NUGEN Audio is pleased to announce the latest software release for its SEQ-S linear phase ‘spline match and morph’ EQ solution at the 2020 NAMM Show (Booth 14101). Now with a resizeable direct-draw interface and EQ matching presets, SEQ-S features a surround capability of up to 7.1, making it easy to fine-tune audio. Ideal for both corrective mix work and gentle mastering polish, SEQ-S is perfect for movie, television and music productions. 

“We are very excited to showcase the latest updates to NUGEN’s SEQ-S for the first time ever at the 2020 NAMM Show,” says Paul Tapper, CEO, NUGEN Audio. “Our engineering team has worked diligently over the past year to provide significant product updates and developments, and we’re sure that current and future customers will love the latest additions. SEQ-S delivers creative EQ power in a way that no other solution provides. It allows you to massage and correct any audio with incredible resolution that you just can’t get with a traditional parametric interface – allowing imaginations to run free.”

SEQ-S’ intuitive visual interface adapts to suit the task at hand, whether simple or sophisticated. Using this solution, producers can fine-tune their tracks with flexible, detailed envelopes that are difficult to achieve with traditional EQ. The new preset system for EQ matching enables producers to expedite their workflow by streamlining the match EQ process, this feature allows them to push their sound toward reference material or take a deeper creative approach with filter morphing and tempo locked effects. Additionally, the system’s newly implemented, resizeable interface offers further flexibility for users to set up SEQ-S for their precise workflow needs, allowing for more detailed curve sculpting, among other things.

Tags: NUGEN Audio | EQ | Plug-Ins
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