JVC ProHD Studio 4000S Anchors New Broadcast Production Flypacks for World TeamTennis

Date: 19/03/2019
JVC ProHD Studio 4000S Anchors New Broadcast Production Flypacks for World TeamTennis

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today announced World TeamTennis will provide multi-camera live coverage of its matches this season for the second consecutive year using flypack production systems, each anchored by a ProHD Studio 4000S sports production and streaming studio and three GY-HM620 ProHD camcorders. The league’s 2019 season will run July 14 - August 3, with matches in eight locations across the United States.

In previous seasons, the league would hire an OB production truck with a large crew, an expensive process that limited its ability to provide extensive coverage of the tournament. Last year, WTT decided to establish an in-house media production and distribution capability that would allow every match of the season to be broadcast live on digital and linear TV platforms.


Once the project was approved, the league hired Pittsburgh-based TDS Media, which had only 50 days before the first match to design, order, build, and deliver the systems – plus provide training for the production crews.


Doug Sicchitano, principal of TDS Media, chose the 4000S because it was an economical tool that allowed one operator to switch as well as handle replays and commercial video playback. “This was the best solution out there for what we wanted to achieve,” he said. “The user interface feels like a smart phone app. It’s a highly intuitive layout that I can teach anybody in of a couple of hours to use and use well.”


WTT features co-ed teams in New York, Philadelphia, San Diego, Washington, D.C., Orange County, Calif., Springfield, Mo., Orlando, Fla., and Las Vegas, Nev. For the 2018 season, WTT produced 32 of its 43 matches using the flypack systems, with only the Springfield venue and four matches for national cable TV relying on outside production services.


All matches were streamed on WTT.tv and syndicated to YouTube, Facebook, Twitter, and Twitch. Plus, select matches were provided to regional sports networks on tape delay. With the addition of new teams in Orlando and Las Vegas, the number of matches to be produced using the flypacks will increase to close to 40 of the 59 in the 2019 season.


“We are excited to continue working with JVC Professional Video in 2019 to deliver WTT action to our fans around the world,” said Carlos Silva, CEO of World TeamTennis. “The flypack system enables us to produce a high-quality live match broadcast at a very attractive price point.”


With the WTT’s new flypacks, a three-camera production is handled by a six-person crew plus two commentators. In the control room, the director switches the show and handles replays, while the producer handles audio and graphics. There are also three camera operators and a utility crew member.

Directors generally use the 4000S color-coded illuminated keyboard to switch and create replays, as well as the touchscreen for playback and replays. Although the 4000S includes a built-in audio mixer and CG, Sicchitano included a Behringer mixer that feeds analog directly into the 4000S via USB and a separate graphics laptop with NewBlueFX Titler Live 3 for the producer. Programs are recorded to a Blackmagic Design HyperDeck Studio Mini and streamed using a Teradek VidiU Pro, with the 4000S serving as a backup for both.

A typical three-camera setup includes one high game camera and two low cameras positioned on each side of the net for player ISO and bench shots. The fourth input of the 4000S is used for Hawk-Eye SMART Replay technology, which the WTT uses to help officials with close line calls and provide graphics and data to the live production. WTT includes limited commercial breaks during its coverage, which are stored, organized into separate playlists, and played through the 4000S.


Sicchitano praised the GY-HM620 because of its integrated Fujinon 23x zoom lens with manual zoom, focus, and iris control rings. “There are not a lot of camcorders out there with a 23x zoom lens, so that checks a huge box for us,” Sicchitano said. “JVC’s color profiles have always been very rich with bright colors. Then you factor in the price point, and it was a no-brainer to choose it.”

ABOUT JVC PROFESSIONAL VIDEO
Headquartered in Wayne, New Jersey, JVC Professional Video is a division of JVCKENWOOD USA Corporation, a wholly-owned subsidiary of JVCKENWOOD Corporation. The company is a leading manufacturer and distributor of broadcast and professional video equipment, as well as D-ILA front projection systems. For more information, visit JVC’s website at http://pro.jvc.com or call (800) 5825825.



Tags: JVC | sports production | production switcher | streaming | ProHD
Submitted by Mark Pescatore (Pipeline Communications)
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Ikegami to Demonstrate 4K Media-over-IP Gateway Module for UHK-430 Camera at IBC 2019

Ikegami (www.ikegami.com), a leader in HD and UHD cameras and production equipment for television content creators and broadcasters, will introduce to the European market at IBC 2019 a 4K Media-over-IP gateway for the UHK-430 studio camera.

Tags: Ikegami Electronics | broadcast cameras | 4K HDR video monitors | optical camera links | medical imaging equipment | 4K hybrid base station | 4K EFP cameras | 4K studio cameras | 8K EFP cameras | 8K studio cameras | optical camera links | IP camera links | fibre came | IBC 2019 | IBC 2019
Submitted by Stylus Media Consultants
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Custom Consoles Announces Refinements to MediaWall, Module-R and SystemTwo Posted: 18/07/2019
Custom Consoles Announces Refinements to MediaWall, Module-R and SystemTwo
Custom Consoles (www.customconsoles.co.uk) will exhibit the latest refinements to its MediaWall studio monitor mounting frames and Module-R control room furniture on stand 8.B38 at IBC 2019 Amsterdam, September 13th-17th. Also on show will be an enhanced version of the SystemTwo motorised height-adjustable edit-suite desk with greater lifting power.
Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod | IBC 2019 | IBC 2019
Submitted by Stylus Media Consultants
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Leader Announces New Options for LV5600 and LV7600 Broadcast Test Instruments Posted: 18/07/2019
Leader Announces New Options for LV5600 and LV7600 Broadcast Test Instruments
Leader Electronics announces two new 25 GbE options for the LV5600 portable broadcast-quality waveform monitor and its LV7600 rasterising equivalent.
Tags: Leader Instruments | Asaca Shibasoku | video test equipment | audio test equipment | video waveform monitors | 3D video monitoring | surround sound audio monitors | rasterizers | loudness monitors | lipsync timing analysers | lipsync timing displays | 4K test equipm | IBC 2019 | IBC 2019
Submitted by Stylus Media Consultants
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Finepoint Broadcast Adds Further 10 Sony HDC-4300 Camera Channels to Hire Stock Posted: 18/07/2019
Finepoint Broadcast Adds Further 10 Sony HDC-4300 Camera Channels to Hire Stock

Finepoint Broadcast announces an expansion of its camera hire stock with the addition of a further 10 Sony HDC-4300 channels.

Tags: Finepoint Broadcast | broadcast equipment rental | broadcast equipment hire service | broadcast camera rental | television production equipment rental | dry hire service-provider | new and used broadcast production equipment | professional audio visual sales and
Submitted by Stylus Media Consultants
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