Larson Studios is renowned as a full-service post production sound company specialising in digital mixing for standard and High Definition television, film and multimedia. From its two 10,000 square-foot landmark buildings in the heart of Hollywood, Larson Studios offers ADR/Foley stages, sweetening rooms, edit suites and seven Chris Pelonis/George Massenburg-designed 5.1/7.1 surround mix stages. In addition to award-winning television and film audio post that is fully CALM compliant, Larson also offers complete audio restoration, remixing, repurposing and pre-mastering.
Prior to investing in Junger Audios T*AP units, Larson Studios conducted its own research into available loudness control products and reached the conclusion that T*AP offered the best all-round solution.David Dondorf, Larson Studios Chief Engineer, says: We did a shoot-out between Junger Audio and two other Loudness control boxes from major manufacturers and eventually chose the Junger Audio units because they sounded better. Our testing showed that they were completely accurate, especially from the aspect of dialnorm. They were also easier to use and offered a clear path to creating the presets we needed. The default presets sold the box, along with the fact that you can go into great depth or not.
incorporates Version II of the company's LEVEL MAGIC adaptive loudness algorithm, which is compliant with all current broadcast audio loudness recommendations including ITU 1770 (versions 1 and 2), ATSC A/85, ARIB TR-B32 and EBU R128. Based on a Multi-Loop dynamic range control principle where slow changes (AGC), fast changes (Transient processing) and Look Ahead peak limiting are handled simultaneously, LEVEL MAGIC offers level management with exceptionally high audio quality and without coloration, pumping, breathing, distortion or modulation effects.
Designed for TV playout, , Major broadcasters around the world are choosing these products because they allow loudness consistency to be maintained in a very easy and cost effective way and without any detrimental effects on sound quality.
Now, when we receive a client delivery spec, we know we will meet it exactly, quickly, accurately, and with minimal negative change to the original mix. We are using T*AP on all Deliverables from both our facilities and we are very happy with their performance, he says.