Lexhag Visual Effects Builds On Set 3D Camera Tracking System with Blackmagic Design

Date: 04/10/2018
Lexhag Visual Effects Builds and nbsp;On Set 3D Camera Tracking and nbsp;System with Blackmagic and nbsp;Design
Blackmagic Design today announced that London’s Lexhag Visual Effects has used the Blackmagic Micro Studio Camera 4K, ATEM 2 M/E Production Studio 4K and DaVinci Resolve Studio to develop a four head witness camera solution that has revolutionized its 3D tracking capabilities.
The system, which allows the team to easily estimate spatial information on set by filming the action from multiple points of view, has already been used on several projects, including the Netflix supernatural television series, “The Innocents."
“As a visual effects specialist, it is imperative to obtain as much information from set as possible, which is where the witness camera system comes in,” says owner of Lexhag, Alexis Haggar. “The data captured affords a visual effects artist the precision they need to accurately match move 3D geometry over live action, at frame by frame accuracy.”
To manage the logistics of capturing multi source footage, the system comprises four Micro Studio Camera 4Ks, paired with fast primes and set up in an array with the main unit camera. Signals feed into a dedicated PPU with an ATEM 2 M/E Production Studio 4K and 4K monitor. “The Micro Cameras were the perfect solution for us. They provided a compact, scalable way to capture in 4K at an attractive price point,” Haggar adds.
Using the ATEM, the Lexhag team can genlock each camera and synchronize in real time for ultimate control. The difference between even half a frame for someone that is match moving can be enormous according to Haggar.
"You need to translate every movement into 3D with pixel perfect accuracy, so synchronization between all the angles you shoot is crucial. Luckily with the ATEM, this was as easy as a one button press. Instead of four operators with a camera each, the whole system could be deployed and operated by a single individual.”
Once shot, all the synchronized dailies footage from the system feeds directly into DaVinci Resolve Studio for data wrangling and final output to a frame based media sequence. “Using Resolve’s Multicam clip functionality, we simply lined up all the footage and were able to watch every angle playback in real time, and even edit live to reflect what we’d find most useful in visual effects.”
“It has been such a success that we’re now looking into expanding the system even further, including testing how the addition of more arrays can help us with volumetric capture for virtual reality applications,” Haggar concludes. “We’re fortunate to live at a time where technology is so accessible that we as content producers can now develop our own tailored on set solutions thanks to manufacturers such as Blackmagic Design.”


Tags: Blackmagic Design | BMD | Blackmagic | Micro Studio Camera | 4K | DaVinci Resolve | VFX | 3D | Camera Tracking | Netflix | The Innocents
Submitted by Patrick Hussey (Blackmagic design)
View author's directory page

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Steadicam M-2
The latest top-of-the-line Steadicam system designed to incorporate the revolutionary Volt horizon-assist system and offer a modularity never before seen with body-worn stabilizers. The M-2 can be configured in hundreds of different ways to suit operators from broadcast through feature films and beyond.

Tags: Tiffen | IBC | IBC 2019 | Steadicam M-2 | Steadimate-S | Lowel Lighting | Tiffen NATural ND Graduated Filters | neutral density filters | Tiffen DJI Osmo Action FiltersTiffen DJI Osmo Pocket Filter | Steadicam Air
Submitted by Mel Noonan, StylusMC
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New products from Aaton and Transvideo at IBC 2019 Posted: 14/08/2019
New products from Aaton and Transvideo at IBC 2019

New products from Aaton and Transvideo at IBC will include:

Aaton - new product – Melody2, double input analogue audio preamplifier with low noise and extended bandwidth up to 100 KHz; digital output on AES42, and compatibility with the CantarX3 and CantarMini to extend the number of inputs. The form factor is extremely compact despite the use of high quality audio transformers. The preamplifier settings are controlled remotely by the Cantar interface. Its compact form factor and low weight make it perfect to use on a boom.

Tags: IBC | IBC 2019 | Aaton | Transvideo | Melody2 preamp | Wooden Handle | CantarX3 | CantarMini | StarliteUltra | StarliteHDm | CineMonitorHD
Submitted by Mel Noonan, StylusMC
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RT Software Joins Grass Valley Technology Alliance To Drive Innovation and Interoperability Posted: 14/08/2019
RT Software Joins Grass Valley Technology Alliance To Drive Innovation and Interoperability

Grass Valley, today added RT Software Ltd. as a founding member of the Grass Valley Technology Alliance (GVTA), a new program for technology and solutions providers that delivers improved purchasing confidence and selection for customers. The certification program gives broadcasters and media organizations access to solutions that are interoperable with a range of Grass Valley workflow components and platforms.

Tags: Grass Valley | RT Software
Submitted by Platform Communications
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Nevion adds JPEG XS video compression to Virtuoso media node Posted: 14/08/2019
Nevion adds JPEG XS video compression to Virtuoso media node

Nevion, award-winning provider of virtualized media production solutions, announced today that it has added a new JPEG XS encoding and decoding media function to its flagship software-defined media node, Nevion Virtuoso. The new functionality is already being rolled-out by a leading global broadcast network to get video in and out of content hubs, as part of a centralized live production infrastructure solution – the world’s first official deployment of the technology.

Tags: Nevion | Broadcast | JPEG XS | Video
Submitted by Whiteoaks
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