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Dejero LivePlus Mobile App Revolutionizes San Diego KFMB-TV Emergency Reporting Posted: 30/06/2020
Dejero LivePlus Mobile App Revolutionizes San Diego and rsquo;s KFMB-TV Emergency Reporting

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has provided San Diego TV station KFMB-TV, also known as CBS 8, with over 60 Dejero LivePlus mobile apps to support the broadcaster’s emergency news coverage strategy. The LivePlus app, which is downloadable to smartphones and tablets, has allowed KFMB-TV to deliver incredible live footage from the recent Black Lives Matter rallies, inside of San Diego’s recent wildfires, and to respond with agility to the broadcasting challenges of the ongoing COVID-19 pandemic.

Tags: Dejero | LivePlus | mobile app | San Diego | KFMB-TV | emergency reporting | breaking news | CBS 8 | EnGo | Kenny McGregor | Smart Blending Technology | multiple viewpoints | wild fires | Black Lives Matter | COVID-19 | MKM Marketing Communications | MKM Marcomms
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Pliant Technologies Continues to Expand its Reach With Three New Manufacturer Reps Posted: 16/06/2020
Pliant Technologies Continues to Expand its Reach With Three New Manufacturer and rsquo;s Reps

Pliant Technologies,a leading provider of professional wireless intercom solutions, adds three additional firms as part of its expanded manufacturer’s representatives initiative, with the appointment of Audio Biz, Mainline Marketing, and Pro Tech Marketing. By signing new manufacturer’s reps, Pliant has increased its scope of coverage and can offer its range of high-quality intercom solutions, including its CrewCom and MicroCom wireless systems, as well as its complete line of SmartBoom headsets to additional regions within the U.S.

Tags: Pliant Technology | Mainline Marketing | Audio Biz | Pro Tech Marketing
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Saudi Broadcasting Authority Selects Imagine Communications to Deliver Integrated Multichannel Networking and Playout Solution Posted: 04/06/2020
Saudi Broadcasting Authority Selects Imagine Communications to Deliver Integrated Multichannel Networking and Playout Solution

Saudi Broadcasting Authority (SBA), part of the Ministry of Media in the Kingdom of Saudi Arabia, is replacing the playout technology for its main channels with an integrated solution from Imagine Communications. SBA, one of the most prestigious broadcasters in the Gulf region, is seeking to boost daily operational efficiency and eliminate human error for reliable and professional broadcasting.

To meet the requirements of SBA, Imagine Communications was able to propose a coherent end-to-end system covering network infrastructure, routing, monitoring, ingest, asset management and playout under ADC™ automation control, to replace the current system based on hardware from multiple vendors. The Imagine Communications proposal is largely based on software solutions running on commercial off-the-shelf (COTS) hardware, using industry-standard workstations from Hewlett Packard Enterprise (HPE). It includes a Platinum™ IP3 router to switch SD, HD and 3G signals, with the capability of adding real-time IP switching to support SBA’s development plans. Additionally, the IP3 router provides integrated multiviewer functionality to ensure all monitoring is handled in a space-saving frame.

Tags: Imagine Communications | Saudi Broadcasting Authority | SBA | playout solution | multichannel | centralized workflow | Hatim Abounassf | Anas Hantash | INC System Integration | Digital Studio Middle East | Tom Cotney | MKM Marketing Communications
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Globecast promotes Denis Genevois to VP Marketing Group and Olivier Zankel to VP Communications Group Posted: 03/06/2020
Globecast promotes Denis Genevois to VP Marketing Group and Olivier Zankel to VP Communications Group

Globecast, the global solutions provider for media, has announced that Denis Genevois and Olivier Zankel are moving into new marketing roles. Genevois, who joined Globecast in 2001, is now VP Marketing Group and Zankel, who joined Globecast in 2011, is now VP Communications Group. They will both report to Philippe Bernard, CEO, Globecast, with the two also now sitting on the Executive Committee. They replace Juliet Walker who has moved to take up a role at parent company Orange Business Services.

Philippe Bernard, Globecast, CEO, said, “It’s even more important in today’s exceptional environment that we communicate clearly our commitment to our customers and the diverse range of media services we offer. We are seeing an acceleration in customers fully embracing all the digital ecosystem has to offer from contribution, through cloud processing, to distribution and we continue to lead this transformation.”

As VP Marketing Group, Genevois is now overseeing the defining of service strategies and the way that services work with, or alongside, one another as well reporting sales performance. He is also in charge of defining sales strategies by market and region. Since 2018, Genevois has been in charge of marketing and business development for broadcasters handling international pre-sales activity at Globecast.

Tags: Globecast | cloud | media | contribution | marketing | IP | sports
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Dejero Supports COVID-19 Business Continuity Strategy at The Jewellery Channel Posted: 14/05/2020
Dejero Supports COVID-19 Business Continuity Strategy at The Jewellery Channel

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has provided British teleshopping channel The Jewellery Channel (TJC) with EnGo mobile transmitters, a WayPoint receiver, a CuePoint return feed server and complimentary LivePlus mobile apps, that have formed a key part of the broadcaster's business continuity plan during the COVID-19 pandemic. TJC has also been using this Dejero equipment to lead a significant change in how live teleshopping is produced and broadcast.

"While we intend to continue broadcasting from our main studio in Surrey house, London, for as long as possible, we are all dependent on government policy during this extraordinary time and TJC wanted to be ready to broadcast from home if this was required," said Martin Willingham, technical director at TJC. "Dejero's technology has been a great comfort blanket for us in that scenario. As one of the main TV shopping channels in the UK, we broadcast 24/7, 365 days a year and our reputation depends on us not having technical problems. The reliability and sturdiness of the Dejero workflow has really impressed us."

Tags: Dejero | The Jewellery Channel | COVID-19 | business continuity | Smart Blending Technology | flexible remote broadcasting | EnGo | TJC | WayPoint | CuePoint | LivePlus | teleshopping | Martin Willingham | MKM Marcomms | MKM Marketing Communications
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NC State University Revolutionizes Production Facilities with IP Connectivity Posted: 06/05/2020
NC State University Revolutionizes Production Facilities with IP Connectivity

North Carolina (NC) State University has transformed its live course production capabilities with a networked video infrastructure, based on the SMPTE ST 2110 standard for connectivity, around its campuses in Raleigh, N.C. Technology from Imagine Communications is at the heart of NC State DELTA (Distance Education and Learning Technology Applications) providing a quantum leap in capacity and operational efficiency.

DELTA already had dedicated fiber runs linking their centralized operations center located in Ricks Hall Annex with six other buildings on the main campus and two additional buildings located up to 10.5 kilometers (6.5 miles) away on their Centennial Campus. Fiber links were being used simply as single-mode, point-to-point connections, providing the capacity for just four video signals per classroom transmitted back to the operations center. In addition to replacing systems that were beyond end of life, it was important to DELTA to provide much greater capacity if it was to meet its commitment to the wider university community for high-quality educational media supporting distance learning in an efficient, effective and service-oriented environment. For the year 2018-2019, this included more than 130 live courses and greater than 7,000 hours of classroom recordings, to support almost 50,000 students enrolled in online and distance learning courses.

The new system uses just 16 fibers to provide extensive networked capability, leaving 20 strands from the original installation free for future expansion. By taking a networked IP approach, the new system gave the DELTA team the capability of 32 x 32 HD signals from each remote building. This is achieved thanks to bidirectional 100 gigabit ethernet capacity across the fiber network.

 

Tags: Imagine Communications | NC State University | porduction facility | IP connectivity | COTS solution | North Carolina | SMPTE ST2110 | DELTA | Magellan SDN Orchestrator | EPIC MV Multiviewer | Cisco | Tony Pearson | Cassidy Phillips | MKM Marketing Communications
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Texas A and M Goes IP with Imagine Communications for Integrated Sports Production Posted: 28/04/2020
Texas A and amp;M Goes IP with Imagine Communications for Integrated Sports Production

12th Man Productions, the sports broadcast and post facility for Texas A&M University, has moved to IP connectivity to provide a common production platform for all its sports venues. A cornerstone of the new installation is the Selenio™ Network Processor (SNP) from Imagine Communications.

The A&M campus in College Station, Texas, incorporates seven sports venues, spread across the site, which host as many as 110 events a year. As well as offering broadcast outputs from any event at any location, 12th Man Productions also provides in-stadium big screen entertainment and information. The football stadium, Kyle Field, was rebuilt in 2014, and as part of that project, a central studio was planned.

Today, fiber circuits connect every field back to the Kyle Field stadium, allowing resources to be allocated to any venue dynamically. Four control rooms allow two venues to broadcast live, while also producing big screen shows at two more venues. This calls for a large number of feeds in each direction, supporting monitors, multiple digital signage networks and big screen replays, as well as feeds for home and visiting teams. There is also a need to provide for official replay facilities in many sports. All signals are handled as uncompressed HD, minimizing latency by eliminating the delays of compression math, and allowing for live remote production even when venues are 10 kilometers from the control room.

Tags: Imagine Communications | Texas A&M | SMPTE ST 2110 | 12th Man Productions | IP connectivity | SNP | Selenio Network Processor | live remote production | Zack Bacon | Cassidy Phillips | MKM Marketing Communications | MKM Marcomms
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Berlin Film Festival winners finished with Baselight Posted: 15/04/2020
Berlin Film Festival winners finished with Baselight

There is No Evil and Delete History prize winners completed at Optical Art in Germany and Color in Paris

 

At the 70th Berlinale, the 2020 Berlin Film Festival, the Golden Bear was won by There is No Evil, directed by Mohammed Rasoulof; the Silver Bear special prize went to Delete History, directed by Benoît Delépine and Gustave Kerven. Both movies depended on detailed grading and finishing on Baselight.

 

Tags: FilmLight | Baselight | Berlin Film Festival | colourist | colour grading | Berlinale | Golden Bear | Mohammed Rasoulof | Silver Bear | Benoît Delépine | Gustave Kerven | Jochen Hinrichs-Stöldt | MKM Marketing Communications
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Pixotope supercharges the Super Bowl with ambitious live mixed reality production Posted: 06/03/2020
Pixotope supercharges the Super Bowl with ambitious live mixed reality production

The Future Group, provider of live photo-realistic virtual production system, Pixotope™, has revealed its key involvement in the stunning production and delivery of the NFL’s ground-breaking Super Bowl LIV, mixed reality pre-game presentation. The complex, seven-minute production combined live action from multiple moving cameras with augmented virtual stages and graphics. The 2020 Super Bowl was watched by an estimated domestic audience of 100 million people, plus international viewers.

The Future Group provided six installations of its virtual production platform, Pixotope, along with essential technical expertise to liaise with all other aspects of the multi-faceted production.

As an opener to the Super Bowl LIV, NFL planned to reveal its “100 All Time Team”. They approached fan experience company– coincidently named, The Famous Group – to design and choreograph the pre-show content. The brief was to celebrate the history of the sport and the contribution of those 100 players and 10 coaches, using graphics, historical film and live shots of attendees. The Famous Group looked to achieve this through extensive use of mixed reality virtual elements, and selected Pixotope, with expertise from The Future Group, as their technological solution.

The complexities of such a project cannot be overstated. Multiple virtual assets such as stages and screens needed to be designed to exactly match the stadium environment to which they would be augmented. Cameras needed to be tracked in real time and have their lenses aligned so that the virtual elements would be generated at precisely the right angle to accurately match real-world positions. Lighting needed to be measured so that it could be simulated in the virtual world to ensure correct shadows and highlights.

In-stadium screens, which would show the augmented content to the crowd, had to be accurately marked out in the virtual scene so that they could be blocked out to avoid visual “feedback”. All this had to take place under precise time control to synchronise with the voice-over and contributing performers in the stadium.

Pixotope product specialist, David Stroud, was part of a team of experienced mixed reality technicians, helping to specify and install the required technology, and bring together all the constituent departments. The Future Group team were involved from the outset, initially collaborating using a shared virtual project to provide technical assistance for The Famous Group creatives. Then later, the team positioned themselves at the Hard Rock Stadium, Miami FL, where the main event would take place 11 days later.

David Stroud recalled, “Although the virtual scene had been set up “offline” from scans and measurements from the stadium, there are inevitably adjustments that can only be done on site. We used our Pixotope virtual production platform to receive images and tracking data from each of the cameras, one of which was a Skycam “wire-camera”, and augment onto those the virtual elements designed by The Famous Group. This allowed everyone to see the results in real time, making adjustments and improvements as we rehearsed the show in the days leading up to the Super Bowl.”

Stroud continued, “We helped the camera operators visualise how the preshow would come together, as understandably, they were more used to following the unscripted action of a football game than reacting to very specific time cues. Pixotope has the capability to continuously output the final result, even while editing the graphics – a great tool for directors following rapid changes and updates because it’s always live.

“We also worked closely with camera tracking specialists SMT, and in fact, we were able to improve our data exchanges to further perfect the virtual camera motion. And we worked with both the broadcaster (Fox) and the companies providing in-stadium displays to ensure the very highest visual quality possible.”

Andrew Isaacson, Executive VP Business Development for creative agency The Famous Group affirms, “Needless to say, the best creative ideas rely on solid technological platforms and expertise to deliver them. This could not be truer for a live event on the scale of The Super Bowl. We needed to know, without any shadow of a doubt, that what we planned would be delivered faultlessly, accurately and to the highest quality. This is why we chose Pixotope as our platform for delivering cutting edge mixed reality for the Super Bowl.

“Having used Pixotope on previous productions, we know that the system, and expertise from The Future Group, allow our creative ideas to be unleashed to the great benefit of our clients like the NFL. We look forward to working on many more productions with Pixotope.”

All hardware was provided by Quince Imaging and camera tracking was completed by SMT. The final mixed reality sequence can be viewed online, here: https://www.youtube.com/watch?v=FqXBKweKQ9U

Tags: The Future Group | Pixotope | Super Bowl | mixed reality | live production | Super Bowl LIV | photo-realistic | virtual production | NFL | The Famous Group | David Stroud | real time | SMT | Fox | Andrew Isaacson | cutting edge | MKM Marcomms | MKM Marketing Communications
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At CABSAT 2020, Interra Systems Boosts Video Quality With Advanced QC, Monitoring, and Analysis Posted: 24/02/2020
At CABSAT 2020, Interra Systems Boosts Video Quality With Advanced QC, Monitoring, and Analysis

Interra Systems will at booth 303 at CABSAT 2020.

In today's highly competitive multiscreen market, service providers need to find ways to streamline content management, improve efficiencies, and provide exceptional audio-video quality on every device. At CABSAT 2020, Interra Systems will demonstrate the power of its world-class content quality control, monitoring, analysis, and classification solutions in delivering a superior quality of experience on every screen. Interra Systems' solutions increase service providers' flexibility through a software-based architecture that is deployable in the cloud and on-premises.

 

 

 

Tags: Interra Systems | CABSAT 2020 | Multiscreen Market | Service Providers | Monitoring
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Argosy focuses on convenience, operational flexibility and environmental considerations at CABSAT 2020 Posted: 10/02/2020
Argosy focuses on convenience, operational flexibility and environmental considerations at CABSAT 2020

Argosy, a leading international supplier of broadcast and AV cables and infrastructure products, will provide support for the Middle East and North Africa media market at CABSAT 2020 (31 March – 2 April 2020, Dubai World Trade Centre, stand G3-201). By providing a one-stop shop for systems engineers and designers, Argosy supports them in building sophisticated solutions quickly, simply and cost-effectively.

Argosy specialises in every aspect of media infrastructure, from cables and connectors to active hardware devices such as network switches, fibre transport and KVM switches. At CABSAT it will showcase a range of its offerings, including its own manufactured patching and termination panels, equipment racks and tactical fibre and SMPTE camera cables. Plus products from some of the market leading manufacturers including: BES, Canare, Cliff Connectors, Ghielmetti, and Neutrik.

Experts from Austrian vendor kvm-tec will also be available on the Argosy stand, explaining how the latest generation of high-bandwidth, IP-connected KVM (keyboard, video and mouse) solutions can deliver secure connectivity with low latency while linking multiple workstations to multiple computers. Such solutions reduce clutter in operational areas by needing only one set of keyboard, mouse and monitor while instantly accessing multiple services. This also helps to reduce cost by eliminating multiple monitors which contributes significantly to an improvement in environmental performance.

“With the media world changing so rapidly, demanding more outputs and higher resolutions, we know our customers need to be able to rely on suppliers to ensure they have the right infrastructure hardware, now and for the future,” said Chris Smeeton, CEO of Argosy. “We have a strong and long standing presence in the Middle East, and our many customers know that we are much more than just cable stockists – we can help finalise the details of installations, ensuring that the system works first time and stays working.

“CABSAT is a great opportunity for us to talk to our client base in the region,” Smeeton added. “They know us as problem solvers, and we enjoy finding solutions for them that are reliable, practical and, in an atmosphere of increasing environmental concerns, as green as we can make them.”

For more information, visit Argosy at CABSAT on stand G3-201.

Tags: Argosy | media infrastructure | broadcast cables | AV cables | infrastructure products | CABSAT 2020 | Dubai | cost-effective | switches | fibre transport | KVM swithces | equipment racks kvm-tec | Chris Smeeton | flexibility | MKM Marketing Communications
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CBC Radio-Canada Chooses Dejero for Field Contribution Technology Posted: 05/02/2020
CBC Radio-Canada Chooses Dejero for Field Contribution Technology

Dejero, an innovator in cloud-managed solutions that provide award-winning video transport and Internet connectivity while mobile or in remote locations, announced today that it has once again been selected as the primary field contribution solutions provider for Canada's national public broadcaster, CBC/Radio-Canada (CBC). As part of this renewed multi-year agreement, Dejero will help with CBC’s transition to IP workflows.

A major project that CBC is currently undertaking is relocating the broadcaster's French Services HQ to the groundbreaking all-IP 'Maison de Radio-Canada' (MRC) broadcast center in Montreal. Upon completion later this year, the new SMPTE ST 2110 compliant MRC will stand as one of the most advanced, state-of-the-art IP broadcast facilities in the world, supporting CBC's multiplatform and ever-increasing digital strategy. As a long-time partner of CBC in the area of field contribution, Dejero is supporting the all-IP infrastructure at the MRC by providing the national broadcaster with the latest Dejero solutions including WayPoint 204 SMPTE ST 2110 receivers, EnGo 260 mobile transmitters, rack-mounted PathWay transmitters, and the LivePlus mobile app for iOS and Android devices across the network. Dejero is also providing CBC with connectivity and cloud-management services.

“Dejero’s proven track record, partnership, and ongoing support have been invaluable to CBC over the last decade," commented François Vaillant, executive director, engineering solutions at CBC/Radio-Canada. "Some of the key factors that stood out for us when we examined Dejero’s technology during the selection process, were that their solutions clearly met CBC’s needs and expectations, being reliable and agile, particularly when broadcasting in bandwidth-constrained scenarios from the field."

“We are thrilled to have been re-selected as the field contribution technology partner of CBC/Radio-Canada, a close relationship we have cultivated for over a decade," said Bogdan Frusina, founder of Dejero. “We look forward to continuing our support of CBC/Radio-Canada as it transitions to IP workflows and completes its groundbreaking project in Montreal.”

This announcement comes on the back of a successful year for Dejero that saw the company being awarded a second prestigious Technology and Engineering Emmy® Award recognizing its innovation in the industry, thanks to its Smart Blending Technology and unique hybrid encoding approach. Last year, Dejero was awarded its first Technology and Engineering Emmy® Award for 'excellence in engineering creativity', honoring a decade of achievements in the field of live transmission driven by its vision of reliable connectivity anywhere.

Tags: Dejero | CBC/Radio-Canada | transmitters | receivers | broadcast facility | all-IP infrastructure | WayPoint 204 | EnGo 260 | cloud-management | Francois Vaillant | CBC | reliable | agile | Bogdan Frusina | Smart Blending Technology | MKM Marketing Communications
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FilmLight teams up with ARRI in Paris creative community Posted: 24/01/2020
FilmLight teams up with ARRI in Paris creative community

Following the appointment of Matthieu Straub as the company’s technical and operational consultant to France and the Benelux countries in the summer of 2019, FilmLight is delighted to announce that it has now established a permanent presence in Paris. By sharing premises with ARRI France, FilmLight is developing a strong hub for creative and technical knowledge and events.

The hub will host the first of FilmLight’s Colour Day workshops in 2020, on 28 January. One of the advantages of sharing the centre with ARRI is that it underlines the seamless workflows from camera to finish, using the BLG format for render-free viewing and creativity. The BLG grading metadata is stored in the ARRIRAW and QuickTime headers, ensuring the content and its look are permanently linked.

The Paris Colour Day on 28 January, aimed at creatives and technicians in production and post production, will see FilmLight’s workflow specialists, Straub and Thomas Eberschveiler unveil new FilmLight tools. Attendees will also hear from guest colourist Stéphane Azouze about his collaboration with directors Anastasia Mikova and Yann Arthus-Bertrand on the recent award-winning documentary ‘Woman’. Finally, colour scientist Florine Bel will share her image expertise and discuss her work developing film aesthetics, colour spaces and conversions.

The shared space has already hosted successful events, including a workshop day for DITs. Led by Straub, with guest speakers from Netflix and from post house Mikros, the group discussed the latest developments in colour space management and workflows. ARRI’s presence allowed the discussion to include ARRI Looks and how they can be incorporated into FilmLight BLG post production. In the demonstration area, they featured an ARRI ALEXA camera feeding Prelight and Daylight software, allowing the delegates to experiment with look development and make comparisons between standard and high dynamic range colour spaces.

Explaining the importance of bringing together creative artists and technicians, FilmLight’s Matthieu Straub said “My background is as a digital image technician, and I know how directors and cinematographers are increasingly relying on DITs to find technical solutions to their demanding creative requirements. “Our intention is to use our demonstration and meeting space here on the Rue René Boulanger to be a place where we can encourage the sharing of knowledge and experiences, to help the French cinema industry achieve ever greater things.”

Tags: FilmLight | ARRI | Paris | Colour Day | Matthieu Straub | workshop | Thomas Eberschveiler | Stéphane Azouze | colourist | colour science | BLG format | Baselight | Prelight | Daylight | MKM Marcomms | MKM Marketing Communications
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Dejero Wins Second Prestigious Technology and Engineering Emmy Award Posted: 21/01/2020
Dejero Wins Second Prestigious Technology and Engineering Emmy Award

Globally recognized award underlines how Dejero exponentially improves flexibility in location coverage for newsgathering and live events crews

Dejero, an innovator in cloud-managed solutions that provide award-winning video transport and Internet connectivity while mobile or in remote locations, has been awarded a second prestigious Technology and Engineering Emmy® Award. The award, in the category of Video over Bonded Cellular Internet (VoCIP) technology, recognizes Dejero’s innovation in the industry, thanks to its Smart Blending Technology and unique hybrid encoding approach.

Headquartered in Waterloo, Ontario, Canada, Dejero has perfected its patented and patent-pending Smart Blending and hybrid encoding technologies over the course of the last decade. The technologies work in concert to form a tightly integrated system which responds in real time to changes in network quality and video content. This has helped transform how broadcasters contribute live content from the field using cellular networks, providing newsgathering crews with greater flexibility in terms of the location from where they can transmit a live shot, at a fraction of the cost of conventional uplink technology.

“We are thrilled to win not just one Emmy® – the most recognized broadcast award in the world – but two,” said Bogdan Frusina, founder of Dejero. "Last year the committee rewarded our decade of innovation for pioneering reliable transmission methods that enable live contribution and distribution of TV signals over the public Internet. This year they have gone on to further recognize our industry-leading technologies, showing that our continuous development is raising the quality and reliability standards of mobile video and data transmission.”

 

Tags: Dejero | Emmy Awards | Technology and Engineering Emmy Award | globally recognised | location coverage | newsgathering | live events | cloud-managed solutions | Video over Bonded Cellular Internet | MKM Marketing Communications | Bogdan Frusina | winners
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Baselight helps to polish Uncut Gems Posted: 14/01/2020
Baselight helps to polish Uncut Gems

Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it is appropriate that the colour palette was created at The Mill NY by colourist and director of DI, Damien Van Der Cruyssen.

Van Der Cruyssen collaborated closely with cinematographer Darius Khondji, as well as the Safdie Brothers, all of whom he had worked with previously on the Jay-Z video for Mercy Me. “At that point I got a good understanding of their relationships and how I could fit into the equation.”

Visually, Uncut Gems has a classic New York City look, but with a modern twist. “The Diamond District hasn’t changed much over the last forty years, so it automatically had that 70’s ‘noir’ feel,” commented Van Der Cruyssen. “But we wanted to break away from the steely, gritty New York to a more real-life aesthetic – less forced and contrived.”

Around half of the movie was shot on 35mm film to give it a more natural look, which meant Van Der Cruyssen had to treat the digital footage to match. “Marrying the film footage with the digital scenes was quite challenging,” he explained. “So I asked the crew to shoot some grain elements that could be overlaid in Baselight and adjusted per scene.”

 

Tags: FilmLight | Baselight | Uncut Gems | Safdie Brothers | Adam Sandler | The Mill NY | colourist | Damien van der Cruyssen | Darius Khondji | Diamond District | New York City | BLG metadata workflow | colour grading | Netflix | MKM Marcomms | MKM Marketing Communications
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