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DHD Announces New Web Apps and Firmware Updates Across its Range of Audio Mixers and Routers plus New Hardware Options Posted: 14/09/2020
DHD Announces New Web Apps and Firmware Updates Across its Range of Audio Mixers and Routers plus New Hardware Options

DHD Audio GmbH announces a major firmware update across its range of broadcast audio mixing consoles, routers and control interfaces. New functions have been integrated to make operation easier, faster and more flexible. Also being introduced are flat table mount versions of the RX2 and SX2 mixers.

Tags: DHD Audio GmbH | digital audio studio equipment | digital audio systems | digital audio mixers | broadcast control room systems | DJ-operated radio studio systems | OB truck audio systems | audio routing and talkback matrices | audio-over-IP interfaces
Submitted by Stylus Media Communications
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NUGEN Audio Provides Workflow Efficiencies for Halo Post Posted: 09/09/2020
NUGEN Audio Provides Workflow Efficiencies for Halo Post

Simon Hill, senior dubbing mixer at Halo Post in London, has worked on some of the biggest dramas for television and streaming outlets. Included among these is Bulletproof, which airs on Sky One in the UK and CW in the U.S., as well as the British film, Ghost Stories. With audiences craving more and more content, post houses must turn out projects at increasing speeds. To help streamline its workflow, Halo Post relies on the Halo Upmix, VisLM and ISL plug-ins from NUGEN Audio.

Tags: NUGEN Audio | Halo Post | Halo Upmix
Submitted by D. Pagan Communications
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Whitman Illuminates Hot Wheels Spots with BB and S Lighting Innovations Posted: 07/09/2020
Whitman Illuminates Hot Wheels Spots with BB and amp;S Lighting Innovations

Tristan Whitman plays with toys. A specialist in tabletop cinematography, the LA-based filmmaker/USC professor is often called upon by top toymakers to make their action cars and figures grab the attention of young viewers. Unlike setups that require big crews, tabletop shooting is a more solitary endeavor, requiring a focused skillset including concentration, patience and resourceful use of tools. With fewer people on set, following the new safety protocols amid the Covid-19 outbreak is just a minor inconvenience.

Tags: BB&S Lighting | BB&S | Lighting | local 728 | lighting design | light | cinematography | digital cinematography | director of photography | cinema | commercial | music video | phosphor lighting | led | lightbridge | pipelines | area 48 | Lumix S1H | reflector | cine | produc
Submitted by Lewis Communications
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NUGEN Audio Delivers Unrestricted Creativity and Control for Re-Recording Mixer Jonathan Wales Posted: 26/08/2020
NUGEN Audio Delivers Unrestricted Creativity and Control for Re-Recording Mixer Jonathan Wales

For over three decades, Warner Bros. Re-Recording Mixer Jonathan Wales has created audio magic for numerous feature films, documentaries and television shows. As content creation and technical specifications change, Wales finds himself having to adapt to newer audio compliance standards across a variety of platforms. In order to keep directors happy and viewers engaged with the enhanced level of creativity expected of today’s productions, Wales relies on a selection of plug-ins from NUGEN Audio. Two recent projects where Wales put his NUGEN software to good use was the Warner Bros. movie Dr. Sleep and the Netflix series 13 Reasons Why.

Tags: NUGEN | Halo Upmix | VisLM | SigMod
Submitted by D. Pagan Communications
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Calrec: Chris Eckford, A1 Mixer; A Craft Interview Posted: 26/08/2020
Calrec: Chris Eckford, A1 Mixer; A Craft Interview

As a UK-based A1 for the past decade, Chris Eckford has worked on some high-profile projects including the Premier League and the Amazon Prime Sport Premier League Games in December 2019. He says that in the past five years, a Calrec desk has been central to 90 percent of the projects he’s worked on.

Tags: Calrec | audio | mixing | IP | broadcast | consoles
Submitted by Jump PR
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Journey to the Future Edited with NUGEN Posted: 27/07/2020
Journey to the Future Edited with NUGEN

Discovery Network’s Journey to the Future, produced by Storied Media, is a documentary focused on the behind-the-scenes lead-up to America’s historic SpaceX Falcon 9 launch. Several packages were also produced for use throughout the live broadcasts. Among the professionals who worked tirelessly on these projects was Re-Recording Mixer Michael Phillips Keeley, CAS, who called on NUGEN Audio to helpcreate the perfect soundscape.

Tags: NUGEN Audio | Post Production | Upmix
Submitted by D. Pagan Communications
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The Future Group Unveils Significant Mixed Reality Advances in Pixotope Version 1.3 Posted: 23/07/2020
The Future Group Unveils Significant Mixed Reality Advances in Pixotope Version 1.3

The Future Group, creators of live photo-realistic virtual production system Pixotope®, today unveils its latest Version 1.3 software featuring a wide range of advances that significantly improve how virtual environments interact with real-world elements.

Pixotope enables the production of mixed-reality (MR) content by bringing together physical components such as presenters, actors, props and free-moving cameras, with virtually created assets such as scenes, graphics, animated characters, or any other computer-generated elements. Pixotope forms the central production hub when creating mixed-reality content for broadcast and live events, with Version 1.3 offering new object tracking, powerful lighting integration, enhanced colour management and more.

 

Tags: The Future Group | Pixotope | Version 1.3 | virtual elements | object tracking | virtual production | mixed-reality | Oystein Larsen | lighting control | colour management | Unreal game engine | Marcus Blom Brodersen | MKM Marcomms | MKM Marketing Communications
Submitted by MKM Marketing Communications
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Patrick Castonguay, A1 Mixer A craft interview - Calrec Posted: 15/07/2020
Patrick Castonguay, A1 Mixer A craft interview - Calrec

As an accomplished A1 for almost 20 years now, Canada-based Patrick Castonguay loves the challenge of being creative with every live mix he produces. He’s worked on high-profile sports events including the Olympics (every year since 2002) and NHL and CFL games in Canada, as well as the JUNO Awards. The first Calrec console he ever used was the T Series, which was an analog/digital hybrid design.

Tags: Calrec | audio | consoles | mixing | digital | AoIP
Submitted by Jump PR
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NUGEN Audio Announces Halo Downmix Update Posted: 07/07/2020
NUGEN Audio Announces Halo Downmix Update

 

NUGEN Audio unveils the latest version of its Halo Downmix, which now increases the compatibility of the software allowing for greater flexibility and collaboration across a broad spectrum of project types. NUGEN has broadened the plug-in’s channel count support to address less common output formats. With this update, Halo Downmix is capable of downmixing from 7.1 and 5.1 to any of the following configurations: 7.0, 6.1, 6.0, 5.1, 5.0 and 4.0, as well as LCR and stereo. With the optional 3D extension, downmixing from 7.1.2 is also supported.

Tags: NUGEN Audio | Halo Downmix | Software Updates
Submitted by D. Pagan Communications
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Calrec: Craft Interview, John Hunter, A1 Mixer Posted: 30/06/2020
Calrec: Craft Interview, John Hunter, A1 Mixer

A freelance audio engineer (A1) for Dome Productions in Canada, John Hunterfirst discovered his passion for audio with live music. Eventually, his path led him to sports and he (in normal times) mixes every Toronto Raptors home game on TSN and Sportsnet and has travelled with the production team to work every playoff game, including the 2019 NBA Finals. He worked as an A1 for the famous 2018 NBA Raptors/Pelicans game in 4K HDR and Dolby Atmos surround sound, which was the first to be produced in these formats and distributed live to North American households.

Tags: Calrec | audio | broadcasting | consoles | digital | mixing | A1
Submitted by Jump PR
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Calrec: Phil Adler, A1 Mixer, A craft interview Posted: 22/04/2020
Calrec: Phil Adler, A1 Mixer, A craft interview

“I haven't changed the way I produce a broadcast because of the internet. The quality of what I stream at home is as good, if not better, than what the local stations are transmitting. I make sure the mix sounds good at low volume and in stereo or mono, which is an old music mix technique. If it sounds good like that, it'll sound good anywhere.”

Tags: Calrec | audio | broadcast | IP | mix | music | digital | consoles | broadcast | TV | NAB 2020 | NAB 2020
Submitted by Jump PR
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Pixotope powers stunning visuals and engaging information in WePlay Esports championship streaming Posted: 09/04/2020
Pixotope powers stunning visuals and engaging information in WePlay  Esports championship streaming

The Future Group, developer of live photo-realistic virtual production system Pixotope™, today announced that it provided the mixed reality platform for WePlay! Esports’ ‘Dota 2 Tug of War: Mad Moon’ tournament, which took place in Kiev, Ukraine, from 19-23 February. WePlay! Esports, which organises tournaments as well as providing online coverage, has the vision to blend competitive esports with entertainment in all-embracing coverage – “esportainment” is the word coined by Oleg Krot, CEO at WePlay! Esports.

To bring the audience into the esports action, WePlay! Esports decided to use augmented reality. “For us, augmented reality is a powerful tool to enhance the tournament theme, and add creativity and consistency to the broadcast,” said Aleksii Gutiantov, Head of AR Dept at WePlay! Esports. He turned to the proven Pixotope solution from The Future Group: “the best product on the market in my experience,” Gutiantov added.

Pixotope takes the remarkable rendering power of the Unreal Engine from Epic Games, and builds it into a complete virtual production hub. While offering a user interface simple enough for the pressures of live production, it provides along with the ability to make last minute changes while in live mode, all the power of an augmented reality system including camera tracking, motion capture and data-driven graphics.

 

Tags: The Future Group | Pixotope | WePlay! | Esports | championship | photo-realistic | virtual production | mixed reality | esportainment | Oleg Krot | Aleksii Gutiantov | Unreal Engine | Epic Games | Maksym Bilonogov | The Mad Moon | Marcus Blom Brodersen | MKM Marcomms
Submitted by MKM Marketing Communications
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NUGENs Surround Mix is Essential to Audio Post-Production for Todays Evolving Media Posted: 25/03/2020
NUGENs Surround Mix is Essential to Audio Post-Production for Todays Evolving Media

NUGEN Audio’s Surround Suite offers a complete set of tools forupmixing, downmixing and multi-channel sound reshaping for the production market. Featuring the company’s Halo Downmix, Halo Upmix, ISL True Peak limiter and SEQ-S match and morph EQ software, NUGEN’s Surround Suite is perfect for both movie and television productions.

“We take pride in tailoring our products to the specific needs of audio professionals working in TV and film, enabling them to accomplish their full creative vision in a time- and results-oriented manner,” says Paul Tapper, CEO, NUGEN Audio. “Surround Suite delivers all the control necessary to define, enhance and fine-tune a surround mix. As a result, it gives users access to precise and tweakable downmixing (Halo Downmix) and coherent and natural upmixing, from stereo to 5.1 and 7.1 (Halo Upmix). They can also take advantage of the suite’s True Peak limiting (ISL) and linear phase EQ (SEQ-S).”

NUGEN’s Surround Suite offers full access to surround balances, clear visual feedback and individual surround channel access. The toolkit also allows users to regulate low frequency content and fine-tune surround mixes, without the possibility of phase warping.

Included among the NUGEN Surround Suite is Halo Downmix, which complements any post-production workflow. Using precise surround control, mix monitoring and versatile downmix balancing, Downmix helps to accelerate productivity on surround mixes. Typically considered the final piece of a production workflow, Halo Downmix allows users to easily deliver projects in both stereo and surround formats without compromise.

Somewhat of a ‘parent’ software to Downmix, NUGEN’s Halo Upmix is also included in the Surround Suite. With unique center-channel management and switchable dialog extraction, Upmix is perfect for everything from archive restoration and TV, through 7.1 feature films. With surround delivery requirement becoming increasingly common, Halo Upmix offers an indispensable tool for Dolby Atmos, Aura 3D and Ambisonic productions. A 3D immersive audio option is also available.

 

 

Tags: NUGEN Audio | Upmixing | Downmixing
Submitted by D. Pagan Communications
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Bryan Sol Aponte Takes DPA Microphones Back to the 80s on the Set of Mixed-ish Posted: 25/03/2020
Bryan and lsquo;Sol and rsquo; Aponte Takes DPA Microphones Back to the 80s on the Set of Mixed-ish

Veteran Sound Mixer Bryan “Sol” Aponte relies on DPA Microphones4061 Miniature Omnidirectional Mic to capture the hilarious and witty dialogue of one of the network’s top sitcoms, mixed-ish. Aponte’s 20-year history in the industry features an impressive resume that includes two Emmy nominations and credits on MADtv, Workaholics, American Gangster, The Young and the Restless and Splitting up Together. He recently swapped out his previous lavaliers for the 4061s because of the impressive, natural sound quality these DPA mics provide.

“I’ve been using the DPA lavs for a year now and I absolutely love them,” says Aponte. “My audio utility, the legendary Nick Carbone, first introduced me to them—he spoke so highly of DPA microphones in comparison to other manufacturers’ solutions. When I first tested the 4061s, I fell in love with them and immediately replaced my inventory of lavaliers with DPAs. The presence boost on the 4061s not only sounds natural, but you can place them almost anywhere on talent and capture great sound.”

The decision to switch to DPA was an easy one for Aponte. “Prior to using DPA mics, I really didn’t know what I was missing, but after using them for a year, I feel like they are far superior,” he adds. “Once I heard the mics and did side-by-side comparisons with other manufacturers, I knew I couldn’t afford not to use DPA. The 4061s don’t create microphonic noise—a challenge that I’ve faced with other brands—and they take my mixing game to the next level.”

With a capsule designed with a double vent protection system and moisture resistant materials, the 4061 miniature lavalier features a condenser element with a frequency and sensitivity response that will accurately reproduce audio signals from the human voice. Additionally, Aponte appreciates the added benefits he receives from DPA’s concealer clip, designed specifically for the 4061. “The concealer clip has helped me to solve an issue with which I have long struggled—clothing rustle, which is every mixer’s worst nightmare and a challenge we are constantly trying to overcome,” he explains. “Since incorporating DPA into the mix, that problem is nearly non-existent; they are a game changer.”

Tags: DPA Microphones | Sound Mixer | Lavaliers
Submitted by D. Pagan Communications
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DHD Announces New Addition to Management Team Posted: 20/03/2020
DHD Announces New Addition to Management Team

DHD Audio GmbH, a leading manufacturer of professional mixers and audio devices, announces a new addition to its management team. Anne Philipp is promoted to General Manager, reporting to Managing Directors Joerg M. Deubner and Sven Hoffmann.

Graduating in 2006 with a Business Administration degree from the University of Leipzig, Anne Philipp joined DHD in January 2007 as an executive assistant responsible for materials procurement and accounting. She later also took on production planning. In 2010 she left to work on public tender preparation for a municipal organisation, returning to DHD in 2016. Since then she has resumed her former roles within the company as well as supervising DHD's human resources.

"Anne Phillip is a highly efficient and effective administrator who has proved her management skills within DHD over many years," Joerg Deubner comments. "Sven and I are still deeply involved in hardware and software development so fully appreciate having a colleague of her competence in charge of general company operations."

 

 

 

Tags: digital audio studio equipment | digital audio systems | digital audio mixers | broadcast control room systems | DJ-operated radio studio systems | OB truck audio systems | audio routing and talkback matrices | audio-over-IP interfaces
Submitted by Stylus Media Communications
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