No Static AV Delivers Ultra HD Workflow for Annual Baby2baby Fundraising Gala

Date: 07/02/2020
No Static AV Delivers Ultra HD Workflow for Annual Baby2baby Fundraising Gala

Blackmagic Design today announced that LA based event production company No Static AV (NSAV) used an Ultra HD live production workflow featuring URSA Broadcast cameras and ATEM switchers to deliver in house AV and IMAG for the annual Baby2Baby fundraising gala, which raises millions of dollars for the nonprofit and the children living in poverty that it serves.

Held at the 3Labs event space in Culver City, CA, the Baby2Baby gala brings together celebrities, entrepreneurs and philanthropists, and the evening hosts the top chefs in Los Angeles, an exclusive auction and inspiring program, all while honoring this year’s Giving Tree Award winner, Chrissy Teigen. Past honorees include Amy Adams, Gwyneth Paltrow, Jennifer Garner, Kerry Washington, Kate Hudson, Drew Barrymore and Jessica Alba.

With no shortage of AV deliverables, NSAV used its mobile production unit featuring a custom made flypack designed specifically with the Baby2Baby gala in mind. The unit relied on several Blackmagic Design products, including four URSA Broadcasts complete with URSA Studio Viewfinders, four Camera Fiber Converters and four Studio Fiber Converters for fiber connectivity between the cameras and switcher, an ATEM 1 M/E Production Studio 4K and ATEM 1 M/E Advanced Panel for live switching, and a Smart Videohub 20x20 router to distribute content throughout the venue. NSAV also used an ATEM Camera Control Panel for remote camera control and Teranex AV standards converter for on the fly conversions.

NSAV praised the image quality from the URSA Broadcasts and the ease of use of the live production gear. The URSA Broadcasts were used for IMAG and the content was also recorded in camera in 4K and in 1080 at the mobile production unit. Camera Fiber Converters and Studio Fiber Converters were necessary for fiber communication between the cameras and the switcher, giving the team real time control of all camera aspects, and the ATEM Camera Control Panel allowed NSAV to properly adjust color correction, shading and shutter speed during rehearsals and the live show.

NSAV also provided two 16x9 foot projection screens with 18K lumen laser projectors, two 70 inch LED displays, two 80 inch LED displays, four 90 inch LED displays, and another 18k laser projector shot onto a large wall in the lounge area. This year’s musical act, Paula Abdul, also brought in her own 10 mil video wall, which was used to display auction footage, logos, and to run the artist’s own content as a backdrop to the stage.

“We needed to be able to distribute any content to any screen at any time,” said Adam Beck-Slaten, vice president of production at NSAV. “All of the screens were able to receive content from IMAG, PowerPoint, PlaybackPro, or two internet streams that were tracking donations. We also needed to distribute a script to the teleprompter, while two downstage confidence monitors and an 80 inch display at front of house were showing video from the program, auction and speeches for the presenters to follow along.

The Smart Videohub 20x20 allowed NSAV to expand on the inputs and outputs of the ATEM 1 M/E Production Studio 4K. With this particular event requiring so many inputs and discreet outputs, the team was able to hot key different areas of the event using the router to control nine inputs and 18 outputs seamlessly throughout the show.

“Using Blackmagic Design products meant we were able to make a speedy transition to 4K in a cost effective way, while keeping the level of quality our clients expect,” said Beck-Slaten. “Since we often encounter so many different requests, the Blackmagic Design line allows us to build out what we need to adapt quickly and expeditiously when last minute requests and changes are thrown our way. Blackmagic lets us build what we want and need piece by piece.”



Tags: Blackmagic Design | Blackmagic | Ultra HD | Live Production | Live Stream | Fundraising Gala | URSA Broadcast | ATEM
Submitted by Patrick Hussey (Blackmagic design)
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FOR-A Corporation of America today announced PBS39/WLVTTV, part of Lehigh Valley Public Media based in Bethlehem, Penn., upgraded its control room last August with a FOR-A HVS-2000 HANABI video production switcher and ClassX broadcast graphics system. The new equipment has improved the on-air look of the station’s original programming as well as its live production workflows.

 

For example, the HVS-2000 can load and playback graphics from the ClassX, so the TD can access them during live productions. As a result, PBS39’s graphics designer does not have to be in the control room for “routine” productions. “When I saw how well the two integrated together, plus the price, it seemed like an obvious choice,” said Andrea Cummis, chief technology officer.

The ClassX also supports the use of RSS feeds for updating election results and other data in graphics, a feature that was not supported by the station’s older graphics system. Cummis said the system “worked great” for local primary election coverage last year, but she is looking forward to using the system to its full potential for Election Night in November.

 

Tags: FOR-A | PBS | production switcher | video switcher | live production | CG | broadcast graphics
Submitted by Pipeline Communications
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GB Labs to feature Mosaic and CORE.4 Lite at CABSAT 2020 Posted: 19/02/2020
GB Labs to feature Mosaic and CORE.4 Lite at CABSAT 2020

CABSAT 2020, Dubai, 31 March - 2 April 2020, Stand G3-24: Leaders in intelligent storage solutions, GB Labs, will showcase its award-winning Mosaic automatic asset organiser and the new CORE.4 Lite operating system during CABSAT 2020 at the Dubai World Trade Centre from 31 March – 2 April.

The Mosaic asset organiser makes it far easier to quickly search for, retrieve, and view video assets. Mosaic automatically scans all inbuilt metadata and integrates it with AI tagging enabling the ability to store, catalogue and access assets with no need for manual intervention, making it a substantial time and money saver.

GB Labs new CORE.4 Lite operating system is a custom OS specifically designed to serve media files. Its high degree of speciality guarantees stable performance for every user, whether as workgroups or individuals, while maximising the efficiency of every disk.

A powerful new feature included with CORE.4 Lite is Analytics Centre, a dashboard that runs in the background of GB Labs intelligent storage devices and continuously analyses the network, providing complete visibility of exactly how, and by whom, data is being used.

GB Labs CEO-CTO Dominic Harland said, “Read/write speeds are usually compromised by a misconfigured network, which wastes resources. But configuration issues can be difficult to locate and resolve manually. Analytics Centre automatically analyses the read/write process through the network with specially designed algorithms that identifies, locates, and suggests how to resolve any issues, often before they occur, thereby eliminating the need for painstaking manual intervention.”

GB Labs will also demonstrate how its proprietary Dynamic Bandwidth Control identifies and selects high, medium, and low priority users to guarantee that the storage system automatically adjusts to operate at peak performance for all.

According to Harland, “Dynamic Bandwidth Control makes storage malleable to ensure it can flexibly respond to changes in usage priorities without breaking. This is unique to GB Labs and can be implemented whether storage is in use by one user or an entire workgroup.”

For backup and archiving, the exhibition stand workspaces will be coupled with GB Labs EasyLTO, an easy-to-use, cost-effective, all-in-one, high-speed solution.

Finally, the company will also discuss the success of recent GB Labs deployments to new customers including M for Media; Qatl Al Youm TV; Polimer TV; Craft; Kalvi TV; and Madha TV.

Tags: GB Labs | Media storage | CABSAT | CORE.4 Lite | OS | AI tagging | Mosaic | Analytics Centre | Dynamic Bandwidth Control | EasyLTO
Submitted by Manor Marketing
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Colorfront Blows The Lederhosen Off 4K 6K 8K HDR at HPA 2020 Posted: 19/02/2020
Colorfront Blows The Lederhosen Off 4K 6K 8K HDR at HPA 2020

Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – will showcase the powerhouse capabilities of its products to enable color-consistent 4K/6K/8K SDR/HDR acquisition-to-post workflows during the 2020 HPA Tech Retreat, 17-20 Feb, Rancho Mirage, CA. The company will also participate in the groundbreaking, cloud-based, live production of “The Lost Lederhosen” short film, and share details of its pivotal role in the making of this mini-movie during the Retreat’s “HPA Makes A Movie” Supersession on Feb 18th.

Tags: Colorfront | On-Set Dailies | Expres Dailies | SDR | HDR | UHD | HFR | 4K | 6K | 8K | dailies | Transkoder | Lederhosen | AJA
Submitted by Prince PR
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