PWL Produces Cool Design for MIA Awards

Date: 24/01/2015
PWL Produces Cool Design for MIA Awards

Luc Peumans of Painting With Light lit the high profile Belgian TV Music Industry Awards (MIA)s event for the first time last year ¦ and producers VRT (Vlaamse Radio en Televisieomroeporganisatie) Belgium were so impressed with his work, that this year Luc was invited back to create a full production design - incorporating lighting, set and video / visuals.

The event honouring the very best of Flemish musical talent and success from 2014 - is the most watched music TV show in the country (broadcast on Channel E©n One) and a massive talking point on the countrys music industry calendar. It unites all the glitz and glamour straight off the red carpet - with Awards nominees and celebrities taking their seats in the Green Room right in the middle of the space with a full audience of very enthusiastic music fans who fill the rest of the studio.

This year the producers wanted a fresher and more youthful look and feel to this fast-paced live TV event, something similar to a festival vibe, and that was a major element of Lucs brief for creating an exciting new visuality. For the first time the MIAs were staged at the AED Studios in Lint.

Eight acts performed live and 16 Awards both Public and Music Industry judged were being presented by Peter Van de Veire, so Luc decided to bring a festival / pop-up feel to the environment. Four stages needed to be covered Main Stage, B Stage, Awards Stage and a Mobile Stage on wheels that moved to different positions in the audience ensuring all could get close-up and personal with the action.

Behind the Main Stage, to set the tone and emphasise the temporary / improvisational nature of the show, the base set was created from lots of scaffolding made into smaller boxes by being covered by pieces of wood or white fabric stretched across the fronts. StageCo supplied three trucks of steel for this and the result was a basic constructional feel thats common to many music festivals and outdoor events.

For the set design, Luc worked together with Deusjevoo, a set design and building specialist based at the same C-MINE technology park in Genk as Painting With Light. It made complete logistical sense to pool resources and work on this element of the event together explains Luc, It proves that collaboration works!

Also integrated into the main set wall were 144 panels of XL Videos Radiant Hybrid 18 LED screen a fusion of standard medium 18 mm pitch comprising 32 x 32 pixels per panel, with 4 x 4 higher brightness (7700nit) low resolution pixels also embedded in the same panel ideal for fabulous shimmery and other mysterious effects.

These were masked with projection screen material on the front to disguise the LED sources which changed the nature and texture of the surface, so when running higher resolution video material, it resembled sharp and crisp projection, and when using the low res pixels the twinkly effects were ethereal and completely different.

To the left and right of the main stage were 4.5 x 2.5 metre screens made from high resolution Pixled F6 LED, which moved in and out on a Kinesys automation system. Both sides of the stage, these screens were used to access or close off the changeover zones as the rolling risers were prepared with kit for the next act to appear on the main stage.

Behind the Awards Stage was a series of vertical stripes of Pixled F6 LED 45 modules in total which displayed all the awards info, related graphics and stings.

Six pieces of show (playback) video content for the live acts were specially created by the PWL team of which New Solid were commissioned to produce those for Netsky and Triggerfinger -  and together with some artist supplied materiel, this was all programmed onto two PWL supplied Coolux media servers programmed and run by PWLs Katleen Selleslagh.

Lighting and rigging equipment was supplied by PRG/EML whose event production manager was Chris Pellens, and their first task was to install a massive trussing grid in the studio which gave all the required lighting positions.

Lucs design featured 54 x Vari*Lite 5s above the Green Room area for washing the room and the clusters of trees which were part of the set. On the stage left and right sides of the audience, these fixtures were used for side lighting and for creating background for the camera shots.

The principal key lighting was 20 x V*L 3500Q Spots utilised in combination with two Robert Juliat Victor follow spots.

On the stage, rigged on the scaffolding, were 32 x V*L3000 Spots and 28 x V*L3500 Washes which did all the general lighting in the area.

AED Rental made 24 x High End Shape Shifters available a mix of C1 (RGB) and W1 (whites) - which Luc dotted around onstage and at the back of the Green Room area, and used for making great eye and camera-candy.

The fronts of main stage scaffolding cubes were specifically lit with 20 x Robe LEDWash 600s in the ceiling, both the fabric and wood fronted pieces and the video cubes (when off) took the light very well, their different textures bringing a real 3D feel to the space.

Ninety Robe LEDWash 300s were dotted around the scaffolding structure and used for lighting the pipes and fabric / wood pieces, augmented with about 96 LED PARs, and a further 24 x PRG LED uplighters were available for the wooden panels and 24 linear LED battens accentuated the lines of the scaffolding structure. Sixteen1-cell binders were used for highlighting and fast chases.

During breakthrough act Oscar & The Wolves (a huge hit with the public voting) set, Luc deployed eight Robe Cyclone LED wash / fan effects around the stage to create a special combination of low smoke and floating lighting effects.

The lighting was all programmed by Luc and PWLs Paco Mispelters and Paco ran the grandMA2 full size console for the show with a Light as backup.

As is often the case, time was the biggest challenge for Luc and his creative team, who were confirmed only 6 weeks before the show. Happening in the first week of the New Year also meant that the festive holiday had to be factored into the logistics, which increased the available time vs. pressure considerably.

There was also limited technical time, so Luc really had to think on his feet True festival style!

On the other hand, being responsible for the entire visual package and production design enabled Luc to produce a coherent and integrated look and means that communication between the different visual aspects was ¦ extremely quick and decisive.

Once again the French-speaking musician and singer STROMAE was a big winner, taking the Award in four of of the five categories in which he was nominated and breaking the previous record to become the most ever MIA Awarded artist!

A massive after party was enjoyed by all the winners, artists and VIPs while Luc and his team could take the credit for this being hailed as one of the best ever looking MIAs.

Photo: Elke Briars, Concert Photography



Tags: Painting With Light | MIA Awards | VRT Belgium | lighting | set | video | AED Studios
Submitted by Louise Stickland
View author's directory page

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  • How to shoot the perfect lighting mix

    How to shoot the perfect lighting mix

  • The shining star of Dancing On Ice

    The shining star of Dancing On Ice

  • A Pandoras Box to empower the filmmaker

    A Pandoras Box to empower the filmmaker

  • Marjan Television Network - a case study

    Marjan Television Network - a case study

  • 5 reasons to use a soft box with LED lighting

    5 reasons to use a soft box with LED lighting

  • Supporting creativity and driving better workflows

    Supporting creativity and driving better workflows

  • Advances in LED lighting innovation with Rotolight AEOS

    Advances in LED lighting innovation with Rotolight AEOS

  • Lighting - the stuff you do not see

    Lighting - the stuff you do not see

  • The now and how of LED Lighting

    The now and how of LED Lighting

  • The Benefits of LED Lighting in Broadcast

    The Benefits of LED Lighting in Broadcast

  • How to illuminate a better shot

    How to illuminate a better shot

  • Space lights and a man called Bill

    Space lights and a man called Bill

  • Highlighting YouTube Space

    Highlighting YouTube Space

  • The Future of LED Lighting

    The Future of LED Lighting

  • Dance hall days are over for professional lighting

    Dance hall days are over for professional lighting

  • Camera Operation and Training Part 1

    Camera Operation and Training Part 1

  • Missing Parts Of The Spectrum

    Missing Parts Of The Spectrum

  • Ground breaking production tool

    Ground breaking production tool

  • Lighting fundamentals

    Lighting fundamentals

  • How full is your spectrum?

    How full is your spectrum?

  • Bring up the bodies

    Bring up the bodies

  • Product Spotlighting

    Product Spotlighting

  • Capture and Produce

    Capture and Produce

  • Lighting for virtual sets

    Lighting for virtual sets

  • LED lighting comes of age

    LED lighting comes of age

  • Lighting our way at IBC

    Lighting our way at IBC

  • The invention of LED lighting

    The invention of LED lighting

  • Taking the heat out of lighting

    Taking the heat out of lighting

  • Photon Beard shines bright in South India

    Photon Beard shines bright in South India

  • Creating the illusion: Green screen lighting

    Creating the illusion: Green screen lighting

  • Gekko Kelvin Tile LED REVIEW

    Gekko Kelvin Tile LED REVIEW

  • The way forward for lighting control

    The way forward for lighting control

  • Review of Kinoflo Celeb 200

    Review of Kinoflo Celeb 200

  • ARE QUALIFICATIONS RECOGNISED?

    ARE QUALIFICATIONS RECOGNISED?

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    ARRI LED technology

  • Eye to Eye: Whats new in lighting

    Eye to Eye: Whats new in lighting

  • LIGHTING FOR 3D PRODUCTION

    LIGHTING FOR 3D PRODUCTION

  • Without training will there be future for the TV Industry?

    Without training will there be future for the TV Industry?

  • Flipping the Switch to Wireless Lighting Control

    Flipping the Switch to Wireless Lighting Control

  • Lighting up Yorkshire

    Lighting up Yorkshire

  • HotTips on how to be a better lighting cameraman.

    HotTips on how to be a better lighting cameraman.

  • Putting Your Sports Announcers in the Best Light

    Putting Your Sports Announcers in the Best Light

  • Lighting Q and A

    Lighting Q and A

  • Truth Lies and LEDs

    Truth Lies and LEDs

  • Rotolight Interview Kit Review

    Rotolight Interview Kit Review

  • LightLighting Sky News at the Gherkin

    LightLighting Sky News at the Gherkin

  • New Light in the Forbidden City

    New Light in the Forbidden City

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    12 Frequently Asked Questions About On-Camera Lighting

  • Lighting the X Factor

    Lighting the X Factor


News
TAG V.S. Announces Plans to Showcase Groundbreaking MCM-9000U IP-Multiviewer and Monitoring System at IBC 2018 Posted: 15/08/2018
TAG V.S. Announces Plans to Showcase Groundbreaking MCM-9000U IP-Multiviewer and Monitoring System at IBC 2018

TAG V.S., the international specialist in advanced IP monitoring and high-quality UHD Multiviewers, has announced plans to showcase its groundbreaking software-only MCM-9000U IP-Multiviewer and monitoring system at IBC 2018. The first of its kind in the industry, the MCM-9000U supports SMPTE's recently published ST 2110 suite of standards for managed IP networks that address HD and UHD uncompressed video and audio streams at the Inputs and Outputs. Demonstrations will be held on TAG's Stand 1-F94 in Hall 1 of the RAI.

Tags: TAG V.S. | IBC 2018 | MCM-9000U | TAG Decryptor | IBC 2018 | IBC 2018
Submitted by Desert Moon Communications
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Barnfind Goes the Distance at IBC with Game-Changing Frame Posted: 15/08/2018
Barnfind Goes the Distance at IBC with Game-Changing Frame

Barnfind Technologies has revealed plans to show a game-changing frame at IBC that incorporates future-proof technology to support all emerging signal formats, including 4K and IP, and adds a long-distance component to its multi-functional, signal neutral fiber transport platform. The new BTF1-41 features an extensive network of functions and the capability to transport any signal format, making it the ideal solution for a vast variety of applications including sports, telemedicine and government projects. It will be demonstrated in Hall 8, Stand 8-A41 at IBC 2018

Tags: Barnfind Technologies | IBC 2018 | BTF1-41 | Fiber Transport Platform | IBC 2018 | IBC 2018
Submitted by Desert Moon Communications
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TSL Products Maintains Audio Contribution Feeds for Timeline RF Uplink Trucks Posted: 15/08/2018
TSL Products Maintains Audio Contribution Feeds for  Timeline and rsquo;s RF Uplink Trucks

Timeline Television, a major provider of outside broadcasts, post-production and studio-based services for major UK networks, continues to invest in TSL Products to supply its RF truck fleet with Precision Audio Monitoring (PAM2-MK2) units. Timeline’s RF1 truck has been used for major sporting and live events, including the IAAF Athletics, BBC’s Live Lesson series and the ITV’s Love Island reality television series, which recently contracted RF1 again for the current season. Timeline’s new RF truck, RF2, was deployed at the UEFA Champions League Final for BT Sport followed by the Royal Wedding in May for BBC, whilst the recently commissioned RF3 was used for BBC’s coverage of the RHS Chelsea Flower Show on its first outing.

Tags: TSLProducts | IBC 2018 | IBC 2018
Submitted by D. Pagan Communications
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Sigma 14-24mm F2.8 Art Lens Wins Prestigious 2018-19 EISA Award Posted: 15/08/2018
Sigma 14-24mm F2.8 Art Lens Wins Prestigious 2018-19 EISA Award
Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessories manufacturer, announced today that it has been honored with the esteemed 2018-19 EISA DSLR Zoom Lens Award for its large-aperture, ultra-wide-angle, full-frame 14-24mm F2.8 DG HSM Art lens. It is the fourth award this year for the lens that boasts imperceptible distortion, great sharpness and virtually no chromatic aberration, making it the ideal solution for landscape and architecture photography. With robust build quality and protective sealing against dust and splashes, this lens can be used with confidence in most weather conditions. Available in Canon, Nikon and Sigma mounts for just $1299 USD, the Sigma 14-24mm F2.8 Art radically outperforms its competitors and furthers Sigma’s mission to facilitate artistic expression with the best quality optics available on the market.
Tags: sigma | 14-24mm | eisa award | nab | videomaker | tipa | zoom lens | lens | zoom | wide angle zoom lens | IBC 2018 | IBC 2018
Submitted by Zazil Media Group
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Cogeco Connexion selects MediaKind end-to-end IPTV solution to drive next generation media experiences to viewers in Canada Posted: 15/08/2018
Cogeco Connexion selects MediaKind end-to-end IPTV solution to drive next generation media experiences to viewers in Canada

MediaKind, a global media technology leader, today announces it has been selected by Cogeco Connexion, the second largest cable operator in Ontario and Quebec, to deliver immersive consumer experiences through the deployment of its next generation end-to-end IPTV solution. The new rollout of the end-to-end MediaKind solution will include MediaFirst TV Platform with Android Google Mobile Services, Encoding On-Demand, Video Storage and Processing Platform (VSPP), Content Management System (CMS) and Professional Services.

Tags: IPTV | Cogeco | MediaKind | broadcast | IBC 2018 | IBC 2018
Submitted by Staff
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Post House DigitalFilm Tree Moves Facility to DaVinci Resolve 15 Studio Posted: 15/08/2018
Post House DigitalFilm Tree Moves Facility to and nbsp;DaVinci Resolve 15 and nbsp;Studio
Blackmagic Design announced today that post production facility DigitalFilm Tree (DFT) has moved its full pipeline, including editorial, color, visual effects (VFX) and delivery, into the newest release of DaVinci Resolve Studio, version 15, which was released this month.
Tags: Blackmagic Design | DaVinci Resolve | Resolve 15 | DigitalFilm Tree | Post Production | VFX | Editing | Color | Fusion | Fairlight
Submitted by Blackmagic design
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ChyronHego at IBC2018 Posted: 14/08/2018
ChyronHego at IBC2018
News and Weather
At IBC2018, ChyronHego will preview CAMIO 4.5, the next release of the company’s industry-leading graphic asset management solution, with key features designed to make producer-driven news workflows even more versatile, flexible, and cost-effective. CAMIO 4.5 enhancements include a powerful new render engine; the ability to publish content straight from the newsroom to social media; and the latest version of LUCI5, the HTML5 plugin for fulfillment interface.
Tags: ChyronHego | graphic servers | graphic asset management | weather graphics | news production | news workflows | IBC2018 | IBC 2018 | IBC 2018
Submitted by Dundee Hills Group
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Combination of Dejero GateWay and FileCatalyst gives broadcast field crews even faster on the go file transfer abilities Posted: 14/08/2018
Combination of Dejero GateWay and FileCatalyst gives broadcast field crews even faster on the go file transfer abilities
Dejero, an innovator in cloud-managed solutions that provide video transport and Internet connectivity while mobile or in remote locations, has partnered with FileCatalyst, a pioneer in managed file transfers with a world-leading accelerated file transfer solution, to enable broadcasters to move large data quickly, securely, and reliably back to base while in the field.
Tags: Dejero | GateWay | FileCatalyst | cloud-managed solutions | accelerated file transfer solution | fast transfers | video content | blending cellular connections | Kevin Fernandes | IBC2018 | MKM Marcomms | MKM Marketing Communications | IBC 2018 | IBC 2018
Submitted by MKM Marketing Communications
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MBO gives Argosy renewed focus Posted: 14/08/2018
MBO gives Argosy renewed focus
Argosy, a leading international supplier of broadcast and AV cables and infrastructure products, has completed a management buyout from its previous parent company. It is now under the direct control of the existing directors, Chris Smeeton and Josh Simons.
Tags: Argosy | service technology distribution | infrastructure products | Chris Smeeton | Josh Simons | management buyout | AV industry | cutting edge technologies | life-style management | termination services | bespoke solutions | IBC2018 | MBO | MKM Marketing Communications | IBC 2018 | IBC 2018
Submitted by MKM Marketing Communications
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Apantac Showcases New Modular Multiviewer with Router Outputs at IBC 2018 Posted: 14/08/2018
Apantac Showcases New Modular Multiviewer with Router Outputs at IBC 2018
Apantac, internationally recognized manufacturer and pioneer of cost-effective yet feature-rich multiviewers, video walls, extension and signal processing solutions will be demonstrating its new TX # (pronounced TX Sharp) Multiviewer with Router Outputs at IBC 2018, stand 8.E37.
Tags: TAHOMA | TX# | Apantac | Multiviewer with Router outputs | Multiviewers | IP Multiviewers | IBC 2018 | IBC 2018
Submitted by Apantac
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Apantac Showcases HDMI 2.0 Multiviewer for 4K UHD at IBC 2018 Posted: 14/08/2018
Apantac Showcases HDMI 2.0 Multiviewer for 4K UHD at IBC 2018
Apantac, internationally recognized manufacturer and pioneer of cost-effective and feature-rich multiviewers, video walls, extension and signal processing solutions is growing its already expansive range of Multiviewers with HDMI 2.0 supported products.
Tags: HDMI 2.0 Multiviewer | 4K Multiviewer | UHD Multiviewer | Apantac | UE Series | IBC 2018 | IBC 2018
Submitted by Apantac
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Apantac Launches KVM over IP Extenders Matrices at IBC 2018 Posted: 14/08/2018
Apantac Launches KVM over IP Extenders and amp; Matrices at IBC 2018
Apantac, an internationally recognized manufacturer and pioneer of cost-effective and feature-rich multiviewers, video walls, extension and signal processing solutions expands its line of KVM over IP extenders and matrices, which it will showcase at IBC 2018, stand 8.E37. These new solutions offer pristine picture quality and very low latency.
Tags: KVM over IP | Apantac | KVM over IP Extender | KVMP over IP Matrix | IBC 2018 | IBC 2018
Submitted by Apantac
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IBC 2018: Broadcast Pix Introduces BPswitch RX Mobile Integrated Production Switcher Posted: 14/08/2018
IBC 2018: Broadcast Pix Introduces BPswitch RX Mobile Integrated Production Switcher

Broadcast Pix will introduce BPswitch™ RX, a portable model in its popular line of integrated production switchers, at IBC2018 (Hall 7, Stand C06), which runs Sept. 14-18 at RAI Amsterdam. A self-contained unit complete with touchscreen display and integrated streaming to Facebook Live and other CDNs, BPswitch RX provides multi-camera production and high-end motion graphics for live production on location.

Tags: video production | mobile production | production switcher | IBC2018 | IBC 2018 | IBC 2018
Submitted by Pipeline Communications
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Euronews and Dalet Nominated for the IBC2018 Innovation Award Posted: 14/08/2018
Euronews and Dalet Nominated for the IBC2018 Innovation Award

Dalet, a leading provider of solutions and services for broadcasters and content professionals, announced today that they have been shortlisted alongside Euronews for the IBC2018 Innovation Awards content creation category. Lauded as one of the most coveted awards in the media industry, the competitive competition celebrates technical and creative excellence, acknowledging collaboration between organizations like Euronews and Dalet to achieve clever and innovative solutions for real business challenges.

Tags: dalet | dalet galaxy | ibc | ibc2018 | innovation award | euronews | IBC 2018 | IBC 2018
Submitted by Zazil Media Group
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Qligent Amplifies QoE Monitoring with Vision-VOD at IBC2018 Posted: 14/08/2018
Qligent Amplifies QoE Monitoring with Vision-VOD at IBC2018

Qligent, a specialist in cloud-based, enterprise-level content monitoring and analysis, will introduce Vision-VOD, a new automated, file-based solution for front-end QC and back-end quality of experience (QoE) verification ofvideo-on-demand (VOD) content. The fully virtualized application stands apart from competitive systems by taking the responsibility for last-mile content verification out of the broadcaster’s hands, and without limitation as to where and how widely it can be deployed.

Tags: Qligent | IBC 2018 | VOD | IBC 2018 | IBC 2018
Submitted by Dimension PR
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