PWL Produces Cool Design for MIA Awards

Date: 24/01/2015
PWL Produces Cool Design for MIA Awards

Luc Peumans of Painting With Light lit the high profile Belgian TV Music Industry Awards (MIA)s event for the first time last year ¦ and producers VRT (Vlaamse Radio en Televisieomroeporganisatie) Belgium were so impressed with his work, that this year Luc was invited back to create a full production design - incorporating lighting, set and video / visuals.

The event honouring the very best of Flemish musical talent and success from 2014 - is the most watched music TV show in the country (broadcast on Channel E©n One) and a massive talking point on the countrys music industry calendar. It unites all the glitz and glamour straight off the red carpet - with Awards nominees and celebrities taking their seats in the Green Room right in the middle of the space with a full audience of very enthusiastic music fans who fill the rest of the studio.

This year the producers wanted a fresher and more youthful look and feel to this fast-paced live TV event, something similar to a festival vibe, and that was a major element of Lucs brief for creating an exciting new visuality. For the first time the MIAs were staged at the AED Studios in Lint.

Eight acts performed live and 16 Awards both Public and Music Industry judged were being presented by Peter Van de Veire, so Luc decided to bring a festival / pop-up feel to the environment. Four stages needed to be covered Main Stage, B Stage, Awards Stage and a Mobile Stage on wheels that moved to different positions in the audience ensuring all could get close-up and personal with the action.

Behind the Main Stage, to set the tone and emphasise the temporary / improvisational nature of the show, the base set was created from lots of scaffolding made into smaller boxes by being covered by pieces of wood or white fabric stretched across the fronts. StageCo supplied three trucks of steel for this and the result was a basic constructional feel thats common to many music festivals and outdoor events.

For the set design, Luc worked together with Deusjevoo, a set design and building specialist based at the same C-MINE technology park in Genk as Painting With Light. It made complete logistical sense to pool resources and work on this element of the event together explains Luc, It proves that collaboration works!

Also integrated into the main set wall were 144 panels of XL Videos Radiant Hybrid 18 LED screen a fusion of standard medium 18 mm pitch comprising 32 x 32 pixels per panel, with 4 x 4 higher brightness (7700nit) low resolution pixels also embedded in the same panel ideal for fabulous shimmery and other mysterious effects.

These were masked with projection screen material on the front to disguise the LED sources which changed the nature and texture of the surface, so when running higher resolution video material, it resembled sharp and crisp projection, and when using the low res pixels the twinkly effects were ethereal and completely different.

To the left and right of the main stage were 4.5 x 2.5 metre screens made from high resolution Pixled F6 LED, which moved in and out on a Kinesys automation system. Both sides of the stage, these screens were used to access or close off the changeover zones as the rolling risers were prepared with kit for the next act to appear on the main stage.

Behind the Awards Stage was a series of vertical stripes of Pixled F6 LED 45 modules in total which displayed all the awards info, related graphics and stings.

Six pieces of show (playback) video content for the live acts were specially created by the PWL team of which New Solid were commissioned to produce those for Netsky and Triggerfinger -  and together with some artist supplied materiel, this was all programmed onto two PWL supplied Coolux media servers programmed and run by PWLs Katleen Selleslagh.

Lighting and rigging equipment was supplied by PRG/EML whose event production manager was Chris Pellens, and their first task was to install a massive trussing grid in the studio which gave all the required lighting positions.

Lucs design featured 54 x Vari*Lite 5s above the Green Room area for washing the room and the clusters of trees which were part of the set. On the stage left and right sides of the audience, these fixtures were used for side lighting and for creating background for the camera shots.

The principal key lighting was 20 x V*L 3500Q Spots utilised in combination with two Robert Juliat Victor follow spots.

On the stage, rigged on the scaffolding, were 32 x V*L3000 Spots and 28 x V*L3500 Washes which did all the general lighting in the area.

AED Rental made 24 x High End Shape Shifters available a mix of C1 (RGB) and W1 (whites) - which Luc dotted around onstage and at the back of the Green Room area, and used for making great eye and camera-candy.

The fronts of main stage scaffolding cubes were specifically lit with 20 x Robe LEDWash 600s in the ceiling, both the fabric and wood fronted pieces and the video cubes (when off) took the light very well, their different textures bringing a real 3D feel to the space.

Ninety Robe LEDWash 300s were dotted around the scaffolding structure and used for lighting the pipes and fabric / wood pieces, augmented with about 96 LED PARs, and a further 24 x PRG LED uplighters were available for the wooden panels and 24 linear LED battens accentuated the lines of the scaffolding structure. Sixteen1-cell binders were used for highlighting and fast chases.

During breakthrough act Oscar & The Wolves (a huge hit with the public voting) set, Luc deployed eight Robe Cyclone LED wash / fan effects around the stage to create a special combination of low smoke and floating lighting effects.

The lighting was all programmed by Luc and PWLs Paco Mispelters and Paco ran the grandMA2 full size console for the show with a Light as backup.

As is often the case, time was the biggest challenge for Luc and his creative team, who were confirmed only 6 weeks before the show. Happening in the first week of the New Year also meant that the festive holiday had to be factored into the logistics, which increased the available time vs. pressure considerably.

There was also limited technical time, so Luc really had to think on his feet True festival style!

On the other hand, being responsible for the entire visual package and production design enabled Luc to produce a coherent and integrated look and means that communication between the different visual aspects was ¦ extremely quick and decisive.

Once again the French-speaking musician and singer STROMAE was a big winner, taking the Award in four of of the five categories in which he was nominated and breaking the previous record to become the most ever MIA Awarded artist!

A massive after party was enjoyed by all the winners, artists and VIPs while Luc and his team could take the credit for this being hailed as one of the best ever looking MIAs.

Photo: Elke Briars, Concert Photography



Tags: Painting With Light | MIA Awards | VRT Belgium | lighting | set | video | AED Studios
Submitted by Louise Stickland
View author's directory page

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  • Tektronix at IBC 2013

    Tektronix at IBC 2013

  • ATEME at IBC 2013

    ATEME at IBC 2013

  • Broadpeak at IBC 2013

    Broadpeak at IBC 2013

  • Haivision live encoding HEVC at IBC 2013

    Haivision live encoding HEVC at IBC 2013

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Softron Media at IBC 2013

    Softron Media at IBC 2013

  • Telestream with Wirecast version five at IBC 2013

    Telestream with Wirecast version five at IBC 2013

  • Telestream with Post Producer at IBC 2013

    Telestream with Post Producer at IBC 2013

  • BroaMan at NAB 2013

    BroaMan at NAB 2013

  • Yospace: Advert Insertion at NAB 2013

    Yospace: Advert Insertion at NAB 2013

  • Vimond Control Center at NAB 2013

    Vimond Control Center at NAB 2013

  • RTW at NAB 2013

    RTW at NAB 2013

  • Guntermann and Drunck GmbH at NAB 2013

    Guntermann and Drunck GmbH at NAB 2013

  • Vision Research at BVE 2013

    Vision Research at BVE 2013

  • Telestream at BVE 2013

    Telestream at BVE 2013

  • Lemo at BVE 2013

    Lemo at BVE 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Local TV debate at BVE North 2012

    Local TV debate at BVE North 2012

  • Autocue at NAB 2012

    Autocue at NAB 2012

  • FFV and TNP at BVE 2012

    FFV and TNP at BVE 2012

  • TV ONE at BVE 2012

    TV ONE at BVE 2012

  • BVE 2012

    BVE 2012

  • 4HM at BVE North 2011

    4HM at BVE North 2011

  • TNP and DSMB at BVE North 2011

    TNP and DSMB at BVE North 2011

  • Vision Research at BVE North 2011

    Vision Research at BVE North 2011

  • Riedel at BVE North 2011

    Riedel at BVE North 2011

  • Autocue at BVE North 2011

    Autocue at BVE North 2011

  • IDX at BVE North 2011

    IDX at BVE North 2011

  • Holdan and Teradek at BVE North 2011

    Holdan and Teradek at BVE North 2011

  • Elemental Technologies at IBC2011

    Elemental Technologies at IBC2011

  • FOR-A at IBC2011

    FOR-A at IBC2011

  • Cooke at IBC2011

    Cooke at IBC2011

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    Blackmagic at IBC2011

  • DekTec at IBC2011

    DekTec at IBC2011

  • LiveU at IBC2011

    LiveU at IBC2011

  • Mode-AL at IBC 2011

    Mode-AL at IBC 2011

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    Autocue at IBC2011

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News
Maxon One Subscriptions Now Include Forger for Free Posted: 26/10/2021
Maxon One Subscriptions Now Include Forger for Free

Today, Maxon announced the inclusion of Forger with all Maxon One subscriptions with the release of Forger 1.8, an update to the company’s professional-level, digital 3D sculpting application for the iPad. New licensing options include a free version that brings sculpting to all iPad users, and a subscription version that can be purchased independently from the Apple App Store. Maxon One subscribers can simply login to their MyMaxon account for access to Forger included with their subscription. This latest version also features a seamless workflow with Cinema 4D - objects can be imported into C4D to be brought to life, and 3D models in development can be moved back and forth between Cinema 4D and Forger to facilitate a seamless, iterative workflow. 




Tags: Maxon | Forger | Maxon One | Cinema 4D | 3D Animation
Submitted by Zazil Media Group
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Qumulo Simplifies Data Management for Active Archives Posted: 26/10/2021
Qumulo Simplifies Data Management for Active Archives

As file data continues to grow exponentially, it is a challenge for organizations to manage this valuable asset with the resources they have. Meanwhile, long-term data retention requirements in industries from financial services to healthcare and beyond make this challenge even greater as data footprints grow year after year with content retained to meet compliance requirements. With the K-432T, customers can manage massive amounts of long-term archive data with consistent performance for regular use.

Tags: Active Archive | Qumulo | Arrow
Submitted by Qumulo
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3P Studio Expands its Media Business with EditShare Posted: 26/10/2021
3P Studio Expands its Media Business with EditShare

EditShare®, a technology leader that enables collaborative media workflows for storytellers, today announced that Brisbane’s leading post-production facility, 3P Studio (3P) has expanded its investment in EditShare’s FLOW media management and EFS storage solutions to manage its growing editorial business. The full-service production and post-production house, which produces creative content for top brands like Isuzu Motor Company, Subway, and Allianz, has tripled its team over the past three years to support the rise in client projects and campaigns across broadcast, digital, and social channels.

Tags: EditShare | 3P Studio
Submitted by Zazil Media Group
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GlobalM presents their new software defined video network at Future Week Bergen 2021 Posted: 26/10/2021
GlobalM presents their new software defined video network at Future Week Bergen 2021 Recently, GlobalM was at Media City Bergen Future week 2021 presenting their software defined video network and mobile broadcasting mobile app.  The Broadcast as a Service (BaaS) replaces the need for satellite or private fiber video contribution from all types of events, remote productions and news coverage. Paul Calleja, CTO of GlobalM explains how this is achieved in the Future Week presentation from Bergen Media City, Norway. 
Tags: globalm | satellite | broadcast | streaming | sports | news | IBC 2021
Submitted by GlobalM SA
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Rohde and amp; Schwarz and ATTO Partner to Optimize Ethernet Adapter Capabilities for macOS Posted: 26/10/2021
Rohde and amp; Schwarz and ATTO Partner to Optimize Ethernet Adapter Capabilities for macOS

Rohde & Schwarz, a global leader inpost-productionmedia technologies, has joined forces with ATTO Technology, Inc., a global leader of network, storage connectivity and infrastructure solutions for data-intensive computing environments, to optimize the new generation ofATTO 360™ Tuning, Monitoring and Analytics Software, as well as ATTO ThunderLink® N3 3102andNS 3252 Thunderbolt™ adaptersfor use with R&S®SpycerNode. Now, macOS customers – in addition to Linux and Windows users – can more easily connect to the SpycerNode media storage solution, benefitting from a significant performance enhancement, without the need for additional PCI slots.

Tags: Rohde and Schwarz | ATTO | Post production | connectivity | storage | SpycerNode | ThunderLink and Thunderbolt | macOS | media
Submitted by Manor Marketing
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LOGIC media solutions makes changes to PORTAL Technology: PORTAL.vod becomes PORTAL.clip Posted: 26/10/2021
LOGIC media solutions makes changes to PORTAL Technology: PORTAL.vod becomes PORTAL.clip

LOGIC media solutions is giving one of its frontend solutions for AWS a new name. PORTAL.vod becomes PORTAL.clip. Living under the umbrella of the PORTAL Framework, with PORTAL Technology LOGIC offers frontends and workflows for cloud-based media workflows on AWS. PORTAL.clip is part of a whole suite of frontends for AWS and is already being used successfully by customers (see below).



Tags: AWS Cloud | AWS | LOGIC | PORTAL | PORTAL.clip | streaming
Submitted by PRCOMM
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Beijing Gehua Cable (BGC) Overhauls Infrastructure with the Help of ATEME Posted: 26/10/2021
Beijing Gehua Cable (BGC) Overhauls Infrastructure with the Help of ATEME

ATEME, the leader in video delivery solutions for broadcast, cable TV, DTH, IPTV and OTT, today announced that major Chinese cable operator Beijing Gehua Cable (BGC) has deployed ATEME’s encoders to upgrade its cable TV services. This update delivers greater stability and video quality for viewers, while reducing BGC’s energy footprint.


Tags: ATEME | BGC | TITAN | Broadcast | Cable TV
Submitted by Whiteoaks
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IBC kicks off 2021 show experience with the launch of IBC Digital Posted: 26/10/2021
IBC kicks off 2021 show experience with the launch of IBC Digital

IBC has kicked off the 2021 show experience with the launch of IBC Digital. The platform makes it easy for attendees to curate a unique mix of show activities and is the place to view exclusive content, including the IBC Innovation Awards taking place on 23rd November.

Tags: ibc
Submitted by Platform Comms
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JVC Camera Upgrade Comes Into Focus at Weigel Broadcasting Co. Milwaukee Posted: 25/10/2021
JVC Camera Upgrade Comes Into Focus at Weigel Broadcasting Co. Milwaukee

Weigel Broadcasting Co. in Milwaukee, home to WDJT-TV, CBS 58, WMLW-TV, The M, WBME-CD, Me-TV and  WYTU-LD Telemundo Wisconsin, recently selected several GY-HC900 and GY-HC550 CONNECTED CAM camcorders for high-quality, flexible broadcasting. Products of JVC Professional Video, a division of JVCKENWOOD USA Corporation, the cameras are part of JVC’s plug-and-play CONNECTED CAM™ series.

Tags: JVC Professional Video | CONNECTED CAM | broadcast cameras
Submitted by D. Pagan Communications
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LYNX Technik Enhances greenMachine Features for HDR Evie+ and Testor Configurations Posted: 25/10/2021
LYNX Technik Enhances greenMachine Features for HDR Evie+ and Testor Configurations

LYNX Technik takes the approach to continuously build on the usability and functionality of its products to offer its customers and partners enhanced features on its robust and high quality platforms.

Tags: greenMachine | yellobrik | LYNX Technik | frame synchronizer | HDR Evie+ | 4K UHD | quad-channel | HDR to SDR conversion
Submitted by LYNX Technik
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Tolka Announces TCAS for Widevine Posted: 25/10/2021
Tolka Announces TCAS for Widevine

Tolka announces a major addition to its portfolio of media-related telecommunication products and services. TCAS for Widevine is a conditional access system designed to make secure pay-TV content channels easy to establish, easy to operate and highly affordable. It simplifies the entire licensing process and reduces service-providers' operating costs. 1080i HD and 4K-UHD TV resolutions are supported as well as both SDR and HDR.

Tags: Tolka | broadcast media access | broadcast content security | targeted television advertising | personalised television advertising | personalized television advertising | OTT content protection | IPTV content protection | satellite IR | miniature DTV interface | D
Submitted by Stylus Media Communications
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Newly Formed ACT Entertainment Makes First Public Appearance at InfoComm 2021 Posted: 25/10/2021
Newly Formed ACT Entertainment Makes First Public Appearance at InfoComm 2021

ACT Entertainment, the newly formed entity borne from the merging of the ACT Lighting and RHC Holdings families of companies, will exhibit under its new branding for the first time at InfoComm 2021 (Booth 5753). With a deeply rooted heritage in several key markets, such as pro AV, installation, broadcast, touring/live, retail, house of worship, film and television, and industrial markets, ACT Entertainment streamlines all of its brands into a collective, market-focused approach. In recognition of this new business objective, the company will be showcasing its recently launched Just Networking brand, along with MA Lighting, ProCo Sound and Aytron products, at the show.

Tags: ACT Entertainment | InfoComm 2021 | tradeshows
Submitted by D. Pagan Communications
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Lightware named as Official Platinum Sponsor of Cisco WebexONE 2021 Posted: 25/10/2021
Lightware named as Official Platinum Sponsor of Cisco WebexONE 2021

Lightware Visual Engineering is pleased to announce that it has been made one of the Official Platinum Sponsors for the upcoming Cisco WebexONE 2021 virtual event.

Tags: Lightware Visual Engineering | Matrix Switcher | AV-over-IP systems | Live Events | Corporate Market | Taurus UCX
Submitted by Bubble Agency
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Net Insight and Grass Valley take ultra-reliable cloud and IP media delivery workflows to the next level Posted: 25/10/2021
Net Insight and Grass Valley take ultra-reliable cloud and IP media delivery workflows to the next level

Net Insight announces that it has joined the GV Media Universe (GVMU)Alliance, Grass Valley’s ecosystem of qualified partners that aims to enable media organizations to leverage the power of the cloud to deliver more content easily and efficiently. Net Insight’s platforms bring a complete range of agile and secure media delivery solutions for cloud, IP, and virtualized networks, allowing broadcast industry players to create frictionless, high-quality, low-latency live video workflows.

Tags: net insight | grass valley
Submitted by Platform
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Meet EditShare at InfoComm 2021 Posted: 22/10/2021
Meet EditShare at InfoComm 2021

EditShare® invites InfoComm 2021 attendees to booth 2809 to discuss how its award-winning FLOW media management and EFS shared storage solutions can simplify storytelling for video workgroups across Advertising, Broadcast, Corporate, Education, House of Worship, News, Production and Post-production.

Tags: editshhare | infocomm
Submitted by Zazil Media Group
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