Painting With Light at the MIA Awards

Date: 21/04/2014
Painting With Light at the MIA Awards

The glitz, glamour and red carpet action was out in style at the 2013 Music Industry (MIA) Awards show in Brussels, lit for the first time by Luc Peumans of leading Belgian creative practice, Painting With Light!

The show was produced by Flemish national TV channel VRT (Vlaamse Radio en Televisie) in Videohouse Studio 7 in Vilvoorde (Brussels) and broadcast live.

A further 800 audience crammed into the studio to experience the excitement first hand, with all the stars, nominees and their entourages right there in the Green Room in the middle of the studio. They watched nine dynamic live performances and saw eight out of the twelve 2013 MIAs presented during the evening.

Peumans known for his innovative lighting and visual designs in the genres of theatre, TV and music as well as architainment - has worked on other VRT programmes including Sing That Song and the Junior Eurovision for several years. This year, they asked him to add his flare and imagination to the high profile MIAs.

He took the set designed by Laura Vermeylen as a start point. The lighting design also had to be created in tandem with the requirements of the Eurovision selection series which is following for four weeks, utilizing the same stage elements.

Other challenges included the pace of the MIAs with three stages,  multiple changeovers, plus the Green Room which needed special lighting treatment, and the audience - he needed lighting instruments everywhere in the studio! Luckily the large trussing grid permanently installed in the roof helps this process.

Two special curved trusses were installed above the main stage made out of straight runs joined by special couplers so they could be orientated vertically and / or horizontally simultaneously.

These were on a Kinesys automation system and moved in and out constantly during the show as the set and scenery was changed.

Also on Kinesys points was the 7 metre wide by 3.5 metre high 2.5 mm HD LED video screen which moved up and down; the rear follow spot cradles, so they could be moved to stay in alignment with the back trusses; and maverick Belgian rock band Clouseau had five large balloons flown on Kinesys motors which were inflated and used as projection surfaces during their set.

Using Kinesys in this way gave the creative team the super-quick adaptability they needed to make this show rock!

For moving light fixtures Peumans choose 60 x Robe ROBIN Pointes, 36 x Robe ROBIN LEDWash 800s with the top hat attachment for additional diffusion, plus 36 x Vari*Lite VL3500 Washes and 24 x V*L 3500 Spots.

These were mounted all around the studio.

On the two curved trusses at the back were 35 of the multi-functional Pointes used as  the main effects lights. Also on these trusses were 21 x SGM X5 LED strobes which Peumans also finds very versatile and easy to control not to mention less power hungry!

Directly above the main stage area were two sub-hung elliptical trusses. Rigged onto the larger one of these were another 16 x Pointes and 16 x LEDWash 800s and a splattering of single-cell Moles. On the small ellipse were 32 x SGM SixPack LED battens giving a nice shaped array of LED fixtures.

All the main stage key lighting was achieved using the V*L3500 Spots which were strategically placed around the studio.

For the smaller B stage, at 90 degrees to the main stage, 18 x V*L3500 Spots formed the back lighting arranged in a 4 x 3 matrix of fixtures, together with nine LEDWash 800s in a similar pattern of 3 x 3, which utilized for side and audience lighting.

To add some classic and scenic lighting elements, three massive 5K Molebeams on floor stands brought a flourish of retro Hollywood to the stage for Hooverphonics performance. They made a great finishing touch!

Riffed all around the studio for d©cor lighting and filling any gaps were nearly 300 Showtec P25 Pixel Strips, used to create fabulous liquid / movement effects which were  in the background of most camera shots. Apart from being brilliant eye-candy, they also helped give the show a signature visual look.

Above the spherical Green Room area was a circular truss, and on this lighting all the celebrities were 48 x Showtec M1000 RGB LED PARs. Adding further scenic interest and lighting above were nine red Mole Richardson Scoop lights, which looked great on all the crane camera shots and swoop-ins as well as providing fill lighting for the area.

All lighting was controlled via a grandMA2 full size programmed and run by Painting With Lights Paco Mispelters, with a grandMA2 light running as hot backup.

The Painting With Light team also included Niels Huybrecht who controlled all the video VT clips and ambient content going to the LED screen via one of their Coolux Pandoras Box media servers, and the Kinesys operator was Chris Huberland.

Peumans was extremely pleased with the results which brought a fresh new look for this year.

It was challenging to ensure that everything was lit well throughout for every different camera angle and that all the artist performances looked individual and different. Dealing with very tight changeovers meant we all had to be on our toes the entire time and work as a tight and integrated team ¦ which was great thats what we do!

He adds that they really enjoyed working with Stromae, the ber-cool hip hop electronica singer /songwriter who performed two live sets and has a real eye for detail when it came to his lighting and visuals.

Stromae was also the hero of the evening! He won an incredible eight Awards - in every category in which he was nominated  a MIA record! His accolades included for Dance Artist, Solo Male Performer, Pop Performer, Album, Composer, Artwork, Video Clip and Hit of the Year for Formidable!

To see some videos from the show, check : http://mias.een.be/videos



Tags: Painting With Light | MIA | VRT | Kinesys | LED | video | Robe | ROBIN | Pointe | LEDWash | Vari*Lite | grandMA2 | Pandora\'s Box | Coolux
Submitted by Louise Stickland
View author's directory page

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  • 5 Things I Saw At NAB

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    A virtual world but call it cloud if you must

  • Missing Parts Of The Spectrum

    Missing Parts Of The Spectrum

  • Ground breaking production tool

    Ground breaking production tool

  • 5 broadcast trends at IBC 2015

    5 broadcast trends at IBC 2015

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    UHD: a long road travelled

  • How full is your spectrum?

    How full is your spectrum?

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    Heavy duty LCD Transportation

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    DLED Dedolight Reviewed

  • Light in the rain

    Light in the rain

  • Game Set Match

    Game Set Match

  • Tech trends drive more efficent and more flexible communications

    Tech trends drive more efficent and more flexible communications

  • LED lighting comes of age

    LED lighting comes of age

  • When the going gets tough

    When the going gets tough

  • In the Flesh: On set with the BBC

    In the Flesh: On set with the BBC

  • Supporting the transition to 4K

    Supporting the transition to 4K

  • The invention of LED lighting

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  • Taking the heat out of lighting

    Taking the heat out of lighting

  • Rotolight expand new range of award winning Anova flood lights

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  • The art of E.P.I.C innovation

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    Generic vs. name brand: Portable power solutions

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News
Maxon One Subscriptions Now Include Forger for Free Posted: 26/10/2021
Maxon One Subscriptions Now Include Forger for Free

Today, Maxon announced the inclusion of Forger with all Maxon One subscriptions with the release of Forger 1.8, an update to the company’s professional-level, digital 3D sculpting application for the iPad. New licensing options include a free version that brings sculpting to all iPad users, and a subscription version that can be purchased independently from the Apple App Store. Maxon One subscribers can simply login to their MyMaxon account for access to Forger included with their subscription. This latest version also features a seamless workflow with Cinema 4D - objects can be imported into C4D to be brought to life, and 3D models in development can be moved back and forth between Cinema 4D and Forger to facilitate a seamless, iterative workflow. 




Tags: Maxon | Forger | Maxon One | Cinema 4D | 3D Animation
Submitted by Zazil Media Group
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Qumulo Simplifies Data Management for Active Archives Posted: 26/10/2021
Qumulo Simplifies Data Management for Active Archives

As file data continues to grow exponentially, it is a challenge for organizations to manage this valuable asset with the resources they have. Meanwhile, long-term data retention requirements in industries from financial services to healthcare and beyond make this challenge even greater as data footprints grow year after year with content retained to meet compliance requirements. With the K-432T, customers can manage massive amounts of long-term archive data with consistent performance for regular use.

Tags: Active Archive | Qumulo | Arrow
Submitted by Qumulo
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3P Studio Expands its Media Business with EditShare Posted: 26/10/2021
3P Studio Expands its Media Business with EditShare

EditShare®, a technology leader that enables collaborative media workflows for storytellers, today announced that Brisbane’s leading post-production facility, 3P Studio (3P) has expanded its investment in EditShare’s FLOW media management and EFS storage solutions to manage its growing editorial business. The full-service production and post-production house, which produces creative content for top brands like Isuzu Motor Company, Subway, and Allianz, has tripled its team over the past three years to support the rise in client projects and campaigns across broadcast, digital, and social channels.

Tags: EditShare | 3P Studio
Submitted by Zazil Media Group
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GlobalM presents their new software defined video network at Future Week Bergen 2021 Posted: 26/10/2021
GlobalM presents their new software defined video network at Future Week Bergen 2021 Recently, GlobalM was at Media City Bergen Future week 2021 presenting their software defined video network and mobile broadcasting mobile app.  The Broadcast as a Service (BaaS) replaces the need for satellite or private fiber video contribution from all types of events, remote productions and news coverage. Paul Calleja, CTO of GlobalM explains how this is achieved in the Future Week presentation from Bergen Media City, Norway. 
Tags: globalm | satellite | broadcast | streaming | sports | news | IBC 2021
Submitted by GlobalM SA
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Rohde and amp; Schwarz and ATTO Partner to Optimize Ethernet Adapter Capabilities for macOS Posted: 26/10/2021
Rohde and amp; Schwarz and ATTO Partner to Optimize Ethernet Adapter Capabilities for macOS

Rohde & Schwarz, a global leader inpost-productionmedia technologies, has joined forces with ATTO Technology, Inc., a global leader of network, storage connectivity and infrastructure solutions for data-intensive computing environments, to optimize the new generation ofATTO 360™ Tuning, Monitoring and Analytics Software, as well as ATTO ThunderLink® N3 3102andNS 3252 Thunderbolt™ adaptersfor use with R&S®SpycerNode. Now, macOS customers – in addition to Linux and Windows users – can more easily connect to the SpycerNode media storage solution, benefitting from a significant performance enhancement, without the need for additional PCI slots.

Tags: Rohde and Schwarz | ATTO | Post production | connectivity | storage | SpycerNode | ThunderLink and Thunderbolt | macOS | media
Submitted by Manor Marketing
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LOGIC media solutions makes changes to PORTAL Technology: PORTAL.vod becomes PORTAL.clip Posted: 26/10/2021
LOGIC media solutions makes changes to PORTAL Technology: PORTAL.vod becomes PORTAL.clip

LOGIC media solutions is giving one of its frontend solutions for AWS a new name. PORTAL.vod becomes PORTAL.clip. Living under the umbrella of the PORTAL Framework, with PORTAL Technology LOGIC offers frontends and workflows for cloud-based media workflows on AWS. PORTAL.clip is part of a whole suite of frontends for AWS and is already being used successfully by customers (see below).



Tags: AWS Cloud | AWS | LOGIC | PORTAL | PORTAL.clip | streaming
Submitted by PRCOMM
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Beijing Gehua Cable (BGC) Overhauls Infrastructure with the Help of ATEME Posted: 26/10/2021
Beijing Gehua Cable (BGC) Overhauls Infrastructure with the Help of ATEME

ATEME, the leader in video delivery solutions for broadcast, cable TV, DTH, IPTV and OTT, today announced that major Chinese cable operator Beijing Gehua Cable (BGC) has deployed ATEME’s encoders to upgrade its cable TV services. This update delivers greater stability and video quality for viewers, while reducing BGC’s energy footprint.


Tags: ATEME | BGC | TITAN | Broadcast | Cable TV
Submitted by Whiteoaks
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IBC kicks off 2021 show experience with the launch of IBC Digital Posted: 26/10/2021
IBC kicks off 2021 show experience with the launch of IBC Digital

IBC has kicked off the 2021 show experience with the launch of IBC Digital. The platform makes it easy for attendees to curate a unique mix of show activities and is the place to view exclusive content, including the IBC Innovation Awards taking place on 23rd November.

Tags: ibc
Submitted by Platform Comms
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JVC Camera Upgrade Comes Into Focus at Weigel Broadcasting Co. Milwaukee Posted: 25/10/2021
JVC Camera Upgrade Comes Into Focus at Weigel Broadcasting Co. Milwaukee

Weigel Broadcasting Co. in Milwaukee, home to WDJT-TV, CBS 58, WMLW-TV, The M, WBME-CD, Me-TV and  WYTU-LD Telemundo Wisconsin, recently selected several GY-HC900 and GY-HC550 CONNECTED CAM camcorders for high-quality, flexible broadcasting. Products of JVC Professional Video, a division of JVCKENWOOD USA Corporation, the cameras are part of JVC’s plug-and-play CONNECTED CAM™ series.

Tags: JVC Professional Video | CONNECTED CAM | broadcast cameras
Submitted by D. Pagan Communications
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LYNX Technik Enhances greenMachine Features for HDR Evie+ and Testor Configurations Posted: 25/10/2021
LYNX Technik Enhances greenMachine Features for HDR Evie+ and Testor Configurations

LYNX Technik takes the approach to continuously build on the usability and functionality of its products to offer its customers and partners enhanced features on its robust and high quality platforms.

Tags: greenMachine | yellobrik | LYNX Technik | frame synchronizer | HDR Evie+ | 4K UHD | quad-channel | HDR to SDR conversion
Submitted by LYNX Technik
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Tolka Announces TCAS for Widevine Posted: 25/10/2021
Tolka Announces TCAS for Widevine

Tolka announces a major addition to its portfolio of media-related telecommunication products and services. TCAS for Widevine is a conditional access system designed to make secure pay-TV content channels easy to establish, easy to operate and highly affordable. It simplifies the entire licensing process and reduces service-providers' operating costs. 1080i HD and 4K-UHD TV resolutions are supported as well as both SDR and HDR.

Tags: Tolka | broadcast media access | broadcast content security | targeted television advertising | personalised television advertising | personalized television advertising | OTT content protection | IPTV content protection | satellite IR | miniature DTV interface | D
Submitted by Stylus Media Communications
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Newly Formed ACT Entertainment Makes First Public Appearance at InfoComm 2021 Posted: 25/10/2021
Newly Formed ACT Entertainment Makes First Public Appearance at InfoComm 2021

ACT Entertainment, the newly formed entity borne from the merging of the ACT Lighting and RHC Holdings families of companies, will exhibit under its new branding for the first time at InfoComm 2021 (Booth 5753). With a deeply rooted heritage in several key markets, such as pro AV, installation, broadcast, touring/live, retail, house of worship, film and television, and industrial markets, ACT Entertainment streamlines all of its brands into a collective, market-focused approach. In recognition of this new business objective, the company will be showcasing its recently launched Just Networking brand, along with MA Lighting, ProCo Sound and Aytron products, at the show.

Tags: ACT Entertainment | InfoComm 2021 | tradeshows
Submitted by D. Pagan Communications
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Lightware named as Official Platinum Sponsor of Cisco WebexONE 2021 Posted: 25/10/2021
Lightware named as Official Platinum Sponsor of Cisco WebexONE 2021

Lightware Visual Engineering is pleased to announce that it has been made one of the Official Platinum Sponsors for the upcoming Cisco WebexONE 2021 virtual event.

Tags: Lightware Visual Engineering | Matrix Switcher | AV-over-IP systems | Live Events | Corporate Market | Taurus UCX
Submitted by Bubble Agency
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Net Insight and Grass Valley take ultra-reliable cloud and IP media delivery workflows to the next level Posted: 25/10/2021
Net Insight and Grass Valley take ultra-reliable cloud and IP media delivery workflows to the next level

Net Insight announces that it has joined the GV Media Universe (GVMU)Alliance, Grass Valley’s ecosystem of qualified partners that aims to enable media organizations to leverage the power of the cloud to deliver more content easily and efficiently. Net Insight’s platforms bring a complete range of agile and secure media delivery solutions for cloud, IP, and virtualized networks, allowing broadcast industry players to create frictionless, high-quality, low-latency live video workflows.

Tags: net insight | grass valley
Submitted by Platform
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Meet EditShare at InfoComm 2021 Posted: 22/10/2021
Meet EditShare at InfoComm 2021

EditShare® invites InfoComm 2021 attendees to booth 2809 to discuss how its award-winning FLOW media management and EFS shared storage solutions can simplify storytelling for video workgroups across Advertising, Broadcast, Corporate, Education, House of Worship, News, Production and Post-production.

Tags: editshhare | infocomm
Submitted by Zazil Media Group
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