Pocket Cinema Camera 4Ks and DaVinci Resolve Studio Cut Page Used for Into The Mist Tabletop Gaming Series

Date: 18/05/2020
Pocket Cinema Camera 4Ks and DaVinci Resolve Studio Cut Page Used for Into The Mist Tabletop Gaming Series

Blackmagic Design today announced that RealmSmith.tv is using its products to live stream the hit tabletop gaming series “Into the Mist” on Twitch, and using DaVinci Resolve Studio’s cut page to quickly edit each show’s highlights for YouTube.

RealmSmith.tv is a Toronto, ON based live streaming and tabletop gaming company, and “Into the Mist” features improvised live play of Dungeons & Dragons’ “Curse of Strahd” campaign setting. Jason Azevedo, founder and president of RealmSmith.tv, acts as Dungeon Master alongside weekly players gathered around an immersive table setup, where players and viewers are made to feel they are part of the game experience. Joel Augé, co owner of RealmSmith.tv, manages all aspects of the stream’s production and workflow.

When RealmSmith.tv embarked on “Into the Mist,” they decided to produce the show as a multi camera live stream to keep viewers entertained throughout the episodes. They initially invested in an ATEM Television Studio HD live production switcher, two Blackmagic Micro Cinema Cameras and two Blackmagic Pocket Cinema Camera 4Ks to achieve a more cinematic feel. They later incorporated two additional Pocket Cinema Camera 4Ks so they could further enhance the experience by capturing more camera angles.

“While a lot of live streams are based on a single, frontal view where players call in from their own homes with webcams, we wanted ‘Into the Mist’ to show everyone in the same room with multiple camera angles and proper lighting,” said Azevedo. “We really separate ourselves by having such a professional, cinematic look to our live streams.”

Two of the Pocket Cinema Camera 4Ks are set up to capture front shots, one pointing at the Dungeon Master and the other to capture a wider shot of the entire table of six players. The other two Pocket Cinema Camera 4Ks are used on either side of the table, looking across and over players’ shoulders.

Additionally, RealmSmith.tv uses an ATEM Television Studio HD to switch between the cameras and to map out sequences of camera changes and animations. Since starting their live stream in a garage just two years ago, having gear like the ATEM Television Studio HD has helped keep RealmSmith.tv’s stream professional, regardless of the physical location they are shooting.

“The ATEM Television Studio HD is the brain of the live stream,” explained Augé. “Without it, we wouldn’t be able to do title shots on the fly and switch a dynamically produced live show at home.”

When the team has to stream remotely, Augé uses a Blackmagic Web Presenter to power his workflow from home. “It’s been a workhorse for when we’ve had to adapt our normal workflow and stream the series remotely, helping us deliver a high quality stream even when battling lower bandwidth situations,” said Augé.

Following each week’s three hour live stream, which airs on Dungeons & Dragons’ and RealmSmith.tv’s Twitch channels, RealmSmith.tv uses DaVinci Resolve Studio’s cut page to create a recap for the beginning of each show on their respective YouTube channels.

“We go through the full stream the day after a show goes live and highlight markers and times in the episode that we want to emphasize in the recap, and then pass that on to the editor,” said Augé. “He then takes the live stream files and brings them into DaVinci Resolve Studio’s timeline, using the cut page to edit together the recap.”

Being able to see the full three hour gaming session on the cut page’s timeline allows RealmSmith.tv to navigate as quickly as possible from one cut to the next.

“Essentially, three hours of game play is cut down to about three minutes for the recaps. Using the cut page’s streamlined editing workflow allows us to quickly turn around the content, so we can post it to YouTube as soon as possible. Without DaVinci Resolve Studio, it would be a much longer process and we’d have significant lag time between the live streams and final videos,” explained Augé.

RealmSmith.tv also used DaVinci Resolve Studio to create the popular intro to the “Into the Mist” series, an animated sequence that reveals each player, blending together their real life selves with their characters. The team relied on the edit page’s Retime Curve tool to create the dramatic effect of smoke going through the characters during the intro. They then modified the video’s speed by mapping out different segments of audio with markers and then timed the video clips to the music.

“Like any small business, budget is very important to us. Having affordable, feature rich gear that delivers great cinematic quality like the Pocket Cinema Camera 4Ks and DaVinci Resolve Studio made Blackmagic Design perfect for us from the start,” concluded Augé.



Tags: Blackmagic Design | Blackmagic | BMD | Live Streaming | BMPCC4K | DaVinci Resolve | Cut Page
Submitted by Patrick Hussey (Blackmagic design)
View author's directory page

Related Interviews
  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Blackmagic Design at NAB 2012

    Blackmagic Design at NAB 2012

  • Blackmagic Design at IBC 2019: New Atem Mini

    Blackmagic Design at IBC 2019: New Atem Mini

  • Blackmagic Design 2500NIT HDR Video Assist 126 with BRAW Blackmagic Design at IBC 2019

    Blackmagic Design 2500NIT HDR Video Assist 126 with BRAW Blackmagic Design at IBC 2019

  • Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

    Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Blackmagic DaVinci Resolve 16 at NAB 2019

    Blackmagic DaVinci Resolve 16 at NAB 2019

  • Blackmagic Davinci Resolve 15 at NAB 2018

    Blackmagic Davinci Resolve 15 at NAB 2018

  • Blackmagic at IBC2011

    Blackmagic at IBC2011

  • Blackmagic ATEM Constellation 8k at NAB 2019

    Blackmagic ATEM Constellation 8k at NAB 2019

  • Blackmagic introduces Blackmagic RAW (BRAW) at IBC 2018

    Blackmagic introduces Blackmagic RAW (BRAW) at IBC 2018

  • Blackmagic Pocket Cinema Camera 4K at NAB 2018

    Blackmagic Pocket Cinema Camera 4K at NAB 2018

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Creating Broadcast Quality Live Streams for Social Media

    Creating Broadcast Quality Live Streams for Social Media

  • YouTube and the myths, the business and the opportunities

    YouTube and the myths, the business and the opportunities

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Holdan and DaVinci at BVE North 2011

    Holdan and DaVinci at BVE North 2011

  • Den Lennie considers what kit and cameras to buy for 2015

    Den Lennie considers what kit and cameras to buy for 2015

  • BeSteady on the Production Gear stand at BVE 2014

    BeSteady on the Production Gear stand at BVE 2014

  • Hireacamera at BVE 2014

    Hireacamera at BVE 2014

  • The tv-bay Tour in Manchester June 2014

    The tv-bay Tour in Manchester June 2014

  • The tv-bay Tour in London June 2014

    The tv-bay Tour in London June 2014

  • Behind the scenes of the Teradek booth on BroadcastShow LIVE at IBC 2013

    Behind the scenes of the Teradek booth on BroadcastShow LIVE at IBC 2013

  • Holdan on BroadcastShow Tour May 2013

    Holdan on BroadcastShow Tour May 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Featured Clip: Geoff Boyle comments on NAB 2012

    Featured Clip: Geoff Boyle comments on NAB 2012

  • AMD at IBC2011

    AMD at IBC2011

  • Live Streaming Solution from Verizon at NAB 2017

    Live Streaming Solution from Verizon at NAB 2017

  • JVC GY-LS300 prototype at IBC 2014

    JVC GY-LS300 prototype at IBC 2014

  • Telestream Wirecast and Switch at IBC 2014

    Telestream Wirecast and Switch at IBC 2014

  • Telestream Vantage support for DPP at IBC 2014

    Telestream Vantage support for DPP at IBC 2014

  • Telestream Enterprise at NAB 2014

    Telestream Enterprise at NAB 2014

  • Telestream Switch at NAB 2014

    Telestream Switch at NAB 2014

  • JVC GY-HM850 and GY-HM650 at NAB 2014

    JVC GY-HM850 and GY-HM650 at NAB 2014

  • Telestream with Wirecast version five at IBC 2013

    Telestream with Wirecast version five at IBC 2013

  • Telestream with Post Producer at IBC 2013

    Telestream with Post Producer at IBC 2013

  • Yospace: Advert Insertion at NAB 2013

    Yospace: Advert Insertion at NAB 2013

  • LiveU at NAB 2012

    LiveU at NAB 2012

  • Garland Partners at BVE 2012

    Garland Partners at BVE 2012


Related Shows
  • KitPlus Daily 23rd April with guest Kris Hampton discussing the Blackmagic ATEM Mini Pro

    KitPlus Daily 23rd April with guest Kris Hampton discussing the Blackmagic ATEM Mini Pro


Related Articles
  • Five Rules for Creating a YouTube Business

    Five Rules for Creating a YouTube Business

  • TVFutures - Learning Editing Platforms

    TVFutures - Learning Editing Platforms

  • Creating Broadcast Quality Live Streams for Social

    Creating Broadcast Quality Live Streams for Social

  • Creating Diverse Show Content For Diversity

    Creating Diverse Show Content For Diversity

  • Live Streaming Workflows Examined

    Live Streaming Workflows Examined

  • Complex Live Streaming At Scale

    Complex Live Streaming At Scale

  • IBC 2019 A Whistle Stop Rundown

    IBC 2019 A Whistle Stop Rundown

  • On Stage At Festival Beauregard

    On Stage At Festival Beauregard

  • The University of the Third Age

    The University of the Third Age

  • Increasing Diversity in the UK Indie Market

    Increasing Diversity in the UK Indie Market

  • The Making of Zero

    The Making of Zero

  • Centre Stage for Cameras with All About Eve

    Centre Stage for Cameras with All About Eve

  • Capturing Haute Couture

    Capturing Haute Couture

  • Behind the Scenes of Wild rose

    Behind the Scenes of Wild rose

  • Streaming - Shut up and Sit Down

    Streaming - Shut up and Sit Down

  • BSC Expo 2019 Report

    BSC Expo 2019 Report

  • Grading BBC Sounds

    Grading BBC Sounds

  • Bringing creative ideas to life

    Bringing creative ideas to life

  • State of the Nation - November 2018

    State of the Nation - November 2018

  • Giving Welsh sport a global audience

    Giving Welsh sport a global audience

  • Shedding Light on the Blackmagic Pocket Cinema Camera 4k BMCPP4K

    Shedding Light on the Blackmagic Pocket Cinema Camera 4k BMCPP4K

  • OB999 Accelerates Hill Climb Broadcast

    OB999 Accelerates Hill Climb Broadcast

  • League of Legends European Masters

    League of Legends European Masters

  • Tips and Tricks to Giving Sci-Fi a New Look

    Tips and Tricks to Giving Sci-Fi a New Look

  • Six steps for award winning sound design with Jungle Studios

    Six steps for award winning sound design with Jungle Studios

  • Playing with Pink Floyd

    Playing with Pink Floyd

  • Capturing the spirit of Mexico

    Capturing the spirit of Mexico

  • The dangers of live streaming without a license

    The dangers of live streaming without a license

  • Reunion on Kingsman ensures efficient workflow for sequel

    Reunion on Kingsman ensures efficient workflow for sequel

  • Strays - Telling a dark tale

    Strays - Telling a dark tale

  • The 7 Steps to Saving Film

    The 7 Steps to Saving Film

  • Audio at 750mph

    Audio at 750mph

  • Insiders View - A few Days in the Desert

    Insiders View - A few Days in the Desert

  • Swimrun World Championships - LiveU report

    Swimrun World Championships - LiveU report

  • DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

    DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed

  • The future of post production

    The future of post production

  • Live streaming and the power of your own channel

    Live streaming and the power of your own channel

  • Blackmagic Design URSA Mini Reviewed

    Blackmagic Design URSA Mini Reviewed

  • Behind the scences of Under the Shadow

    Behind the scences of Under the Shadow

  • Posting Rovers on DaVinci Resolve

    Posting Rovers on DaVinci Resolve

  • Our Time At NAB 2016

    Our Time At NAB 2016

  • The secrets behind live streaming

    The secrets behind live streaming

  • Grading Temple - Making the future look vintage

    Grading Temple - Making the future look vintage

  • Educating with Robots

    Educating with Robots

  • EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

    EXIT PLAN - Creating an indi SCI-FI for less than 3000 dollars

  • How we got live streaming to work for us

    How we got live streaming to work for us

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • Top Five most viewed interviews at IBC 2014

    Top Five most viewed interviews at IBC 2014

  • Africans in London TV

    Africans in London TV

  • The Latest in Ultra Slow Motion Live streaming and Replay

    The Latest in Ultra Slow Motion Live streaming and Replay


News
Why DejaEdit is considered an indispensable Collaborative tool in Film Productions Posted: 22/05/2020
Why DejaEdit is considered an indispensable Collaborative tool in Film Productions

Anna Knochenhauer is a well-respected Stockholm-based film producer/ post-producer with impressive titles to her name which include the likes of “Euphoria” featuring Alicia Vikander; “Welcome to Sweden” season 2 starring Jason Priestly and others.

Carving a successful career of VFX-heavy feature films and drama series, she declares DejaEdit is a revolutionary film tool that should be included in every production as industry standard. She uses DejaEdit in all her productions now, including recent films “Alone in Space” (2018), “White Wall” (2020) and “We Got This” (2020).

DejaEdit is a media file synchroniser that gives editors the ability to collaborate super-efficiently between multiple remote Avid editing platforms. “I depend on DejaEdit for all my productions because it ensures that the media files and timelines that we have created or imported in one connected system are shared and mirrored to the local or network storage of other connected systems. It all takes place quickly, securely and automatically in the background... 
The fact that DejaEdit ensures all media is pushed automatically to all connected Avids means that the Assistant Editor (AE) or Editors don’t ever have to search for any missing media files. DejaEdit has saved us a lot of time and headaches."

 

 

Tags: film | productions | remote | collaboration | workflow | file sharing | synchronizer | Avid | editing | editor | dailies | DejaSoft | DejaEdit | production workflows | DIT | VFX | postproduction
Submitted by DejaSoft
More from this author
Intinor to Demonstrate How to Do Remote Production in Live Webinars With Skaarhoj Posted: 21/05/2020
Intinor to Demonstrate How to Do Remote Production in Live Webinars With Skaarhoj

Intinor Technology, Sweden’s leading developer of products and solutions for high quality video over the internet, will be demonstrating how to do remote production in a series of live webinars with Danish company Skaarhoj, manufacturers of universal broadcast control panels. The aim is to showcase how the remote production tools from both Intinor and Skaarhoj complement each other to give a flexible, secure workflow for live production using a variety of different content sources and locations.

Interest in remote production workflows (or REMI) has been on the increase for some time now already. Even before the current global social distancing requirements created an added incentive for broadcasting companies to seek an alternative to the traditional travel-dependent methods of production, the economic and productivity benefits that REMI offers enables companies to more easily meet the rising demand for live content.

Tags: Intinor | SKAARHOJ | Remote Production | Control Panels | live production | workflows | REMI | PTZ Camera | live video | SRT | RTMP | BRT Bifrost error correction | adaptive bitrate | ARQ | network Bonding | IP
Submitted by Manor Marketing
More from this author
RUSHWORKS VDESK Integrated Production System and Streaming Solutions Enable Quick and Easy Shelter-in-Place Compliance Posted: 20/05/2020
RUSHWORKS VDESK Integrated Production System and Streaming Solutions Enable Quick and Easy and lsquo;Shelter-in-Place and rsquo; Compliance

RUSHWORKS, provider of cool technology for production, playback and streaming since 2001, provides remote production systems and streaming solutions to customers ranging from government agencies, television broadcasters and houses of worship. During the unprecedented era of social distancing and remote communications brought on by the Covid-19 pandemic the Company has responded to a cross-section of organizations requests to maximize their systems and boost remote capabilities with its easily adaptable technologies.

Tags: RUSHWORKS | VDESK | REMO | Integrated PTZ Production Systems | A-LIST BROADCAST | A-LIST Streamster
Submitted by Desert Moon
More from this author
TVU Networks Joins Consortium Providing Live Coverage of Historic Space Launch Posted: 20/05/2020
TVU Networks Joins Consortium Providing Live Coverage of Historic Space Launch

TVU Networks, a technology and market leader in IP and cloud based live video solutions, today announced that it has joined a consortium of technology providers tasked with delivering dedicated live video camera angles to global broadcasters covering the historic launch of the first manned commercial space flight by American astronauts on US soil. This launch also marks the first manned space flight by NASA in nine years. Veteran astronauts Robert Behnken and Douglas Hurley are set for lift off on May 27, 2020 from the Kennedy Space Center in Merritt Island, Florida.

 

Tags: video over IP | NASA | video delivery | pool feed
Submitted by Pipeline Communications
More from this author
Digital Nirvana Launches MetadatorIQ for Automatic Generation of Intelligent Metadata Posted: 20/05/2020
Digital Nirvana Launches MetadatorIQ for Automatic Generation of Intelligent Metadata

Digital Nirvana today introduced MetadatorIQ — the latest generation of the company's secure, scalable platform for automating metadata creation in preproduction, production, and live content workflows. Optimized for Avid MediaCentral | Production Management assets, MetadatorIQ is a hybrid on-premises/SaaS application that applies advanced machine learning and AI-based content analysis to accelerate metadata creation and shorten content delivery cycles.

 

Tags: Digital Nirvana | MetadatorIQ | Metadata | AI | SaaS
Submitted by Wall Street Communications
More from this author
At Jordans Al-Mamlaka TV, IHSE KVM Systems Keep Live Broadcasts Running Smoothly in Landmark New Broadcast Center Posted: 20/05/2020
At Jordans Al-Mamlaka TV, IHSE KVM Systems Keep Live Broadcasts Running Smoothly in Landmark New Broadcast Center

IHSE, the leading manufacturer of high-end KVM (keyboard-video-mouse) solutions for extension and switching of computer signals, today announced that Al-Mamlaka TV, Jordan's first state-funded public service news broadcaster, has adopted IHSE KVM solutions for its all-new, state-of-the-art broadcast facility in the capital city of Amman.

Launched in 2018, Al-Mamlaka TV operates from a greenfield, futuristic new broadcasting center in Amman, with a 24/7 lineup of HD news and public affairs shows airing on both linear and OTT platforms. Al-Mamlaka TV worked with an IHSE systems integrator to design the landmark broadcast center, which boasts several firsts in the region: one of the first facilities to embrace virtualization, one of the first to feature a motorized video wall, and the first to make extensive use of augmented reality (AR). The centerpiece of the Al-Mamlaka TV facility is a 400-square-meter, seven-camera studio with five sets and an open design connecting it to the newsroom one floor below. A second, four-camera studio features three predesigned sets, and a third smaller studio looks out on an impressive view of the Amman skyline.

Tags: IHSE | KVM | Live | Al-Mamlaka TV | Broadcast
Submitted by Wall Street Communications
More from this author
SubtitleNEXT selected by University of Warsaw for live subtitling courses Posted: 20/05/2020
SubtitleNEXT selected by University of Warsaw for live subtitling courses

Responding to the growing demand for further education, the Department of Interpreting Studies and Audio-visual Translation (ISAT), as part of the University of Warsaw’s Institute of Applied Linguistics -  selected SubtitleNEXT for their subtitling courses.

ukasz Dutka is a lecturer at the Institute of Applied Linguistics, and a consultant for streaming and broadcasting companies in the field of accessibility and AVT quality. He is a member of the University of Warsaw’s Audio-visual Translation Lab (AVT Lab), Polish Association of Audio-visual Translators (STAW), European Society for Translation Studies (EST) and European Association for Studies in Screen Translation (ESIST).

Tags: University of Warsaw | broadcasting | TVP | Polish broadcaster | television live subtitling | subtitles | subtitling software for broadcasters | SubtitleNEXT
Submitted by SubtitleNEXT
More from this author
AVIWEST Enables Viewers to Experience Compelling Live Content From PETRONAS Le Tour de Langkawi 2020 Race on Social Media Posted: 20/05/2020
AVIWEST Enables Viewers to Experience Compelling Live Content From PETRONAS Le Tour de Langkawi 2020 Race on Social Media

AVIWEST, a global provider of video contribution systems, today announced that Asia's most prestigious multistage cycling event, PETRONAS Tour de Langkawi 2020, was broadcast live on social networks using AVIWEST's flagship PRO3 Series bonded cellular transmitters, QUAD CellLink antennas, and StreamHub transceiver. Race event organizer Human Voyage offered sports fans and viewers captivating live footage of every stage of the competition.

"Our viewers didn't want to miss a second of the competition, and we needed to ensure there was zero delay during our live streaming sessions," said Shahaizereen A. Hamid, event director at Human Voyage. "We chose AVIWEST for the exceptional capabilities of its field units. AVIWEST's equipment enabled our motorbikes and helicopter to follow riders along the entire road so that they could live-broadcast the excitement of the race over cellular networks, no matter what the environment was like. AVIWEST's team provided us with highly professional support and technical expertise, staying by our side at every stage of the project."

 

Tags: AVIWEST | PETRONAS Tour de Langkawi | live broadcast | Race | Cycling
Submitted by 202 Communications
More from this author
Dejero to Deliver Historic Footage of Return to Human Space flight from American Soil Posted: 20/05/2020
Dejero to Deliver Historic Footage of Return to Human Space flight from American Soil

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has joined a consortium of technology providers delivering a range of broadcast technology to media partners and Dejero customers, to facilitate the coverage of NASA and SpaceX’s historic May 27th launch of the first US astronauts from the United States since 2011.

Dejero’s technology will enable the worldwide distribution of feeds from multiple pool cameras positioned to cover the launch to the International Space Station. The request to support the broadcast came from a group of news organizations looking for a solution to provide dynamic launch coverage while following social distance guidelines at the NASA press site.

 

Tags: Dejero | space | human space flight | NASA | SpaceX | Kennedy Space Center | cloud-managed solutions | International Space Station | PathWay | MultiPoint | WJXT | WayPoint | Ali Hassan | WJXT/WCWJ | Robert Behnken | Douglas Hurley | astronauts | Elon Musk | MKM Marcomms
Submitted by MKM Marketing Communications
More from this author
Audio Design Desk Announces Official Launch of its Award-Winning Audio Tools with Free Version for Creators Posted: 20/05/2020
Audio Design Desk Announces Official Launch of its Award-Winning Audio Tools with Free Version for Creators

Following the win of a NAB Future Best of Show Award, Audio Design Desk releases a free version of its revolutionary AI-assisted audio design tool with over 2,500 sound design elements, effects and music compositions to create cinema sound at the speed of thought.

 

 

 

 

 

Tags: Audio Design Desk
Submitted by Zazil Media Group
More from this author
Dalet Solutions Earn DPP 2020 Security Certification for Production and Broadcast Posted: 20/05/2020
Dalet Solutions Earn DPP 2020 Security Certification for Production and Broadcast

Dalet, a leading provider of solutions and services for broadcasters and content professionals, continues its commitment to the highest security standards, attaining the DPP Security Marks for Production and Broadcast under ‘The DPP Committed to Security’ program. The marks certify that all Dalet products and solutions are developed, configured and deployed according to stringent DPP cyber security best practices across R&D, code safety, and operational measures. As early adopters of DPP compliance and security initiatives, both Dalet, and Ooyala - now part of Dalet - have worked with the DPP on certification and security initiatives since 2014. The company also attained its ISO/SEC 27001:2013 certification in 2018, earning the highest level of security practices across Dalet internal development processes, its product line and its practices.

 

Tags: Dalet
Submitted by Zazil Media Group
More from this author
Calrec provides online demonstrations of Assist UI for virtual mixing Posted: 20/05/2020
Calrec provides online demonstrations of Assist UI  for virtual mixing

Expanding upon its online demonstration offers,Calrec is hosting virtual demonstrations of its Assist UI, a browser-based virtual console environment with multiple versions available for a variety of Calrectechnologies.

Calrec’s Assist Web UI provides users with a virtual desk, available on any device running Chrome as a browser, wherever in the world users are. Assist works over TCP/IP and has minimal control lag, making minor adjustments easy and quick. The demonstrations show Assist controlling a Type R core, with other variants of Assist able to control Calrec’s remote production technology RP1, the VP2 virtualised console, as well as Apollo and Artemis desks.

Tags: Audio | Calrec | IP | AoIP | console | Assist | virtual | software | demo | GUI
Submitted by Jump PR
More from this author
LiveU HEVC Technology Supports Unique Live Coverage of NASA Astronauts Journey to SpaceX Launch Pad for Historic Mission Posted: 20/05/2020
LiveU HEVC Technology Supports Unique Live Coverage of NASA Astronauts Journey to SpaceX Launch Pad for Historic Mission

LiveU is proud to assist NASA TV with transmitting live video of the journey of NASA astronauts Robert Behnken and Douglas Hurley on the SpaceX Crew Dragon spacecraft, lifting off on a Falcon 9 rocket from Launch Complex 39A at Kennedy Space Center on May 27th. The historic event marks the first time US Astronauts travel to the International Space Station from US soil in nearly nine years. The NASA TV crew will use a LiveU LU600 4K HEVC field unit to document the astronauts’ trip from the holding area to the rocket ship launch pad and subsequent launch. LiveU Matrix, the company’s IP content management and distribution solution, will power the worldwide distribution of multiple positioned pool cameras – provided by the Central Florida Media Committee – to cover the milestone launch.

Tags: HEVC | cellular bonding | content management | content distribution
Submitted by Jump PR
More from this author
Cinegy partners with US Broadcast to promote software-based solutions in North America Posted: 20/05/2020
Cinegy partners with US Broadcast to promote software-based solutions in North America

Cinegy, the global leader for broadcast playout software in the cloud has announced a new partnership with New Hampshire-based US Broadcast, a broadcast distributor that uses its channel marketing and technical skill sets to tailor sales for the North American market.

US Broadcast CTO Eric Pratt said, "US Broadcast is currently busy aiding resellers and customers with the technical challenges of connecting video and audio workflows, using our expertise in IP video and remote production to solve their problems. Lately, we’ve had an increase in enquiries with customers looking for help bridging the distance between contributors and production and we’re finding Cinegy’s software-based solutions are particularly relevant at this time.”

Tags: Cinegy | Broadcast Playout Software | US Broadcast | Workflows | IP | Remote Production | SRT | ingest | playout | Cinegy TV Pack | Cinegy Air PRO | Cinegy Titler | Cinegy Capture | Cinegy Multiviewer | Cinegy Live PRO IP Video Switcher | Cinegy Convert | Cinegy Player
Submitted by Manor Marketing
More from this author
Anevia Adds Multi-tiered Storage to its Cloud DVR Storage Offering Posted: 20/05/2020
Anevia Adds Multi-tiered Storage to its Cloud DVR Storage Offering

Anevia announces the addition of multi-tiered storage to its Cloud DVR storage offering, Embedded Distributed Storage (EDS). This new feature makes EDS even more cost-efficient and scalable while also enabling storage in the cloud – meaning the solution becomes both flexible and elastic.

TV service providers are increasingly enriching their VOD content and need to expand their storage capacity without a commensurate increase in the number of users. The original hyper-convergent design of the scalable, high-performance EDS calls for more servers to be added to increase streaming and storage capacity in parallel. Multi-tiered storage means it is now possible to also increase storage capacity independently of streaming capacity.

With only a small fraction of the VOD catalogue being consumed regularly, long-tail content can be stored more efficiently and cost-effectively on general-purpose ‘cold storage’ support used by the IT departments. This eliminates the need to buy new servers and the related software licences, cutting both the complexity and the cost of scaling for a given number of users.

The newly introduced feature also enables object storage, which opens up the possibility of storing in the public or private cloud. This brings the advantages of scalability, flexibility and elasticity.

 

 

 

 

Tags: Anevia | OTT software | IPTV software | video compression | multiscreen IPTV head-ends | Cloud DVR | CDN solutions | VOD | cloud-native content delivery network solutions | NEA-CDN | NEA-DVR | multiscreen solutions for the delivery of live TV | streaming video | time-
Submitted by Stylus Media Communications
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>