News
Custom Consoles Completes Studio Desk Project for TV3 Posted: 21/03/2017

Custom Consoles announces the completion of a studio desk project for Dublin-based television broadcaster TV3 Group. The contract includes two large production control desks plus a single-operator sound control desk with a large integrated audio mixing panel. All three desks are based on the Module-R product series.

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Consultants
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Timecode Systems at the 2017 NAB Show Posted: 20/03/2017
Timecode Systems is heading to Las Vegas with new products, enhanced features, and some exciting updates to its BLINK Hub app that together demonstrate how its solutions combine to deliver significant time and cost savings throughout the production process, from acquisition through to postproduction. This year the company will be showcasing not only how its system streamlines multicamera production workflows, but also how it now offers those same efficiency benefits to virtual reality filmmakers. 
Tags: Timecode Systems | 2017 NAB Show | multi camera | production | SyncBAC Pro | postproduction | Virtual Reality Sync | Joe Gibbs Racing | virtual reality | NAB 2017 | NAB 2017
Submitted by Wall Street Communications
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Sound Design Corporation Delivers for the GRAMMY Awards with Blackmagic Designs Fairlight Posted: 16/03/2017

Blackmagic Design today announced that Sound Design Corporation uses Fairlight DAWs with Xynergi controllers to deliver audio for major award shows, including the 59th Annual GRAMMY Awards.

Tags: Fairlight | Grammys | Awards | Audio | Post | Blackmagic Design | Xynergi
Submitted by Blackmagic design
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DigiBox appoints new product development and account manager Posted: 16/03/2017
Kimberly Beard has joined distributor, DigiBox, as its product development and account manager. She brings several years broadcast and professional AV industry experience to the role, having previously held the positions of Brand Manager for Blackmagic Design at Holdan and Business Manager for Media and Entertainment at Jigsaw24. Reporting to Group Commercial Director, Jayson Chase, Kimberly is managing a number of DigiBoxs key accounts, working to develop product strategy and grow the business throughout the UK and Europe.

Tags: DigiBox | distributor | distribution | production | broadcast | AV | post production | product development | account manager
Submitted by Brill Media Limited
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Umedia launches integrated Vancouver studio with Baselight Posted: 09/03/2017

International production and post group Umedia has opened its fifth location based in the popular Canadian centre, Vancouver, incorporating high-quality visual effects services with finishing services. The Vancouver office has installed a powerful Baselight TWO grading and finishing suite.

Tags: Umedia | FilmLight | Baselight | Vancouver | colour grading | finishing | post production
Submitted by MKM Marketing and Communications
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Altered Images equip second facility for Run VT Posted: 07/03/2017
Post-production house, Run VT, has just opened a second facility on Newman Street in central London, choosing Altered Images to supply and install its new Avid systems. The 4,000 sq ft facility includes seven offline suites, together with an online and a grading suite, and has been designed for close collaboration with Run VTs original building, also located in Newman Street.
Tags: Altered Images | RunVT | post production | production | offline | online | facility | Avid | NEXIS | shared storage | editing
Submitted by Brill Media Limited
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DaVinci Resolve Studio Used to Edit, Grade and Finish - Please Tell Me Im Adopted - Series Posted: 27/02/2017

Blackmagic Design today announced that DaVinci Resolve Studio was used to edit, grade and finish "Please Tell Me I'm Adopted!," an original short form comedy series from Wraptastic Productions premiering March 6, 2017 exclusively on Amazon. DaVinci Resolve Studio was used by Chris Sobchack, executive producer, to handle the entire post production process. 

Tags: DaVinci Resolve | Post Production | Grading | Please Tell Me I am Adopted! | Comedy | Amazon | Blackmagic Design
Submitted by Blackmagic design
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Hollywoods Colortime Facility Industrializes Client Content Services with Dalet Workflow Orchestration and Media Asset Management for Post-Production Posted: 23/02/2017

Dalet Digital Media Systems, a leading provider of solutions and services for media organizations, is taking on the post-production market with Colortime, a Burbank, California-based post-production facility that specializes in feature film and television episodic editorial, dailies, VFX, color correction and content management services for a global customer base. Like many post facilities, Colortime is faced with an increasing number of versions to produce while simultaneously reducing the time to deliver those versions to various content channels. Taking a different approach to the traditional work arounds and spreadsheet management tools, industry veteran Moshe Barkat turned to Dalet for its expertise in workflow automation and media asset management (MAM), selecting the open, ready-made Dalet Galaxy platform. The new workflow, which will include Dalet Galaxy MAM and Workflow Engine, Dalet WebSpace and Storyboarder and Dalet Xtend for Adobe® Premiere® Pro, aims to maximize efficiency for managing client content and package delivery by connecting post-production and archives as well as managing work orders for file delivery and automating the corresponding transcodes.

Tags: Dalet | MAM | Colortime | Post-production | Adobe | Premiere | Workflow
Submitted by Zazil Media Group
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Hollywoods Colortime Facility Industrializes Client Content Services with Dalet Workflow Orchestration and Media Asset Management for Post-Production Posted: 23/02/2017

Dalet Digital Media Systems, a leading provider of solutions and services for media organizations, is taking on the post-production market with Colortime, a Burbank, California-based post-production facility that specializes in feature film and television episodic editorial, dailies, VFX, color correction and content management services for a global customer base. Like many post facilities, Colortime is faced with an increasing number of versions to produce while simultaneously reducing the time to deliver those versions to various content channels. Taking a different approach to the traditional work arounds and spreadsheet management tools, industry veteran Moshe Barkat turned to Dalet for its expertise in workflow automation and media asset management (MAM), selecting the open, ready-made Dalet Galaxy platform. The new workflow, which will include Dalet Galaxy MAM and Workflow Engine, Dalet WebSpace and Storyboarder and Dalet Xtend for Adobe® Premiere® Pro, aims to maximize efficiency for managing client content and package delivery by connecting post-production and archives as well as managing work orders for file delivery and automating the corresponding transcodes.

Tags: Dalet | MAM | Colortime | Post-production | Adobe | Premiere | Workflow
Submitted by Zazil Media Group
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Goldcrest Post Delivers BBCs Taboo with Blackmagics DaVinci Resolve Studio Posted: 23/02/2017

Blackmagic Design today announced that Goldcrest Post has completed picture post on "Taboo," a major new BBC drama series starring Tom Hardy, using DaVinci Resolve Studio together with the DaVinci Resolve Advanced Panel. 

Tags: DaVinci Resolve | Post Production | Grading | Taboo | Drama | Blackmagic Design
Submitted by Blackmagic design
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WWE Uses Blackmagic Designs Fairlight for Audio Post Production Posted: 23/02/2017

Blackmagic Design today announced that World Wrestling Entertainment (WWE) relies on Fairlight for all of its audio post production. 

Tags: Fairlight | Audio | Post | Blackmagic Design | WWE
Submitted by Blackmagic design
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Interra Systems CCBN2017 Exhibitor Preview Posted: 22/02/2017
Quality Control and Monitoring Systems
 
As operators in the global broadcast, cable, telco, satellite, IPTV, over-the-top (OTT), and post-production markets deliver a growing amount of high-quality video content, including HDR/UHD/4K, to various screens, the need for reliable, efficient, and scalable quality control (QC) and monitoring solutions becomes ever more critical.
Tags: Interra Systems | CCBN2017 | preview | post production | market | cable | broadcast | telco | satellite | IPTV | OTT | ABR Monitoring System | ORION
Submitted by Dundee Hills Group
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Blackmagic Design Congratulates Oscar Nominated Films Posted: 17/02/2017
Blackmagic Design would like to congratulate all the 2017 Oscar nominated films and the production professionals whose hard work and creativity helped bring them to life. Blackmagic Design is honoured that its Pocket Cinema Camera digital film camera, as well as its DaVinci Resolve Studio editing, grading and finishing solution, were used on some of this years Oscar nominated films, including Hacksaw Ridge, Arrival and Moonlight.
Tags: Blackmagic Design | Oscars | DaVinci Resolve | Post Production | Digital Cinema
Submitted by Blackmagic design
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NUGEN Audio at the 2017 NAB Show Posted: 15/02/2017
At the 2017 NAB Show, NUGEN Audio will demonstrate new downmixing technology for creating the best possible stereo mixes from original surround audio sources. The company will also showcase its industry-leading post-production and broadcast audio tools for loudness, upmixing, and batch processing, and a range of products for creative sound design, enhancement, and sound-stage correction.
Tags: NUGEN Audio | 2017 NAB Show | down mixing | technology | stereo | music app | post production | industry | tradeshow news | enhancement | Halo Upmix | Halo Downmix | Stereo-to-5.1/7.1/9.1 Upmixer | NAB 2017 | NAB 2017
Submitted by Wall Street Communications
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SyncBac PRO Delivers Significant Cost Savings For The Island With Bear Grylls Posted: 15/02/2017
Timecode Systems has revealed postproduction time on the current series of "The Island With Bear Grylls" was reduced massively by using the SyncBac PRO to timecode-sync all GoPro HERO4 cameras. This is expected to result in significant cost savings in media management and postproduction.
Tags: SyncBac PRO | Timecode Systems | The Island with Bear Grylls | series | survivor | GoPro | HERO4 | camera | cost savings | media management | postproduction | camera operators
Submitted by Wall Street Communications
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