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Man Made Music Upgrades Its Surround Monitoring With PMC Posted: 21/11/2019
Man Made Music Upgrades Its Surround Monitoring With PMC

Man Made Music, a Manhattan-based company specialising in sound design, sonic branding and music creation, has been working closely with loudspeaker manufacturer PMC to upgrade the stereo and surround monitoring in one of its two control rooms.

The company has installed a PMC IB2S XBD-A active system for both stereo and 5.1 monitoring and is using PMC Wafer2 passive speakers for Left and Right Rear Surround positions. These provide excellent dispersion and frequency response in a small, rectangular footprint, and because they can easily be mounted to any wall they allow for maximum flexibility in all types of custom-install situations.

Established by award-winning composer and producer Joel Beckerman, Man Made Music creates iconic music and sounds for companies such as Nissan, Disney, Citi, Alzheimer’s Association and HBO. Beckerman’s belief that sound matters was a key reason why the company chose PMC when it decided to upgrade its main Studio A control room.

“The PMCs are hands-down the most true and transparent monitors I've mixed with,” says Beckerman. “They're also so incredibly inspiring to track with, which just makes the music better all-around."

Chief Technician Darren Moore adds: “We do IMAX, immersive and other advanced audio formats, so we were looking for an upgrade to add to the speaker allotment in our main studio. PMC are leading the way for the new Dolby Atmos format and were already outfitting major facilities and schools with Dolby Atmos systems.”

The addition of PMC monitors is providing better full-room coverage and additional reference monitors for mixing in-studio. This, in turn, is allowing clients, guests and larger groups ato enjoy the full surround experience.

Tags: PMC Speakers | Man Made Music | Joel Beckerman | IB2S XBD-A Monitors | Atmos | Surround Sound | Post Production | Music for Picture
Submitted by White Noise Public Relations Ltd
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NUGEN Delivers Deeper Workflow Control for Producer Mixer Alvin Wee Posted: 20/11/2019
NUGEN Delivers Deeper Workflow Control for Producer Mixer Alvin Wee

For as long as he could remember, Producer/mixer Alvin Wee loved music and film; and he was fortunate enough to cut his teeth working with composers and record producers in Los Angeles on film projects such as Kung Fu PandaKingsman and Eddie the Eagle. Having such a strong background in the industry, Wee takes pride in knowing that when someone hands a project off to him, it will be done correctly, and well. In order to achieve those results, Wee relies on NUGEN Audio’s Producer bundle and Halo Upmix solutions.

 

Wee’s introduction to NUGEN began as it often does, by word of mouth. “I was talking with industry friends and colleagues. I mentioned that I was looking for a specific product for a project I was working on, and one of them recommended NUGEN,” he says. “Then, I was at a GRAMMY® party and an engineer who is a monster in the business told me that NUGEN’s meters are incredible, so I decided to check them out. I started using the NUGEN plug-ins and, right off the bat, they did exactly what I needed. So, I just kept using them.”

 

Ideally suited for both mixing and mastering situations, NUGEN’s Producer software provides Wee with a collection of highly flexible award-winning cross-platform plug-ins designed to increase the quality and efficiency of his productions. “The Producer software has been incredibly useful for me,” he adds. “I love the Stereoizer; it’s my go to plug-in that I use on all my mixes and checks. It allows me to control all the low-end and make sure that a recording doesn’t get too wobbly or crazy. I can even make the high-end feel wider and more exciting. It works really well and is very intuitive.The Visualizer tool included in the bundle is also excellent as its meters are tremendous in helping me see what I’m doing.”

 

 

Tags: NUGEN Audio | audio-plug-ins | software | film | music | post-production | Alvin Wee | Producer Bundle | Halo UpMix
Submitted by D. Pagan Communications
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PIgmento Switches to DaVinci Resolve Studio for HDR Delivery Posted: 20/11/2019
PIgmento Switches to DaVinci Resolve Studio for HDR Delivery

Blackmagic Design today announced that Madrid based post house, Pigmento Color Grading, has switched to DaVinci Resolve Studio as part of a facility upgrade for HDR color correction and IMF format delivery.

Founded by Fernando Martinez and Pepe Abellàn, colorists with more than 20 years of audiovisual finishing experience, Pigmento has rapidly formed a reputation for delivering a boutique, tailored service to both broadcasters and OTT clients throughout Europe.

The team’s credits include episodic features such as The Pier, Locked Up and Emmy Award winning Money Heist, which has gone on to be a global success.

Spurred by increasing client demand for Dolby Vision, HDR10+ and IMF ready workflows, DaVinci Resolve Studio has now been installed as the primary online, grading and mastering solution within Pigmento’s two state of the art grading suites and two additional support workstations for conform, VFX pulls and deliveries.

Featuring Intel’s Dual Xeon SuperMicro processors paired with NVIDIA Tesla K80 and RTX2080ti graphics cards respectively, the grading suites feature Sony BVM-HX310 and Dolby PRM 4220 reference monitors and DaVinci Resolve Mini Panels for control. Underpinning the setup is 180TB of shared storage, with a 600TB NAS for backup.

Tags: Blackmagic Design | Blackmagic | DaVinci Resolve | Resolve | HDR | Streaming | IMF Delivery | Post Production
Submitted by Blackmagic design
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Custom Consoles Module-R Desks and MediaWall Chosen for Royal Opera House Production Gallery Posted: 14/11/2019
Custom Consoles Module-R Desks and MediaWall Chosen for Royal Opera House Production Gallery

Working in partnership with UK based broadcast system integrator Megahertz Ltd, Custom Consoles has completed a new production gallery desk, engineering control desk and a MediaWall monitor display for the Royal Opera House in London's Covent Garden. The project forms part of an extensive UHD/HDR upgrade to the facilities used by the ROH to relay performances of over 12 events each season for live viewing by cinema audiences in Europe and for distribution to other venues around the world. The ROH also live streams frequently from the main house, Linbury theatre and other studios in the building.

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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NUGEN Offers Unequalled Audio Post Plug-Ins for Music and Television Projects Posted: 08/11/2019
NUGEN Offers Unequalled Audio Post Plug-Ins for Music and Television Projects

As the top-line audio editing software brand for television and music mixers and producers around the world, NUGEN Audio has gained significant notoriety throughout the industry. When Mix Engineer Jorel Corpus received a copy of the company’s Producer bundle at an event surrounding the GRAMMY’s, he soon realized it was the perfect complement to his existing workflow for his range of music and television projects.

 

Corpus explains that prior to receiving the software, he had heard great things about NUGEN and, after using the plug-ins, he quickly realized the full breadth of the solutions’ benefits. “A lot of industry friends and colleagues who I trust use NUGEN,” he says. “I had wanted to use the company’s solutions for a while, so when I received the Producer bundle, it was perfect timing. As soon as I started to use NUGEN, I felt more assured. I use the Visualizer audio plug-in when clients send me files to immediately analyze if the signal is in mono or stereo. This organizes my resources and streamline my workflow better. I also use the Stereoizer and Stereoplacer tools regularly.”

 

Tags: NUGEN Audio | plug-ins | post-production
Submitted by D. Pagan Communications
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Chimney Uses DaVinci Resolve Studio for Real-Time Collaboration on The Dead Dont Die Posted: 07/11/2019
Chimney Uses DaVinci Resolve Studio for Real-Time Collaboration on The Dead Dont Die

Blackmagic Design today announced that Chimney relied on DaVinci Resolve Studio to collaborate in real time across its New York, NY, and Gothenburg, Sweden, locations while delivering visual effects (VFX) for the hit zombie movie “The Dead Don’t Die.” The international post production company also used Fusion Studio for select VFX work on the film.

“The Dead Don’t Die” follows the peaceful town of Centerville as it finds itself in a battle against the undead as zombies begin to rise from their graves. Directed by Jim Jarmusch, the zombie comedy stars Bill Murray, Adam Driver, Chloë Sevigny, Tilda Swinton and more.

The Chimney team produced more than 300 VFX shots for the film, with work happening simultaneously at its New York and Gothenburg locations. With Jarmusch and the film’s DP, Frederick Elmes, located in New York, Chimney needed to be able to collaborate in real time across locations so both teams could work closely with the filmmakers to discuss and implement changes during the VFX process.

“Since this film was Jim’s first VFX heavy project, we wanted to ensure that he felt comfortable and connected to the team throughout the entire process,” explained Chimney’s VFX Supervisor Sam O’Hare.

Chimney turned to DaVinci Resolve Studio’s collaboration capabilities for its ability to review EXR sequences in real time.

Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Resolve | Fusion | Post Production | Chimney | Filmmaking | Zombies
Submitted by Blackmagic design
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The End of the F***ing World Season Two Graded In DaVinci Resolve Posted: 07/11/2019
The End of the F***ing World Season Two Graded In DaVinci Resolve

Blackmagic Design today announced that CHEAT has continued its expansion with DaVinci Resolve Studio, adding a new HDR ready grading suite as well as a research and development lab.

This adds to CHEAT’s three preexisting grading suites, which include Linux machines with dual Intel Xeon E5-2600 v4 processors supported by four Nvidia GTX 1080Ti GPUs and the DaVinci Resolve Advanced Panel.

The first project to be realized through the new workflow is The End of the F***ing World season 2. Returning following the critically acclaimed first season, which has been nominated for BAFTA and Primetime Emmy Awards, the grade on series two was led by CHEAT’s owner and colorist Toby Tomkins.

“Season two was a challenge because it introduced a new director, new DPs and a new production designer. It was also our first Dolby Vision grade as a facility,” says Toby. “There was a lot of pressure to ensure we delivered to the same high standards expected of us from our work on season one.”

Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | HDR | Netflix | Dolby Vision | CHEAT | Post Production
Submitted by Blackmagic design
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Power of Baselight X on display at the heart of Inter BEE Posted: 31/10/2019
Power of Baselight X on display at the heart of Inter BEE

At Inter BEE, the FilmLight presence will be led by Koichi Matsui, General Manager of FilmLight KK, along with Yoko Kimura, newly appointed sales and product specialist. “FilmLight is one of the world’s leading companies for production and post production technology,” said Koichi Matsui “Yoko’s recent appointment underlines this region’s importance to us, and is a clear indication of the support we are giving to our existing and future customers in Japan.”

Top end post-production is placing ever-more stringent technical demands on technology, in support of the creative ambitions of directors, cinematographers and colourists. 4K and HDR are now commonplace, and 8K is being broadcast today in Japan. Recently, Baselight workstations were chosen for grading and finishing Ang Lee’s new movie, Gemini Man, shot and delivered in 120 frames per second, 4K, high dynamic range 3D.

Only the power of the Baselight X system can handle such a data-intensive project, while still giving the colourist free rein with next-generation creative tools and realtime response. FilmLight will demonstrate these tools as part of its latest software version at Inter BEE 2019, on an 8K display powered by a Baselight X grading system. This includes new productivity features such as the enhanced timeline with collapsing stacks and multiple tracks.

Tags: FilmLight | Yoko Kimura | Inter BEE | Koichi Matsui | Japan | Asia Pacific | post-production | colourist | Baselight | grading | Ang Lee | Gemini Man | Baselight X | Baselight Editions | Daylight | Blackboard Classic | control panel | MKM Marketing Communications
Submitted by MKM Marketing Communications
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Custom Consoles Celebrates 23rd Anniversary with New Website Posted: 30/10/2019
Custom Consoles Celebrates 23rd Anniversary with New Website

Custom Consoles marks its 23rd anniversary with a completely new version of the company's www.customconsoles.co.uk website, offering faster than ever access to information about its wide range of technical furniture. Structured to allow easy navigation, it highlights the company's five key market sectors: Broadcast, Transport, Security/Defence, Process Control and Network Operation Control. Single-click access to products, news, photo gallery and corporate information are available from a drop-down menu at the head of every page.

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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Belgian National Broadcaster Installs DaVinci Resolve Studio for Post Production Posted: 10/10/2019
Belgian National Broadcaster Installs DaVinci Resolve Studio for Post Production
Belgian public broadcaster, VRT, has installed DaVinci Resolve Studio, DaVinci Resolve Advanced Panel and Resolve Mini Panels as its inhouse color correction and finishing system across all of its original content production.
Tags: Blackmagic Design | Blackmagic | BMD | VRT | Belgium | Broadcast | Television | Post Production | 4K | DaVinci Resolve | Resolve Panel
Submitted by Blackmagic design
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Tony Rhodes Joins Tyrell as UK Account Manager Posted: 09/10/2019
Tony Rhodes Joins Tyrell as UK Account Manager

Tyrell, a leading broadcast, professional video and audio solutions provider in the United Kingdom and Ireland, has announced the expansion of the team, with the appointment of Tony Rhodes as Account Manager, based in London. The appointment of Tony reflects Tyrell’s continued investment in the UK team.

Tags: news | appointments | Tyrell | reseller | post | post production | broadcast | live production
Submitted by Tyrell
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Take 1 appoints VP of Global Sales Posted: 07/10/2019
Take 1 appoints VP of Global Sales

Broadcast metadata and transcription company, Take 1, has created a vice president of global sales role to grow their international client base. Claire Brown has been promoted to this new position with immediate effect, after working at the company for almost three years as commercial manager.

Tags: Take 1 | transcription | translations | post-production scripts | localisation
Submitted by Little Cricket PR
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Sneaky Pete Color Corrected in DaVinci Resolve Studio Posted: 30/09/2019
Sneaky Pete Color Corrected in DaVinci Resolve Studio
Blackmagic Design announced today that season 3 of Amazon Prime Videos’ critically acclaimed series “Sneaky Pete” was colored in DaVinci Resolve Studio by senior colorist Scott Ostrowsky of Deluxe’s Level 3.
Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Color Correction | Grading | Post Production | Filmmaking | Amazon | Series | Sneaky Pete
Submitted by Blackmagic design
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Tiger Technology showcases collaborative storage and workflows at IBC 2019 Posted: 11/09/2019
Tiger Technology showcases collaborative storage and workflows at IBC 2019
Tiger Technology, a leader in cloud storage and data management for the broadcast and post-production markets, will use this year's IBC to demonstrate its products leveraging Amazon Web Services (AWS). These systems are designed to help customers migrate legacy archive content from older tape systems onto cloud or hybrid cloud systems, with the goal of lowering archival costs and increasing accessibility. Tiger systems integrate with Media Translation tape-to-cloud solutions to manage the migration, as well as with Spectra Logic and Qualstar archiving and backup systems. There will also be displays of Tiger Technology's workflow and data management tools integrated into ERA cloud storage and content creation systems.
Tags: Tiger Technology | Tiger Store | Tiger BridgeAWS | Nexsan | IBC 2019 | Collaborative Storage | Workflows | Cloud Storage | Data Management | Media Management | Post-production | ENVY | ERA Post Production | Media Translation Inc | Overcast HQ | IBC 2019 | IBC 2019
Submitted by Page Melia PR
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Piksel cuts time and cost of distribution workflows with Fuse IQ Posted: 06/09/2019
Piksel cuts time and cost of distribution workflows with Fuse IQ

Piksel will showcase its newest innovation, Fuse IQ, on Stand A37, Hall 14 at IBC 2019, the company has announced.

 

Offering a suite of machine learning-powered video analysis applications, Fuse IQ’s primary purpose is to reduce the time and cost of post-production workflows. Applications currently in use include the automated detection of onscreen text and duplicate shots, as well as slates, tails and other segment types. Having scanned a customer’s video content for the desired artefacts, Fuse IQ will generate an edit decision list advising them of what changes to make and where.

Tags: metadata | machine learning | computer vision | post-production | IBC 2019 | IBC 2019
Submitted by Piksel
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