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NEP Hilversum Chooses Custom Consoles Control Desks and MediaWall for New MCR Suite Posted: 13/01/2020
NEP Hilversum Chooses Custom Consoles Control Desks and MediaWall for New MCR Suite

Custom Consoles announces the completion and installation of eight control desks and a large MediaWall monitor display support system for NEP Media Solutions BV. Located in the master control room at the company's studios in Hilversum's Media Park, the desks are configured in front and rear rows for use by up to six and four operators respectively.

 

"The desks are similar in style and colour scheme to a suite we produced in early 2018 for another NEP television studio facility," says Custom Consoles' Sales Manager Gary Fuller. "The forward desk centres on a dual-operator bridge with a total of eight forward-sloping 4U equipment pods. This is constructed as a rectangular unit with space for two operators. Left and right of the bridge are two units of identical design to the bridge but angled to match the curve of the 13.9 metre wide six-frame MediaWall."

"The MediaWall itself is one of the largest we have produced to date, each of the six frames accommodating four 55 inch UHD displays to create an 11-wide by two-high screen array with two additional pairs of 32 inch screens positioned to form vertical columns immediately left and right of the front-centre bridge desk. The result is a very elegant solution which can justifiably be termed state-of-the-art."

 

 

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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Medialease wins best Asset Finance Intermediary at the 2019 Leasing Life awards Posted: 12/12/2019
Medialease wins best Asset Finance Intermediary at the 2019 Leasing Life awards

Medialease has won best ‘Asset Finance Intermediary’ at the Leasing Life 2019 awards, which brings together the most successful and innovative businesses throughout Europe in the leasing industry. 2019 has been a busy year for Medialease and the company was delighted to have been recognised for this award by industry-leading panellists.

The award judges commented that Medialease showed excellent growth and had a highly-targeted asset/industry focus, providing strong value to a very specialised end user. Medialease were also deemed to have very clear empathy and support to its chosen market, which is reflected in its exceptionally-high repeat customer statistics.

Medialease arranges asset funding tailored to the needs of the broadcast, film, television, AV and live events markets. Its relationships with many of its customers go back several years, with broadcasters and post-production companies returning to Medialease at each phase of their business plans to upgrade equipment or improve facilities. With a deep understanding of audio and video-based industries, the company supplies editing, grading and audio equipment for post-production facilities, along with the latest 4K cameras and location playout equipment for the world’s biggest sports and motorsports broadcasters. For further information, please contact us on 01327 872531 or visit www.medialease.com.

Tags: Medialease | awards | asset finance | broadcast | post production | broadcast | film | television | TV | audio | post | AV | events
Submitted by Brill Media Limited
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Storm upgrades to Avid NEXIS and takes the leap with HDR Posted: 12/12/2019
Storm upgrades to Avid NEXIS and takes the leap with HDR

Refreshed with a new-look, Storm Post Production has upgraded to Avid NEXIS | PRO, complete with MediaCentral | Editorial Management, developing and adapting its existing workflows to new technologies and providing a solid, consistent service for its clients. Storm’s impressive London facility is fully prepared for handling higher-resolution and HDR media, from ingest right through to delivery, with the new Avid products further improving production efficiency.

Storm is a multi-genre end-to-end post-production facility, specialising in factual documentaries and entertainment programmes for UK and international broadcasters. Its new Avid MediaCentral | Editorial Management workflow management system, together with upgraded Avid NEXIS shared storage, has been installed and configured by Altered Images and has already boosted Storm’s productivity. It has provided editors and production teams with greater workflow integration and flexibility, notably being able to access and edit media remotely.

“Our latest NEXIS and Editorial Management upgrade has really helped us streamline several processes and provide our customers with powerful tools to help satisfy their requirements and deliver content of a high-standard.” explained Jay Makwana, Storm’s Commercial Director. “We’re continuously looking for ways to develop and expand our capabilities in order to strengthen workflows and stay ahead of the curve.”

Tags: Altered Images | Storm | post production | HDR | edit | Avid | MediaCentral | Editorial Management | workflow | NEXIS
Submitted by Brill Media Limited
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Fusion Studio Used to Create Animated Feature, Latte and The Magic Waterstone Posted: 11/12/2019
Fusion Studio Used to Create Animated Feature, Latte and The Magic Waterstone

Blackmagic Design today announced that Grid VFX relied on Fusion Studio throughout its in house compositing pipeline to deliver newly released children’s animated feature, Latte & The Magic Waterstone.

Directed by Regina Welker, the team’s latest project ‘Latte & The Magic Waterstone’ involved the completion of more than 1,200 visual effects shots, including the complex compositing of background and foreground plates and CG render layers for 3D assets, lighting, procedural effects, and more.

“Latte was a huge project for us. It’s a feature animation with a limited budget, so we knew we had to work as efficiently as possible,” begins compositing supervisor at Grid, Laurens Bekaert.

“Fusion’s GPU accelerated render engine was amazing at being able to handle geometry and 3D space compared to alternative compositors. We could add smoke and particles behind our characters and see a good representation of how they would look in 3D instantly, without needing to re render.”

Tags: Blackmagic | Blackmagic Design | BMD | Fusion | Fusion Studio | VFX | Compositing | Post Production | Filmmaking | Animation
Submitted by Blackmagic design
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Custom Consoles Module-R Desks and MediaWall Monitor Display Mounts Selected for Cardiff University School of Journalism, Media and Cultural Studies Posted: 10/12/2019
Custom Consoles Module-R Desks and MediaWall Monitor Display Mounts Selected for Cardiff University School of Journalism, Media and amp; Cultural Studies

 

Custom Consoles announces the completion of Module-R studio control desks and two MediaWall monitor display mounts for Cardiff University's School of Journalism, Media & Cultural Studios. The desks and display mounts form part of a full broadcast-quality news studio facility designed by UK-based system integrator ATG Danmon.

"We were invited to propose a turnkey solution based on an outline specification provided by the university," explains ATG Danmon Managing Director Russell Peirson-Hagger. "The project coincided with a relocation to new city-centre premises. It comprised a large TV studio and dedicated gallery, a smaller TV studio with its associated gallery, plus a broadcast newsroom. These will be used to train the next generation of television, radio, online and printed-media journalists. Module-R desks and MediaWalls are used in many broadcast facilities in the UK, Europe, MENA and Asia, so were a logical choice given the need to match the functionality and processes of a real broadcast environment. They are robustly constructed, ergonomically efficient for engineering staff and well as operators, and attractively styled. Both product series also gave us the freedom to match the available room dimensions from standard modular elements."

 

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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Plymouth Marjon University Chooses Custom Consoles Desks for New Broadcast Media Training Facility Posted: 10/12/2019
Plymouth Marjon University Chooses Custom Consoles Desks for New Broadcast Media Training Facility

Altered Images, a leading UK supplier of visual communications technology solutions, has chosen Custom Consoles Module-R, M-Desk Technical and custom-designed studio furniture for a newly completed broadcast media training suite at Plymouth Marjon University.

The new resource includes a total of seven desks in an open plan configuration. Located on the former BBC South West villa site in Plymouth, it is equipped with all the facilities required for the university's courses in journalism and broadcast production. These include a four-camera TV studio, a TV news room and TV production gallery, a radio news room, radio studio and central apparatus room.

"The design brief we were given was to create a fully professional radio and TV production environment including latest-generation Dante IP networking", says Altered Images' Media and Broadcast Solutions Director Russell Butcher. "Custom Consoles desks are very widely used throughout the broadcast media industry so will be met by many students as they progress into their careers. The desks and equipment bays look good, are ergonomically comfortable and efficient, and are very long-lasting."

 

 

 

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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Man Made Music Upgrades Its Surround Monitoring With PMC Posted: 21/11/2019
Man Made Music Upgrades Its Surround Monitoring With PMC

Man Made Music, a Manhattan-based company specialising in sound design, sonic branding and music creation, has been working closely with loudspeaker manufacturer PMC to upgrade the stereo and surround monitoring in one of its two control rooms.

The company has installed a PMC IB2S XBD-A active system for both stereo and 5.1 monitoring and is using PMC Wafer2 passive speakers for Left and Right Rear Surround positions. These provide excellent dispersion and frequency response in a small, rectangular footprint, and because they can easily be mounted to any wall they allow for maximum flexibility in all types of custom-install situations.

Established by award-winning composer and producer Joel Beckerman, Man Made Music creates iconic music and sounds for companies such as Nissan, Disney, Citi, Alzheimer’s Association and HBO. Beckerman’s belief that sound matters was a key reason why the company chose PMC when it decided to upgrade its main Studio A control room.

“The PMCs are hands-down the most true and transparent monitors I've mixed with,” says Beckerman. “They're also so incredibly inspiring to track with, which just makes the music better all-around."

Chief Technician Darren Moore adds: “We do IMAX, immersive and other advanced audio formats, so we were looking for an upgrade to add to the speaker allotment in our main studio. PMC are leading the way for the new Dolby Atmos format and were already outfitting major facilities and schools with Dolby Atmos systems.”

The addition of PMC monitors is providing better full-room coverage and additional reference monitors for mixing in-studio. This, in turn, is allowing clients, guests and larger groups ato enjoy the full surround experience.

Tags: PMC Speakers | Man Made Music | Joel Beckerman | IB2S XBD-A Monitors | Atmos | Surround Sound | Post Production | Music for Picture
Submitted by White Noise Public Relations Ltd
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NUGEN Delivers Deeper Workflow Control for Producer Mixer Alvin Wee Posted: 20/11/2019
NUGEN Delivers Deeper Workflow Control for Producer Mixer Alvin Wee

For as long as he could remember, Producer/mixer Alvin Wee loved music and film; and he was fortunate enough to cut his teeth working with composers and record producers in Los Angeles on film projects such as Kung Fu PandaKingsman and Eddie the Eagle. Having such a strong background in the industry, Wee takes pride in knowing that when someone hands a project off to him, it will be done correctly, and well. In order to achieve those results, Wee relies on NUGEN Audio’s Producer bundle and Halo Upmix solutions.

 

Wee’s introduction to NUGEN began as it often does, by word of mouth. “I was talking with industry friends and colleagues. I mentioned that I was looking for a specific product for a project I was working on, and one of them recommended NUGEN,” he says. “Then, I was at a GRAMMY® party and an engineer who is a monster in the business told me that NUGEN’s meters are incredible, so I decided to check them out. I started using the NUGEN plug-ins and, right off the bat, they did exactly what I needed. So, I just kept using them.”

 

Ideally suited for both mixing and mastering situations, NUGEN’s Producer software provides Wee with a collection of highly flexible award-winning cross-platform plug-ins designed to increase the quality and efficiency of his productions. “The Producer software has been incredibly useful for me,” he adds. “I love the Stereoizer; it’s my go to plug-in that I use on all my mixes and checks. It allows me to control all the low-end and make sure that a recording doesn’t get too wobbly or crazy. I can even make the high-end feel wider and more exciting. It works really well and is very intuitive.The Visualizer tool included in the bundle is also excellent as its meters are tremendous in helping me see what I’m doing.”

 

 

Tags: NUGEN Audio | audio-plug-ins | software | film | music | post-production | Alvin Wee | Producer Bundle | Halo UpMix
Submitted by D. Pagan Communications
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PIgmento Switches to DaVinci Resolve Studio for HDR Delivery Posted: 20/11/2019
PIgmento Switches to DaVinci Resolve Studio for HDR Delivery

Blackmagic Design today announced that Madrid based post house, Pigmento Color Grading, has switched to DaVinci Resolve Studio as part of a facility upgrade for HDR color correction and IMF format delivery.

Founded by Fernando Martinez and Pepe Abellàn, colorists with more than 20 years of audiovisual finishing experience, Pigmento has rapidly formed a reputation for delivering a boutique, tailored service to both broadcasters and OTT clients throughout Europe.

The team’s credits include episodic features such as The Pier, Locked Up and Emmy Award winning Money Heist, which has gone on to be a global success.

Spurred by increasing client demand for Dolby Vision, HDR10+ and IMF ready workflows, DaVinci Resolve Studio has now been installed as the primary online, grading and mastering solution within Pigmento’s two state of the art grading suites and two additional support workstations for conform, VFX pulls and deliveries.

Featuring Intel’s Dual Xeon SuperMicro processors paired with NVIDIA Tesla K80 and RTX2080ti graphics cards respectively, the grading suites feature Sony BVM-HX310 and Dolby PRM 4220 reference monitors and DaVinci Resolve Mini Panels for control. Underpinning the setup is 180TB of shared storage, with a 600TB NAS for backup.

Tags: Blackmagic Design | Blackmagic | DaVinci Resolve | Resolve | HDR | Streaming | IMF Delivery | Post Production
Submitted by Blackmagic design
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Custom Consoles Module-R Desks and MediaWall Chosen for Royal Opera House Production Gallery Posted: 14/11/2019
Custom Consoles Module-R Desks and MediaWall Chosen for Royal Opera House Production Gallery

Working in partnership with UK based broadcast system integrator Megahertz Ltd, Custom Consoles has completed a new production gallery desk, engineering control desk and a MediaWall monitor display for the Royal Opera House in London's Covent Garden. The project forms part of an extensive UHD/HDR upgrade to the facilities used by the ROH to relay performances of over 12 events each season for live viewing by cinema audiences in Europe and for distribution to other venues around the world. The ROH also live streams frequently from the main house, Linbury theatre and other studios in the building.

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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NUGEN Offers Unequalled Audio Post Plug-Ins for Music and Television Projects Posted: 08/11/2019
NUGEN Offers Unequalled Audio Post Plug-Ins for Music and Television Projects

As the top-line audio editing software brand for television and music mixers and producers around the world, NUGEN Audio has gained significant notoriety throughout the industry. When Mix Engineer Jorel Corpus received a copy of the company’s Producer bundle at an event surrounding the GRAMMY’s, he soon realized it was the perfect complement to his existing workflow for his range of music and television projects.

 

Corpus explains that prior to receiving the software, he had heard great things about NUGEN and, after using the plug-ins, he quickly realized the full breadth of the solutions’ benefits. “A lot of industry friends and colleagues who I trust use NUGEN,” he says. “I had wanted to use the company’s solutions for a while, so when I received the Producer bundle, it was perfect timing. As soon as I started to use NUGEN, I felt more assured. I use the Visualizer audio plug-in when clients send me files to immediately analyze if the signal is in mono or stereo. This organizes my resources and streamline my workflow better. I also use the Stereoizer and Stereoplacer tools regularly.”

 

Tags: NUGEN Audio | plug-ins | post-production
Submitted by D. Pagan Communications
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Chimney Uses DaVinci Resolve Studio for Real-Time Collaboration on The Dead Dont Die Posted: 07/11/2019
Chimney Uses DaVinci Resolve Studio for Real-Time Collaboration on The Dead Dont Die

Blackmagic Design today announced that Chimney relied on DaVinci Resolve Studio to collaborate in real time across its New York, NY, and Gothenburg, Sweden, locations while delivering visual effects (VFX) for the hit zombie movie “The Dead Don’t Die.” The international post production company also used Fusion Studio for select VFX work on the film.

“The Dead Don’t Die” follows the peaceful town of Centerville as it finds itself in a battle against the undead as zombies begin to rise from their graves. Directed by Jim Jarmusch, the zombie comedy stars Bill Murray, Adam Driver, Chloë Sevigny, Tilda Swinton and more.

The Chimney team produced more than 300 VFX shots for the film, with work happening simultaneously at its New York and Gothenburg locations. With Jarmusch and the film’s DP, Frederick Elmes, located in New York, Chimney needed to be able to collaborate in real time across locations so both teams could work closely with the filmmakers to discuss and implement changes during the VFX process.

“Since this film was Jim’s first VFX heavy project, we wanted to ensure that he felt comfortable and connected to the team throughout the entire process,” explained Chimney’s VFX Supervisor Sam O’Hare.

Chimney turned to DaVinci Resolve Studio’s collaboration capabilities for its ability to review EXR sequences in real time.

Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | Resolve | Fusion | Post Production | Chimney | Filmmaking | Zombies
Submitted by Blackmagic design
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The End of the F***ing World Season Two Graded In DaVinci Resolve Posted: 07/11/2019
The End of the F***ing World Season Two Graded In DaVinci Resolve

Blackmagic Design today announced that CHEAT has continued its expansion with DaVinci Resolve Studio, adding a new HDR ready grading suite as well as a research and development lab.

This adds to CHEAT’s three preexisting grading suites, which include Linux machines with dual Intel Xeon E5-2600 v4 processors supported by four Nvidia GTX 1080Ti GPUs and the DaVinci Resolve Advanced Panel.

The first project to be realized through the new workflow is The End of the F***ing World season 2. Returning following the critically acclaimed first season, which has been nominated for BAFTA and Primetime Emmy Awards, the grade on series two was led by CHEAT’s owner and colorist Toby Tomkins.

“Season two was a challenge because it introduced a new director, new DPs and a new production designer. It was also our first Dolby Vision grade as a facility,” says Toby. “There was a lot of pressure to ensure we delivered to the same high standards expected of us from our work on season one.”

Tags: Blackmagic Design | Blackmagic | BMD | DaVinci Resolve | HDR | Netflix | Dolby Vision | CHEAT | Post Production
Submitted by Blackmagic design
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Power of Baselight X on display at the heart of Inter BEE Posted: 31/10/2019
Power of Baselight X on display at the heart of Inter BEE

At Inter BEE, the FilmLight presence will be led by Koichi Matsui, General Manager of FilmLight KK, along with Yoko Kimura, newly appointed sales and product specialist. “FilmLight is one of the world’s leading companies for production and post production technology,” said Koichi Matsui “Yoko’s recent appointment underlines this region’s importance to us, and is a clear indication of the support we are giving to our existing and future customers in Japan.”

Top end post-production is placing ever-more stringent technical demands on technology, in support of the creative ambitions of directors, cinematographers and colourists. 4K and HDR are now commonplace, and 8K is being broadcast today in Japan. Recently, Baselight workstations were chosen for grading and finishing Ang Lee’s new movie, Gemini Man, shot and delivered in 120 frames per second, 4K, high dynamic range 3D.

Only the power of the Baselight X system can handle such a data-intensive project, while still giving the colourist free rein with next-generation creative tools and realtime response. FilmLight will demonstrate these tools as part of its latest software version at Inter BEE 2019, on an 8K display powered by a Baselight X grading system. This includes new productivity features such as the enhanced timeline with collapsing stacks and multiple tracks.

Tags: FilmLight | Yoko Kimura | Inter BEE | Koichi Matsui | Japan | Asia Pacific | post-production | colourist | Baselight | grading | Ang Lee | Gemini Man | Baselight X | Baselight Editions | Daylight | Blackboard Classic | control panel | MKM Marketing Communications
Submitted by MKM Marketing Communications
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Custom Consoles Celebrates 23rd Anniversary with New Website Posted: 30/10/2019
Custom Consoles Celebrates 23rd Anniversary with New Website

Custom Consoles marks its 23rd anniversary with a completely new version of the company's www.customconsoles.co.uk website, offering faster than ever access to information about its wide range of technical furniture. Structured to allow easy navigation, it highlights the company's five key market sectors: Broadcast, Transport, Security/Defence, Process Control and Network Operation Control. Single-click access to products, news, photo gallery and corporate information are available from a drop-down menu at the head of every page.

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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