Prelight 5.0 provides on-set look creation at NAB2017

Date: 08/06/2017
Prelight 5.0 provides on-set look creation at NAB2017

After a promising start to the Prelight beta programme - with over 700 users joining since it was announced - FilmLight will demonstrated Prelight 5.0 at NAB2017.

Designed to provide visual reassurance to DoPs and DITs on set without disrupting the flow of the shoot, Prelight incorporates the powerful version 5.0 of the core Baselight software and is now fully integrated with the ARRI Alexa SXT, the Alexa Mini and the Panasonic Varicam. Visitors to the FilmLight booth will see Prelight in operation with both cameras supporting the BLG (Baselight Linked Grade) and/or grade metadata natively; it will also be demonstrated with LUT boxes including the Flanders Box IO, the Teradek COLR and the Wowow.

Prelight allows the DoP to retain control of the look of a movie on set, by being able to preview the camera output with the preferred LUT or with looks developed by the colourist, and by reference to the director or DoPs own stills. The application was recently used on the upcoming Disney comedy Magic Camp, directed by Mark Waters. 

One of the most challenging factors in digital cinematography is obtaining consistency in mood and colour throughout an entire scene, explained Theo van de Sande, Cinematographer on Magic Camp. To achieve this, the DoP needs a colour management system on-set that is simple, efficient, fast - with excellent frame grabs for reference and a full ACES workflow - to carry the right mood through to the final DI. Prelight has it all¦ and more.

The free version of the macOS software allows looks to be adjusted and applied to still pictures and exported as BLG files; the commercial version (at $995 per licence) gives real-time colour management, ensuring on-set monitors and editorial outputs have the best look possible, and allows export of LUTs as well as the option to embed BLG or grade metadata inside supported Alexa and Varicam cameras.

Users have access to full grading functionality if required, but Prelight can also be used just to get a consistent and reliable viewing environment on set, without having to worry about colour science or LUTs. 

Prelight is an indispensable tool for previewing what the colour will eventually look like in the DI grading suite, added Colourist Bobby Maruvada. We used it on every shot on-set, incorporating a full ACES colour pipeline. It performed well under pressure, and we were more than happy with the results.

Prelight is built on the standard Baselight software, and can impose the full set of grading functionality including dynamic shapes, vignettes and detailed colour correction as well as customised LUTs. It uses the FilmLight BLG metadata format so it sits within the end-to-end render-free workflow.

Many directors and DoPs simply want reassurance that their chosen LUTs and reference looks are working. If they want, they can enhance the grade, with their decisions being captured in the BLG metadata. All grading decisions in the BLG workflow are non-destructive, so DoPs can give suggestions to colourists with confidence.

Our experience is that DoPs and directors want the best possible viewing conditions on set, so would ideally like to see the basic grade on a calibrated monitor, said James Milne, FilmLights Lead Developer on Prelight. Prelight uses our unrivalled colour science to do much, much more than that - but without requiring the DoP or DIT to have any specialist knowledge or experience, and more importantly without taking them away from their primary tasks.

 


Tags: FilmLight | Prelight | 5.0 | DoP | DIT | colour grading | beta | NAB 2017
Submitted by MKM Marcomms (MKM Marketing and Communications)
View author's directory page

Related Interviews
  • DoP Choice show the latest lighting solutions at NAB 2019

    DoP Choice show the latest lighting solutions at NAB 2019

  • Size matters with DoP Choice plus Rabbit Ears on show at IBC 2018

    Size matters with DoP Choice plus Rabbit Ears on show at IBC 2018

  • Rabbit Ears and Magic Cloth from DoP Choice at NAB 2018

    Rabbit Ears and Magic Cloth from DoP Choice at NAB 2018

  • DOP Choice Lighting Bracket and Snapbox at IBC 2017

    DOP Choice Lighting Bracket and Snapbox at IBC 2017

  • Area 48 Colour from BBandS Lighting plus more announcements at NAB 2019

    Area 48 Colour from BBandS Lighting plus more announcements at NAB 2019

  • Jonathan Harrison at BVE North 2011

    Jonathan Harrison at BVE North 2011

  • Wor4X and EditBridge from Marquis at NAB 2017

    Wor4X and EditBridge from Marquis at NAB 2017

  • Sonnet Technologies demo a mobile workstation for editing in the field at IBC 2018

    Sonnet Technologies demo a mobile workstation for editing in the field at IBC 2018

  • Glensound Expedition at IBC 2015

    Glensound Expedition at IBC 2015

  • FORSCENE Cloud Editing at NAB 2015

    FORSCENE Cloud Editing at NAB 2015

  • EditShare at BVE 2015

    EditShare at BVE 2015

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • EditShare on BroadcastShow LIVE at IBC 2013

    EditShare on BroadcastShow LIVE at IBC 2013

  • Scott Hill uses EditShare: Lightworks at NAB 2013

    Scott Hill uses EditShare: Lightworks at NAB 2013

  • Editors Keys at BVE North 2012

    Editors Keys at BVE North 2012

  • Editshare at NAB 2012

    Editshare at NAB 2012

  • Editec at BVE 2012

    Editec at BVE 2012

  • Editors Keys at ProVideo2011

    Editors Keys at ProVideo2011

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Marquis Broadcast at NAB 2016

    Marquis Broadcast at NAB 2016

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Forbidden Technologies on BroadcastShow LIVE at IBC 2013

    Forbidden Technologies on BroadcastShow LIVE at IBC 2013

  • Lightworks on BroadcastShow Tour May 2013

    Lightworks on BroadcastShow Tour May 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Dalet at NAB 2013

    Dalet at NAB 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Root6 at BVE 2012

    Root6 at BVE 2012

  • ERA at BVE 2012

    ERA at BVE 2012

  • Avid at BVE North 2011

    Avid at BVE North 2011

  • Robotic bulk ingest of DigiBeta media explained with Spot and Spin at NAB 2019

    Robotic bulk ingest of DigiBeta media explained with Spot and Spin at NAB 2019

  • KitPlus filming rig used at NAB 2017

    KitPlus filming rig used at NAB 2017

  • All you need to know about the Sony FS5 Raw and HDR Upgrade and more from NAB 2017

    All you need to know about the Sony FS5 Raw and HDR Upgrade and more from NAB 2017

  • The all in one production system from Ross Video at NAB 2017

    The all in one production system from Ross Video at NAB 2017

  • GY-LS300 Camera from JVC at NAB 2017

    GY-LS300 Camera from JVC at NAB 2017

  • Fibre Optic Solutions from Multidyne at NAB 2017

    Fibre Optic Solutions from Multidyne at NAB 2017

  • Boxx TV updates at NAB 2017

    Boxx TV updates at NAB 2017

  • Atom Lite from Boxx at NAB 2017

    Atom Lite from Boxx at NAB 2017

  • Skype TX for Radio from Broadcast Bionics at NAB 2017

    Skype TX for Radio from Broadcast Bionics at NAB 2017

  • IP Gateway from Dejero at NAB 2017

    IP Gateway from Dejero at NAB 2017

  • HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

    HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

  • IP, 3G-SDI + HDR generation, analysis and monitoring from Phabrix NAB 2017

    IP, 3G-SDI + HDR generation, analysis and monitoring from Phabrix NAB 2017

  • Be More with Clear from Prime Focus Technologies at NAB 2017

    Be More with Clear from Prime Focus Technologies at NAB 2017

  • Metacast Weather Graphics from ChyronHego at NAB 2017

    Metacast Weather Graphics from ChyronHego at NAB 2017

  • NewsTicker 5 from ChyronHego at NAB 2017

    NewsTicker 5 from ChyronHego at NAB 2017

  • Virtual 1st from ChyronHego at NAB 2017

    Virtual 1st from ChyronHego at NAB 2017

  • Mission Critical IP Transport Solutions from MediaLinks at NAB 2017

    Mission Critical IP Transport Solutions from MediaLinks at NAB 2017

  • Video Transport over IP from MediaLinks at NAB 2017

    Video Transport over IP from MediaLinks at NAB 2017

  • Facebook and YouTube live integration with Monarch HD from Matrox at NAB 2017

    Facebook and YouTube live integration with Monarch HD from Matrox at NAB 2017

  • Uncompressed Video over IP from Matrox at NAB 2017

    Uncompressed Video over IP from Matrox at NAB 2017

  • Quad 4k Capture and Stream with Maevex from Matrox at NAB 2017

    Quad 4k Capture and Stream with Maevex from Matrox at NAB 2017

  • 7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

    7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • Facility Management Software from Xytech at NAB 2017

    Facility Management Software from Xytech at NAB 2017

  • 4k 60 Matrix from GDSYS at NAB 2017

    4k 60 Matrix from GDSYS at NAB 2017

  • House of Worship Multisite Streaming from VITEC at NAB 2017

    House of Worship Multisite Streaming from VITEC at NAB 2017

  • IPTV Digital Signage from VITEC at NAB 2017

    IPTV Digital Signage from VITEC at NAB 2017

  • Streaming Media with Interra Systems at NAB 2017

    Streaming Media with Interra Systems at NAB 2017

  • Hybrid Cloud Media Aggregation from Cantemo at NAB 2017

    Hybrid Cloud Media Aggregation from Cantemo at NAB 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • 8k Daniel from Cinegy at NAB 2017

    8k Daniel from Cinegy at NAB 2017

  • Workflow Solutions from Pronology at NAB 2017

    Workflow Solutions from Pronology at NAB 2017

  • Object Based Storage Solutions from Object Matrix at NAB 2017

    Object Based Storage Solutions from Object Matrix at NAB 2017

  • The Media Experience Studio from Verizon at NAB 2017

    The Media Experience Studio from Verizon at NAB 2017

  • Kit Financing with Medialease at NAB 2017

    Kit Financing with Medialease at NAB 2017

  • Live Streaming Solution from Verizon at NAB 2017

    Live Streaming Solution from Verizon at NAB 2017

  • Get on the IP ladder with Netgazer from MediaLinks at NAB 2017

    Get on the IP ladder with Netgazer from MediaLinks at NAB 2017

  • MX32 Multiviewer from Apantac at NAB 2017

    MX32 Multiviewer from Apantac at NAB 2017

  • Mi16 low cost Multiviewer from Apantac at NAB 2017

    Mi16 low cost Multiviewer from Apantac at NAB 2017

  • openGear Mi9 Multiviewer from Apantac at NAB 2017

    openGear Mi9 Multiviewer from Apantac at NAB 2017

  • Hypercore Mini from Core SWX at NAB 2017

    Hypercore Mini from Core SWX at NAB 2017

  • Quantum C80 from Cineo at NAB 2017

    Quantum C80 from Cineo at NAB 2017

  • HEVC 4k Encoding from Aviwest at NAB 2017

    HEVC 4k Encoding from Aviwest at NAB 2017

  • 32 Keypanel Intercoms from Clearcom at NAB 2017

    32 Keypanel Intercoms from Clearcom at NAB 2017

  • Smallest COFDM Transmitter from IMT-Solutions at NAB 2017

    Smallest COFDM Transmitter from IMT-Solutions at NAB 2017

  • Skyline 90 from Miller at NAB 2017

    Skyline 90 from Miller at NAB 2017

  • Combo Live 55 Pedestal from Miller at NAB 2017

    Combo Live 55 Pedestal from Miller at NAB 2017

  • Virtual and Augmented Reality support with the Arrow Fx7 from Miller at NAB 2017

    Virtual and Augmented Reality support with the Arrow Fx7 from Miller at NAB 2017

  • Live Sports Broadcast Commentator from Glensound at NAB 2017

    Live Sports Broadcast Commentator from Glensound at NAB 2017

  • Media Asset Management Software from Blue Lucy at NAB 2017

    Media Asset Management Software from Blue Lucy at NAB 2017

  • TM3 Rackmount solution from RTW at NAB 2017

    TM3 Rackmount solution from RTW at NAB 2017

  • Mediaflex UMS Platform from TMD at NAB 2017

    Mediaflex UMS Platform from TMD at NAB 2017

  • New CEO and news update from TMD at NAB 2017

    New CEO and news update from TMD at NAB 2017


Related Shows
  • Larry Jordan and Den Lennie talk editing at BVE

    Larry Jordan and Den Lennie talk editing at BVE


Related Articles
  • The Making of Zero

    The Making of Zero

  • Post Production - Keeping Track

    Post Production - Keeping Track

  • Make Time for Remapping

    Make Time for Remapping

  • IMF Adoption

    IMF Adoption

  • Your two week editing future

    Your two week editing future

  • Grading BBC Sounds

    Grading BBC Sounds

  • Accelerated Workflows with eGPU

    Accelerated Workflows with eGPU

  • An Obituary to Timecode

    An Obituary to Timecode

  • The Biggest Toy Shop in the World

    The Biggest Toy Shop in the World

  • How the Cloud can be enabled as traditional broadcast workflows evolve

    How the Cloud can be enabled as traditional broadcast workflows evolve

  • Video Tape recorders cannnot die.

    Video Tape recorders cannnot die.

  • Reunion on Kingsman ensures efficient workflow for sequel

    Reunion on Kingsman ensures efficient workflow for sequel

  • The ITTP - A Review

    The ITTP - A Review

  • Infrastructure boost with single node storage solutions

    Infrastructure boost with single node storage solutions

  • TV Futures

    TV Futures

  • Sully - Grading a miracle

    Sully - Grading a miracle

  • Top gadgets for 2017

    Top gadgets for 2017

  • Self contained and expandable commentary systems

    Self contained and expandable commentary systems

  • The return of the Minimoog

    The return of the Minimoog

  • Bringing Realiability to the Unpredictability of Reality TV

    Bringing Realiability to the Unpredictability of Reality TV

  • Top 10 Tips for Saving Time in Post

    Top 10 Tips for Saving Time in Post

  • Camera Operation and Training Part 1

    Camera Operation and Training Part 1

  • How Your iPad Can Help Your Filmmaking

    How Your iPad Can Help Your Filmmaking

  • Saving your laptop from spills

    Saving your laptop from spills

  • Editing broadcast video in a mobile app a ridiculous notion or the next big thing

    Editing broadcast video in a mobile app a ridiculous notion or the next big thing

  • Diversification in Broadcast - Medical Punditry

    Diversification in Broadcast - Medical Punditry

  • 4k - is it really worth it

    4k - is it really worth it

  • Soho shaking all over Manchester

    Soho shaking all over Manchester

  • Making multi-camera shooting faster & more affordable

    Making multi-camera shooting faster & more affordable

  • 7 must sees at IBC 2015

    7 must sees at IBC 2015

  • When the going gets tough

    When the going gets tough

  • DOPs discuss minicams, lenses, 4k and all

    DOPs discuss minicams, lenses, 4k and all

  • Back in the day

    Back in the day

  • Sky takes sports to the limit

    Sky takes sports to the limit

  • Cloud Editing at BVE

    Cloud Editing at BVE

  • Step by step - The perfect podcast

    Step by step - The perfect podcast

  • Increase productivity while editing

    Increase productivity while editing

  • Dialog-based search accelerates content discovery for anyone with a media library

    Dialog-based search accelerates content discovery for anyone with a media library

  • The fast-moving business of providing pop-up editing suites

    The fast-moving business of providing pop-up editing suites

  • Fixing it in parallel

    Fixing it in parallel

  • Studio furniture at the cutting edge

    Studio furniture at the cutting edge

  • Still unsure about cloud editing? Read this..

    Still unsure about cloud editing? Read this..

  • Post Production gear guide - what new products to watch out for in 2015

    Post Production gear guide - what new products to watch out for in 2015

  • 6

    6

  • News - A New Beginning

    News - A New Beginning

  • Eye to Eye: Video Post-production

    Eye to Eye: Video Post-production

  • Monitoring made easy

    Monitoring made easy

  • How To Record The Perfect Voice Over

    How To Record The Perfect Voice Over

  • Manage and Monitor

    Manage and Monitor

  • Trouble- Shooting Your Mac Editing System

    Trouble- Shooting Your Mac Editing System


News
BirdDog Release P4K - A 4K Full Bandwidth NDI PTZ Camera Posted: 15/09/2019
BirdDog Release P4K - A 4K Full Bandwidth NDI and reg; PTZ Camera Featuring a 1 and rdquo; Sony Sensor

IBC 2019, 13-17 September, Stand 6.C11- BirdDog, a leading manufacturer of NDI tools has today announced the launch of its BirdDog P4K, a 4K full bandwidth NDI PTZ Camera. The BirdDog P4K features a 1” Sony Exmor R CMOS backlit Sensor with 14.4 million pixels. With excellent light sensitivity it is the ideal camera for all broadcast applications, sports, remote studios, newsrooms, and houses of worship producing high quality shots.

Tags: BirdDog | NDI | NewTek | Sony | 4K | P4K | BirdDog Cloud | PTZ | Camera | IBC | IBC 2019 | IBC 2019
Submitted by Manor Marketing
More from this author
Hulu in Japan selects Bitmovin to deliver next-generation online experiences Posted: 14/09/2019
Hulu in Japan selects Bitmovin to deliver next-generation online experiences

Bitmovin, a world leader in online video technology, announces that Hulu in Japan, a leader of online video streaming service operated by HJ Holdings, Inc. Minato-ku, Tokyo, President: Hiroyuki Oho, hereinafter referred to as HJ, in collaboration with PLAY Inc., a leading company of Online Video Platform in Japan (Shibuya-ku, Tokyo, President: Kazumichi Kuroda, hereinafter referred to as PLAY) have selected Bitmovin Encoding to deliver high-quality video to any device at massively optimized bitrates. The solution was delivered by Bitmovin’s appointed Japanese integration partner Itochu Cable Systems, (Shinagawa-ku, Tokyo, President and CEO: Kenji Tsuchiya, hereinafter referred to as ICS), with further technical support provided by Bitmovin’s global solutions and engineering team.

Tags: Bitmovin | Hulu in Japan | IBC
Submitted by Platform Communications
More from this author
AUTOSCRIPT WINPLUS-IP DELIVERS NEW LEVELS OF PROMPTER CONTROL AND WORKFLOW EFFICIENCY Posted: 13/09/2019
AUTOSCRIPT WINPLUS-IP DELIVERS NEW LEVELS OF PROMPTER CONTROL AND WORKFLOW EFFICIENCY

Autoscript, the world's leading teleprompting company, today launched a new version of its WinPlus-IP software that delivers the ability to set up, configure, group, and control all aspects of a prompting system from within the application. WinPlus-IP is the engine for Autoscript's award-winning Intelligent Prompting product range, the broadcast industry's first completely IP-enabled teleprompting solution.

Tags: IBC2019 | Vitec Production Solutions | AUTOSCRIPT | WINPLUS-IP | teleprompter | Intelligent Prompting | IBC 2019 | IBC 2019
Submitted by Wall Street Communications
More from this author
TITON SL, LATEST BATTERY IN ANTON BAUERS TITON FAMILY, MAKES DEBUT AT IBC2019 Posted: 13/09/2019
TITON SL, LATEST BATTERY IN ANTON BAUERS TITON FAMILY, MAKES DEBUT AT IBC2019

Anton/Bauer today launched the Titon SL series of 14.4V Gold Mount and V-Mount batteries. Joining the first-generation Titon batteries launched earlier this year, the rugged Titon SLs pack the consistently reliable performance found in other Titon batteries into a smaller and lighter-weight form factor, making them ideal for independent content creators (ICCs) and freelance camera operators. The Titon SL is currently offered in 150Wh and 240Wh models.

Tags: IBC2019 | Vitec Production Solutions | TITON SL | ANTON/BAUER | 14.4V Gold Mount | V-Mount batteries | light-weight camera batteries | IBC 2019 | IBC 2019
Submitted by Wall Street Communications
More from this author
OCONNOR INTRODUCES CAMERA SUPPORT SYSTEM FEATURING ALL-NEW ULTIMATE 1040 FLUID HEAD AND FLOWTECH100 TRIPOD Posted: 13/09/2019
OCONNOR INTRODUCES CAMERA SUPPORT SYSTEM FEATURING ALL-NEW ULTIMATE 1040 FLUID HEAD AND FLOWTECH100 TRIPOD

OConnor today introduced a camera support system that pairs the all-new Ultimate 1040 fluid head with the multi-award-winning flowtech100 tripod. This exclusive system combines the world-renowned precision and versatility of OConnor's fluid heads with the unique speed of flowtech's carbon-fiber tripod technology, allowing professional camera operators to move from heavier to lighter payload camera setups quickly and without compromise.

Tags: IBC2019 | Vitec Production Solutions | OCONNOR | ULTIMATE 1040 FLUID HEAD | FLOWTECH100 TRIPOD | IBC 2019 | IBC 2019
Submitted by Wall Street Communications
More from this author
Harmonic and Aveco Streamline Hybrid Playout Workflows Posted: 13/09/2019
Harmonic and Aveco Streamline Hybrid Playout Workflows

Harmonic (NASDAQ: HLIT) today announced that it has partnered with Aveco to simplify the deployment of hybrid on-premises and cloud workflows for playout applications. Thanks to the partnership, operators can now use a single interface to control hybrid on-premises and cloud playout workflows for more efficient delivery of broadcast and OTT channels, including live streaming.

Tags: Harmonic | Aveco | Hybrid Playout Workflows | IBC2019 | OTT | Cloud Channel Origination | IBC 2019 | IBC 2019
Submitted by 202 Communications
More from this author
Harmonic Joins Forces with HPE to Deliver the Best of On-Premises IT and Cloud Media Processing as a Service Posted: 13/09/2019
Harmonic Joins Forces with HPE to Deliver the Best of On-Premises IT and Cloud Media Processing as a Service

Harmonic (NASDAQ: HLIT) today announced it has teamed up with Hewlett Packard Enterprise (HPE) to optimize deployments of its VOS® cloud-native platform. Together, Harmonic's VOS offerings and HPE GreenLake deliver customer success through a consumption-based service that enables operators to achieve increased simplicity, scalability and cost savings for IPTV and OTT video delivery.

Tags: Harmonic | Hewlett Packard Enterprise | IBC2019 | VOS cloud-native | GreenLake | OTT | IBC 2019 | IBC 2019
Submitted by 202 Communications
More from this author
Live Sports Get Personalized with Harmonic, Google and 3SS Posted: 13/09/2019
Live Sports Get Personalized with Harmonic, Google and 3SS

Harmonic (NASDAQ: HLIT), in collaboration with Google and 3SS, has created an integrated OTT and broadcast live sports workflow on Android TV™, delivering essential tailored features such as picture-in-picture, multi-view and personalized mosaic. At IBC2019, on Harmonic Stand 1.B20 and Google Stand 14.E02, the companies will demonstrate how pay-TV operators can now deliver personalized, low-latency live sports experiences on OTT and hybrid set-top boxes (STBs) using Harmonic's VOS® cloud-native live video platform, a powerful UHD STB and the 3READY custom launcher application from 3SS.

Tags: Harmonic | Google | 3SS | Android TV | IBC2019 | OTT | VOS cloud-native | IBC 2019 | IBC 2019
Submitted by 202 Communications
More from this author
Harmonics VOS Cloud-Native Platform Adds Live Video Delivery Optimization Posted: 13/09/2019
Harmonics VOS Cloud-Native Platform Adds Live Video Delivery Optimization

Harmonic (NASDAQ: HLIT) today announced a groundbreaking new delivery capability for its VOS® cloud-native offerings that provides telco, cable and mobile operators with real-time scalability for mission-critical, high-demand live video streaming services. This exciting new capability has successfully been deployed by a leading mobile network operator to deliver live sports content utilizing a multi-CDN approach with Harmonic's CDN partners.

Tags: Harmonic | VOS | Cloud-Native Platform | Live Video Delivery | IBC2019 | multi-CDN | IBC 2019 | IBC 2019
Submitted by 202 Communications
More from this author
AJA Upgrades IP Mini-Converter Receivers with New UltraHD Reference Input Support Posted: 13/09/2019
AJA Upgrades IP Mini-Converter Receivers with  New UltraHD and amp; Reference Input Support

Today at IBC 2019, AJA Video Systems announced a new v2.2 firmware update that introduces a host of performance improvements for its IP Mini-Converter receivers, including new UltraHD support up to 50p for IPR-10G2-HDMI and IPR-10G-HDMI, as well as Reference Input support for IPR-10G2-HDMI and IPR-10G2-SDI.

Tags: aja | aja video | aja video systems | ibc | ibc 2019 | ibc19 | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Announces Desktop Software v15.5 Posted: 13/09/2019
AJA Announces Desktop Software v15.5

AJA Video Systems introduced Desktop Software v15.5 for KONA, Io and T-TAP products today at IBC 2019. The free software update features key performance enhancements that provide video professionals with enhanced creative freedom and workflow flexibility across Windows®, Linux® and macOS®, with improvements including full 2SI SMPTE raster support for 8K, RGB support for 8K capture and playback and new HDR Test Patterns in AJA Control Room.

Tags: aja | aja video | aja video systems | ibc | ibc19 | ibc2019 | ibc 2019 | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Introduces New openGear and reg; Compatible Cards at IBC 2019 Posted: 13/09/2019
AJA Introduces New openGear and reg; Compatible Cards at IBC 2019

Building on its growing family of openGear® products, AJA Video Systems unveiled three new openGear cards at IBC 2019, including the OG-FS-Mini, OG-ROI-DVI and OG-ROI-HDMI. OG-FS-Mini fuses the functionality of AJA’s newly announced FS-Mini frame synchronizer Mini-Converter with the openGear architecture, while OG-ROI-DVI and OG-ROI-HDMI support DVI or HDMI to SDI region-of-interest scaling, scan conversion and image rotation in the openGear format. Each card is designed for use in openGear 2RU frames including AJA’s OG-X-FR 2RU frame, and can be remotely configured, monitored and controlled over a PC or local network using Ross DashBoard software.

Tags: aja | aja video | aja video systems | ibc | ibc 19 | ibc 2019 | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Launches the FS-Mini Frame Synchronizer at IBC 2019 Posted: 13/09/2019
AJA Launches the FS-Mini Frame Synchronizer at IBC 2019

Today at IBC 2019 AJA Video Systems introduced the FS-Mini, a new broadcast quality utility frame sync that packs the production-proven functionality and all of the reliability of AJA’s leading FS frame sync technology into a portable Mini-Converter. FS-Mini supports frame synchronization and up, down, cross-conversion of untimed 3G-SDI, HD and SD video signals.

Tags: aja | aja video | aja video systems | ibc | ibc 2019 | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Ships Corvid 44 12G with 12G-SDI I O at IBC 2019 Posted: 13/09/2019
AJA Ships Corvid 44 12G with 12G-SDI I O at IBC 2019

At IBC 2019, AJA Video Systems announced the release of Corvid 44 12G, an 8-lane PCIe 3.0 video and audio I/O platform supporting 12G-SDI I/O. Corvid 44 12G is available in ten different models, including passive or active cooling variants, for developer form factor flexibility. Corvid 44 12G models include high-density HD-BNC connectors and are available in low profile or full height form factors, while Corvid 44 12G BNC models include full-size BNC connectors. All Corvid 44 12G cards support 8K/UltraHD2/4K/UltraHD high frame rate, deep color, HDR workflows and can also provide multiple 4K streams of input or output.

Tags: aja | aja video systems | aja video | ibc | ibc 2019 | corvid | corvid-44-12g-sdi | i/o | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
AJA Debuts KUMO 6464-12G at IBC 2019 Posted: 13/09/2019
AJA Debuts KUMO 6464-12G at IBC 2019

Today at IBC 2019 in Amsterdam, AJA Video Systems unveiled KUMO 6464-12G, a new SDI router featuring 64x 12G-SDI inputs and 64x 12G-SDI outputs for high quality, cost-effective signal routing. KUMO 6464-12G suits a range of broadcast, production, post, and proAV environments and allows professionals to take advantage of the scalability, security, and increased bandwidth that 12G-SDI provides.

Tags: aja | aja video systems | aja video | ibc | ibc 2019 | kumo | kumo-6464 | kumo-6464-12g | IBC 2019 | IBC 2019
Submitted by Raz Public Relations
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>