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Custom Consoles Module-R Desks and MediaWalls Chosen for Fidelity International Posted: 01/06/2020
Custom Consoles Module-R Desks and MediaWalls Chosen for Fidelity International

Custom Consoles announces the completion of two studio control desks and MediaWall monitor displays for a new UHD production facility at the London headquarters of Fidelity International. Supervised by systems integration specialist ATG Danmon, the project formed part of Fidelity's relocation to new premises in the centre of the city's financial district. The studios will be used for a range of applications including participation in finance-related broadcasts.

"We recommended Module-R and MediaWall on the basis of long experience with both product ranges," comments ATG Danmon Managing Director Russell Peirson-Hagger. "Their inherent modularity allowed us to specify exactly the required parameters in the full knowledge that the results would be robustly built, ergonomically sound, attractively styled, accurately sized and easy to install."

Largest of the two desks is a six metre wide in-line unit positioned along the main wall of the Studio 1 production gallery. This is configured for use by up to six operators including camera shading, robotic camera control, lighting control, graphic effects, vision mixing and control room to studio talkback. Sloping 3U high equipment pods run almost the entire width of this desk. All equipment above and below the main worktop remains easily accessible.

 

 

 

Tags: ustom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Modu
Submitted by Stylus Media Communications
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TVU Networks and rsquo; New Feature for Social Production Enables Real-time Virtual Communication and Interaction Among Production Crew and Talent Posted: 29/05/2020
TVU Networks and rsquo; New Feature for Social Production Enables Real-time Virtual Communication and Interaction Among Production Crew and Talent

With Partyline from TVU Networks call participants can achieve a unique level of communication and interaction from remote locations as though they were in the same physical studio while producing live and pre-recorded programming. Partyline enables production personnel, talent and tools to collaborate remotely in real time with full HD video quality and perfectly synchronized audio and video. Partyline is making its debut as an integrated part of award-winning TVU Producer, a simple and scalable cloud-based solution for broadcast quality production and will also be incorporated within the TVU ecosystem for use with other TVU solutions.

“The global COVID pandemic has shifted the dynamic of TV production collaboration, requiring talent and technical staff to produce programming from their living rooms,” explains TVU Networks’ CEO Paul Shen. “Professional broadcasters require the ability to interact in real-time while producing programs in fully synchronized and broadcast quality audio and video. When achieved, that’s what we’re calling social production. It should be as close to in-person communication and interaction as possible. Producers shouldn’t have to settle for something that makes creating their important work more cumbersome.”

Tags: remote production | video over ip | TVU Networks | IP
Submitted by Pipeline Communications
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Deja Soft releases Deja Edit Version 3 Posted: 28/05/2020
Deja Soft releases Deja Edit Version 3

DejaSoft has launched Version 3 of its media file synchronising tool DejaEdit.

DejaEdit is an essential application for productions enabling Avid editors to work together from any location. It ensures media and bins are copied securely in the background, between each remote editing station or Nexus / EditShare storage system.

Version 3 enhances editors' user experience, provides improved workflow management, efficiency, and additional reliable security features. These new developments are crucial toolsets that support producers and post supervisors in simplifying complex media file sharing activities across the entire production process.

Highlights in DejaEdit 3 include the option for users to use their own S3 account for Cloud media storage; upgraded “Private and Public” bin sharing abilities; sophisticated “Folder Support”; “Notifications”; partial media downloads to each editor; License key safeguards; and the brand new DejaEdit Manager feature.

DejaEdit uses an intuitive “email” style interface, presented within the Avid environment, where bins and metadata can be shared with other users by simply dropping it into the Outbox, ToSet or ToVFX folders. Version 3 now allows editors to add subfolders to these pre-set folders to further organise shared media assets. A new notification system now alerts editors to available content and location. 

 

 

 

 

 

 

 

 

Tags: DejaEdit | DejaSoft | Avid | Bins | Folders | Security | Workflows | productions | remote | collaboration | editors | editing | post-production
Submitted by DejaSoft
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The Switch launches cloud-based TV Production-as-a-Service to deliver industry and rsquo;s most flexible and comprehensive live production platform Posted: 28/05/2020
The Switch launches cloud-based TV Production-as-a-Service to deliver industry and rsquo;s most flexible and comprehensive live production platform

The Switch, the platform for the production and global delivery of live video, has launched MIMiC, an on-demand cloud-based production-as-a-service offering that gives broadcasters, streaming services, rights holders and enterprises access to remote production capabilities for live and virtual events of all sizes. Content producers can now leverage The Switch’s unique combination of agile cloud production capability and global network reach to cost-effectively meet increasing demand for efficient and flexible broadcast quality production and for social media engagement for any live event. 

Tags: broadcasting | production | cloud | ondemand
Submitted by Staff
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Mediacorp Singapores Upcoming Classmates Shot and Posted by Echo Entertainment Using URSA Mini Pro and DaVinci Resolve Posted: 28/05/2020
Mediacorp Singapores Upcoming Classmates Shot and Posted by Echo Entertainment Using URSA Mini Pro and DaVinci Resolve

Blackmagic Design today announced that Singapore based Echo Entertainment used URSA Mini Pro G2 cameras shooting in Blackmagic RAW to capture the first season of Mediacorp Singapore’s upcoming TV dramedy “Classmates.” Echo Entertainment also used DaVinci Resolve Studio for color correction and VFX work, with the DaVinci Resolve Fairlight page used for audio editing.

Echo Entertainment, established in 2010, is a Singapore based motion picture company that handles television dramas of all genres, corporate videos, commercials and other multi camera productions. They provide all aspects of production and post production, from storyboarding to shooting and post production.

Tags: Blackmagic Design | Blackmagic | Fairlight | DaVinci Resolve | URSA Mini Pro | Filmmaking | Post Production
Submitted by Blackmagic design
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KitchenFish Counts on FOR-A Video Switcher for Reliable Coverage of Daily Lottery Broadcast Posted: 27/05/2020
KitchenFish Counts on FOR-A Video Switcher and nbsp;for Reliable Coverage of Daily Lottery Broadcast and nbsp;

KitchenFish LLC, the video production company responsible for the nightly broadcast coverage of the South Carolina Education Lottery, is using a new FOR-A HVS-390HS video switcher for its productions. Located a few blocks from the state capitol, the KitchenFish studio hosts the nightly lottery drawings, and also supports live shots of state and local officials for national news outlets. The switcher was installed on April 14 and used for that evening’s production.

“We need to show all these graphics and video inserts simultaneously, and the new FORA switcher gives us a lot of flexibility,” said Jim Simmons, chief engineer for KitchenFish. “Price made a difference, but reliability is the one thing that has to be foremost, because we don’t have a second chance.

 

Tags: FOR-A | live production | video production | video switcher | production switcher | HD
Submitted by Pipeline Communications
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BUBBLE AGENCY APPOINTS MELANIE WEBB TO GROW BROADCAST PRODUCTION PORTFOLIO Posted: 27/05/2020
BUBBLE AGENCY APPOINTS MELANIE WEBB TO GROW BROADCAST PRODUCTION PORTFOLIO

Bubble Agency, the global PR, marketing and events specialist for the media and entertainment technology and services sectors, today announced the appointment of Melanie Webb, as a PR and marketing consultant. Melanie brings to Bubble over 15 years of experience working in the production and distribution end of the broadcast sector at agencies including Premier PR and Franklin Rae.

Melanie has held various positions within production, including TV producer, further exemplifying her strong expertise in managing and delivering corporate publicity for TV, film, media companies and brands, as well as consumer programme publicity for a range of broadcasters, independent production companies, distributors and content providers. Her client experience includes: Rough Cut, A&E Networks, Edinburgh TV Festival, Independent Films, Women in Film & Television Awards, DRG and more.

Tags: Bubble Agency | Sadie Groom | Melanie Webb | appointments | Broadcast production | Rough Cut | A&E Networks | Edinburgh TV Festival | Independent Films | Women in Film & Television Awards | DRG
Submitted by Bubble Agency
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CJP Announces Live Sports Production System Posted: 26/05/2020
CJP Announces Live Sports Production System and nbsp;

CJP Broadcast announces a new addition to its range of products and services with the introduction of a fully integrated transportable live sports production system. Comprising the Streamstar production unit, InPlayer video-on-demand paywall and JW Player streaming service, it provides the core resources needed to create complete programmes for live streaming or VOD distribution.

Available in several versions supporting up to eight camera inputs, the system can ISO-record multiple source feeds simultaneously, plus the live output stream, to a 1 terabyte internal SSD for live mixing or offline postproduction. It is intended for use with a combination of unmanned remote-control broadcast HD pan/tilt/zoom cameras, goal cameras and traditional-style manned ENG tripod-mountable cameras, wireless drone cameras or auxiliary sources such as Skype-TX-connected guests.

 

 

 

Tags: CJP Broadcast Service Solutions Limited | ITIL based service desk solutions | broadcast tape digitisation | film digitisation | live production solutions | broadcast TV studio system integration | technical support services | live sports production system | Strea
Submitted by Stylus Media Communications
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Why DejaEdit is considered an indispensable Collaborative tool in Film Productions Posted: 22/05/2020
Why DejaEdit is considered an indispensable Collaborative tool in Film Productions

Anna Knochenhauer is a well-respected Stockholm-based film producer/ post-producer with impressive titles to her name which include the likes of “Euphoria” featuring Alicia Vikander; “Welcome to Sweden” season 2 starring Jason Priestly and others.

Carving a successful career of VFX-heavy feature films and drama series, she declares DejaEdit is a revolutionary film tool that should be included in every production as industry standard. She uses DejaEdit in all her productions now, including recent films “Alone in Space” (2018), “White Wall” (2020) and “We Got This” (2020).

DejaEdit is a media file synchroniser that gives editors the ability to collaborate super-efficiently between multiple remote Avid editing platforms. “I depend on DejaEdit for all my productions because it ensures that the media files and timelines that we have created or imported in one connected system are shared and mirrored to the local or network storage of other connected systems. It all takes place quickly, securely and automatically in the background... 
The fact that DejaEdit ensures all media is pushed automatically to all connected Avids means that the Assistant Editor (AE) or Editors don’t ever have to search for any missing media files. DejaEdit has saved us a lot of time and headaches."

 

 

Tags: film | productions | remote | collaboration | workflow | file sharing | synchronizer | Avid | editing | editor | dailies | DejaSoft | DejaEdit | production workflows | DIT | VFX | postproduction
Submitted by DejaSoft
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Intinor to Demonstrate How to Do Remote Production in Live Webinars With Skaarhoj Posted: 21/05/2020
Intinor to Demonstrate How to Do Remote Production in Live Webinars With Skaarhoj

Intinor Technology, Sweden’s leading developer of products and solutions for high quality video over the internet, will be demonstrating how to do remote production in a series of live webinars with Danish company Skaarhoj, manufacturers of universal broadcast control panels. The aim is to showcase how the remote production tools from both Intinor and Skaarhoj complement each other to give a flexible, secure workflow for live production using a variety of different content sources and locations.

Interest in remote production workflows (or REMI) has been on the increase for some time now already. Even before the current global social distancing requirements created an added incentive for broadcasting companies to seek an alternative to the traditional travel-dependent methods of production, the economic and productivity benefits that REMI offers enables companies to more easily meet the rising demand for live content.

Tags: Intinor | SKAARHOJ | Remote Production | Control Panels | live production | workflows | REMI | PTZ Camera | live video | SRT | RTMP | BRT Bifrost error correction | adaptive bitrate | ARQ | network Bonding | IP
Submitted by Manor Marketing
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RUSHWORKS VDESK Integrated Production System and Streaming Solutions Enable Quick and Easy Shelter-in-Place Compliance Posted: 20/05/2020
RUSHWORKS VDESK Integrated Production System and Streaming Solutions Enable Quick and Easy and lsquo;Shelter-in-Place and rsquo; Compliance

RUSHWORKS, provider of cool technology for production, playback and streaming since 2001, provides remote production systems and streaming solutions to customers ranging from government agencies, television broadcasters and houses of worship. During the unprecedented era of social distancing and remote communications brought on by the Covid-19 pandemic the Company has responded to a cross-section of organizations requests to maximize their systems and boost remote capabilities with its easily adaptable technologies.

Tags: RUSHWORKS | VDESK | REMO | Integrated PTZ Production Systems | A-LIST BROADCAST | A-LIST Streamster
Submitted by Desert Moon
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Cinegy partners with US Broadcast to promote software-based solutions in North America Posted: 20/05/2020
Cinegy partners with US Broadcast to promote software-based solutions in North America

Cinegy, the global leader for broadcast playout software in the cloud has announced a new partnership with New Hampshire-based US Broadcast, a broadcast distributor that uses its channel marketing and technical skill sets to tailor sales for the North American market.

US Broadcast CTO Eric Pratt said, "US Broadcast is currently busy aiding resellers and customers with the technical challenges of connecting video and audio workflows, using our expertise in IP video and remote production to solve their problems. Lately, we’ve had an increase in enquiries with customers looking for help bridging the distance between contributors and production and we’re finding Cinegy’s software-based solutions are particularly relevant at this time.”

Tags: Cinegy | Broadcast Playout Software | US Broadcast | Workflows | IP | Remote Production | SRT | ingest | playout | Cinegy TV Pack | Cinegy Air PRO | Cinegy Titler | Cinegy Capture | Cinegy Multiviewer | Cinegy Live PRO IP Video Switcher | Cinegy Convert | Cinegy Player
Submitted by Manor Marketing
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Parliament of Catalonia Powers Live HD Broadcasts with AJA Gear Posted: 19/05/2020
Parliament of Catalonia Powers Live HD Broadcasts with AJA Gear

Since 2002, the Parliament of Catalonia has produced an institutional television feed as a free public service and educational resource for its citizens and media organizations. Overseen by a tight-knit team of in-house broadcast and engineering specialists, the Barcelona-based Parliament manages all aspects of production and delivers 150 hours of live video content on a monthly basis. Located within the historic Ciutadella Park, the Parliament’s production facilities include eight meeting rooms, seven television control rooms, two dedicated audio studios, a master control room and an editing suite, housing all video equipment required to distribute up to six program feeds to broadcasters, closed-circuit television and web streaming channels. Critical to broadcast operations are a range of AJA solutions for recording, frame synchronization and conversion, including the file-based Ki Pro Rack capture and playback device, the dual-channel FS2 framesync/converter and AJA’s versatile lineup of Mini-Converters.

Tags: AJA | AJA Video Systems | HD | Live Broadcasts | Live HD | Live Production | Broadcast
Submitted by AJA Video Systems
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Focal Point Production Uses ATEM Mini To Live Stream Interviews For GBMC Healthcare System Posted: 18/05/2020
Focal Point Production Uses ATEM Mini To Live Stream Interviews For GBMC Healthcare System

Blackmagic Design today announced Focal Point Productions is using a Blackmagic Design live production workflow to produce educational content for GBMC HealthCare System. In addition to streaming weekly townhall meetings for hospital staff and frequent educational Facebook Live sessions for patients, Focal Point Productions is also using an ATEM Mini live production switcher to stream interviews with GBMC HealthCare System experts for local news segments.

GBMC HealthCare System is a 342 bed medical center that provides acute and sub acute care, handling more than 23,000 admissions and 52,000 emergency room visits annually. They teamed up with Maryland based video production and live streaming company Focal Point Productions to create ongoing content to keep its employees up to date on the latest COVID-19 developments. In addition to internal townhall meetings, GBMC HealthCare System and Focal Point Productions also began streaming frequent Facebook Live sessions featuring clinicians and hospital leadership discussing timely topics.

As part of its coverage of the current situation, local news affiliate WMAR-2 invited several GBMC HealthCare System experts to participate in a call in segment, for which Focal Points Production used an ATEM Mini to power the live stream.

Tags: Blackmagic Design | Blackmagic | ATEM Mini | Live Streaming | Focal Point Productions | Healthcare | Live Interviews
Submitted by Blackmagic design
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AADAI and Andhanghaaram Graded with DaVinci Resolve Studio by G. Balaji Posted: 18/05/2020
AADAI and Andhanghaaram Graded with DaVinci Resolve Studio by G. Balaji

Blackmagic Design today announced India based digital cinema designer and colorist G. Balaji used DaVinci Resolve Studio to grade the recent Indian hit film “AADAI” and the upcoming “Andhaghaaram.”

Working on dozens of Indian feature films and TV shows, Balaji started his career as a film editor before moving to DIT and colorist work. Since 2015 he has used DaVinci Resolve Studio on more than 30 films for both color correction in post production and on set dailies work.

“AADAI” is a hit thriller film that was released for theatrical distribution in India and across global streaming networks in 2019. The film follows a free spirited girl, Kamini, who had become famous creating Internet prank videos. One night, she gets the shock of her life when she finds herself alone and naked in an abandoned building after a late night party and is forced to face her past.

Tags: Blackmagic Design | DaVinci Resolve | Post Production | Grading | Frame.io | Filmmaking
Submitted by Blackmagic design
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