Qube Cinema Supports Cinecolor in Its Transition to Digital Cinema in Latin America

Date: 04/12/2013
Qube Cinema Supports Cinecolor in Its Transition to Digital Cinema in Latin America

Qube Cinema has sold its digital cinema servers and DCP mastering software to Cinecolor postproduction facilities in five Latin American countries. Each of the Cinecolor post houses - in Argentina, Chile, Brazil, Mexico and Columbia - now has a Qube XP-D server in its screening room for QC of its DCPs. Cinecolor Argentina and Columbia also use QubeMaster Pro for mastering DCPs. The DCP mastering and QC equipment enable Cinecolor to meet the growing demand for digital cinema postproduction services in Latin America.

With a long history in film processing expertise behind them, Cinecolor, owned by Grupo ChileFilms, has surged into the digital cinema postproduction market. Cinecolor Argentina, located in Palermo Hollywood, Buenos Aires, was the first company in Argentina to offer digital transfers from 35 mm film. It covers all the stages of postproduction in one spot.

"Film's place in cinema is disappearing and forty percent of the screens in Argentina are now digital," said Mario Zambrino, technical director at Cinecolor Argentina. "Having an efficient digital workflow is imperative for us and that's where Qube Cinema comes in. We use the Qube XP-D digital cinema server for our post processes and QubeMaster Pro is one of the tools we use to package DCPs."

The Growth of Digital Cinema in Latin America

Cinecolor is the oldest postproduction company in Argentina, and the biggest, handling negative development to make prints, offline editing, conforming, scanning and recording, VFX, color grading at 2K on a big screen and finishing in all formats for TV and feature film: 35 mm, HD and DCPs. It boasts the most experienced colorists in the region, from film and digital. The Qube Cinema XP-D servers and QubeMaster Pro enable the creation of d-cinema distribution masters (DCDMs) and DCPs for Cinecolor's advertising and film work, following SMPTE guidelines.

"Most of our clients are making feature films and almost all of them are shooting digitally," said Lucas Guidalevich, operations manager at Cinecolor Argentina. "The digital workflow is new for many directors and producers and we take them through all the steps. We work with the production company to find the best way for finishing their content."

In addition to the studio in Argentina, Cinecolor has post houses in Brazil, Chile, Columbia and Mexico, all providing post services for the TV, advertising and film markets. There is a high level of cooperation between Cinecolor facilities.

"Cinecolor Brazil and Mexico have a similar infrastructure to ours," Zambrino explained. "We all have film labs of various sizes. Brazil and Mexico make prints of feature films for their internal markets. Though the number of digital cinemas is growing rapidly, there are still roughly 500 screens that have 35 mm projectors. This means that we all continue to do a lot of release printing jobs, which we export to different regions of Latin America. We make prints of Disney films here for Argentina and other countries in the region."

Satellite Transmission of DCPs and Live Content

Cinecolor Chile has a film lab as well as teleport for satellite transmission of digital content to the region. Operated as Cinecolor Sat, the satellite network is set up to distribute DCPs of feature films, trailers and ads directly to cinemas. There is a plan to install a fiber connection between Chile and Los Angeles, where most of the content originates. One decoder on the antenna is dedicated to transmitting DCPs. Another decoder enables distribution of live alternative content and ads to theaters. This should come in handy for the upcoming World Cup next year and the 2016 summer Olympics, both of which are being held in Brazil.

"Cinecolor Sat acts as a digital highway, transmitting content to the theaters connected to our network," said David Trejo, director at Cinecolor Brazil. "The network has the flexibility to distribute local content throughout the region in substantially shorter times than physical distribution. This will generate revolutionary changes in programming and content distribution."

For The Love of Film

Cinecolor Argentina started processing film more than 30 years ago and brought the first Telecine to Argentina in 1988. Even with the all-digital pipeline they've established, the creatives at Cinecolor continue to have a love of film. Cinecolor Argentina has a new department of digital restoration of older films, preserving the country's cultural heritage using optimal technology. For preserving footage for historical archiving they make a film copy, while the movies destined for commercial exhibition are packaged as DCPs.

Despite its release printing and historical archiving work, Cinecolor Argentina sees the writing on the wall for film. Only two movies out of about 80 that were produced in Argentina this year were shot on film. The company's postproduction and distribution work will increasingly involve an all-digital workflow.

"We're excited to be part of the growing market for digital cinema in Latin America," said Eric Bergez, director of sales and marketing at Qube Cinema. "We look forward to working with Cinecolor throughout the region."

The Qube XP-D and XP-I servers, and QubeMaster Pro are available from Qube Cinema and its worldwide network of resellers. For more information visit www.qubecinema.com.



Tags: Qube Cinema | D-Cinema | Digital Cinema | E-Cinema | projection | IMB | server | NATO | distribution | film | 4K | 2K | 3D | encryption | philpott | DCP | editing | Final Cut | plug-in | stereoscopic | theater | networking
Submitted by Eric Philpott (philpott communications)
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Media Links, manufacturer and pioneer in Media over IP transport technology, today announced its new distribution partnership with New Share Resort Co., Ltd (NSR), based in Beijing China. This new partnership will enable Media Links to better serve the growing Media over IP content transport and delivery markets in China.

Tags: New Share | Media over IP | Media Links. CCTV | Video over IP | Toshiyuki Naka | IBC 2018 | IBC 2018
Submitted by Media Links
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DNF Controls Goes International with TSL Posted: 16/08/2018
DNF Controls Goes International with TSL

Building on their recently announced strategic partnership with TSL, California-based DNF Controls confirmed they will be present on the UK manufacturer's Stand 10.B41 at IBC 2018. The award-winning developer of Human-to-Machine and Machine-to-Machine interfaces will be represented by chief technical officer Dan Fogel, who will be on-hand to introduce DNF control solutions to TSL's clients and discuss new approaches to efficient device management for studio and remote teleproduction.

Tags: DNF Controls | IBC 2018 | TSL | IBC 2018 | IBC 2018
Submitted by Desert Moon Communications
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Raycom Media Improves News Efficiency with JVC Cameras Posted: 16/08/2018
Raycom Media Improves News Efficiency with JVC Cameras

JVC Professional Video, a division of JVCKENWOOD USA Corporation, today announced Raycom Media, one of the largest privately owned media companies in the United States, has more than 260 GY-HM660 ProHD mobile news cameras in use throughout its local news operations. With built-in IP capabilities, the cameras have improved workflow efficiencies for multimedia journalists (MMJs) in the field.

Tags: ENG | broadcast news | news over IP | video production
Submitted by Pipeline Communications
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Barnfind Fiber Platform Comprises Core of Signal Transport Solution at SCO Summit in Qingdao, China Posted: 16/08/2018
Barnfind and rsquo;s Fiber Platform Comprises Core of Signal Transport Solution at  SCO Summit in Qingdao, China

Barnfind Technologies' fiber platform comprised the core of the sophisticated signal transport solution at the 18th Shanghai Cooperation Organization (SCO) Summit that took place last month in Qingdao, China. The SCO, a political, economic, and security Alliance was established in 2001 by China, Russia, Kazakhstan, Kyrgyzstan, Tajikistan and Uzbekistan. India and Pakistan joined in 2017. The annual Summit was chaired by Chinese President Xi Jinping this year.

Tags: Barnfind Technologies | SCO Summit | BarnOne
Submitted by Desert Moon Communications
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DigitalGlue creative.space optimized for Blackmagic Design DaVinci Resolve Workflows Posted: 16/08/2018
DigitalGlue and rsquo;s creative.space optimized for  Blackmagic Design DaVinci Resolve Workflows

DigitalGlue has announced that its newly launched creative.space - an On-Premise Managed Storage(tm) (OPMS) service, has been optimized for DaVinci Resolve workflows and has successfully met the technical requirements for inclusion in Blackmagic Design's Configuration Guide. DigitalGlue, a leading equipment, integration, and software development provider, also designs and implements solutions for complete turnkey content creation, post-production, and distribution.

Tags: DigitalGlue | creative.space | Blackmagic Designs | DaVinici Resolve
Submitted by Desert Moon Communications
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Shotoku Broadcast Systems IBC Plans Include its line of Very Smart Robotic Pedestals, Upgraded Control Systems, Absolute Tracking and a New Manual Tripod Series Posted: 16/08/2018
Shotoku Broadcast Systems IBC Plans Include its line of Very Smart Robotic Pedestals, Upgraded Control Systems, Absolute Tracking and a New Manual Tripod Series

Shotoku Broadcast Systems, the well-established international manufacturer of advanced Robotic and Manual camera support and AR/VR tracking systems is maintaining its leadership role in the industry by bringing a mix of traditional favorites, products upgraded with technology-rich features and a new manual tripod series to IBC 2018.

Tags: Shotoku Broadcast Systems | IBC 2018 | Robotic and Manual Camera Support | IBC 2018 | IBC 2018
Submitted by Desert Moon Communications
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SMPTE Now Offers Technical Specifications to Address Rapidly Developing Technologies Posted: 16/08/2018
SMPTE Now Offers Technical Specifications to Address Rapidly Developing Technologies
SMPTE®, the organization whose standards work has supported a century of advances in entertainment technology and whose membership spans the globe, announces SMPTE Technical Specifications (TSPs), a new offering to complement SMPTE Standards by being proactive to rapidly evolving industry technologies and workflows. The announcement comes with the publication of the first TSP that has document number "SMPTE TSP 2121:2018" and is titled "IMF Application DPP (ProRes)." This TSP was proposed by the Digital Production Partnership (DPP), and it builds on the existing Interoperable Master Format (IMF) standard developed and published by SMPTE, which was originally designed for streamlining the distribution of premium feature film content.
Tags: SMPTE | technical specifications | DPP | IMF | membership
Submitted by Wall Street Communications
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DTC Broadcast Nano turns up the HEAT in Miami Posted: 16/08/2018
DTC Broadcast Nano turns up the HEAT in Miami

The NBA’s Miami HEAT has bought two of DTC’s Broadcast Nano transmitters and a PRORXD 8-Way Diversity RF receive system with camera control to help enhance fan engagement and experience opportunities for HEAT home games at the AmericanAirlines Arena in downtown Miami.

Tags: DTC | Domo Tactical Communications | NANO Transmitter | PROXRD 8-Way Diversity RF | HEAT | Americanairline arean | Wireless | HEATV | ultra-low latency | Multiway diversity COFDOM reciever | RF | DVB-T modulation | IBC 2018 | IBC 2018
Submitted by Manor Marketing
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Wisycom Showcases Latest Two Channel MPR52-ENG Receiver at IBC 2018 Posted: 16/08/2018
Wisycom Showcases Latest Two Channel MPR52-ENG Receiver at IBC 2018

Wisycom, designer and builder of the most sophisticated RF solutions for broadcast, film and live production, will highlight its MPR52-ENG Dual Channel Diversity Receiver at IBC 2018 (Stand 8.D78). With two built-in diversity receivers with both analogue and digital outputs, the MPR52 is best-suited for professional ENG applications.

Tags: Wisycom | IBC 2018 | IBC 2018
Submitted by D. Pagan Communications
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New Dalet OnePlay Transforms Automated Studio Production Posted: 16/08/2018
New Dalet OnePlay Transforms Automated Studio Production
Dalet, a leading provider of solutions and services for broadcasters and content professionals, today announced Dalet OnePlay, a new-generation studio automation solution designed to modernize live productions, increase audience engagement and open up new revenue opportunities while optimizing operational costs and reliability. Dalet OnePlay leverages the Dalet Galaxy five MAM, NRCS and workflow orchestration capabilities to enable more efficient and collaborative productions, as well as a more effective synchronized multi-platform distribution.
Tags: dalet | dalet galaxy | dalet galaxy five | media asset management | ibc | ibc 2018 | oneplay | dalet oneplay | IBC 2018 | IBC 2018
Submitted by Zazil Media Group
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IMT Vislink to Launch New Advent Satellite Communication Products at IBC 2018 Posted: 16/08/2018
IMT Vislink to Launch New Advent Satellite Communication Products at IBC 2018

xG® Technology, Inc. (“xG”) (Nasdaq: XGTI, XGTIW), whose brands are recognized as the global leaders in live video communications in the broadcast, military and government markets, announces that its IMT Vislink brand will be displaying new Advent satellite communication products at this year’s International Broadcasting Convention (IBC) show (Stand 1.A69). IMT Vislink’s Advent satellite products allow operators to access end-to-end satellite communication workflows and provide turnkey deployments in the field.

Tags: IMT | Vislink | IBC 2018 | IBC 2018
Submitted by D. Pagan Communications
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White Light and disguise present the Mixed Reality Tech Lab in the Future Zone of IBC2018 Posted: 16/08/2018
White Light and disguise present the and lsquo;Mixed Reality Tech Lab and rsquo; in the Future Zone of IBC2018

White Light is delighted to reveal the ground-breaking ‘Mixed Reality Tech Lab’ in the Future Zone of IBC2018. Powered by the disguise media platform, this fully immersive production environment will showcase the latest developments in workflows for live broadcast.

Tags: disguise | White Light | Mixed Reality Tech Lab | Future Zone | production | MR | live broadcast | IBC 2018 | IBC 2018
Submitted by Bubble Communications
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TAG V.S. Announces Plans to Showcase Groundbreaking MCM-9000U IP-Multiviewer and Monitoring System at IBC 2018 Posted: 15/08/2018
TAG V.S. Announces Plans to Showcase Groundbreaking MCM-9000U IP-Multiviewer and Monitoring System at IBC 2018

TAG V.S., the international specialist in advanced IP monitoring and high-quality UHD Multiviewers, has announced plans to showcase its groundbreaking software-only MCM-9000U IP-Multiviewer and monitoring system at IBC 2018. The first of its kind in the industry, the MCM-9000U supports SMPTE's recently published ST 2110 suite of standards for managed IP networks that address HD and UHD uncompressed video and audio streams at the Inputs and Outputs. Demonstrations will be held on TAG's Stand 1-F94 in Hall 1 of the RAI.

Tags: TAG V.S. | IBC 2018 | MCM-9000U | TAG Decryptor | IBC 2018 | IBC 2018
Submitted by Desert Moon Communications
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