MIRRAD supplies two Avolites consoles for Ben Everett’s design for producer, songwriter and performer’s headlining tour
A lot has happened in Maggie Rogers’ world since 2016, when a video of her demoing a then-newly-recorded song, “Alaska,” for Pharrell Williams at NYU went viral. Following opening slots on major tours with both HAIM and Mumford & Sons last year, Rogers dropped her own major label debut, Heard It in a Past Life, this past January, which charted in the second highest slot of the Billboard 200. Consequently, the artist has spent much of 2019 on the road in support of the album, performing a sold-out fall headline tour in such iconic venues as Nashville’s Ryman Auditorium, Berkley’s Greek Theatre, and New York City’s Radio City Music Hall.
The “look and feel” of Rogers’ tour this year has been a collaborative effort between the artist and Lighting Designer Ben Everett, who first started working with her when he lit Rogers’ first-ever show in London two years ago. Having toured with an impressive roster of bands over the past five years—including Bear's Den, The Jesus and Mary Chain, and The Dandy Warhols—Everett is now part of the UK-based MIRRAD team, which has been supplying a pair of Avolites Sapphire Touch lighting control consoles for Rogers’ 2019 worldwide trek.
Everett notes that he’s been using Avolites lighting consoles “pretty much since I started in the live music industry,” he shares. “I was lucky enough to learn on all of the early Titan software, and mainly used the Tiger Touch II and Quartz consoles to begin with. The features that kept me attracted to the desks at first were the ability to quickly create really impressive and intricate effects, and the user-friendly and multi-functional layout of the touchscreens. And while growing with the consoles over the years, the ease of being able to create cue stacks, key frame shapes, and pixel mapping really helps me in my day-to-day programming now.”