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LiveU Launches the LU800 First Production-Level Field Unit Posted: 02/06/2020
LiveU Launches the LU800 and ndash; First Production-Level Field Unit

LiveU today unveiled its all-in-one production-level field unit for live news and sports coverage. The LU800 combines multi-camera production and superior video and audio capabilities with mission-critical transmission in a native 5G unit. Designed from the ground up to unlock 5G potential, the unit offers unparalleled quality of service and resiliency.

The LU800 supports up to four fully frame-synced feeds in high resolution from a single unit, using powerful IP bonding of up to 14 connections. The unit also offers the highest-quality video performance, with up to 4Kp60 10-bit HDR transmission for optimal color depth and richness, as well as up to 16 audio channels for high-end productions.

Tags: 5G | cellular bonding | multi-camera | sports | LiveU Central
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Polygon Labs Unveils Ipsum 2.0 Integrated with Epic Games Unreal Engine 4 and Pixel Streaming Posted: 26/05/2020
Polygon Labs Unveils Ipsum 2.0 Integrated with Epic Games and rsquo; Unreal Engine 4 and Pixel Streaming

Polygon Labs, an innovative studio pushing the boundaries of interactive data applications and visual branding, has today announced the latest version of its data aggregation and visualization platform for broadcast news, sports, weather and branding, Ipsum 2.0. This significant update includes integration with Epic Games’ powerful real-time 3D creation platform, Unreal Engine 4, and Pixel Streaming, which allows Unreal Engine to stream its graphics output to remote browsers and mobile devices over WebRTC.

Tags: "Polygon Labs\" broadcast | news | 3D | SDI | graphics | aggregation | news | sports
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CJP Announces Live Sports Production System Posted: 26/05/2020
CJP Announces Live Sports Production System and nbsp;

CJP Broadcast announces a new addition to its range of products and services with the introduction of a fully integrated transportable live sports production system. Comprising the Streamstar production unit, InPlayer video-on-demand paywall and JW Player streaming service, it provides the core resources needed to create complete programmes for live streaming or VOD distribution.

Available in several versions supporting up to eight camera inputs, the system can ISO-record multiple source feeds simultaneously, plus the live output stream, to a 1 terabyte internal SSD for live mixing or offline postproduction. It is intended for use with a combination of unmanned remote-control broadcast HD pan/tilt/zoom cameras, goal cameras and traditional-style manned ENG tripod-mountable cameras, wireless drone cameras or auxiliary sources such as Skype-TX-connected guests.

 

 

 

Tags: CJP Broadcast Service Solutions Limited | ITIL based service desk solutions | broadcast tape digitisation | film digitisation | live production solutions | broadcast TV studio system integration | technical support services | live sports production system | Strea
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Quicklink TX allows FreeSports Rugby League Back Chat to stay on air amid COVID-19 Posted: 18/05/2020
Quicklink TX allows FreeSports and rsquo; Rugby League Back Chat to stay on air amid COVID-19

The Quicklink TX has been enlisted by oXyFire Media to assist in remotely producing FreeSports’ Rugby League Back Chat programme amid the COVID-19 pandemic. The Skype TX technology has enabled the show to remotely introduce presenters and guests while the usual studio-based production is not able to take place.

Rugby League Back Chat is a 60-minute show produced by PHA Broadcast and broadcast on FreeSportsTV. The programme is in its 8th series and hosted by Matt Shaw and is the UK’s essential weekly Rugby League TV debate show.

“It’s not quite as bad as having a chat show with nothing to chat about; but having a sports chat show with no sport to chat about does have its challenges.” say’s Producer Paul Davies of PHA Broadcast. “As a 30-episode programmes, Rugby League Back Chat was only 3 programmes into its current series when the lockdown was announced meaning not only was there no sport to talk about, but no guests to talk about no sport.”

Due to the current COVID-19 outbreak and social distancing rules, the most obvious prospect was to cancel the series or at least put it on hold until it was safe to return to the outside world. PHA Broadcast required a method of continuing the Rugby League Back Chat show without requiring the presenter and guests to visit a studio and sit side-by-side.

 

 

 

Tags: Quicklink | Quicklink TX | Skype TX | oXyFire Media | PHA Broadcast | FreeSports
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Sports Broadcasting Hall of Famer Elevates Live Audio with Studio Technologies Posted: 05/05/2020
Sports Broadcasting Hall of Famer Elevates Live Audio with Studio Technologies

During an extensive career mixing audio for live sports, Fred Aldous has earned over 20 Emmy awards and a spot in the Sports Broadcasting Hall of Fame. He currently works as a lead mixer and audio consultant for FOX Sports, managing live audio for a variety of broadcasts, including professional football and racing. Improving viewers’ sound experience over time has necessitated a shift to a Dante®-enabled digital workflow powered by products from Studio Technologies.

Tags: Studio Technologies | Dante | Sports Broadcast
Submitted by D. Pagan Communications
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The Big Swing Podcast Hits a Homerun With MXL Microphones Posted: 01/05/2020
 and ldquo;The Big Swing and rdquo; Podcast Hits a Homerun With MXL Microphones

Breaking down barriers between athletes and fans, Ross Stripling and Cooper Surles launched “The Big Swing” podcast in January 2019 to discuss everything from sports to pop culture to finance, with a focus on all things baseball. When the co-hosts were looking to deploy a high-quality microphone solution to capture crystal-clear audio for their podcast, they found exactly what they were searching for with MXL Microphones’ BCD-1 Live Broadcast Dynamic Microphone.

“In our first few months of podcasting, audio was the biggest challenge for us,” says Stripling. “Once we were able to deploy the MXL mics and put them in front of each speaker, our audio went up twofold – the sound quality of MXL’s BCD-1 is incomparable to the previous solution we were using.”

Tags: MXL Microphones | Podcasts | Sports Broadcasts
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Polygon Labs Launches Flexible On-Demand Subscription-Based Graphics Services Creative Hub and Training Lab Posted: 28/04/2020
Polygon Labs Launches Flexible On-Demand Subscription-Based Graphics Services Creative Hub and Training Lab

Polygon Labs, an innovative creative studio pushing the boundaries of interactive data applications and visual branding, has today launched two work at home service initiatives, Creative Hub and Training Lab.

A cost-effective, multi-disciplined, on-demand broadcast design and developer subscription-based service, Creative Hub allows news publishers and broadcasters to book any size project for virtual studios, augmented reality, branding, real-time graphics packages, interactive story-telling graphics, video walls, multi-screen tickers, downstream channels, using a flexible utilization plan with no blackout dates. The subscriber simply purchases a number of creative service hours per month and uses them as and when desired.

Training Lab is the company’s new expert remote training service, which specialises in Vizrt real-time graphics, workflow solutions and products for channel branding, template creation, virtual production, data visualisation and interactive story-telling.

 

 

Tags: Polygon Labs | Creative Hub | Training Lab | broadcast graphics | news | sport | channel branding | real-time graphics | virtual production | Vizrt | subscription service | creative services
Submitted by Jump PR Ltd
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IMAGICA LIVE ELECTS ZIXI FOR INNOVATIVE CLOUD MEDIA CENTER Posted: 23/04/2020
IMAGICA LIVE ELECTS ZIXI FOR INNOVATIVE CLOUD MEDIA CENTER

Software-Defined Video Platform facilitates distribution of live sports streaming to media partners

Zixi, the industry leader for enabling dependable, live broadcast-quality video over any-IP, and award winning architect of the Software-Defined Video Platform (SDVP), today announced that Imagica Live, the innovator of the world’s first cloud-based media center for live sports streaming, has adopted Zixi and Zixi ZEN Master as the foundation of its robust worldwide video transmission network.

Since 2017, Imagica Live has operated the virtual media center for professional sports leagues and other major sporting events, ingesting and aggregating live streams from more than 60 stadiums and arenas across Japan over an IP network into a dynamic cloud video system. The real-time transcoding of those video streams is delivered in variable formats, allowing for the appropriate video to reach the teams, professional referees, Japan’s national and local broadcasting networks and overseas publishing points immediately.

Tags: Zixi | Imagica | IP | Sports leagues | ZEN Master | Yasuhiro Kawata | Michael Poppler
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Magewell Adds SRT Streaming to Free Capture Express Software Posted: 15/04/2020
Magewell Adds SRT Streaming to Free Capture Express Software

Magewell today announced a new upgrade of its free Capture Express recording application that expands the software's streaming capabilities. Version 3.2 adds new support for multiple streaming technologies including the Secure Reliable Transport (SRT) protocol developed and open-sourced by Haivision.

While Magewell capture devices feature extensive compatibility with popular third-party software for streaming, live production, web conferencing, lecture capture and more, the Capture Express software offers Magewell users a lightweight, dedicated tool for recording, previewing or streaming input sources. Originally designed to help users easily verify their input signals and capture devices, Capture Express has evolved into a simple yet full-fledged capture application supporting video up to 4K at 60 frames per second.

Version 3.0 of Capture Express initially offered easy recording and previewing functionality, and the subsequent version 3.1 added the ability to stream H.264-encoded video using the RTMP protocol. Now, version 3.2 further expands the software's streaming flexibility with support for the SRT protocol as well as MPEG-TS over UDP or RTP. Enabling secure, reliable, low-latency video delivery over unpredictable networks, SRT ensures high-quality streaming experiences even over the public internet. Magewell is a member of the SRT Alliance.

Tags: H.264 | live | streaming | stream | SRT | Secure Reliable Transport | RTMP | RTSP | software | encoding | magewell | 4K | Ultra HD | capture | video | video capture | conversion | IP
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Pixotope powers stunning visuals and engaging information in WePlay Esports championship streaming Posted: 09/04/2020
Pixotope powers stunning visuals and engaging information in WePlay  Esports championship streaming

The Future Group, developer of live photo-realistic virtual production system Pixotope™, today announced that it provided the mixed reality platform for WePlay! Esports’ ‘Dota 2 Tug of War: Mad Moon’ tournament, which took place in Kiev, Ukraine, from 19-23 February. WePlay! Esports, which organises tournaments as well as providing online coverage, has the vision to blend competitive esports with entertainment in all-embracing coverage – “esportainment” is the word coined by Oleg Krot, CEO at WePlay! Esports.

To bring the audience into the esports action, WePlay! Esports decided to use augmented reality. “For us, augmented reality is a powerful tool to enhance the tournament theme, and add creativity and consistency to the broadcast,” said Aleksii Gutiantov, Head of AR Dept at WePlay! Esports. He turned to the proven Pixotope solution from The Future Group: “the best product on the market in my experience,” Gutiantov added.

Pixotope takes the remarkable rendering power of the Unreal Engine from Epic Games, and builds it into a complete virtual production hub. While offering a user interface simple enough for the pressures of live production, it provides along with the ability to make last minute changes while in live mode, all the power of an augmented reality system including camera tracking, motion capture and data-driven graphics.

 

Tags: The Future Group | Pixotope | WePlay! | Esports | championship | photo-realistic | virtual production | mixed reality | esportainment | Oleg Krot | Aleksii Gutiantov | Unreal Engine | Epic Games | Maksym Bilonogov | The Mad Moon | Marcus Blom Brodersen | MKM Marcomms
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Freaks 4U Gaming Invests In Blackmagic Design For Esports Broadcasting Posted: 09/04/2020
Freaks 4U Gaming Invests In Blackmagic Design For Esports Broadcasting

Blackmagic Design today announced that international gaming and esports agency, Freaks 4U Gaming, has deployed multiple studios and portable production units (PPU) built around Blackmagic Design. The solution for acquisition, control and delivery, allows the facility to offer native 4K content creation services for broadcast and live streaming.

Whether for traditional broadcast or live streaming, the Freaks 4U Gaming facility can support a host of formats, ranging of esports content from gaming tournaments, Twitch battles and magazine style esports programming. As well as fully customizable studio sets, caster booths and presenter spaces, it also offers more than twenty studio pods where influencers can create content for their own social media channels.

Working with gaming specialists at Teltec Berlin, Freaks 4U Gaming has fitted out 2800m2 of multipurpose production space at its headquarters in Spandau, Berlin, with a fleet of URSA Broadcast and URSA Mini Pro G2 cameras, paired with 4K B4 lenses.

“Providing a bridge between esports, broadcasting and influencers, Freaks 4U Gaming has a reputation for creating engaging and exciting content,” explains Matthias Remmert, Freaks 4U Gaming’s Senior VP, TV & Media Productions. “We understand what the gaming community wants, and we can translate that into compelling broadcast shows like ran eSports for ProSieben MAXX, as well as international events such as Europe's Twitch Rivals tournaments.”

Matthias explains that this insight was the driving force behind the studios’ incredibly flexible production infrastructure. “We chose to install a SMPTE fiber network as the facility’s backbone so that we can produce shows and content simultaneously. It also means the various studio spaces can all be controlled remotely through a single production gallery when more than one location or space is needed.”

Tags: Blackmagic Design | Blackmagic | esports | Live Streaming | Live Production | ATEM | URSA Mini Pro
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Hiltron Completes Fully Integrated TVRO Platform Control System for Nilesat Posted: 08/04/2020
Hiltron Completes Fully Integrated TVRO Platform Control System for Nilesat

Hiltron Communications announces the completion of a custom-designed turnkey TVRO satellite platform for Nilesat, one of the largest Middle East telecommunication networks. The new installation is a fully L-band-over-fibre integrated downlink which covers all mediator satellites in the range from 30° west to 100° east, operating in C and Ku bands simultaneously.

"Located at our ground station in Giza, the new downlink gives us the reliability and flexibility we needed for backing up our existing fixed TVRO antennas," says Nilesat Head of Ground Segment Engineer Osama Tantawy. "Incoming signals from all antennas on the new platform, 32 feeds in total, are connected to the master control room via fibre-optic links. Hiltron has produced and integrated a complete solution including its HMCS monitoring and control software. The company worked closely with us from initial design right through to factory acceptance test, onsite installation, commissioning and training. The project was completed successfully and on time thanks to the experience and teamwork of everyone involved."

 

 

 

Tags: Hiltron GmbH | Hiltron Communications | turnkey satellite systems integrator | DVB MPEG DSNG systems | L Band and IF Band fibre-optic systems | DVB-T encoding and multiplexing headends | ATM/SDH/PDH/IP transport networks | DVB-S/S2 satellite uplinks | VSAT system
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NEP Group Uses TSL Products MPA1-MIX MADI-V Audio Monitoring Units in New OB Trucks Posted: 07/04/2020
NEP Group Uses TSL Products and rsquo; MPA1-MIX MADI-V Audio Monitoring Units in New OB Trucks

NEP Group is the leading worldwide outsourced technical production partner to premier content producers of live sports and entertainment throughout the world. As a long-standing customer of TSL Products, NEP Group has relied on the company’s MPA1 units as their audio monitoring solution of choice for live broadcasts. When TSL introduced its new MPA1 V Series audio monitor, designed to directly address the needs of those in live production, NEP was the first to realise the benefits and place its order. NEP Group integrates TSL’s MPA1-MIX MADI-V audio monitor as a cost-effective solution to improve operator workflow within its fleet of OB trucks.

“We are always looking for ways to enhance the workflow of operators within our OB trucks,” says Michael Naugle, design engineer for NEP’s U.S. Broadcast Services team. “The newly designed TSL MPA1-MIX MADI-V units feature an extremely intuitive layout. The left to right ascending order of the knobs is very user-friendly as the operator can easily find the channel they need, without having to look directly at the panel. The ‘V’ pattern also has a nice aesthetic look to it.”

Since integrating the new TSL MPA1-MIX MADI-V units, Naugle has received positive feedback from the operators. “Operator feedback has been great – they enjoy the look of the new V Series, as well as the ease of use that comes with having the updated control layout. Also, the sound quality is amazing, which we have come to expect from all TSL solutions.”

NEP Group currently has the MPA1-MIX MADI-V units installed in two of its OB trucks and Naugle plans to continue relying on the units for projects going forward. “In addition to the two trucks that currently have the updated TSL MPA1 V units, we are building several other trucks in the U.S. this year that will also be equipped with the MPA1-MIX MADI-V. Also, in our newer IP trucks, we have been installing the TSL PAM2-IP units, which are extremely useful tools when working with audio in an IP infrastructure.”

Tags: TSL Products | Audio Monitoring | Live Sports Broadcast
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FOR-A FT-ONE-SS4K Ultra High-Speed Cameras Capture 4K Footage at 1,000 fps for Live Production Posted: 07/04/2020
FOR-A FT-ONE-SS4K Ultra High-Speed Cameras Capture and nbsp;4K Footage at 1,000 fps for Live Production

As audience appetites for sports coverage continue to increase, FOR-A Corporation of America offers a range of FT-ONE variable frame rate cameras to deliver the action in super slow motion. Recent advances now allow playback of 4K video at up to 1,000 frames per second to provide incredible detail for live broadcast applications.

“Sports continue to be a driving factor in the need for high frame rate cameras, and nobody delivers instant replays like FOR-A,” explained Ken Truong, President of FOR-A Corporation of America. “Our FT-ONE special purpose cameras are designed for super-slo-mo 4K acquisition of sports and other live event footage, and can be combined with other FOR-A tools to deliver unprecedented replay flexibility.”

For example, several FT-ONE-SS4K cameras were used for critical ultra-slo-mo replays during the live broadcast of the 2019 Champions League final in Madrid, as well as other high-profile live sports event across the world. The exceptional feature of the FT-ONE-SS4K is “brightness.” When equipped with a B4 bayonet lens, the camera shoots footage up to four times brighter than models with a PL lens. Plus, the FT-ONE-SS4K shoots up to 1,000 fps in 4K, offers simultaneous record and playback with internal memory, and features independent real-time 4K or HD output. Other features include 24-axis color correction and compatibility with Canon’s OLED viewfinder.

Tags: slo-mo | variable frame rate | instant replay | video camera | 4K | HD | sports production | live production
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Nevion helps Al Kass Sports Channels transition from SDI to IP Posted: 07/04/2020
Nevion helps Al Kass Sports Channels transition from SDI to IP

Nevion, award-winning provider of virtualized media production solutions, has announced Al Kass Sports Channels, a public broadcast service provider of information and sports entertainment programming in Qatar, has chosen Nevion’s flagship products VideoIPath and Virtuoso to connect its main facility with three other broadcast facilities across the country through a flexible IP-based media network infrastructure.

Previously, the channels had been exchanging media between Qatar Television (QTV), Al Bidda Tower in Corniche and BeIn Sports using microwave links. To support enhancements to the quality and cost-effectiveness of transmission, Al Kass Sports Channels required a state-of-the-art, scalable and flexible switching infrastructure that would support its eventual migration to higher resolutions and an all-IP environment.

Initially, the new solution would provide reliable ultra-low latency IP transport for uncompressed and compressed HD-SDI, DVB-ASI, intercom and data between the sites over a ring network topology. However, it also needed to be ready to handle 4K/UHD, HDR and SMPTE ST 2110 to support Al Kass’s plans. 

The Virtuosos are used for the in real-time IP adaption and transport protection for video, audio and data, and also to provide encoding and decoding capabilities for both HD and 4K/UHD video feeds, while VideoIPath manages and orchestrates the complete network.

Tags: Nevion | Broadcast | IP | Virtualized Media | Kass Sports | Network | Infrastructure
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