Team UP for Painting with Light

Date: 04/07/2018
Team UP for Painting with Light

Prolific Belgian TV and stage entertainment producers Studio 100 asked Painting with Light to design lighting and video, including content creation, for their 2018 Ketnet (Children’s TV channel) musical Team UP which played to sold out crowds in four major cities around Belgium.

Directed by Tijl Dauwe, the production starred musical actress Goele De Raedt and Ketnet-wrapper Sander Gillis in the lead roles, accompanied by a cast of 12 – 15 year old new actors and singers who auditioned via TV series "Ketnet Musical", a reality style competition devised to source potential new singing, dancing and acting talent.

Lively, fast paced and foot-tappingly entertaining, the Team UP narrative had a sporting theme and highlighted the ups and downs of an intensely competitive and potentially rewarding world where the desire for perfection and achievement, jealousy, insecurities, bullying, stress and anxiety all interplay.

The show followed the success of previous Ketnet musical productions Kadanza, Kadanza Together and Unidamu, in which Painting with Light was also a key creative partner.

Painting with Light’s Paco Mispelters worked hard to deliver a tourable lighting design to meet everyone’s dramatic expectations and fit into an expedient budget. He took Studio 100’s impressive double-decker set design as a starting point.

This featured a complete first level balcony and a gymnasium style climbing frame structure upstage as well as a 10 metre diameter stage revolve further downstage, which was used to play out specific scenes and to move props and additional set assets on and off stage.

Paco explained that the lighting challenges “included getting lumens into some difficult to access spaces and helping to create multiple locations”, including the school gym, the principal’s office, the technical closet, a train interior, etc.

On top of that, he also needed to enhance the atmosphere and emotion of the piece as well as reinforce the lively musical numbers which permeated throughout.

A series of trusses were installed at each venue and used in conjunction with house fly bars. As the set was immediately beneath some of the fly bars, meaning that they could not come in low, ladder trusses were hung beneath selected bars allowing strategic positioning of fixtures that could light the side wings of the set.

Paco chose 15 x Vari*Lite VL3500 Washes as his general back and stage washes, and they were picked for their fresnel lens which “produces a nice softness to the light, and is generally great for theatre shows,” stated Paco.

For hard edged sources, he used 24 x Claypaky Alpha Spot 1500 profiles. He needed a powerful fixture with shutters which were essential to creating some of the smaller and more intimate scenes that entailed closing down the space.

Locations like the technical closet or the principal’s office needed this technique, which worked very effectively as the big set simply became absorbed by the darkness.

For physically lower level lighting, Paco used 32 x URC LED PAR zooms, a proprietary product from lighting supplier Phlippo Productions, and there were 12 x Robert Juliat 2K Profiles for main key lighting ... so it was a small rig for a busy show, and Paco chose fixtures carefully for their great value and maximum effect.

BEAMSPOT1-DMX FC, a very narrow LED source with interchangeable frost filters that proved ideal for the task. Thirty-two of these were used to pick out the 16 pillars, one fixture positioned at the top and one halfway down the pillar, both down-lighting.

Precise lighting was also needed under the set balcony, using a source that would not produce lots of clashing shadows, so after a bit of research, Paco positioned 12 x Chauvet Épix Strip Tours - a 1-metre LED batten with 50 x individually mappable LEDs in a row and a 125º viewing angle. He removed the standard frost filter on the front to attain more intensity.

Lighting was operated on the road by Arjan Grootenhuis using a grandMA2 light console, complete with an NPU in the system to assist with the channel management. This was ramped up in particular by the ÉPIX Strips, adding 600 channels alone to the mix, but well worth it to achieve the look everyone wanted.

Painting with Light’s team also designed the show’s video, which featured a 3 metre x 2 metre high LED screen that flew in and out throughout the performance, helping to create scenes and locations like a digital scoreboard for the sports competitions, a television in the principal’s office and views out of the windows on the train.

A Christie Pandora’s Box media server was supplied by Painting with Light for the playback video, with content produced by Arthur Claesen … and programmed onto the server by Pommeline Claesen.

Paco, who also lit last year’s touring production Unidamu, concluded, “It was fantastic working with the Studio 100 team again – we really enjoyed some great synergy and there was a lot of scope to be imaginative with the lighting. I think we are all proud of the end result”.

Team UP production rehearsals at the Plopsaland Theatre in De Panne preceded the show’s premier, which was also shot for a DVD - putting additional pressure on the production team to get everything spot on - and then played multiple shows in Hasselt, Ostend, Ghent and Antwerp.

Photos: © & ® Studio 100



Tags: Painting with Light | Studio 100 | Team UP | video | lighting
Submitted by Louise Stickland
View author's directory page

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HHB COMMUNICATIONS ANNOUNCES NUGEN AUDIO WILL SHOWCASE POST-PRODUCTION BUNDLES AT IBC2018

HHB Communications Ltd (HHB), a global leader in professional audio technology, today announced NUGEN Audio will showcase its postproduction bundles, as well as updates to its Loudness Toolkit bundle, for the first time in Europe on HHB Communications stand 8.D56 at IBC2018.

Tags: HHB
Submitted by Bubble Communications
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HHB COMMUNICATIONS TO SHOWCASE WOHLER TECHNOLOGIES iAM RANGE OF IP MONITORING SOLUTIONS AT IBC2018 Posted: 19/09/2018
HHB COMMUNICATIONS TO SHOWCASE WOHLER TECHNOLOGIES iAM RANGE OF IP MONITORING SOLUTIONS AT IBC2018

HHB Communications Ltd (HHB), a global leader in professional audio technology, today announced that Wohler Technologies will showcase its iAM range of IP monitoring solutions, together with a selection of legacy products, on HHB Communications stand 8.D56 at IBC2018.

Tags: HHB | IBC 2018 | IBC 2018
Submitted by Bubble Communications
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HARMAN PROFESSIONAL SYSTEMS TO SHOWCASE STUDER VISTA 5 BLACK EDITION ON HHB STAND AT IBC2018 Posted: 19/09/2018
HARMAN PROFESSIONAL SYSTEMS TO SHOWCASE STUDER VISTA 5 BLACK EDITION ON HHB STAND AT IBC2018

HHB Communications Ltd (HHB), a global leader in professional audio technology, today announced HARMAN Professional Solutions, the global leader in audio, video, lighting and control systems, including networked AV, will showcase the Studer Vista 5 Black Edition (BE) on the HHB Communications stand 8.D56 at IBC2018.

Tags: HHB | Audio | HARMAN | IBC 2018 | IBC 2018
Submitted by Bubble Communications
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GOAAAAAL Media Leaders Score with Amazon Web Services in Comprehensive Coverage of Worlds Most Popular Sports Event Posted: 18/09/2018
GOAAAAAL   Media Leaders Score with Amazon Web Services in Comprehensive Coverage of World and rsquo;s Most Popular Sports Event

Amazon Web Services, Inc. (AWS), an Amazon.com company, announced that leading national broadcast rights holders, pay TV providers, and sports programmers used AWS, including AWS Elemental Media Services, to power live streamed experiences as an estimated 3.4 billion people watched the 2018 football tournament that concluded earlier this summer. AWS Elemental solutions were also used in the central equipment room by the tournament host broadcaster.

Tags: AWS | sports | streaming | broadcast | football | soccer | IBC 2018 | IBC 2018
Submitted by AWS Elemental
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DPA Microphones Chalks Up Impressive Sales Results In Germany Posted: 18/09/2018
DPA Microphones Chalks Up Impressive Sales Results In Germany
DPA Microphones’ philosophy of getting closer to dealers and customers has paid dividends in Germany where its new dedicated sales team and reorganized partner structure is achieving results that have exceeded the company’s initial expectations by far.
Tags: DPA Microphones | Germany | Martin Kaaber | New German Website
Submitted by White Noise Public Relations Ltd
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The Zhejiang Conservatory of Music Becomes The First Facility In China To Install PMC QB1-A Active Monitors Posted: 18/09/2018
The Zhejiang Conservatory of Music Becomes The First Facility In China To Install PMC QB1-A Active Monitors
The Zhejiang Conservatory of Music has installed a pair of PMC QB1-A Active ultra high-resolution monitors, making this the first facility in China to invest in PMC’s flagship studio monitoring range.
Tags: PMC Speakers | Zhejiang Conservatory of Music | QB1-A Main Monitors | China First Sale
Submitted by White Noise Public Relations Ltd
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Anevia Partners with Viaccess-Orca to Provide Ultra-Low Latency Live Streaming Solution Posted: 17/09/2018
Anevia Partners with Viaccess-Orca to Provide Ultra-Low Latency Live Streaming Solution

Anevia, a leading provider of OTT and IPTV software solutions, is partnering with Viaccess-Orca to provide audiences with an ultra-low latency live streaming solution which they are showcasing at this year’s IBC.

Tags: Anevia | Viaccess Orca | Broadcast | Streaming | OTT | IBC 2018 | IBC 2018
Submitted by Whiteoaks
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ANEVIA PARTNERS WITH RED BEE MEDIA TO DELIVER LOW LATENCY MANAGED OTT SERVICES Posted: 17/09/2018
ANEVIA PARTNERS WITH RED BEE MEDIA TO DELIVER LOW LATENCY MANAGED OTT SERVICES

Anevia, a leading provider of OTT and IPTV software solutions, has partnered with Red Bee Media to deliver low latency managed OTT services that enable any company, no matter their content or audience, to launch their own OTT channel within minutes. Anevia’s Genova Live software video encoder is a key part of Red Bee Media’s modular OTT platform, built on a microservices architecture that is operated in the Cloud to provide both flexibility and scalability. The solution was one of the first deployments of a Dockerized OTT video streaming services for live events and was used when Red Bee Media enabled McDonalds to show all FIFA 2018 World Cup matches in all their restaurants in Sweden.

Tags: Anevia | Broadcast | Red Bee | OTT | IBC 2018 | IBC 2018
Submitted by Whiteoaks
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Video Clarity at IBC2018 Posted: 17/09/2018
Video Clarity at IBC2018
Making its European debut at IBC2018 is ClearView 9.0, the latest software release for Video Clarity’s ClearView line of video quality analyzers. Driven by customer input, version 9.0 provides several new features that help day-to-day users save time and get more utility from their existing ClearView systems. One major update is NIQE, a new high-performance, no-reference metric that provides accurate quality measurement when a source reference is not available — as is often the case in today’s cloud-based delivery workflows. Other new features include 12-bit video image support for file import, record and play operations, and HDR signaling for HDMI on ClearView outputs.
Tags: Video Clarity | automated QoE | video monitoring solutions | IP video servers | video quality analyzers | IBC 2018 | IBC 2018
Submitted by Dundee Hills Group
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ATEME Partners with NexGuard Posted: 17/09/2018
ATEME Partners with NexGuard

ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, has partnered with NexGuard for integrating Network ID watermarking with BISS-CA (EBU Tech 3292-1) within ATEME’s product portfolio.

Tags: ATEME | Broadcast | Watermarking | BISS-CA
Submitted by Whiteoaks
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DPA Delivers Exquisite Sound With Its Tiniest Ever Microphone Capsules Posted: 17/09/2018
DPA Delivers Exquisite Sound With Its Tiniest Ever Microphone Capsules

In direct response to feedback from the theatre, film and television industries, DPA Microphones is adding to its d:screet™ and d:fine™ ranges by introducing its smallest ever high end pro audio microphone capsule.

Tags: DPA Microphones | Sub Miniature Microphones | d:screet 6060 | d:fine 6066 | IBC 2018 | IBC 2018
Submitted by White Noise Public Relations Ltd
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