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Anevia Drives Expansion of Argentinian OTT TV Service Posted: 10/12/2019
Anevia Drives Expansion of Argentinian OTT TV Service

 

 

Anevia, a leading provider of OTT and IPTV software solutions, for the expansion of its multiscreen TV service.

The expansion was driven by the exponential growth of the market locally, as well as geographical inroads of the multiscreen TV service into other South American countries. To scale up, the telecommunication service provider chose the Anevia Embedded Distributed Storage (EDS) technology, where the same servers are used for both computing and storage. This enables costs to be kept under control by halving the number of physical rack units needed.

The operator has also continued expanding its CDN infrastructure using Anevia’s NEA-CDN® solution which enables it to ensure high quality during football matches and other peak traffic events as well as supporting the cutting-edge features required for interactive OTT television.

"We are thrilled that Anevia’s technology has once again been trusted to deliver premium services for OTT television, after four years of spectacular success with this OTT offering in Argentina," says Anevia CEO Laurent Lafarge. "Our EDS technology is widely recognised to be much more reliable and scalable than a traditional NAS architecture. It enables TV operators to thrive as they scale up."

 

 

 

 

Tags: Anevia | OTT software | IPTV software | video compression | multiscreen IPTV head-ends | Cloud DVR | CDN solutions | VOD | cloud-native content delivery network solutions | NEA-CDN | NEA-DVR | multiscreen solutions for the delivery of live TV | streaming video | time-
Submitted by Stylus Media Communications
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Magewell to Premiere Ultra-Compact, 12G-SDI M.2 Capture Card at ISE 2020 Posted: 10/12/2019
Magewell to Premiere Ultra-Compact, 12G-SDI M.2 Capture Card at ISE 2020

 

Magewell will launch a powerful new model in its Eco Capture family of ultra-compact, power-efficient, M.2 video capture cards at the upcoming ISE 2020 exhibition in Amsterdam. The high-performance Eco Capture SDI 4K Plus M.2 captures one channel of 4K video up to 4096x2160 at full 60 frames per second over a single-link, 12G-SDI interface. The new card will make its global debut in stand 8-G475 at the event, taking place February 11-14, 2020.

Ideal for use in small and embedded systems where full-sized PCIe slots are not available, the cost-effective Eco Capture family offers systems integrators and OEM developers a robust capture solution with low power consumption for space-constrained applications. The low-latency Eco Capture devices feature a high-speed PCIe 2.0 bus interface with an M.2 connector and measure just 22x80mm (0.87x3.15in), matching the M.2 2280 size specification.

The new 4K 12G-SDI model joins four existing Eco Capture M.2 configurations: a single-channel model that captures 4K video at 30fps via an HDMI interface; dual-channel models that capture HD and 2K video over HDMI or SDI; and a quad-channel HD/2K model with SDI inputs. All five Eco Capture products also support up to eight channels of embedded audio per input.

 

Tags: capture | video capture | broadcast | professional AV | streaming | production | 4K | Ultra HD | UHD | UltraHD | SDI | magewell | OEM | M.2 | SDK | Magewell | ISE | ISE 2020
Submitted by Write Turn Communications
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MaryTV Goes Global with Medialooks Video Transport Posted: 09/12/2019
MaryTV Goes Global with Medialooks Video Transport

MaryTV, a lay apostolate that produces a full-time OTT television channel broadcasting Masses, prayers, rosaries, adorations, press conferences and other events on a daily basis, has integrated Medialooks Video Transport into the channel’s workflow. Medialooks is a specialist provider of ground-breaking video transport streaming solutions known for high-quality and low-latency remote production, ability to work seamlessly and reliably over the public Internet without any dedicated infrastructure, and its ability to integrate easily with SDI or NDI-based workflows.

MaryTV, established in 2010, operates a professional 400 square meters studio adjacent to the St. James Church in Medjugorje, Bosnia and Herzegovina. The 24/7 channel plays pre-recorded content 18 hours per day with the remaining airtime streamed live from Medjugorje. Programming is available on their web site, via Apple TV, iOS and Android and reaches thousands of people every day. An additional remote stream of a daily Rosary is led by the MaryTV founders and originates from Notre Dame, Indiana.

The channel is using Medialooks Video Transport to successfully deliver the final studio mixdown from Medjugorje to a studio in the U.S., where it is published as NDI® and automatically picked up by XPlayout—a Medialooks-based product from Axel Technology. From there the stream is contributed to a CDN and distributed to a global audience.

Tags: Medialooks | Medialooks VT Server | video transport | MaryTV | OTT television channel
Submitted by Desert Moon
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Amino and 24i to evolve Youfone TV offering Posted: 09/12/2019
Amino and 24i to evolve Youfone TV offering

Amino, the global media and entertainment technology solutions provider and sister-company 24i,the innovator of next-generation video experiences, today announced that they have entered into an agreement with the Dutch MVNO Youfone to provide a fully-integrated, end-to-end video solution to refresh and expand its TV and OTT offering.

The Dutch TV challenger launched its TV services in 2017 and will now rely on 24i and Amino to create a next-generation viewing experience to meet and exceed the increasing demands of modern TV consumers. Youfone will deploy an end-to-end solution that combines Amino’s IPTV and TV Everywhere expertise with 24i’s leadership in video experience design and application development. 24i became an Amino group company in July 2019 and Youfone is the first joint-solution deployment to be announced. The Amino and 24i solution is expected to be live at Youfone in Q2 2020.

The solution will combine 24i’s Smart Video and Smart App video experience products as well as Amino’s Amigo 7x Android STBs running on AminoOS, all managed through ENGAGE, Amino’s cloud-based service management platform.The deployment will provide transcoding, middleware, CDN and front-end applications for Android, iOS phones and tablets enabling live TV, catchup, restart and nPVR of approximately 100 channels.

Tags: Amino | 24i | Youfone | OTT | CES | CDN | TV | Pay | Video
Submitted by Staff
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The future is video: IPV secures and pound;4m investment to accelerate global growth Posted: 06/12/2019
The future is video: IPV secures and pound;4m investment to accelerate global growth

Media asset management software provider IPV has confirmed details of new growth capital that will enable it to further expand the global reach of its acclaimed MAM product, Curator. The £4m Series A round was led by SME-focused venture capital firm Mobeus Equity Partners, with additional ongoing finance secured from Calculus Capital.

Mark Fagan, IPV CEO said, “Multiple industries are rapidly expanding their use of video but are facing significant challenges during the content creation process. Curator makes it easy to remotely edit, collaborate and publish high quality video content – enabling customers to ensure consistency of messaging and sustained audience growth via digital, online and mobile platforms.”

This capital will enable IPV to deliver the benefits of Curator to an even wider audience, expanding into areas of digital marketing, customer experience and enterprise video management.

Tags: IPV | Media Asset Management | MAM | VAM | PAM | Curator | Video Content | Video Production | Metadata Video Asset Management | Venture Capital | Investment | Mobeus Equity Partners | Calculus Capital
Submitted by Page Melia PR
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Sonnet Announces Upgraded Compact Three-Slot Thunderbolt 3 to PCIe Card Expansion System Posted: 04/12/2019
Sonnet Announces Upgraded Compact Three-Slot Thunderbolt 3 to PCIe Card Expansion System

New auxiliary power connector enables support for entire line of high-performance AJA KONA audio and video I/O cards

What's New:

Sonnet Technologies today announced the launch of the Echo™ Express SE IIIe, the newest member of the company's award-winning Echo Express family of Thunderbolt™ 3 to PCI Express® (PCIe®) card expansion systems. The Echo Express SE IIIe is a compact desktop chassis that enables the use of up to three high-performance PCIe cards with computers equipped with Thunderbolt 3 ports. Replacing the popular Echo Express SE III, the SE IIIe supports AJA's complete family of KONA audio and video I/O solutions, including KONA 5, and has been upgraded with the addition of an auxiliary power connector to support cards that require more power to operate, and a new cooling fan for quieter operation.

"A portable video capture and playback setup is a necessity today for most video pros, and the Echo Express SE IIIe, with support for AJA KONA PCIe cards, provides great flexibility. The new auxiliary power connector is an exciting addition, allowing professionals to harness the power of Thunderbolt 3 connectivity with AJA KONA 5 with a smaller form factor PCIe card enclosure."

- Nick Rashby, President, AJA Video Systems

 

Tags: Sonnet Technologies | Thunderbolt 3 | PCIe Card Expansion | AJA | KONA | audio video I/O | Echo Express SE IIIe
Submitted by Wall Street Communications
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AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management Posted: 26/11/2019
AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management

 

Statistical Multiplexing (Statmux) is now available with AWS Elemental MediaLive, Statmux is a technology used in live broadcast workflows that allocates bits in real time among multiple live video channels. It instantaneously adjusts the bitrate of each channel in the statmux pool to make the best use of total available bandwidth and combines the encoded outputs into a single transport stream. This maximizes network efficiency by optimizing picture quality for a group of channels within a fixed total bandwidth.

Using AWS Elemental MediaLive with Statmux, customers can now deploy linear video processing and playout in the AWS Cloud for broadcast, cable, or terrestrial distribution.

Media companies, such as national broadcasters, originate live content and simultaneously share that content with their distribution partners. Traditionally, this has been accomplished by preparing channels for distribution using purpose-built, on-premises hardware encoders. These systems can take months to procure and configure, require extensive engineering to operate reliably, and cannot be repurposed once deployed. AWS Elemental MediaLive with Statmux lets broadcasters and content providers build and manage broadcast video workflows on fully managed AWS services and gain flexibility, reduce hardware and management costs, and deliver excellent picture quality with built-in reliability.

Key benefits of AWS Elemental MediaLive with Statmux include:

  • Cloud flexibility—Add, remove, or update live channels based on evolving audience and business needs, easily introduce new codecs, prioritize resources on a per-channel basis, and take advantage of multiple codecs and resolutions.
  • Built-in resiliency—Resources are automatically allocated across multiple availability zones for high availability and fully managed failover.
  • High video quality—Statmux for MediaLive lets you maximize video quality while optimizing for fixed satellite or cable distribution bandwidth. And, you can tune quality settings on a per-channel basis without disruption to assure that the highest-priority channels maintain the highest quality.
  • Operational efficiency—Build broadcast distribution workloads in minutes, without on-premises hardware, and deliver channels more efficiently over fixed network bandwidth.
  • Monitoring and metrics—Integrated Amazon CloudWatch monitoring enables real-time views of video metrics and multiplexer performance.
  • Unified headend—For content providers that distribute traditional broadcast video as well as multiscreen linear video, Statmux for MediaLive can deliver both through a single architecture. With the increasing importance of OTT delivery, having one system to manage all encoding can dramatically simplify operations.

Learn more about how customers are saving time, reducing overhead, maximizing low-cost cloud resources, and maintaining optimized picture quality with AWS Elemental MediaLive and Statmux here: https://aws.amazon.com/medialive/features/statmux.

Tags: aws | aws elemental | medialive | video | broadcast | amazon
Submitted by Raz Public Relations
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Videon EdgeCaster Edge Compute Encoder Compatibility With AWS Elemental MediaStore Enables a Cost-Effective, Low Latency Solution Posted: 26/11/2019
Videon EdgeCaster Edge Compute Encoder Compatibility With AWS Elemental MediaStore Enables a Cost-Effective, Low Latency Solution

Videon today announced compatibility with AWS Elemental MediaStore, enabling a cost-effective, low-latency solution. Videon customers can now use AWS Elemental MediaStore as a direct ingest from the EdgeCaster H.264/HEVC video encoding platform to support ultra-low latency workflows with outputs supporting both HLS and DASH using CMAF. AWS Elemental MediaStore's support of EdgeCaster's ingest protocols enables less than three-second worldwide latency to be achieved with standards-based, scalable, and cost-effective workflows.

"Live streaming should not come with a latency penalty as compared to traditional broadcast TV," said Todd Erdley, founder and CEO of Videon. "EdgeCaster's compatibility with AWS Elemental MediaStore is a strong step forward to making live streaming truly live —using standards-based, viewer-scalable, and cost-effective solutions. Compatibility with AWS Elemental MediaStore represents an important development in our relationship with Amazon Web Services. AWS Elemental offers crucial insight into how streams can be ingested into AWS Elemental MediaStore and how Videon can optimize our platform."

 

Tags: Videon | EdgeCaster | Edge Compute Encoder | AWS Elemental MediaStore | H.264/HEVC | CMAF | H.264
Submitted by Wall Street Communications
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Frame.io Raises a $50M Series C to Reinvent Video Collaboration Posted: 25/11/2019
Frame.io Raises a $50M Series C to Reinvent Video Collaboration

Frame.io, a leading video review and collaboration platform used by over one million filmmakers and media professionals, today announced it has raised a $50 million Series C round to help support its next big push into cloud-enabled motion picture workflows. Frame.io will also use this round of financing to continue its deep investment into airtight security, intuitive UX, and camera-to-cutting room technology. Insight Partners led the round with contributions from all existing major stakeholders, including Accel, FirstMark, SignalFire, and Shasta Ventures. Itai Tsiddon, co-founder of Lightricks, will represent Insight Partners as Frame.io’s newest board member.

“We’re thrilled to be partnering with Insight on this next round of financing. Insight deeply understands the creative space and the changing tides the film and video market will see over the next several years,” said Emery Wells, co-founder and CEO of Frame.io. “2019 has been a year of massive growth and of major milestones for us: we celebrated reaching 100 employees, moved into brand new headquarters in lower Manhattan and, most recently, welcomed industry veteran Michael Cioni to the team. We are driving to create the most innovative approach to video workflows since the emergence of digital 20 years ago.”

Designed and built by video creatives—for video creatives—and launched in 2014, Frame.io is a New York City-based startup dedicated to changing the way video creation works. The web-based platform integrates seamlessly with the industry’s leading NLEs, including Adobe® Premiere® Pro, Avid, Apple® Final Cut Pro® and DaVinci Resolve Studio, enabling video creators to upload and organize media and share projects internally or with clients anywhere in the world. This round of Series C funding brings Frame.io’s total funding to date to $82.2 million.

 

 

Tags: Frame.io | Lightricks | Insight Partners | Video Creation Works | Series C funding
Submitted by Zazil Media Group
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Bannister Lake Provides On-Air QR Code Functionality to Canadas Todays Shopping Choice Posted: 25/11/2019
Bannister Lake Provides On-Air QR Code Functionality to Canadas Todays Shopping Choice

Bannister Lake announced today that it has successfully added QR codes to "Today's Shopping Choice" (TSC, tsc.ca) on-air graphic presentation, creating exciting new purchase possibilities for viewers. Bannister Lake has a long-standing relationship with the popular home shopping broadcaster, having created and implemented software solutions that are integral to the channel's production workflow.

Bannister Lake's established BL XPF Generator solution automatically pulls all the visual assets associated with featured products that are scheduled during a specific TSC segment and in turn generates a Ross XPression graphic sequence that can be taken to air instantly. By adding QR codes to the asset mix through Bannister Lake software, TSC can drive additional sales while providing audiences with supplementary product information.

TSC viewers scan the QR code with their smartphones and are taken to a corresponding webpage to learn more about the product and make the purchase. This provides an additional path to purchase and is welcomed by tech-savvy viewers.

 

Tags: Bannister Lake | QR Code | Today\'s Shopping Choice | TSC | video graphic display
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Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems Posted: 25/11/2019
Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions.

Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder technology facilitating UHD images. The system consists of one single 4K transmitter unit from DTC coupled with a built-in Videosys Camera Control system. The advantage of the AEON CC with Videosys’ camera control receiver built into the unit is a reduction in the equipment count and the complexities that come when managing 4K transmission and camera control simultaneously.

Cloudbass have been successfully using the systems on UHD, 3G and HD setups across a variety of live Outside Broadcasts, including both SKY Boxing and BT Speedway in UHD, on the British Touring Cars for ITV Sport, and The Lord Mayor’s Show for BBC Events.

Tags: camera control systems | RF links | camera backs | outside broadcast | OB | studios | production | 4K | UHD | HD | decoder | receiver | sports | concerts | live events | video | audio | data | distribution
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Macking Domain Takes Malaysia Open Live on YouTube with AJA HELO Posted: 19/11/2019
Macking Domain Takes Malaysia Open Live on YouTube with AJA HELO

Elite badminton players from around the world congregate each year to compete in the Malaysia Open, an important stop on the circuit of tournaments sanctioned by the Badminton World Federation (BWF). Fans unable to make it to Axiata Arena in Bukit Jalil this year were kept apprised of the latest updates via high-quality YouTube live streams produced by Macking Domain. Over the course of the six-day tournament, more than 12 hours of match footage across four courts were streamed to the Malaysia Open YouTube channel. Macking Domain relied on a host of technology to deliver the action, including four AJA HELO H.264 recording and streaming devices.

Given a straightforward set of video delivery requirements by its client, Macking Domain set out to establish a workflow built on AJA’s HELO. “We needed to deliver 1080/60p video with audio from each of the four courts and get live scoreboard content from each court integrated into the feed, which is why AJA’s HELO made so much sense,” shared Yoke Tee Tan, General Manager, Macking Domain. “It’s an affordable device that makes it incredibly easy to bring audiences a very high-quality viewing experience.”

Four Sony cameras, one on each court, were connected to a Newtek VMC1 digital media production system and captured live match footage. Courtside laptops housing scoreboard feeds were then encoded to NDI, and audio was embedded from each court using AJA Mini-Converters. Embedded audio signals came in as an NDI stereo channel via a network device interface converter and were split into two separate mono channels on a TriCaster video production system. The eight mono channels were routed to the corresponding scoreboard and linked with the associated court stream using 1 M/E; that signal was then routed to each SDI output on the VMC1. All four SDI outputs from the VMC1 were connected to four AJA HELO units for live streaming straight to YouTube; footage was simultaneously recorded to SD cards in HD using the HELOs.

Tags: AJA | AJA Video Systems | AJA HELO | AJA HELO H.264 | Live Streaming
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At the Sharp End of Streaming Production Frost Cutlery andBPswitch Posted: 19/11/2019
At the Sharp End of Streaming Production and ndash; Frost Cutlery andBPswitch

Frost Cutlery in Chattanooga, Tenn., sells knives, swords, kitchen cutlery and other collectibles through its program, Cutlery Corner Network, producing 16 hours of original programming each week on its Broadcast Pix™ integrated production system. The show is streamed in HD at 720p to its growing online audience watching via Amazon, Hulu, and YouTube.

“It’s the workhorse of what we’re doing here,” said Tim Colvard, director of broadcast operations. “The Broadcast Pix switcher has made what we put online better than anything we’ve done in the past. It outperforms the other choices, and the technology performs perfectly. We don’t need as many supporting personnel because we know the Broadcast Pix system has a comprehensive toolset and is totally reliable.”





Tags: Broadcast Pix | video streaming
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Viacom International Media Networks deploys Hitomi MatchBox for 2019 MTV Europe Music Awards Posted: 19/11/2019
Viacom International Media Networks deploys Hitomi MatchBox for 2019 MTV Europe Music Awards

Hitomi Broadcast, manufacturer of MatchBox, the industry’s leading audio video alignment technologies, today announced that Viacom International Media Networks Media and Technology Services (MTS) used MatchBox for the 2019 MTV Europe Music Awards in Seville, Spain, on 3 November.

Viacom International MTS deployed MatchBox’s sync toolbox for the red carpet, main award show, backstage, and after-show party feeds, televised on 100+ channels worldwide from the FIBES Conference and Exhibition Centre in Seville. Hosted by American singer, songwriter, and actress, Becky G, the show included a special headline performance, filmed by Viacom International the previous night at the MTV World Stage at Plaza de España in Seville, by ‘Best Rock’ nominee, Green Day.

Viacom International MTS Global Lead Systems Engineer for Studio and Production Technology, Matt Okotie, said, “Using MatchBox, I can sync signals in under a millisecond to ensure that before we go to air, lip sync is correct. This is crucial for any production, but particularly for a live, globally distributed event, so you have to be absolutely sure you get it right. That’s why I leave it to MatchBox. Basically, if MatchBox reads ‘zero’, you know that lip sync is perfect.”

Viacom International MTS used MatchBox to sync its 4K/UHD feed from Seville to London, and then on for a global sync to all the other MatchBox readers around the world.

Tags: Hitomi | Viacom | MatchBox | MTV Europe Awards | audio video alignment technologies | lip-sync | 4K | UHD | synchronisation
Submitted by Manor Marketing
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AJA Releases Desktop Software v15.5 for KONA, Io and T-TAP Posted: 15/11/2019
AJA Releases Desktop Software v15.5 for KONA, Io and T-TAP

AJA Video Systems released Desktop Software v15.5 for KONA, Io and T-TAP products, featuring additional functionality for both HDR and 8K workflows, plus new performance upgrades enhancing creative freedom and flexibility across Windows®, Linux® and macOS®. New features include Metal support on macOS and full compatibility with macOS Catalina; HDR over SDI via VPID; and HDR Test Patterns for 8K/UHD2/4K/UHD/2K/HD workflows. For the KONA 5 PCIe I/O card, the update also adds full 2SI SMPTE raster support for 8K; RGB support for 8K capture and playback; and 8K to 4K downsample via HDMI.

Desktop Software v15.5 introduces new functionality with NLEs, including deeper HDR integration with Avid Media Composer 2019.11 and native 8K or 4K (downsampled from 8K) playback with Adobe Premiere Pro 2020. The update also adds SMPTE ST 2110-40 monitoring via SDI on AJA Io IP and Avid Artist DNxIP and AJA NMOS support for multiple devices connected to a single host. Additionally, Desktop Software v15.5 increases speed and creative support on Mac workstations – including the new Mac Pro – by featuring full compatibility with macOS Catalina, new Metal support on macOS and other optimizations.

Desktop Software v15.5 highlights include:

Full compatibility with macOS Catalina

New Metal support on macOS

HDR over SDI via VPID 

HDR Test Patterns for UHD2/UHD/HD

Deeper HDR integration with Avid Media Composer

Full 2SI SMPTE raster support for 8K on KONA 5

RGB support for 8K capture and playback on KONA 5

8K downsample to 4K via HDMI on KONA 5

Native 8K or 8K to 4K downsampled output with Adobe Premiere Pro

HDMI input detection improvements

New countdown functionality to mark out or end of clip in AJA Control Room

New fan controls and fan speed indicator in AJA Control Panel

DirectShow updates including addition of support for KONA 5 and KONA IP

Support for Windows®, Linux® and macOS®

www.aja.com.

Tags: aja | aja video | aja video systems | kona | io | t-tap | news
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