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Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License Posted: 11/12/2019
Colorfront Launches Express Dailies 2020 On New Mac Pro With Annual Rental License

Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – today announced a new, annual rental model for Colorfront Express Dailies that dramatically reduces the cost of operating the software.

Launching in Q1 2020, Colorfront’s subscription service enables users to rent Express Dailies 2020 for an annual fee of $5,000 USD, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, designed for use with the new Mac Pro, makes on-set HDR monitoring, enabled by Colorfront systems, a more financially viable proposition than ever before.

Tags: Colorfront | Express Dailies | HDR | UHD | HFR | 6K | dailies | Mac Pro | Pro Display XDR
Submitted by Prince PR
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Fusion Studio Used to Create Animated Feature, Latte and The Magic Waterstone Posted: 11/12/2019
Fusion Studio Used to Create Animated Feature, Latte and The Magic Waterstone

Blackmagic Design today announced that Grid VFX relied on Fusion Studio throughout its in house compositing pipeline to deliver newly released children’s animated feature, Latte & The Magic Waterstone.

Directed by Regina Welker, the team’s latest project ‘Latte & The Magic Waterstone’ involved the completion of more than 1,200 visual effects shots, including the complex compositing of background and foreground plates and CG render layers for 3D assets, lighting, procedural effects, and more.

“Latte was a huge project for us. It’s a feature animation with a limited budget, so we knew we had to work as efficiently as possible,” begins compositing supervisor at Grid, Laurens Bekaert.

“Fusion’s GPU accelerated render engine was amazing at being able to handle geometry and 3D space compared to alternative compositors. We could add smoke and particles behind our characters and see a good representation of how they would look in 3D instantly, without needing to re render.”

Tags: Blackmagic | Blackmagic Design | BMD | Fusion | Fusion Studio | VFX | Compositing | Post Production | Filmmaking | Animation
Submitted by Blackmagic design
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ADTH Announces Support for SRT Open Source Project Posted: 10/12/2019
ADTH Announces Support for SRT Open Source Project

 

 

Atlanta DTH, Inc. (ADTH) announces that it has joined the SRT Alliance, a broadcast media industry collaboration created to develop an open-source protocol allowing low-latency video streaming over the internet. ADTH will provide full support for the SRT (Secure Reliable Transport) protocol.

Developed and pioneered by Haivision, the SRT protocol optimizes streaming performance across unpredictable networks with secure streams and easy firewall traversal. It accounts for packet loss, jitter, and fluctuating bandwidth, maintaining the integrity and quality of a video stream.

"With its 25 years of experience in the broadcast and telecommunication sectors, ADTH is a very welcome addition to our membership," comments Haivision CCO & EVP Strategic Alliances Peter Maag. "With increasing support from across the entire industry, SRT is rapidly becoming the globally preferred standard for low-latency video streaming."

"Efficient and effective standards are essential to the advancement of any industry, not least in the OTT streaming sector where signal delivery needs to overcome many technical variables," adds ADTH founder and Managing Director Michael Day. "The SRT Alliance's aims and objectives are in full accord with our own strategy of promoting the highest possible video quality-of-experience securely, efficiently and at the lowest possible latency. We are SRT-ready."

 

 

 

 

Tags: Atlanta DTH | Inc. | ADTH | broadcast media access | broadcast content security | targeted television advertising | personalised television advertising | personalized television advertising | OTT content protection | IPTV content protection | satellite IR | miniatur
Submitted by Stylus Media Communications
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Rocstar TV Launches Multi-Tenant TV Everywhere OTT offers for Carriers, Operators and ISPs on the mediaClass Multi-screen Platform Posted: 10/12/2019
Rocstar TV Launches Multi-Tenant TV Everywhere OTT offers for Carriers, Operators and ISPs on the mediaClass Multi-screen Platform

 

Argentine telecommunications facilities provider Servicios y Telecomunicaciones SA (SYT) has chosen a complete mediaClass OTT TV Everywhere solution as the core of a newly launched Rocstar TV Everywhere platform. The system is designed to allow carriers, cable operators and ISPs to offer own-brand TV Everywhere OTT products based on a strong channel line-up and premium content. All functions are provided through an operator-class version of mediaClass software, customised and integrated into servers at SYT's headquarters in Buenos Aires.

"We signed the agreement with SYT at the April 2019 NAB Show and have been very busy adding specific features for Rocstar TV local markets," says mediaClass EVP Manelli Hosseini. "This new service will allow easy white-labeling for carriers, ISPs and cable operators to offer full TV Everywhere OTT and IPTV with their own brand and their own app. The system includes all the advanced TV Everywhere features – content source processing and storage, digital rights management, subscriber management, viewer analytics and an AI-based recommendation engine. We have also built in true multi-tenancy which is often claimed but not delivered. The resultant service is very easy to use, includes automatic configuration, and is highly cost efficient."

 

 

 

Tags: mediaClass | multiscreen platform | end-to-end hybrid OTT and IPTV | IPTV Management | OSS/BSS Integration | EPG | Reverse EPG | Multi-DRM | AI Recommendation Engine | Content Management System | CMS | Catchup Management | Set-top box APIs | IoS Apps | Android Apps | Ad
Submitted by Stylus Media Communications
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Take 1 appoints industry expert, Stephen Stewart, as COO Posted: 10/12/2019
Take 1 appoints industry expert, Stephen Stewart, as COO

Broadcast metadata and transcription service provider, Take 1, has hired Stephen Stewart to fill the newly created position of chief operating officer.  The appointment is part of a broader restructure of the company’s senior management teamto support their ambitious service and technology expansion plans.   

With the previous role as vice president of global content operations for the BBC as well as positions at Red Bee Media and Deluxe, Stewart is a broadcast and production operations specialist with broad experience.      

As Take 1 COO, Stewart will lead the transition of Take 1 Cloudsolutions into production and implement processes to both maintain the company’s security credentials and secure additional industry accreditations.  He will also be responsible for developing the company’s access services department and for implementing efficiencies across their global workforce.  Stewart will join Take 1 on 16 December 2019 and will report directly to Take 1 CEO, Louise Tapia, from their UK head office.

“Stephen is a respected and accomplished leader and we’re thrilled that he’s chosen to join the Take 1 team,” said Take 1 CEO, Louise Tapia.  “His global operations experience in the broadcast and broader media industry makes him a perfect fit for our future growth plans across our international sites.” 

www.take1.tv

 

 

 

Tags: Take 1 | Stephen Stewart | transcription | access services | cloud
Submitted by Little Cricket PR
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AMS Neve Shows The Neve GenesysControl Plugin At NAMM 2020 Posted: 09/12/2019
AMS Neve Shows The Neve GenesysControl Plugin At NAMM 2020

AMS Neve is showcasing its new and exciting Neve GenesysControl plugin at NAMM 2020, where it will be demonstrated on booth 14008 with the company’s versatile Genesys Black console.

Designed to future proof analogue workflows, the Neve GenesysControl plugin provides the final link to total integration between Genesys and Genesys Black consoles and the DAW.

This powerful and versatile plugin allows recording professionals to mix traditionally using the console, work in-the-box, or combine both approaches in a highly effective hybrid workflow. With the Neve GenesysControl plugin installed, it is entirely feasible to have all the speed and flexibility of working in-the-box without sacrificing the undeniable sonic benefits of using a real Neve analogue console.

The Neve GenesysControl plugin supports Pro Tools (AAX) and Cubase/Nuendo (VST). It can be applied in the DAW to a mono, stereo or master track and assigned to control selected channels on the console where it provides and controls automation of parameters such as EQ, dynamics, AUX and INSert switching, both large and small fader levels, effects return levels and 8-Track and Main Mix fader levels.

A 30-day free trial version of the Neve GenesysConrol plugin is available at ams-neve.com and a full license costs $695.

 

 

 

 

Tags: AMS Neve | Neve GenesysControl Plugin | Genesys Black Console | NAMM
Submitted by White Noise Public Relations Ltd
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Blackmagic Design Cameras and Switcher Power South Africas Rocking the Daisies Posted: 03/12/2019
Blackmagic Design Cameras and Switcher Power South Africas Rocking the Daisies

Blackmagic Design today announced that South African music festival, Rocking the Daisies, was powered by an end to end Blackmagic Design workflow, featuring Blackmagic URSA Broadcast and ATEM Constellation 8K.

Held at the Cloof Wine Estate in Cape Town and incorporating comedy, music, art and film, Rocking the Daisies (RTD) is one of the country’s biggest festivals. Live production for the three day event’s diverse international lineup, which included The 1975, Russ, Tash Sultana and Nasty C, was delivered by production company Bad Weather.

The main stage featured three central LED screens, making up one canvas, the middle being a 6 x 6 meter square and each outer screen 3.6 x 6 meter high. There were two 5.4 meter wide by 8.4 meter high IMAGs stage left and right. “With both side screens essentially being portrait, we had to be careful with how we framed our shots, making sure that everything was centered,” reveals live director Simon Wilkes.

“We used the URSA Broadcast for acquisition; front of house we had a single camera with a very long lens and a supplementary Micro Studio Camera 4K locked off just next to the sound desk,” he explains. “In front of the stage we had a jib mounted URSA Broadcast, and another on a dolly. On stage was a roaming camera op and a handful of the micro cameras positioned in key positions for additional cutaways.”

Bad Weather’s Jonathan Bandli adds: “The image quality of these cameras was something that the festival had never experienced before; good in low light and they handled the dynamic range of a large stage with heavy contrast so elegantly. Our solution just completely changed the perception of the festival organizer’s previous experience with live camera systems.”

Tags: Blackmagic Design | BMD | Blackmagic | Live Production | Festival | IMAG | URSA Broadcast | ATEM Constellation | ATEM PPU
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AVer Europe Launches New High Spec Visualiser for Educators Posted: 28/11/2019
AVer Europe Launches New High Spec Visualiser for Educators

AVer Europe has announced the launch of the M17-13M, its new mechanical arm visualiser, to the UK market. Boasting a 13-megapixel camera, 35.2X total zoom and full HD quality, the M17-13M offers one of the highest visualiser specifications available to education institutions to transform teaching and learning practices.

Operating as a document camera with impressive angle control, the M17-13M visualiser enables users to capture the best image clarity and detail. The onboard annotation capability provides users with the opportunity to add notes, highlight important information or add captions to presentation material easily, making explaining a tricky concept or a key point to a classroom simple.

Designed with a fully adjustable neck and head, the M17-13M visualiser can rotate, swivel, expand and collapse for the perfect angle to display presentation materials, including paper or 3D models. Its versatile compact design means it can be neatly folded away, making it ideal for quick storage or sharing between classrooms and practitioners. The product is bundled with AVER’s A+ Suite classroom software for visualisers and comes with a five-year warranty.

Tags: visualiser | teaching | education | technology | camera | HD
Submitted by brookscomm
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OMNIMAGO Selects Xytech MediaPulse to Streamline Project Management Needs Posted: 26/11/2019
OMNIMAGO and nbsp;Selects Xytech and rsquo;s MediaPulse to Streamline Project Management Needs

German post-production specialist OMNIMAGO GmbH, has chosenXytech’s MediaPulse resource management software as its go-to solution for its scheduling, billing and project management needs.

 

Recently released at IBC 2019, MediaPulse 2019 features an updated user interface developed to place targeted functionality in the hands of all users in an enterprise, including every staff member, freelancer and vendor to create a seamless end-to-end automated workflow accessible on any device connected to the internet.

 

Given the variety of projects OMNIMAGO takes on, it was integral the company found a solution to contain the whole process, from bidding to invoicing, within the same system.

 

“This ensures all of the necessary information is easily available to all of the people and departments involved,” said Peter Fries, OMNIMAGO’s managing director. “MediaPulse has proven itself as the ultimate tool to support us during the administration process on all of our technical projects.”

 

Currently holding 45 MediaPulse licenses, OMNIMAGO has been using MediaPulse for almost 20 years and selected the software for its best-in-class efficiency.

 

“It fulfills all of our scheduling, billing and project management requirements in the best possible way,” Fries said. “We took a number of other established ERP systems into consideration, but nothing compared to the efficiency of MediaPulse.

Tags: xytech | omnimago | software | mediapulse | user interface | automated | workflow
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Introducing: Red Giant Complete for Individuals, Students and Teachers, the All-Access Annual Subscription to Editing, Motion Graphics and VFX Tools Posted: 25/11/2019
Introducing: Red Giant Complete for Individuals, Students and Teachers, the All-Access Annual Subscription to Editing, Motion Graphics and VFX Tools

Red Giant today announced the availability of Red Giant Complete for individuals, students and teachers. Expanding its software licensing options, Red Giant Complete is a subscription service that gives editors, motion designers and VFX artists all Red Giant tools at one low price – Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite. With Red Giant Complete, annual subscribers will have the most up-to-date versions of all tools, saving thousands of dollars over traditional perpetual licenses.

Watch now: Red Giant Complete - https://www.youtube.com/watch?v=v1nnDIlmEo8&feature=youtu.be

“Red Giant Complete has been available to our volume customers for years, with thousands of licenses in use at broadcast networks, film studios and universities. And now, due to popular demand, we're really excited to offer subscription licensing to all of our customers,” says Chad Bechert, CEO of Red Giant. “At the same time, nothing has changed. While we think Red Giant Complete is an incredible deal, we know some customers are more comfortable buying software the traditional way. We want to make sure our community of talented artists has what it needs, so we’re continuing to offer perpetual licenses at their usual prices.”

Red Giant Complete is $599 a year for individuals or $299 for students and teachers. Check out the Red Giant blog to learn more about how to switch over to Red Giant Complete and why now is the best time to make the switch, with a special, limited-time-only introductory offer for established Suite customers

Tags: Red Giant | Red Giant Complete | Annual Subscription | All-Access | Editing | VFX
Submitted by Zazil Media Group
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Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems Posted: 25/11/2019
Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions.

Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder technology facilitating UHD images. The system consists of one single 4K transmitter unit from DTC coupled with a built-in Videosys Camera Control system. The advantage of the AEON CC with Videosys’ camera control receiver built into the unit is a reduction in the equipment count and the complexities that come when managing 4K transmission and camera control simultaneously.

Cloudbass have been successfully using the systems on UHD, 3G and HD setups across a variety of live Outside Broadcasts, including both SKY Boxing and BT Speedway in UHD, on the British Touring Cars for ITV Sport, and The Lord Mayor’s Show for BBC Events.

Tags: camera control systems | RF links | camera backs | outside broadcast | OB | studios | production | 4K | UHD | HD | decoder | receiver | sports | concerts | live events | video | audio | data | distribution
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PIgmento Switches to DaVinci Resolve Studio for HDR Delivery Posted: 20/11/2019
PIgmento Switches to DaVinci Resolve Studio for HDR Delivery

Blackmagic Design today announced that Madrid based post house, Pigmento Color Grading, has switched to DaVinci Resolve Studio as part of a facility upgrade for HDR color correction and IMF format delivery.

Founded by Fernando Martinez and Pepe Abellàn, colorists with more than 20 years of audiovisual finishing experience, Pigmento has rapidly formed a reputation for delivering a boutique, tailored service to both broadcasters and OTT clients throughout Europe.

The team’s credits include episodic features such as The Pier, Locked Up and Emmy Award winning Money Heist, which has gone on to be a global success.

Spurred by increasing client demand for Dolby Vision, HDR10+ and IMF ready workflows, DaVinci Resolve Studio has now been installed as the primary online, grading and mastering solution within Pigmento’s two state of the art grading suites and two additional support workstations for conform, VFX pulls and deliveries.

Featuring Intel’s Dual Xeon SuperMicro processors paired with NVIDIA Tesla K80 and RTX2080ti graphics cards respectively, the grading suites feature Sony BVM-HX310 and Dolby PRM 4220 reference monitors and DaVinci Resolve Mini Panels for control. Underpinning the setup is 180TB of shared storage, with a 600TB NAS for backup.

Tags: Blackmagic Design | Blackmagic | DaVinci Resolve | Resolve | HDR | Streaming | IMF Delivery | Post Production
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Abner Figuereo Joins LYNX Technik Inc. as VP Business Development Posted: 19/11/2019
Abner Figuereo Joins LYNX Technik Inc. as VP Business Development

LYNX Technik Inc., the Americas operation of LYNX Technik AG, a global manufacturer of award-winning signal processing solutions for broadcast and ProAV announces that Abner Figuereo has joined the team as Vice President of Business Development. Abner will be responsible for driving revenue, expanding the customer base and strategic partnerships within the Americas region, working closely with customers as well as the dealer network.

“LYNX Technik Inc. is experiencing a strong position of growth, and we welcome Abner to the team to help fuel and accelerate the company into its next stage,” comments Steve Russell, President of LYNX Technik Inc. “With his years of industry expertise, Abner will be instrumental in extending our presence in the Broadcast and AV markets as well as capturing new market opportunities in the Americas.”

Tags: LYNX Technik | yellobrik | 8K | 8K fiber | Abner | Figuereo | Steve Russell | Winfried | Deckelmann | greenMachine
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Viacom International Media Networks deploys Hitomi MatchBox for 2019 MTV Europe Music Awards Posted: 19/11/2019
Viacom International Media Networks deploys Hitomi MatchBox for 2019 MTV Europe Music Awards

Hitomi Broadcast, manufacturer of MatchBox, the industry’s leading audio video alignment technologies, today announced that Viacom International Media Networks Media and Technology Services (MTS) used MatchBox for the 2019 MTV Europe Music Awards in Seville, Spain, on 3 November.

Viacom International MTS deployed MatchBox’s sync toolbox for the red carpet, main award show, backstage, and after-show party feeds, televised on 100+ channels worldwide from the FIBES Conference and Exhibition Centre in Seville. Hosted by American singer, songwriter, and actress, Becky G, the show included a special headline performance, filmed by Viacom International the previous night at the MTV World Stage at Plaza de España in Seville, by ‘Best Rock’ nominee, Green Day.

Viacom International MTS Global Lead Systems Engineer for Studio and Production Technology, Matt Okotie, said, “Using MatchBox, I can sync signals in under a millisecond to ensure that before we go to air, lip sync is correct. This is crucial for any production, but particularly for a live, globally distributed event, so you have to be absolutely sure you get it right. That’s why I leave it to MatchBox. Basically, if MatchBox reads ‘zero’, you know that lip sync is perfect.”

Viacom International MTS used MatchBox to sync its 4K/UHD feed from Seville to London, and then on for a global sync to all the other MatchBox readers around the world.

Tags: Hitomi | Viacom | MatchBox | MTV Europe Awards | audio video alignment technologies | lip-sync | 4K | UHD | synchronisation
Submitted by Manor Marketing
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Viaccess-Orca to Host Webinar on Cutting-Edge Anti-Piracy Strategies Posted: 18/11/2019
Viaccess-Orca to Host Webinar on Cutting-Edge Anti-Piracy Strategies

Viaccess-Orca (VO), a global leader providing OTT and TV platforms, content protection, and advanced data solutions, announced today a new webinar titled, "Defining and Executing a Piracy Management Strategy Through Cutting-Edge Technologies and Services."

Ignoring piracy is not an option: the need for an efficient and personalized anti-piracy strategy is critical.

Nov. 26, 3:00 p.m. GMT --  register at http://bit.ly/37lP8Vh.

• Content piracy has evolved over the last few years with the democratization of IP-based video delivery.

• Pirates have found ways to bypass traditional content protection technologies, redistribute, and monetize pirated content.

• Broadcasters and service providers face immense pressure to increase subscribers, ensure revenues, avoid churn, protect their brand reputation, and comply with rights-holders' content-protection requirements.

• Licensing pictures or events on an exclusive basis has proven to be increasingly challenging for rights holders due to rampant piracy.

By relying on experts and specialized tools — such as dynamic watermarking, DRM, breach detection, and password-sharing identification — service providers can anticipate piracy risks, instantly identify the source of piracy, and take counteractions. The webinar will discuss why media companies should build a piracy-management strategy and how it can be supported by VO, a leader in content protection technologies.

 

Tags: Viaccess-Orca | Anti-Piracy Strategies | VO | OTT | TV platforms | Dr. Guillaume Forbin | Kevin Le Jannic
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