One of London’s newest high-end finishing houses, Youngster, is delivering uncompromised quality thanks to FilmLight’s unique BLG workflow. Youngster is using the innovative setup to provide seamless, renderless content exchange between Flame VFX, Avid editing and the Baselight grading and finishing suite. The BLG workflow is already being used on commercials including those for Treatwell and Mulberry as well as music videos for the likes of Joji, whose Sanctuary promo received over 14 million hits on YouTube in its first few days.
Burbank, CA-based Matthews Studio Equipment helps grips, electricians, and filmmakers in general solve the problems of the day on every set. When it comes to rigging lights, they work with lighting manufacturers to ensure the right tools are available for every job. Partnering with lighting pioneers Kino Flo, Matthews developed the MK-FS48 FreeStyle Rigging Kit and accessories to increase creativity and mount-ability while on-set.
FilmLight brings in Matthieu Straub to strengthen its international colour workflow team
Well-known French DIT and film workflow specialist, Matthieu Straub, has joined FilmLight. Based in Paris, he will provide technical advice and practical assistance to FilmLight clients in France and Benelux, as well as acting as the company’s voice in local key trade groups and with training partners in the production and post marketplaces.
BBC Street unlocks creative and technical opportunities with new Baselight TWO
BBC Street, the in-house post-production facility at BBC Scotland in Glasgow, has installed a new Baselight system to upgrade their grading and finishing suite with Baselight’s latest powerful 4K/HDR toolset and to improve their client experience.
FilmLight finishing gives distinction to Cannes winners
Two of the top prizes at this year’s Cannes Film Festival have gone to ground-breaking movies which rely on FilmLight colour science for their distinctive looks. Parasite, from Korean director Bong Joon Ho, took the Palme d’Or, while director Mati Diop won the Grand Prix for Atlantique (Atlantics), the first black female director to take the honour.
At NAB 2019 FilmLight adds more to modern colour finishing and delivery
With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline for collaborative workflows.
NAB 2019, 8-11 April, Booth SL8716: Cinegy, the global leader for broadcast playout software in the cloud, has announced that Cinegy® Air PRO 8K™ playout has been optimized to be easily scalable both locally and in the cloud, enabling everything from automatic infrastructure creation to complete and orderly destruction to be achieved through easily manageable code.
The next in the series of acclaimed FilmLight Colour Day masterclasses will be held alongside NAB on Monday 8th April 2019. Presented by industry leaders in creative grading, this intensive day will introduce colourists, DoPs and the wider production and post industry to the opportunities and challenges of modern colour finishing and delivery.
Baselight STUDENT, FilmLight’s free macOS application, has been enhanced with the innovative and creative advances from the core Baselight v5 software. Baselight STUDENT v5 will allow those developing their skills as a colourist to have the full range of creative features, based on the same platform as every Baselight system.
Broadcast Electronics launches CCC-1. RCP control for Teranex Standards Converters
Broadcast Electronics Limited are pleased to announce the launch of CCC-1, a unique device interfacing Sony Remote Control Panels (RCP) with the colour correction features of Standards Converters including the Blackmagic Teranex product range. Putting colour correction at the fingertips of vision engineers.
FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018
FilmLight will demonstrate its creative and technical commitment to Japanese television broadcasting and post-production with its own booth at Inter BEE 2018 (Makuhari Messe, Tokyo, 14–16 November, #3311). This marks both the five-year anniversary of the FilmLight office in Tokyo, and provides the opportunity to showcase the latest version of FilmLight’s colour grading and management platform, Baselight v5, for the Japanese market.
The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in HDR and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished series has been the responsibility of John Crowley, Senior Digital Colourist, working on the Baselight colour grading system from FilmLight.
Baselight innovation streamlines collaborative creativity at IBC2018
FilmLight is to demonstrate remarkably powerful new functionality for its colour grading and management platform Baselight at IBC2018 (Amsterdam, 14–18 September, stand 7.B26). The latest software will be shown on Baselight grading stations, and also implemented across FilmLight’s product range, which includes Prelight for on-set visualisation, the Daylight dailies system and the expanding Baselight Editions range for editing and VFX.
For the 86th Le Mans 24 Hours/24 Heures du Mans, AMP VISUAL TV, a premier provider of support services for live and outside broadcasts, and CyanView partnered to enable AMP VISUAL to leverage the creative possibilities of specialty mini-cameras – without the image quality loss that is normally associated with the devices.
FilmLights Worldwide Colour Tour brings key industry talents to the stage for IBC2018 Colour Day
FilmLight is to stage one of its hugely popular colour tour masterclasses at IBC2018 (RAI Amsterdam) on Sunday 16 September. This intensive day of live presentations and practical discussions is designed to guide colourists, DoPs and the wider production and post industry through the opportunities and challenges that HDR and new delivery formats bring, via demonstrations of the exceptional colour management and finishing toolset in the latest version of FilmLight’s colour grading system, Baselight v5.
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