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Top Honor for Women in Media WIM + ZEISS Altitude Awards Goes to Eszter Csepeli, HCA Posted: 28/06/2022
Top Honor for Women in Media WIM + ZEISS Altitude Awards Goes to Eszter Csepeli, HCA

ZEISS hosted the Women in Media WIM + ZEISS Altitude Awards Ceremony on June 9 to celebrate the recipients of the prestigious annual honors. Held at Cine Gear Expo in the Los Angeles Convention Center, the air was thick with anticipation as the auditorium filled with nominees, WIM members, and guests.

Tags: Zeiss | lenses | optics | cinema optics | resolution | frame rate | shutter speed | aperture adjustment | autofocus | broadcast | film | video | film | television | production | streaming | cinematographers | videographers | cinematography | filmmaking | ASC | director of pho
Submitted by Lewis Communications
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Tiffen Tech Day June 12, 2022 11:00am-4:00pm Posted: 04/06/2022
Tiffen Tech Day June 12, 2022     11:00am-4:00pm


The Tiffen Company opens up its Burbank Technical Center for a Sunday of hands on demos, Tech Talks and panels including: Moving Cameras, Creativity with Filters, A Conversation with Steadicam Inventor Garrett Brown, and more. 




Tags: Tiffen | Lowel | LED | filters | Ego LED | Photo | Video | production | lighting | camera support | filmmaking | diffusion | polarizer | mist | beauty filters
Submitted by Lewis Communications
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ZEISS Primes, Awards, and Live Events at Cine Gear Expo 22 Booth # 143 Posted: 04/06/2022
ZEISS Primes, Awards, and Live Events at Cine Gear Expo 22 Booth # 143

Renowned lens giant ZEISS is pulling out the stops at Cine Gear Expo June 9, 10, and 11, 2022 with a host of activities and events dedicated to cinematography

Tags: Zeiss | lenses | optics | cinema optics | resolution | frame rate | shutter speed | aperture adjustment | autofocus | broadcast | film | video | film | television | production | streaming | cinematographers | videographers | cinematography | filmmaking | ASC | director of pho
Submitted by Lewis Communications
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Mo-Sysannounces new line-up of courses for Mo-Sys Academy Posted: 24/05/2022
Mo-Sysannounces new line-up of courses for Mo-Sys Academy

Mo-Sys Engineering (www.mo-sys.com), a world leader in Virtual Production, Remote Production and Image Robotics, today announces that it has released a new line-up of guided Virtual Production training courses. This improved extensive programme has been carefully developed and will be delivered by Mo-Sys' Academy at its London HQ through summer 2022.

Tags: Mo-Sys | Mo-Sys Academy | Education | Virtual Production | ICVFX | LED | LED Production | Unreal | Broadcast | Filmmaking
Submitted by Manor Marketing
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David Cole Leads Filmmakers Academy Course on Color Grading and LUTs Posted: 05/05/2022
Dune and rsquo;s David Cole Leads Filmmakers Academy  Course on Color Grading and LUTs

Filmmakers Academy, the recently launched learning platform where professionals and novices alike can find the tools and resources to master their craft, announces a new course featuring master colorist David Cole (Dune, The Batman, Tron Legacy, Life of Pi). The course, "Color Grading: LUT Theory & Creation” is now available to Filmmakers Academy members online and via the app.

Tags: color grading | LUTs | interviews | online education | cinematography | photography | filmmaking | online | courses
Submitted by Emmanuel Bates Communications
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Versatile New LED Bulb for Lowel Rifa and trade; EX Lights Upgrade any Rifa EX 55, 66 or 88 softbox fixtures Posted: 05/05/2022
Versatile New LED Bulb for Lowel Rifa and trade; EX Lights Upgrade any Rifa EX 55, 66 or 88 softbox fixtures

Tiffen announces the ideal solution for extending the life of Lowel's popular Rifa EX lights. The new Rifa LED Bulb turns any existing Rifa 55, 66 or 88 softbox fixture into an efficient LED professional production light. As simple to install as any lightbulb, the new LED bulb twists and clicks into the existing Rifa socket. Its powerful output of 3300 Lux at 3 feet can be dimmed from 10-100% and adjusted from 2700K tungsten to 6400K daylight color temperatures with a TLCI range of 97-99. 



Tags: Tiffen | Lowel | LED | filters | Ego LED | Photo | Video | production | lighting | camera support | filmmaking | diffusion | polarizer | mist | beauty filters
Submitted by Lewis Communications
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New ZEISS Prime and Live Events at NAB 2022 See it at Booth # C7718 Posted: 22/04/2022
New ZEISS Prime and Live Events at NAB 2022 See it at Booth # C7718

At NAB 2022 ZEISS will show their high-end cine optics including the US introduction of the new wide 15mm T1.8 lens which completes the 14 lens Supreme Prime set. Attendees can also experience the Supreme Prime Radiance family, known for its ability to produce stunning blue flares. Glass enthusiasts can also check out the CZ.2 full-frame Cinema Zooms and CP.3 cinematography lenses as well as an array of optics for videography. 



Tags: Zeiss | lenses | optics | cinema optics | resolution | frame rate | shutter speed | aperture adjustment | autofocus | broadcast | film | video | film | television | production | streaming | cinematographers | videographers | cinematography | filmmaking | ASC | director of pho | NAB 2022
Submitted by Lewis Communications
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Introducing ZEISS Supreme Prime 15mm T1.8 Posted: 08/04/2022
Introducing ZEISS Supreme Prime 15mm T1.8

ZEISS introduces the Supreme Prime 15mm T1.8 to complete the successful Supreme Prime lens set, renowned for outstanding quality, light weight, and cinematic look. The 14-piece cine lens series ranges from 15 to 200mm with maximum apertures of T1.5 to T2.2. ZEISS covers a full range of focal lengths in demand by cinematographers from around the world.

Tags: Zeiss | lenses | optics | cinema optics | resolution | frame rate | shutter speed | aperture adjustment | autofocus | broadcast | film | video | film | television | production | streaming | cinematographers | videographers | cinematography | filmmaking | ASC | director of pho
Submitted by Lewis Communications
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Women in Media + ZEISS Altitude Awards Posted: 08/04/2022
Women in Media + ZEISS Altitude Awards

ZEISS Cinema Americas and Women in Media celebrate Women's History Month with the new Altitude Awards. These Awards honor the technical and artistic achievements of creatives who are making meaningful, well-crafted stories in the camera and lighting departments. The competition is open to professional and student WIM members working as cinematographers, camera operators and gaffers. First prize is $3000 cash and a full week use of ZEISS Supreme Prime or Supreme Prime Radiance lenses.

Tags: Zeiss | lenses | optics | cinema optics | resolution | frame rate | shutter speed | aperture adjustment | autofocus | broadcast | film | video | film | television | production | streaming | cinematographers | videographers | cinematography | filmmaking | ASC | director of pho
Submitted by Lewis Communications
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Mo-Sys Innovation Solves Multi-Camera Switching For LED Volumes Posted: 05/04/2022
Mo-Sys Innovation Solves Multi-Camera Switching For LED Volumes

Mo-Sys Engineering, a world leader in virtual production (VP), remote production, and image robotics, today announced that its award-winning cinematic content server for LED volumes, VP Pro XR has been further improved to incorporate seamless multi-camera switching. The upgrade fully orchestrates multi-camera switching to overcome the typical 5-6 frame refresh delay experienced by all LED volumes when switching between cameras.

Tags: Mo-Sys | Multi-Camera | VP Pro XR | Virtual Production | NAB Show 2022 | Remote Production | LED | Live FX | Cinematic XR | cameras | broadcast | filmmaking | cinematography | NAB 2022
Submitted by Manor Marketing
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Steadicam Now Available in New Cost-Effective M-2 Core Kits Posted: 01/03/2022
Steadicam and reg; Now Available in New Cost-Effective M-2 Core Kits

The most integrated and adaptable Steadicam® system ever made is now available in a more affordable option with the introduction of the new M-2 Core Kits. Specially configured and priced to provide operators with an entry point into the Steadicam M-Series ecosystem, the M-2 Core Kits utilize the same lightweight components and modular design that has made the M-2 an industry standard. All M-Series components and accessories including the Steadicam Volt™ are designed to be fully compatible, so as an operator’s needs change, their M-2 system can adapt with them.

Tags: Tiffen | Lowel | LED | filters | Ego LED | Photo | Video | production | lighting | camera support | filmmaking | diffusion | polarizer | mist | beauty filters
Submitted by Lewis Communications
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ZEISS Supreme Primes Work Day and Night for Plan B and mdash; Cinematographer Sandra Valde-Hansen on Large Format Posted: 10/02/2022
ZEISS Supreme Primes Work Day and Night for Plan B and mdash; Cinematographer Sandra Valde-Hansen on Large Format

Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for Natalie Morales' film Plan B. This road movie, now streaming on Hulu, follows a pair of teenaged friends during a day-and-night search for emergency contraception. To support the production design filled with rich night exteriors, Valde-Hansen chose ZEISS Supreme Primes to shoot large format at wide apertures on the Sony Venice camera.

Tags: zeiss | optics | lenses | Sandra Valde Hansen | cinematographer | director of photography | production | filmmaking
Submitted by Lewis Communications
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ZEISS Cinema Americas Expands to Better Serve Cinematography Community Posted: 16/11/2021
ZEISS Cinema Americas Expands to Better Serve Cinematography Community

In an industry that relies heavily on collaboration to combine technical excellence with inspiring creativity, the last two years have been a unique challenge. The ZEISS Cinema Lens team, meanwhile, has worked hard to not only continue communications, but to also expand and improve its capabilities across the Americas. Whether it’s from behind masks or monitors they have been actively engaging with the filmmaking community, unveiling new technology, maintaining channels, sponsoring online events and film festivals, and producing their Studies in Cinematography series with the likes of Greig Fraser, ASC, ACS, Matthew Libatique, ASC and Alice Brooks, ASC.

Tags: zeiss | lenses | optics | cinematography | filmmaking
Submitted by Lewis Communications
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Matysiak Picks New Lenses and Tiffen Filters for an Unforgiving Western Look on Old Henry Posted: 10/11/2021
Matysiak Picks New Lenses and Tiffen Filters for an Unforgiving Western Look on and quot;Old Henry and quot;

Reaching for a historic lens is an almost instinctive choice for modern cinematographers, especially those keen to transport an audience back in time. On Old Henry, cinematographer John Matysiak took a different approach to creating a realistically harsh and unforgiving world for director Potsy Ponciroli's western. Inspired by photographers of the time, Matysiak used carefully chosen Tiffen diffusion filters to control contrast and sharpness while also enjoying the consistency and speed of precise modern lenses.

Tags: Tiffen | Lowel | LED | filters | Ego LED | Photo | Video | production | lighting | camera support | filmmaking | diffusion | polarizer | mist | beauty filters
Submitted by Lewis Communications
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Introducing Tiffen Warm Diffusion Filters Posted: 06/10/2021
Introducing Tiffen Warm Diffusion Filters

Renowned filter manufacturer, The Tiffen Company, adds a new line of problem-solvers to their vast array of front-of-the-lens optical filters. Tiffen’s Warm Diffusion family premiers three distinctive innovations—all aimed at giving new cinematic looks to today’s diverse array of complexions, dark to light—in camera. Each filter in the series offers the benefits of Tiffen Filter’s effective yet natural-looking diffusion while adding a warm overtone.

Warm Diffusion filters create a soft warm glow and smooth out fine details in the skin, while maintaining definition—yet each series has it own visual personality.



Tags: Tiffen | Lowel | LED | filters | Ego LED | Photo | Video | production | lighting | camera support | filmmaking | diffusion | polarizer | mist | beauty filters
Submitted by Lewis Communications
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