The Space Race


Bob Pank#
You would have thought that the Royal Wedding, with its forecast record global viewing, would be available in 3D. Reports in the Guardian newspaper say that Sky 3D was keen to provide a complete 3D service, and indeed they did have cameras to shoot the outside scenes but access inside the Abby was denied. The paper also reports reasons given as ‘camera footprint’ and the ‘relatively small (albeit growing) audience’. What a shame, I would have paid money to see the cartwheeling verger in 3D!
 
As it was the Abby, over 900 years old and not built with TV cameras in mind, was probably hosting more technical equipment than ever before and it all had to be hidden away and not impede the ceremony or the guests in any way. And it is so often the case that TV, probably watched by hundreds of millions in this case, has to be tucked away and unobtrusive.
 
On a wider, everyday, front there is real concern about rigs in sports stadiums. A rig placed in a stadium may take up valuable seating (TV always wants to be at the best seat in the house), or obscures the views of the crowd. 3D has a bit of a problem here as, for football at least, lower camera angles are favoured, so placing more equipment among the fans best seats. The other problem is that some rigs are really big – especially those designed for long zooms. Then it gets worse as you have not just the two powerful bulky lenses in front of two camera bodies, but also a rig that will widen the interaxial distance as the lenses zoom, to give meaningful 3D to distant objects.
 
And another thing, the discussion continues about having separate 2D and 3D productions for the same event. If 3D is piled on top of 2D then there will be more cameras and more valuable seating space is given over to the cameras. The idea, originally put forward in this column, of having just one production to cover ‘Both Ds’, is being hotly debated. 3D Diaries believes this will be ultimately driven by money; there is very little extra cash on the table for 3DTV. Of course, someone will actually do this soon, and only then we’ll know if it really works.
 
In the meantime discussion continues. It was interesting to see TVB Europe report that at NAB, the use of common 2D/3D camera positions was favoured by director James Cameron and rig innovator Vince Pace. Duncan Humphreys from UK 3D production company CAN Communicate commented, “One size does not fit all and for most sports a separate 3D cut is necessary.” This debate will run and run.
 
Anyone for Tennis?
Space in the favoured viewing positions is always at a premium at any popular sporting venue. The summer tennis tournaments are now in full swing with 3D on offer from, at least, the French Open at Roland Gaross, Paris and, for the first time, Wimbledon. Interestingly tennis is shot very differently to many other popular TV sports such as football (all types), cricket and golf. The difference is that the playing area for tennis is far smaller. This means the cameras are much closer to the action so big the zooms over long distances – resulting in big rigs with wide interaxial settings to show 3D depth where we don’t normally see it – should not be necessary. As these long 3D shots often look artificial, producing the ‘cardboard cut-out’ effect, it’s good that these big rigs should not be needed... well, not much.
 
The popular high wide-angle shot showing the whole tennis court would probably not show much 3D, but there are always plenty of low-angle shots which should look excellent. It used Alfacam production facilities with Panasonic providing equipment including cameras such as the new compact AG-3DP1 twin-lens x17 zoom 3D camera, which experienced its first live event, and a somewhat larger side-by-side rig with two AK-HC1800 box cameras.
 
At Wimbledon, the live 3D production is provided by Sony in partnership with the BBC. The output is offered to interested global broadcasters while SuperVision Media, Sony’s theatrical distribution partners, is making the feed available to 3D cinemas worldwide. Many companies are involved including CAN Communicate supported by Quantel. All this activity and cross-industry support shows just what an effort live 3D coverage of a big event can still be. And this is just for the last few matches on Centre Court. However many people will be watching – some at home!
 
Twelve months is a long time in 3DTV. Last year Roland Gaross coverage included 3D that was shown in just 3,000 European retail stores. This year the 3D coverage for Eurosport was available in the homes of 17 countries across Europe. In the UK the French action was on Virgin Media. That is clearly a good step for 3DTV, but as important is the retail interest with more than 7,500 shops showing it this year.
 
Yes, space is important. One of the major gripes of 3DTV detractors has been the lack of content. It would have been wonderful to see that wedding ceremony in 3D but the necessary smaller cameras that surely would have made the difference, are only now becoming available. More 3D is being produced and the size of the audience, deemed too small by some, is growing while the size of cameras is shrinking – a win-win for 3D.

Tags: iss054 | 3d diaries | royal wedding | wimbledon | tennis | 3d | alfacam | can communicate | Bob Pank#
Submitted by Bob Pank# Read this article in the tv-bay digital magazine
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Articles
The changing face of streaming
Jake Ward I have been in the streaming business for more than 20 years and I've witnessed a number of major shifts in the industry. Currently we are experiencing such a shift as we see a massive increase in users viewing content but also a sea change in how it's being discovered and viewed. Over the last few years there has been a continual rise in the use of online video, with Cisco predicting 82% of all Internet traffic will be video by 2020 . By 2020 there will be nearly a million minutes of video content being delivered every second. The sheer volume of video makes it more important to understand how to ensure your content reaches its audience.
Tags: iss115 | streaming | facebook | api | Jake Ward
Submitted by Jake Ward Read this article in the tv-bay digital magazine
Intimate and Extreme
Tony Valentino It's the intimate views and unusual angles that make the difference to the viewers' enjoyment of any event, and specialist RF cameras can turn a Director's vision into a production that's as gripping as being at the game - or almost
Tags: iss115 | aviva rugby | rf camera | Tony Valentino
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FBI Interview
Ann Charles This issue we chat with Ann Charles, a freelance Broadcast Technology and radio production consultant. Give us your elevator pitch. Who are you and what do you do? Hello, I'm Ann Charles and I'm a Radio Production and Technology Consultant. I help individuals and companies get the most out of their station's technology so they can make the best programmes in the world.
Tags: iss115 | fbi | femaies in broadcast | sudan | Ann Charles
Submitted by Ann Charles Read this article in the tv-bay digital magazine
Everything you need to know about true IP
Joop Jensen In its own way, every trade show - whether IBC, NAB or CABSAT - is full of firsts. New companies, new partnerships and most importantly, new product releases all want to make their presence known. Nearly all of these firsts however are either a) in response to a hot industry topic or trend or b) trying to predict the next industry trend.
Tags: iss115 | true ip | aperi | Joop Jensen
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Up in the air with Dick
Dick Hobbs. In the last issue of this magazine was a very interesting article by Lee Sheppard of SGL, talking about the pros and cons of archiving in the cloud. While there is a lot of conversation about cloud storage, its pluses and minuses, I have to confess to still being slightly confused about the practicalities and economics of it. So armed only with Google and the calculator on my iPhone I set about some back of envelope thoughts.
Tags: iss115 | sxs | sgl | archiving | cloud | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
Do you have a MAM solution
Paul Wilkins One of the top questions I get asked at trade shows is, "Do you have a MAM solution?" Well, yes. Of course. It's what we do; but thank you for asking. What you should be asking is, "What differentiates your MAM solution from the rest of the MAM pack?"
Tags: iss115 | mam | tmd | mediaflex | Paul Wilkins
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On the road with AMG
Andy Glossop Established in 1994, AMG Television Productions started out as a video production company filming small club rallies on a local basis. The first TV contract came in 1995 when they were commissioned to film the Safety Devices Hillrally for a program on Sky Sports. The following year they filmed the complete Hillrally championship along with several rally championships.
Tags: iss115 | rally | outside broadcast | edius | Andy Glossop
Submitted by Andy Glossop Read this article in the tv-bay digital magazine
Freelance finance
Peter Savage 2 As a freelance cameraman working on varied productions, you need to be sure you always have the right kit for the job. Acquiring the latest equipment is a necessity, not a luxury; the difficulty is being certain you will be able to manage the cost. How can a freelancer be sure he can finance his equipment?
Tags: iss115 | freelance | finance | Peter Savage 2
Submitted by Peter Savage 2 Read this article in the tv-bay digital magazine
OTT - is it over the top or business as usual
Bruce Devlin OTT is a term that is casually bandied about as though everyone knows what it is, but is there really a single definition? Hopefully this little guide will have you speaking the jargon like a native!
Tags: iss115 | ott | over the top | class | mr mxf | Bruce Devlin
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Seeing things with a 360 viewpoint
Michael Parsons One of the benefits of working in teaching support is you often get opportunities to explore and experiment with lots of new kit that has been purchased for teaching or research. I have spent the past couple of years supporting the activities that take place within the Creative and Cultural Industries TV Studios (CCI TV for short) at the University of Portsmouth, and I assist in all kinds of areas such as live video production, video editing and outside broadcasting. Aside from sharpening my own skills I also get to help others learn and develop as well.
Tags: iss115 | tvfutures | portsmouth uni | ccitv | 360 | vr | Michael Parsons
Submitted by Michael Parsons Read this article in the tv-bay digital magazine
The true benefits of the media factory ideal
Julian Fernandez-Campon As an industry we know that to be successful in the new multi-platform, multi-format environment there are hurdles that broadcasters and other content owners must overcome. These include: the introduction of non-linear offerings, which require different services to be managed in parallel; the reduction of revenues from conventional linear channels, which increases output while reducing costs; access to content across multiple platforms; and integration of news and production environments and the business systems that control them. So how can this be achieved?
Tags: iss115 | tedial | uhd | mam | opl | Julian Fernandez-Campon
Submitted by Julian Fernandez-Campon Read this article in the tv-bay digital magazine
The modern day media manager
Jonathan Aroesty As industry trends move towards all file-based workflows from production to post production, there are several concepts and traditional industry practices that need to be modified and adapted for the transition. This spans throughout the entire production process in order to ensure that all deliverables are being recorded, edited and stored within the requirements of the designated workflow.
Tags: iss115 | pronoloy | mam | Jonathan Aroesty
Submitted by Jonathan Aroesty Read this article in the tv-bay digital magazine
High throughput satellite meets the challenge of IP media
Simen Frostad For some time, many people in the media industry have been wondering how much longer satellite could remain a major player now that the era of 4K is upon us and there is such a rapid proliferation of channels. There just isn't the throughput for these new services on the current generation of satellites, so the argument goes, and the costs per gigabit for a 4K channel would have been prohibitive.
Tags: iss115 | ip | satellite | bridge technoloiges | hts | ka-sat | Simen Frostad
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Making OTT monitoring and compliance manageable and economical
Gary Learner Consumers today regularly use their smartphones, tablets, and other connected devices to view Internet-delivered content. While their widespread embrace of over-the-top (OTT) services via an array of distribution outlets present today's video program owners and distributors with tremendous opportunity, it also presents new challenges in ensuring not only service quality, but also compliance with FCC regulatory requirements.
Tags: iss115 | volicon | ott | fcc | Gary Learner
Submitted by Gary Learner Read this article in the tv-bay digital magazine
News production with an IP workflow
Helge Hoibraaten Broadcast workflow used to be all about tapes. Shooting on tapes, putting tapes into machines, copying from one tape to another, using very expensive gear and costly workflows, with scarce resources and high skill levels.
Tags: iss115 | ip | Helge Hoibraaten
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Ask the experts - Transitioning to IP
Craig Newbury Transitioning from conventional signal transport to an all-IP environment in broadcast or content production operations seems to be a matter of "when" rather than "if," as it brings a great number of advantages with it.
Tags: iss115 | wohler | ip | Craig Newbury
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Innovations getting you ready for the transition
Menno Koopmans There has been much speculation about the migration away from cable and the potential disappearance of set top boxes. However, regardless of what happens in the future, we cannot escape the fact that a multitude of sources is streaming content into people's living rooms and this is having a significant impact in consumer's use and choice of devices. Whether it is cable, satellite or broadband, the ability to control and interact with this content has increasingly grown in complexity and the choice of viewing and device options is becoming more diverse.
Tags: iss115 | uei | ip | Menno Koopmans
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The new world of playout
James Gilbert Consumers know what they expect from a television channel. They expect programmes, of course, but they also know they are going to get commercials, trailers, station idents, graphics, break bumpers, squeezebacks and hot starts, bugs and brand identities, and more.
Tags: iss115 | pixel power | playout | ip | James Gilbert
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OTT A Multiscreen Environment
Sefy Ariely Just when pay-TV operators and content providers seemed to be facing an insurmountable number of challenges related to OTT multiscreen delivery, the cloud has emerged as their saving grace. During this Q&A session, Sefy Ariely, EVP Americas at Viaccess-Orca, discusses the advantages of using a complete cloud-based TV Platform as a Service (PaaS) for OTT multiscreen delivery, explaining the differences between relying on the CAPEX vs. OPEX model for broadcast delivery, from an infrastructure and cost point of view.
Tags: iss114 | ott | pay-tv | paas | tvaas | Sefy Ariely
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Public Speaking - do not be afraid
Samantha Arlow May 24th saw the first FBI Members ' event held in London, with guest speaker Jo Hind channeling her Media and Marketing experience gained from a career spanning TV and Digital for big hitters including AOL and Google into an entertaining and inspiring presentation titled 'Why women should speak in public, and how to do it '.
Tags: iss114 | fbi | females in broadcast | jo hind | public speaking | Samantha Arlow
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The Challenges of Streaming
Joseph Ail The purpose of this article to highlight the challenges facing small and medium streaming services. It is intended to look at how to achieve successful live and pre recorded content by means of streaming. In this article I would like to share the knowledge and the experience I have gained so far. I will also talk about the kit I use, how it is used and the methods I have developed. Another aspect of this article is LOGISTICS which is a very big part of streaming.
Tags: iss114 | streaming | iptv | vod | Joseph Ail
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Looking back at a typical day working on Top of the Pops
Graham Reed A few weeks ago I was watching television and caught a bit of 'Top of the Pops ' from 1984, and I thought, 'Was this one of the programmes I worked on? ' I was privileged enough to be a staff cameraman at the BBC for 20 years, during that time I was able to work on many great shows: Only Fools and Horses, Blue Peter and Two Ronnies to name but a few.
Tags: iss114 | top of the pops | totp | ittp | Graham Reed
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It is not is but when it will happen to you
Leighton Chenery Most businesses use "the cloud", either internally for services like payroll processing or an employee benefits portal, or externally for customer relationship management, data storage or payment processing. But how does this impact your Insurable Risk? No doubt, it definitely complicates things.
Tags: iss114 | insurance | cyber | cloud | Leighton Chenery
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Canon C300 MkII Reviewed
Ben Sherriff It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a solid staple of broadcast / reality production, independent film and online content. In fact, it became the most hired camera in Great Britain, so when I was offered the opportunity to shoot for two weeks with the MkII on a job and review the camera for KitPlus, I was keen to really get to grips with the new offering.
Tags: iss114 | canon | c300 mkII | DSLR | steadicam | Ben Sherriff
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Networking with the GTC
Duncan Payne The annual Guild Of Television Cameramen ( GTC ) Open Day and AGM was held recently in the Oxfordshire countryside on a sunny Sunday. It's a while since I've attended one, and the welcome was as warm and friendly as it always has been.
Tags: iss114 | guild of television camermen | gtc | country | awards | azule | finance | Duncan Payne
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Top 10 Tips for Saving Time in Post
Max McGonigal Whether you're working on a shoestring or with feature film budgets, every production is under pressure to save money. And while cutting back on crew and downgrading your gearlist are effective ways of reducing costs, they invariably also reduce production value.
Tags: iss114 | forscene | post production | editing | forbidden technology | Max McGonigal
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Building Out Storage for UHD
Andy Warman As the next big thing in video, from capture and production through to display in the home, 4K and ultra-high-definition (UHD) video offers many benefits. Most notable of these is an eightfold increase in resolution as compared with 1080i, the established standard for HD broadcast. A number of other significant enhancements to image quality are also helping to drive interest in the adoption of this format.
Tags: iss114 | uhd | storage | harmonic | Andy Warman
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Soutions for Portable Storage
Beth Zarkosh We all know how frustrating it can be to keep losing data because your hard drive keeps packing in, right? So, I 've done my research to help you choose the best portable hard drives with a focus for the 'on the go ' editor of today!
Tags: iss114 | storage | gtech | seagate | g-drive | transcend | western digital | toshiba canvio | seagate seven | istorage | lacie mirror | Beth Zarkosh
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TVFutures looking back at the class of 2015
Charlie Watts In a review of the academic year, KitPlus looks back over all of the contributions from students (and staff) and asks for one last comment 'with an eye to the future'
Tags: iss114 | university | portsmouth | citv | education | training | Charlie Watts
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Bridging the Gap between Broadcast and Online
Petter Ole Social media and VOD services have increasingly become more important platforms for the telling of news and current affairs stories. Just a few years ago news producers would create a show for a particular time slot but now, news segments are published online almost immediately after being created. To do this however, each platform having its own format and preferred settings, content must be exported for upload in a specific way.
Tags: iss114 | vizrt | vod | Petter Ole
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Meeting the Challenges of Media Assett Management
Dave Clack It's been 20 years since Microsoft founder Bill Gates uttered the words "content is king," and never has that statement been more true in media production environments. And yet, ask producers in any high-pressure broadcast operation to name their biggest challenges, and you can bet that managing video assets - finding them, accessing them, and using them efficiently and effectively - is high on the list.
Tags: iss114 | mam | hdr | nas | lfts | lto. catdv | Dave Clack
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Bringing Realiability to the Unpredictability of Reality TV
Martin Bennett Synonymous with reality TV, Endemol 's 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cameras covering the action and antics, the production team, who were located on a neighboring island fours hours away by boat, brought an EditShare XStream EFS with integrated Flow to wrangle the 20 to 30 hours of footage they received per day.
Tags: iss114 | xstream | EFS | editshare | airflow | Martin Bennett
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Girl Power
Dick Hobbs. This month I was going to write about something important about the future technological platforms of our industry. It would have been incisive, enlightening and enriching. It really would have been.
Tags: iss114 | girl power | snh48 | Dick Hobbs.
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The Pros and Cons of Archiving in the Cloud
Lee Sheppard Archiving content in the cloud provides a number of key benefits. However, many media companies and content owners are still hesitant to store their assets that way due to content security implications and cost concerns. So what are the pros and cons of storing content in the cloud?
Tags: iss114 | archiving | cloud | pfr | encryption | Lee Sheppard
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Content Security in the CLoud
Bruce Devlin Security is a difficult topic. There is no such thing a generic security. You always secure yourself against specific threats and hope the solution is generic enough to cover other similar classes of threat. For example - placing an expensive lock on the front door of your house prevents the specific threat of gaining access by using the door handle on the door. It gives you no protection at all from someone using a diamond tipped chainsaw to cut through the house to make a new door.
Tags: iss114 | cloud security | saas | paas | Bruce Devlin
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Breakthrough
Julia Belle How do you become a Hollywood Film Producer? Or a Second Assistant Director? Or a Gaffer? Truth is, theyre not particularly straight-forward questions to answer. But that doesnt mean you should give up there and start working in a jam factory as your school careers advisor recommended.
Tags: iss113 | Anattic | Tucano | Director | Gaffer | Film Producer | Julia Belle
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Smaller, Lighter, High-Capacity Batteries
Steve Emmett The desire for longer run-times from smaller and lighter batteries, has always been keenly felt by users of high power consumption digital cinema style cameras. The new generation of cameras is smaller but the power consumption, in most cases, has increased. High-capacity Li-Ion batteries of 150Wh or more provide longer run-time, but with increased capacity comes increased size and weight.
Tags: iss113 | Batteries | NAB 2016 | PL150 | PAG | PL96 | RED | PL150e | Steve Emmett
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A Marathon Filming Review
Simon Tillyer A marathon filming review... 60+ interviews filmed, edited and promoted within 24 hour... A 26 mile marathon in anyone's world is a long way with cobbles, uneven surfaces, steps and thousands of people in your way. However I'm not talking about the recent London Marathon but our adventures' at NAB 2016 in Las Vegas.
Tags: iss113 | NAB 2016 | DVX-200 | PIX-E5 | IDX SL-VBD96 | NP-F | Simon Tillyer
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TV Futures
Gemma Frith I used to hate audio. Every time we recorded audio on a location shoot, something seemed to go wrong. It was a nightmare. And because I didn't understand it, I avoided it and would do anything to not be responsible for recording sound. However, eventually it got to a point where I hated how much I hated audio more than I hated audio itself! It became frustrating that I couldn't get it right, and I didn't want to have to avoid it anymore; I wanted to become a master of audio. That may have been slightly ambitious, but still, I was going to try.
Tags: iss113 | Audio | TV | CCI TV | Radio | Student | Gemma Frith
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Remote Production
Jim Green Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely.
Tags: iss113 | Calrec | Latency | Control | infrastructure | IFB | DSP | AES67 | Ravenna | Dante | SMPTE 2022 | Jim Green
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Audio
Pieter Schillebeeckx Audio monitoring has come a long way since its humble beginnings of a box with a speaker, a volume control and an analogue input. Today's high-end audio monitoring units boast an impressive array of I/O such as SDI, MADI, AES-3 and Analogue while offering a large amount of functionality such as accurate metering, loudness measurement, Dolby decoding, metadata analysis and video confidence monitoring. There is however a huge storm brewing in the world of broadcast in the form of video and audio over IP, which will turn everything upside down.
Tags: iss113 | Audio | Audio Monitoring | SDI | MADI | AES-3 | S2022-6 | TR-03 | TR-04 | IP | AES67 | Dante | Ravenna | 3G-SDI | TSL | MADI | PAM-IP | Pieter Schillebeeckx
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Sound Devices: My Choice For Everything Audio
Darren Brisker Ever since I can remember, I have had a passion and curiosity for sound and sound recording. For the past thirty years, I have had the good fortune of turning that desire into a career as a production sound mixer working on incredible projects, including three of The Twilight Saga films. During my three decades in the industry, I have always prided myself on using the best equipment available, in order to capture the best sound possible. Equipment selection is critical to success, and the game was forever changed when Sound Devices entered the mix.
Tags: iss113 | Sound Devices | Audio | 744T Recorder | SL-6 | 688 | 664 | Comtek BST 216-75 | Sennheiser | Sanken | MixAssist | Darren Brisker
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Our Time At NAB 2016
Beth Zarkosh We were lucky enough to visit this year's NAB Show in Las Vegas, and we must say there were some real treats on show! Here's just a few things that stood out for us and worth keeping your eye on.
Tags: iss113 | NAB 2016 | Virtual Reality & 360 Degree Videos | Black Magic | DaVinci Resolve 12.5 | EDIUS 8.2 | Colour Correction | Motion tracking | GoPro Omni | Canon | Sony | Panasonic | 4k | Beth Zarkosh
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5 Things I Saw At NAB
Peter Savage 2 ARRI Trinity stabilisation It may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis gimbal head, a monitor mount and joystick that attach to the gimbal handle, a battery hanger module and a pendulum that allows for perfect 'drop down' moves. As it works with a vest, it is essentially a cross between a steadicam and a small crane. The shots you can get with this are incredible. It was first s
Tags: iss113 | NAB 2016 | ARRI Trinity Stabilisation | Sony Media Backbone Hive | PVM-X550 | CAPEX | OPEX | OLED | Leyard & Planar 8k video wall | Atomos | Atomos Shogun Inferno | Shotover U1 | Peter Savage 2
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Sin City
Dick Hobbs. I am writing this is the immediate aftermath of yet another NAB. For me that means a week of walking around,talking to a wide variety of people and taking the temperature of the industry.
Tags: iss113 | NAB 2016 | 4k | HDR | Oculus Rift | Heath Robinson | Nokia | Dick Hobbs.
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Females In The Broadcasting Industry
Emma Clifford You're hiring. You're reviewing CVs.You're not bothered about names are you? What matters are skills, experience and the competencies of the candidates, right? Wrong! You probably have unconscious bias.
Tags: iss113 | FBI | Females | STEM | Science | Technology | Enginreering | Maths | CV | STEMNET | Girls in Tech UK | Future Tech Girls | Emma Clifford
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Class: Multi - Channel Audio
Bruce Devlin If you're given a media file and it has 16 channels of audio then life can quickly become the opposite of boring, especially if it has to go to air quickly and the supplier is new. Put simply there are many ways in which the different channels can be laid out in the file, but there isn't a single overall standard for labelling them. Enter SMPTE ST 377-4 - the Multi-Channel Audio Labelling specification (MCA). It's really boring and this is a good thing.
Tags: iss113 | Audio | Media | Multi-Channel Audio | MCA | MXF | GUI | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
NAB Review
Duncan Payne As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over 100,000 attendees and nearly 1900 exhibitors. Right from the first morning of the show, my social media feeds have been full of reviews of amazing products and technical advancements, many of which I just didnt get time to see.  Here, however, are some highlights of the things I did manage to get to.
Tags: iss113 | NAB 2016 | Las Vegas | Black Solo | Kahuna | C-Cast | ObjectMatrix | Nexis | Matrixstore | XStream | Alexa 65 | XT | SXT | Varicam LT | Dual Iso | PTZ | HDC-4800 | PXW-Z450 | HDC-4300 | L10 | L20 | L30 | C300 | Canon | CN18-80 4K | ENG style 4k | NDI | Duncan Payne
Submitted by Duncan Payne Read this article in the tv-bay digital magazine
Loudness Measurement and Control Strategies For The UK Broadcast Market
Manik Gupta A common issue that today's broadcast ,cable, and satellite operators face is inconsistent loudness. Over the years, the loudness levels of some commercials have been deliberately increased to catch audiences' attention. Ultimately, inconsistent loudness between regular programming and advertisements has discouraged continued viewing and resulted in consumer complaints.
Tags: iss113 | Loudness Measurement | Loudness | EBU R128 | EBU | LKFS | LUFS | Manik Gupta
Submitted by Manik Gupta Read this article in the tv-bay digital magazine
Measurement and Visualization of Loudness
Michael Kahsnitz Today's audio engineers and editors have to fight various battles, including constantly shrinking production budgets, less time to create the final program content and more tech specs to match than ever. For this compilation, we take a deeper look at the required major indicators common to all the standards.
Tags: iss113 | LUFS | LKFS | TV | Loudness | Audio | Measurement | Visualization | Michael Kahsnitz
Submitted by Michael Kahsnitz Read this article in the tv-bay digital magazine