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Key Grip Woolf Secures the Gear for GUILLERMO DEL TOROS P...

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Jonathan Woolf has gathered a wealth of trade secrets from half a century working in the motion picture industry. His recent chapters have led him to key grip the miniatures unit on Peter Jackson’s Lord of the Rings Trilogy and act as a lighting technician on the 2022 Guillermo Del Toro’s Pinocchio. Woolf’s big job on Pinocchio was to find reliable...

Submitted by Kathryn Ferentchak

Published 08 September 2023

Cinematographer Matt Ryan pairs ZEISS Supreme Primes and...

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LA based cinematographer Matt Ryan’s enthusiasm for finding the most capable technology to support his creative process has enabled him to shoot across genres and formats. As a Director of Photography, Ryan has shot television for such networks as Disney, FOX, Warner Bros, MTV, PBS, and TruTV. Outside of narrative, Ryan has lensed high-profile comm...

Submitted by Kathryn Ferentchak

Published 08 September 2023

From ISDN to LiveU - an interview with Simon Haywood and...

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“Why are people still using SNGs when there’s the reliability, mobility and flexibility of IP-bonding, and that’s without factoring in greater sustainability? It's always surprising to us that some people, when we discuss LiveU with them, still haven't recognised the truly disruptive nature of this technology and the benefits it brings. But that is...

Submitted by Joss Armitage

Published 09 August 2023

Lets do the Time Warp

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Time Warp is one of the biggest indoor electronic music events in Europe if not the world, and recently returned to its spiritual home in Mannheim, Germany for the first time in four years for a sold-out attendance that saw 30,000 people soaking up world-class sound. The influential festival was hosted across six floors of Maimarkthalle, a huge...

Submitted by Patrick Hussey

Published 05 July 2023

Kiloview Powered the Live-Stream of Formula X Racing Week...

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When tasked with the outdoor live streaming of the Formula X Racing Weekend, the organizer turned to Kiloview to achieve A FULL IP-BASED video live streaming. Formula X Racing Weekend is an Italian motorsport championship that competes on the main racetracks and includes numerous categories, generating an ever-increasing level of attention over...

Submitted by Seth Ma

Published 04 July 2023

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...

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Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna

Published 27 June 2023

HPA Awards Committee Opens Call for Proposals for 2023 HP...

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Submissions Accepted Until June 16 The HPA (Hollywood Professional Association) Awards Committee has announced the opening call for submissions for the 2023 HPA Engineering Excellence Award. The highly competitive, coveted honor recognizes and celebrates innovation and outstanding technical and creative ingenuity in media, content production, f...

Submitted by Kate Eberle

Published 23 April 2023

Magine Pro and Appear partner to transform and optimize S...

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Appear, the global leader in media processing and delivery technology, and Magine Pro, the platform for B2B managed services for OTT, have been chosen by Sappa to transform its OTT linear distribution media workflow to include fully on-premise transcoding. Sappa has migrated its existing cloud-based workflow to Appear’s NEO20 on-premise live transc...

Submitted by Katya Pristiyanti

Published 17 April 2023

PSSI Global Services deploys Appear X Platform for REMI c...

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Appear, the global leader in media processing and delivery technology, has been chosen by PSSI Global Services to deliver contribution backhaul for REMI-based productions for the Ultimate Fighting Championship (UFC®). PSSI Global Services will launch Appear’s X Platform for its global distribution of UFC coverage, beginning in May 2023. Appear’...

Submitted by Katya Pristiyanti

Published 17 April 2023

Calrec Craft Interview: Florian Brown, A1

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Craft Interview: Florian Brown, A1   Summary: Last year, veteran A1 Florian Brown spent a full day at Florida-based Full Sail University talking to students about what it’s like to work as an A1 and the benefits of working in the broadcast audio. His talk covered many of the different freelance possibilities in audio, video, EVS, editing and...

Submitted by Alicia Root

Published 06 April 2023

Honey, I shrank the data. How DNA storage could reduce th...

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By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus

Published 17 March 2023

The Future of Broadcast Technology

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What vision do you have of the broadcast technology business moving towards 2030 and beyond?We are currently in the middle of a transition phase with migration to several new technologies, from the move to IP-based infrastructure and the shift from linear to video-on-demand (VOD). The question for all of us is how long that transition phase will l...

Submitted by Sebastian Richter

Published 18 August 2022

Spotlight on James Gilbert, Director of Product and Solut...

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What vision do you have of the broadcast technology business beyond 2030?Over the next eight years we are going to be in transition, and within that there will be vastly different rates of change among content owners and media organisations. As a technology provider the onus is on us to be flexible and adaptable to meet this wide range of requirem...

Submitted by James Gilbert

Published 25 July 2022

Spotlight on Karl Mehring, Director of Professional Servi...

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How has the role of Professional Services evolved in recent years?Installation of equipment has always been important and has primarily been in-person. While in-person is still a requirement for some products, we are increasingly seeing a move towards remote set-up and support. The pandemic accelerated this transition; we had to innovate and find a...

Submitted by Karl Mehring

Published 29 June 2022

The Future of Broadcast Technology

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1. What vision do you have of the broadcast technology business beyond 2030? Now that OTT and VOD have become more mainstream, many commentators talk about traditional broadcast methods, like terrestrial transmission, being a thing of the past. With so many new platforms and non-traditional content services carving out a growing slice of the marke...

Submitted by Manfred Reitmeier

Published 01 June 2022