I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours," National Geographic Channel's "Ultimate Survival Alaska," and MTV's "Are You The One?" I'm also the editor for Theory Studios, an online animation studio that produces short cartoons and VFX. I came up in the industry as a camera operator, but in the past five years I have moved into data management.
The nature of my work means that I'm often responsible for ingesting a variety of formats and codecs from an array of different cameras in the field, so I need a viewer that allows me to check timecodes for production and postproduction, apply LUTs on the fly, and check picture and sound for quality control. Many times I found myself using a different viewer for each codec.
For example, if we were shooting Sony XDCAM, Canon MXF, GoPro H.264, and Alexa RAW all in the same day, I would have to use different viewers for each of those codecs, often having to transcode proxies for viewing. Some of the viewers couldn't play back sound, and others wouldn't even display simple timecode. These drawbacks simply made my job harder and more time-consuming than it needed to be.
All of that changed when I began using Imagine Products' HD-VU2 native file viewer, because HD-VU2 does all of the above and more in one application. There were times when I had to use four or five different viewers to accomplish what HD-VU2 does in one. I can now apply LUTs for the director of photography right from HD-VU2, and being able to make necessary adjustments in the field helps save time in postproduction. I can also create playlists of different videos or even separate the footage into shooting days and save it from within HD-VU2, making it quick and easy to reference previously shot material.
Another great feature in HD-VU2 is the ability to search the entire library and effortlessly locate specific clips. Before I used HD-VU2, I would have had to search through pages of logs manually to locate a specific clip on a drive, then go through the drive to find the clip, then open the clip in the appropriate viewer €” a viewer that might not have audio and timecode playback capability. Now I can randomly search all of the clips in my library without having to open multiple programs, saving me time and potential confusion.
One of my favorite functions is the Frame Snapshot feature, which allows me to take a quick screengrab of the current frame in the viewer. We use this all the time in the field to add stills quickly to producer notes for the network and for continuity purposes.
HD-VU2 is my viewer of choice when managing multiple codecs and formats in the field and in the studio. Whether I'm working on network TV series, short films, commercials, cartoons, or documentaries, HD-VU2 always seems to find its way into my workflow for quickly checking my shot material. Typically I use HD-VU2 in conjunction with Imagine Products' ShotPut Pro, which lets me offload cards to multiple backup locations simultaneously. ShotPut Pro saves me time and gives me field-proven assurance that my data is being transferred and backed up securely and efficiently. HD-VU2 allows me to quickly and easily organize that footage into playlists, check timecodes for my logs, and implement quality-control measures to ensure that our cameras and audio equipment are functioning properly in the field.
HD-VU2 was especially helpful when working with Catalina Entertainment on the National Geographic Channel show "The Raft." I was tasked with creating a data-management workflow for Canon XF-105, Canon 5D, Sony PMW-200, and GoPro video cameras; Fujinon point-and-shoot cameras; and Sound Devices 664 field production mixers for audio recording.