#TVFUTURES


Will Ingram TV-Bay Magazine
Read ezine online
by Will Ingram
Issue 83 - November 2013
So, what am I working on at the moment? Well, we currently have two practical units running side-by-side: Video Production and Multimedia. For VP we are producing a 20-minute documentary that we have chosen to film in an Inside Out style featuring some traditional crafts and businesses within Weymouth and the surrounding area. The kinds of companies on board so far are a family bakers, a blacksmith, glass blowers and we are hoping to include a very old established rural butcher. As well as planning to film these businesses for the documentary we have decided to produce our own advertisements to punctuate each feature meaning we must find and film another eight local businesses within the next six weeks. As the original concept of the piece was to focus on the Weymouth area, our aim is to try and relate the adverts to this theme - which is becoming quite stressful! We plan to make adverts for businesses, attractions and upcoming events allowing us to showcase Weymouth for everything it has to offer and hopefully attracting future commissions from local traders.
For our Multimedia unit, we have been exploring alternative platforms and our IPTV piece (like the documentary) is still in pre-production but its also looking equally as exciting and potentially as stressful, but Im sure well manage. For this project we have planned a programme that can and will be streamed online and on the college intranet when we record it live. The idea is to create a show similar to Later, with Jules Holland in which we will invite local musicians to come into the studio and give a live acoustic performance. The show will also feature pre-recorded performances as well as live interviews within our purpose-built and designed set. Although still in pre-production weve had the chance to do one shoot with a musician which allowed us to play around in various roles and not just our allocated slots, with me taking on the roles of director and vision mixer.
Im really looking forward to working on both projects we have at the moment, they are two production areas that I have a lot of interest in and I'm also looking forward having the chance to gain experience working and liaising with clients and musicians.

I am also currently working to try and find any placement I can for the work based learning aspect of the course, but also and more importantly for my personal growth. So far Ive emailed numerous companies with few responses, but Ill keep trying and hopefully something will come along!


Tags: iss083 | tvfutures | video production | multimedia | studying | courses | case study | follow | tv-bay | Will Ingram
Contributing Author Will Ingram

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Contributing Author Garth de Bruno Austin Click to read or download PDF
Using Wireless Transmission
Jeremy Benning Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam where that helps tell the story. Any equipment which frees their movement and time by being lighter, easier to use and reliable in performance is going to tick a lot of boxes.
Tags: iss134 | wireless | 4k | transmission | Jeremy Benning
Contributing Author Jeremy Benning Click to read or download PDF
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF
An Obituary to Timecode
Bruce Devlin - new A stoic and persistent character that stubbornly refused to change with the times, Timecode has finally passed on, but no-one has noticed. A long-lasting industry veteran, Timecode was brought into this world at an uncertain date in the late 1960s due to the needs of analogue tape workflows and the demand for synchronisation between audio and video devices. A joint activity between SMPTE and the EBU led to the work on Time and Control codes starting its journey to standardisation in the early 1970s.
Tags: iss134 | timecode | smpte | ebu | edit | Bruce Devlin - new
Contributing Author Bruce Devlin - new Click to read
The Wireless Way to 4k
JP Delport DTC’s AEON group of products have been specifically designed for the 4K market. We encode with the more efficient HEVC algorithm, which means we are taking a 12G signal and compressing it to a bitrate that can be managed over an RF link. So what makes this a leading idea in the 4K revolution?
Tags: iss134 | wireless | 4k | transmission | JP Delport
Contributing Author JP Delport Click to read or download PDF